• 한국염색가공학회지
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• 제18권6호
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• pp.16-24
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• 2006

The purpose of this study is to improve the defects of chitosan crosslinked viscose rayon by ECH and to describe the change of hand of chitosan crosslinked viscose rayon fabrics. The chitosan crosslinked viscose rayon were manufactured by crosslinking process using ECH as crosslinking agent, 2 wt% aqueous acetic acid as a solvent of chitosan and ECH, and 20 wt% aqueous sodium hydroxide as crosslinking catalyst. Viscose rayon were first immersed in the pad bath of the mixed solution of chitosan and ECH, padded up to 100 wt% wet pick-up on weight of fiber(owf), precured on pin frames at $130^{\circ}C$ for 2 minutes, immersed in NaOH solution and finally wash and dry. Antimicrobial properties of the viscose rayon treated with chitosan were measured by the shake flask C.T.M. 0923 test method with staphylococcus aureus(ATCC 6538) as the microorganism. When the concentration of chitosan was increased chitosan crosslinked viscose rayon's LT, WT, B, 2HB and MIU were increased and G, 2HG, SMD, T and $T_m$ were decreased. On the other hand, WT, EM were decreased and RT was increased at $1{\times}10^{-2}M$ ECH. The optimum condition for crosslinking was that ECH concentration was between $1{\times}10^{-2}M\;and\;5{\times}10^{-2}M$. Antimicrobial effects of rayon fabric treated with chitosan was excellent.

• 복식문화연구
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• 제24권4호
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• pp.431-440
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• 2016

The purpose of this research is to revive the colors of combination dyeing and mixed dyeing with natural dyestuffs. The fabrics used were cotton and rayon. The natural dyestuffs used in this research were indigo, Phellodendron amurense, and Caesalpinia sappan. The effects of combination dyeing were as follows. First, all samples showed deeper colors. Second, according to the results of the surface K/S measurement, while the surface K/S of cotton was over 15, that of rayon was over 17. Third, the results of the light fastness measurement showed the superiority (by over grade 4) of all the samples, except in the case of rayon fiber sample no. 6 (which had been pre-dyed with indigo five times before being dyed with P. amurense once and then being dyed with C. sappan once). In the color fastness to washing measurement, all fibers showed superiority (by over grade 3~4). In addition, the color fastness to dry cleaning of all fibers was satisfactory or excellent (by over grade 3). Fourth, according to the results of the tensile strength measurement, it tended to decrease in the case of cotton and increase in the case of rayon. Fifth, the results of the density measurement showed that the density of cotton decreased by about 15~20% in the case of warp and 10% in the case of weft for all samples. The density of rayon decreased 20% in the case of warp for all samples and increased 30% in the case of weft for all samples.

• 복식
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• 제64권8호
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• pp.83-96
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• 2014

This study aims to analyze the design of current nurse uniforms, investigate the state of nurse uniforms, and uniform design preferences in order to ultimately develop functional nurse uniform, which satisfy their needs. First, observing photos of nurses' campaign on wearing a badge showed that opening of top uniform almost always incorporated buttons, and sleeves were mostly set-in half sleeves while collars tended to be mandarin collars. The colors were mostly white for both top and bottom, while the top showed a bit more variety in colors. White tops often incorporated hospital logos on them. Second, in terms of the nurse uniform distribution, each nurse is given one top and one bottom per year. In addition, either a cardigan or a jacket on top of the regular summer uniform constitutes the winter uniform, whereas the availability of cardigans differed by hospitals. Third, the main source of contamination of uniforms was blood, and the level of satisfaction was all low in terms of the design, function, and material of the uniform, calling for the enhancement and development of new uniforms. Design preferences were two-piece with pants, color preferences were blue and pink, and pattern preferences were hospital logo, stripes, and check patterns in the listed order of preference. Complaints were usually made on the contamination of front pocket of the top, lack of sufficient pockets for storage, and tightness of the sleeves. Some preferences on finishing were the princess seams, mandarin collar, set-in half sleeves, and button closing on top. The preferred belt was a mixed form of straight-lined belt and rubber belt, and straight lined hem and spandex blended fabrics were favored for the clothing.

• 분석과학
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• 제13권1호
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• pp.89-95
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• 2000

식물섬유, 합성섬유 및 혼합섬유를 원료로 하여 3등급의 활성탄소섬유를 제조하고 미세기공 및 세공특성을 검토하였다. 제조한 활성탄소섬유의 흡착등온선은 모두 $20{\AA}$ 이하의 기공크기를 나타내는 Type I을 보였으며 미세기공 직경은 $5.6{\pm}0.3{\AA}$ 이내에서 최대 분포를 나타냈다. 활성탄소섬유의 질소 또는 아르곤 흡착에 의한 비표면적($S_{BET}$), 산화율, 액상 요오드흡착에 대한 상관 관계를 조사한 결과 비표면적이 $1600m^2g^{-1}$까지는 비표면적의 증가와 액상 요오드흡착량이 직선 관계를 나타냈으나 그 이상의 비표면적에서는 요오드 흡착량이 낮은 결과를 보이고, 비표면적이 증가할수록 제품의 burn-off가 크게 나타났다.

