• 한국비블리아학회지
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• 제29권1호
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• pp.209-231
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• 2018

본 연구는 매뉴스크립트 수집정책 구성요소와 관련한 선행연구와 국내외 문학관의 실제 수집정책을 비교, 분석하여 국내 문학관이 수집정책을 수립할 때 고려해야 할 수집정책의 구성 요소를 제안하는데 그 목적이 있다. 문헌연구를 통해 연구자들이 제시한 구성요소와 하위요소의 내용을 분석하였고, 국내외 문학관의 수집정책 사례분석을 진행하였다. 국내사례로는 세계여성문학관의 자료 선정 내규와 국립중앙도서관의 장서개발정책을 참조하였으며, 국외 문학관은 14개의 영미권 문학관을 대상으로 수집정책 원문을 확보하여 비교, 분석하였다. 분석대상 문학관의 수집정책 원문의 구성요소를 내용에 따라 재구성하여 총 27개의 구성요소를 도출하였으며 5가지 주제로 분류하여 분석하였다. 마지막으로, 도출된 구성요소들을 비교분석하여 국내 문학관의 수집정책 수립 시 채택할 수 있는 11개의 기본 요소 및 14개의 선택요소를 제언하였다.

• 한국초등과학교육학회지:초등과학교육
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• 제33권4호
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• pp.620-633
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• 2014

This study was to examine elementary students' expectations on informal science learning in science museums which have characteristics of free choice learning. $5^{th}$ and $6^{th}$ grade students in two different elementary schools in Gyeonggi province participated in the survey and 330 samples were collected. Subcategories for the survey were categorized on the basis of review of the literature about the learning outcomes from science museums. The survey instruments were developed following the idea of each subcategory from the learning in science museums and a content validity of the survey instruments was checked. The results were as follows: Generally students' had high expectations of all subcategories and developing their interests in science through science museums was confirmed the most. Moreover, expectations on learning in science museums were differences between gender and grade. Finally, it was found that grade differences of expectations on learning in science museums were affected by intrinsic motivation, and empirical activity were affecting the gender differences of those. Based on the results of study, elementary students could confirm that the science museums had the important values and possibility as a field of informal science learning. And this study implied that the science museums could enhance more educational roles of informal science learning.

• 한국의류산업학회지
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• 제20권2호
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• pp.143-155
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• 2018

The purpose of this study is elucidate the status and role of fashion house museums including art museums that are affiliated to luxury fashion brands. This study is significant in that it offers profound understanding of the history of luxury brands and the direction of communication these luxury brands are taking through online and offline museums. For research methods in this study, literature review and case studies were combined. Based on the luxury type classification by Sicard, the scope of research was determined to include the French classical luxury brands to modern luxury brands and contemporary luxury brands. Examining the current status of fashion house museums, it was found that Cartier Foundation for Contemporary Art is an art museum operated by the luxury fashion brand, Cartier. Other fashion house museums in operation included $Herm{\grave{e}}s$ Museum, Foundation Louis Vuitton Museum, $Crist{\acute{o}}bal$ Balenciaga Museum, Yves Saint Laurent Museum, Gucci Museum, Christian Dior Museum, Prada Foundation Museum, Ferragamo Museum, Armani Silos, and so on. As for online museums, there was Valentino Garavani Virtual Museum. These luxury fashion brands' museums serves the following roles: provides references to the fashion industry professionals and researchers; differentiates the brand as means of experience marketing; promotes the brand and enhances brand communication through exhibitions of the founder and designers; archive the brand's design and builds the brand's history as a means of storytelling marketing.

• 한국과학교육학회지
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• 제24권1호
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• pp.63-75
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• 2004

The purpose of this study is to explore characteristics of on-line teaching materials on websites of natural history museums, particularly with regard to educational perspectives and the nature of science. The target resources were selected from the websites of the Natural History Museum in London, the Australian Museum in Sydney, the Field Museum of Natural History in Chicago, and the Smithsonian Museum in Washington D.C.. A total of twelve on-line resources from these museums used in this study were selected as representative informal science teaching materials. For the investigation, this study developed a checklist with a total of nine items that were grounded on mostly reviewing previous literature and articles focusing on educational perspectives of natural history museums and science centers. Exciting and positive results were found in all four museums. The analyses, however, indicated weaknesses as well as strengths in on-line resources regarding their usages as informal science teaching venues.

• 한국실내디자인학회논문집
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• 제21권6호
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• pp.204-211
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• 2012

The purpose of this study is to analyze characteristics and expression methods of contemporary art museums from the perspective of 'Rhizome', which is considered under similar context as 'indeterminacy' that represents the characteristics of contemporary public spaces. Methods of this study are as follows. First, necessity of this study is verified by investigating literature data and preceding studies, and by examining the fact that indeterminate characteristic is a new approach to contemporary public spaces. Second, in order to analyze Rhizomic expression in public spaces, analysis criteria are suggested by extracting components of public spaces and spatial characteristics of R150hizome from the literature. Third, Rhizomic characteristics and expression methods used in contemporary art museums are understood based on such analysis criteria. Fourth, when each spatial characteristic is expressed in art museums, the study found out that two factors among 'program', 'circulation', and 'form' are planned out as a mixture. Therefore, 'cohesion' is expressed as 'program' and 'form' in contemporary public spaces viewed from the perspective of 'Rhizome'. Also, 'diversity' is actively expressed through 'program' and 'circulation', and 'non-hierarchy' through 'form' and 'circulation'. Such methods are positive methods of expressing indeterminate contemporary public spaces. Since this study conducted analysis on characteristics and expression methods of public spaces from Rhizomic perspective of contemporary society, such results are deemed valuable in planning out public spaces that reflect the characteristics of contemporary society.

• 한국실내디자인학회논문집
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• 제20권6호
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• pp.192-199
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• 2011

The purposes of this study are to present the criteria for a sensibility rating scale for measuring the general women's perception of museums' spatial environment, through an empirical analysis; and to clarify the characteristics of the presented rating scale in terms of each rating element and factor. For this study, a survey was conducted during August 19 - September 16, 2010, and a total of 342 museum visitors participated in the survey. A sensibility rating scale used for the survey consisted of a total of 32 adjectives selected from a literature review of previous studies. To specify the dimensions of semantic space using the semantic adjectives, words with opposite meanings were analyzed with the semantic differential technique developed by Osgood et al. Using SPSS, a reliability analysis, factor analysis were conducted on the data obtained from the survey. The results of this study can be summarized as follows: According to the women's perception of museums' spatial environment, six factors were found from the 25 semantic ratings of the Museum. The summarized criteria were: 'aesthetic', 'pleasant', 'valuable', 'function', 'affinity', and 'material.' The derived criteria were verified through an empirical test using emotional adjectives. In the coming years, the results of this study will serve as valuable data for constructing a sensibility rating scale for evaluating spatial environments of museums.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.11-19
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• 2013

The number of visitors to historic sites and museums in Korea has been on a rapid decrease and in order to search for creative ways to work on the problem, the study proposed a theme park-typed museum with cultural heritage applied and reviewed spatial strategies for such theme park-typed museums. Applied methods of research of this study are as follows. First, in order to understand definitions and current situations of cultural heritage use and theme park-typed museums, the study went thoroughly over all sorts of literature and reports as well as findings of advance researches on how to make a use of cultural heritage. Based on the results of the investigations, the study determined characteristics of the theme park-typed museums with cultural heritage applied which the study was proposing and the characteristics were categorized by type. Considering those characteristics and types gained in the study, the study looked for cultural heritage-based theme parks and museums in the world which were good enough to be used as research subjects in the study from the aspects of profitability and level of awareness. The study examined those theme parks and museums in the world and in the end, it found out ways to adopt the findings to the situations in Korea and discussed expecting effects as well. As to the characteristics of the theme park-typed museums with cultural heritage applied, the study divided those characteristics into mutual cooperation, location, communicability, authenticity, maintainability, education, durability, narrativity, undailiness, interactivity and leisure. The types were categorized into ride, environment direction, cartoon character and souvenir by attraction pattern. When cultural heritage is used actively, it would improve competitiveness of historic cultural sites and museums in return, making people realize the iterative structure of excavation, conservation, maintenance and use of cultural heritage. That would create many kinds of added values, re-discovering culture of the country. At the same time, it would also create a new value of culture as well. Now, it is important for us to do harder with researches on how to evolve museums and exhibition spaces. Considering that, the study is believed to make a contribution to revival of historic sites and museums in Korea but also establishment of scientific strategies.