• 펄프종이기술
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• 제29권3호
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• pp.7-16
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• 1997

The constituents of deposits on paper machine and holes/spots in paper have been studied by consequently a combination of analytical techniques, such as FTIR, Py-GC-MS, and. EDS. FTIR spectroscopy was used prior to Py-GC-MS and EDS analysis, as preliminary analysis technique. The analysis of organic components were carried out with the use of a pyrolysis unit connected to a GC-MS, and inorganic components in ash were analysed by SEM equipped with an EDS analyzer after pyrolysis at 59$0^{\circ}C$. The deposits on the dryer section were complex pitch, which was the mixture of the organic contents of fatty acid ester and starch, and the inorganic contents of talc, clay, and calcium carbonate. The complex pitch was estimated to come from the coated broke. We knew the deposits on the metering rod of sym-sizer were associated with the interaction of unstable AKD and CaCO$_3$. The compositions of holes or spots varied considerably and were associated with chemical interaction within the system. The holes, spots, and blotches in the finished paper were PE and PP that were streamed out from pulp sources, complex pitch that were caused by the interaction of the different additives in the system, polymer such as flexible PVC that used for the prop of palette, and hot melt as adhesives that came from the inadequate handling of broke. In addition, we identified that poly(caprolactam) which is used for forming fabrics or press felts, could be mixed with the raw materials by accident and results in streak on coating.

• 폴리머
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• 제33권2호
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• pp.175-182
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• 2009

Isophorone diisocyanate(IPDI)를 이소시아네이트 화합물로 사용하고, poly (tetramethylene glycol)(PTMG)과 polycarbonate diol(PCD)을 혼합한 폴리올을 사용하여 선형 수분산성 폴리우레탄(WPU)을 합성하고, 이들을 필름으로 캐스팅하여 폴리카보네이트(PC) 함량 변화에 따른 기계적 특성과 염색성, 내알칼리성 변화를 분석하였다. WPU 필름에 PC 성분의 함량이 증가함에 따라 인장강도는 증가하고 파단신도는 감소하였으며, 분산염료에 대한 겉보기 염착량이 감소하였지만, 내알칼리성은 영향이 없었다. 합성한 WPU 용액을 PET 섬유 인공피혁용 함침가공제로 사용한 결과, PTMG 만을 폴리올로 사용한 WPU 수지로 처리한 경우보다 인공괴혁의 마찰견뢰도, 일광견뢰도, 내세탁성 등 염색견뢰도를 크게 증가시킬 수 있었다.

• 한국의상디자인학회지
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• 제20권4호
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• pp.105-115
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• 2018

This paper presents an investigation into Cheollik based on 288 records about it at the homepage of The Annals of the Joseon Dynasty on the Internet. Cheollik was called in diverse names and worn by various social classes from kings to common people, but it was solidified as clothes for military officers toward the latter half of Joseon. Not only did it serve the purpose of clothes, but it also was used for a royal grant, diplomacy, shrouding a corpse, and royal coffin. It served the diplomatic purposes a lot especially during the reign of King Sejo and King Seongjong. Cheollik was usually made of cotton, hemp, silk, and mixed fabric with silk used most. Its major colors include white, green, red, blue, black, purple, grey, and yellow with white used most. The fabrics and colors of Cheollik became simplified toward the latter half of Joseon. Silk was most used in Cheollik for a royal grant, shrouding a corpse, and royal coffin. White was most used in Cheollik for kings' visit to royal tombs or their participation in ancestral rites. There were limitations with the selection of materials according to the social status and situations. It was stipulated that only Sa and Ju were used to make Cheollik for Dangsangguan and Danghaguan. Cheollik made of silk was banned for country residents and merchants. The color of Cheollik for Danghaguan was changed to blue and then red. Of military officers, only those who had a Gonsu title or higher were allowed to wear Cheollik made of silk in various colors. In the end, Cheollik was abolished for its low convenience and efficiency during the rule of King Gojong.

• 자원환경지질
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• 제52권5호
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• pp.485-497
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• 2019

조선왕조의 옥책을 구성하는 암석은 다양한 산출상태를 보이지만, 색을 기준으로 녹색과 백색으로 구분된다. 녹색을 띠는 암석은 방해석과 사문석으로 구성된 옥질 암석이며, 백색의 암석은 결정질 방해석으로 이루어진 대리암질암이다. 옥질암은 녹색조가 강할수록 X-선 회절분석에서 사문석의 강도가 증가하는 양상을 보여, 옥의 품위는 사문석의 함량과 관계가 있는 것으로 나타났다. 국립고궁박물관 소장 옥책 252점의 암종분류 결과, 옥질암으로 제작한 옥책은 104권(41.3%), 대리암질암 98권(38.9%), 혼합사용 50권(19.8%)으로 세분되었다. 두 암종을 혼합사용한 옥책에서는 대리암질암이 우세한 것이 47권(18.6%)으로, 전체 옥책의 절반 이상에서 대리암질암이 사용되었다. 대체로 옥책의 품질은 조선의 말기로 갈수록 떨어지며, 대리암질암의 사용 빈도가 증가한다. 또한 글자의 안료나 금속제 부속품 및 직물의 품질도 저하되는 경향이 함께 나타난다. 이는 조선 말기로 갈수록 약화된 왕권, 국력 및 재정 등 사회상이 반영된 결과로 보인다. 옥책에 사용된 옥은 국내에서 생산되는 춘천 연옥이나 부여 귀사문석과는 다른 광물학적 특징을 가지고 있으며, 고문헌 자료에는 경기도 화성의 남양 일대에서 채석했다는 기록이 있다. 남양 일대는 편마암 지대에 해당하며, 백운모 편암 사이에 석회암 및 석회규산염암이 협재하고 있다. 이 석회규산염암은 투휘석을 포함하여 변질작용을 통해 사문석이 형성될 수 있으며, 소규모로 형성된 옥을 채굴하여 옥책 제작에 사용했을 가능성이 있다.

• 공업화학
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• 제9권1호
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• pp.135-140
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• 1998

제지공정 트러블을 일으키는 침착물과 제품의 품질을 저하시키는 종이내 불순물들의 성분을 기기분석하였다. 우선적으로 퓨리에변환 적외선분광기(FT-IR spectrometer)를 이용하여 이물질의 원형 그대로를 측정하여 예비정보를 얻은 뒤 열분해-가스크로마토그래피-질량분석기(Py-Gc/MS)를 이용해서 불순물들의 유기성분을 분석하였으며, $590^{\circ}C$에서 열분해시키고 난 ash는 에너지분산분광법(EDS)을 이용하여 무기성분을 분석하였다. 초지기 건조부에 침착된 성분은 지방산 에스테르 및 전분 등의 유기 이물질과 탈크, 크레이, 탄산칼슘 등의 무기 이물질로 이루어진 복합적인 피치형태로써 재사용 도공파지 성분에 의한 것이며, 심사이저 메터링로드에 끼인 침착물은 불안정한 alkyl keten dimer(AKD) 성분이 탄산칼슘과 상호작용하여 침착을 일으킨 것으로 분석되었다. 종이내 구멍 성분은 주원료로 사용되는 펄프에서 혼입된 것으로 판단되는 PE및 PP 성분과 초지공정에 사용된 주 부원료들간의 불안정한 상호작용에 의해 응집된 복합적인 피치성분으로 확인되었다. 작업상의 부주의로 완정공정에서 사용되는 hot melt 및 파렛트 받침대로 사용되는 가소제를 첨가하여 유연하게 만든 PVC 성분이 재사용 파지와 함께 혼입되어 종이내 얼룩 및 반점 등을 발생시키기도 하며, 초지기 용구로 사용되는 고분자 물질(와이어 또는 펠트)의 일부가 사고 등에 의해 공정중에 혼입되어 도공시 스트리크를 발생시킬 수도 있음을 알 수 있었다.

• 복식
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• 제44권
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• pp.181-199
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• 1999

The industry of modern clothing has deviated from the overflow of commercialism and the standardization and nowadays is going toward pursuing art, creativity, and high added value. This trend brings the return of the natural materials from the synthetic textiles and increases the value of old and handmade fabrics. Finally, the handmade-paper, which is a natural material, comes to be reconsidered as a new material for the clothing. Therefore, as the natural materials and the manufacture of handmade clothing are rising again, the qualitative improvement and globalization of clothing industry should be first realized through the developments of creative and various clothing materials and new expressing techniques. The above investigation and study have been synthesized and analyzed as follows: First, through the study on the origin of the paper clothing, its historical background and the process of its development, we've learned these two facts following : the paper clothing of the East in the past mostly had practiced meanings. On the other hand, in the West it had meanings which were raised the artist's emotions and beauty-consciousness to the artistic level by the various kinds of expressing methods. Second, handmade-paper was manufactured by the embedding method, which mixed mulberry pulp, gauze, corn, hair, sisal, silk and so on. It was found that handmade-paper had the affluent and proper texture as the clothing material and was be able to control the clarity through the variation of thickness. It was also confirmed that the creative and original texture with hand-worked molding beauty was obtained by the use of handmade-paper. Third, when the handmade-paper is used, the molding beauty of plane, relievo, and solid can be freely pursued, and various and effective molding conformation can be constructed by the effect of superposition and repetition. Also, because the maximum discretion from the various optional manufacturing methods is allowed, the molding beauty can be maximized when the clothes are manufactured with handmade-paper. Fourth, the gauze with strong drape was combined to overcome the stiffness and the tearing of the paper. As a result, the durability and the wearability of the paper were strengthened and thus the thus the applications as the clothing material were enlarged. In conclusion, in order to enhance the value, creativity, practicality, and artistic sense of the design for modern clothing, the clothes made of handmade-paper should be more studied. Moreover, for the generalization of paper clothes, the studies on the development of practical paper with paper with water resistance, post-treatment after dyeing, flexibility, and durability should be done. I really hope that this study will be the motive to provoke the possibility of handmade-paper as new clothing material in not only practical sense but also artistic sense.