• 기록학연구
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• 제61호
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• pp.31-69
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• 2019

본 연구는 국내 문학관에 분산 소장되어 있는 작가의 문학자료에 대한 기록학적 탐구와 기록관리 적용에 관한 검토를 통해 문학기록에 적합한 조직방안을 모색하고자 한다. 먼저 문헌 연구와 사례 분석을 통해 문학 기록의 특성과 가치에 적합한 조직화를 위한 '원질서의 원칙'을 탐구했다. 다음으로 '디아스포라 아카이브'를 사례로 문학기록 조직화에 적합한 모형을 도출한 후, 국내 지역문학관에 '분산 컬렉션'의 형태로 존재하는 작가 조정래(1943~)의 문학자료를 대상으로 조직 모형을 적용하였다. 연구결과 조정래 작가의 '분산 컬렉션'에 통합적으로 접근하기 위하여 ICA AtoM 기반 '기록-작가-문학관' 관련 기술정보를 연계하여 단일한 게이트웨이를 통하여 제공하는 모형을 제안하였다. 아울러 개별 문학관의 소장 자료도 기록 조직화의 원칙에 따라 계층적 분류체계를 적용하여 기존의 건별 목록에 비하여 보다 풍부한 집합적 맥락적 정보를 제공할 수 있도록 하였다.

• 한국지구과학회지
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• 제24권4호
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• pp.281-289
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• 2003

본 연구의 목적은 세계의 유명한 자연사 박물관을 대상으로 관람객의 흥미도를 높이는 데 효과적인 전시 특성과 교육학적인 전시 특성을 알아보는데 있다. 대상이 되는 전시물은 런던에 있는 영국 자연사박물관, 시드니의 호주 박물관, 뉴욕 미국 자연사 박물관, 와싱턴 디시의 스미소니언 박물관이다. 특히 본연구에서 사용한 107개의 전시 표본들은 주로화석, 지구의 역사 그리고 광물과 같은 고체 지구과학교육 내용의 전시에 초점을 맞추었다. 조사를 위해 본 연구는 7개 항목으로 구성된 체크리스트를 완성했는데 각 항목들은 과학관과 자연사 박물관의 전시특성을 다루었던 기존의 문헌을 바탕으로 한 것이다. 또한 교육적인 측면은 Hein(1995)의 연구를 기초로 하였다. 이 연구에서 사용된 107개의 샘플 전시물은 연구자가 직접 방문하여 촬영하고 슬라이드 필름에 보관한 것을 통해 조사를 진행할 수 있었다. 위 4개의 박물관에 대한 조사 결과는 각기 특성있고 긍정적인 결과를 얻었으나 분석을 통해 각 박물관의 다소의 단점도 드러났다.

• 한국콘텐츠학회논문지
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• 제19권10호
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• pp.137-145
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• 2019

에코뮤지엄은 특정 지역을 범위로 하는 담장이 없는 "살아있는 박물관"이라 할 수 있다. 에코뮤지엄은 자연과 문화 유산의 진실성, 완전성, 원생성을 보호하고 보존하며 전시하고, 사람과 유산의 유기적 관계를 강조한다. 1971년 프랑스인 조지 헨리 리비에르(Georges Henri Riviere)가 "에코뮤지엄"이라는 개념을 제시했다. "생태"는 자연생태와 인문생태를 포함한다. 이후 캐나다, 영국, 미국, 중국으로 확산되었다[1]. 본 연구는 우선 에코뮤지엄의 개념을 정리하고, 기존 문헌을 정리하며 각각 쑤동하이, 후자오샹, 리비에르의 연구에서 6개의 요소를 선정하여, 이를 분석 프레임으로 여러 나라의 에코뮤지엄을 분석하였다. 분석결과에 따르면 이 이론의 프레임은 에코뮤지엄 연구에 적용할 수 있을 뿐 아니라, 향후 본 연구자가 진행 하고 자하는 중국 소수민족 지역의 에코뮤지엄 연구에도 활용할 수 있을 것이다.