• 천문학논총
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• 제30권3호
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• pp.801-810
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• 2015

The royal astronomical observatory compiled the Astronomical Almanac during the Joseon dynasty, though there were some changes of its organization. However, the observatory underwent sudden changes in the late period mainly due to the influence of historical events such as the Gabo (甲午) and The Eulmi (乙未) Reforms in 1894 and 1895, respectively, and the Japanese invasion in 1910. In this paper, we study the changes of the compilation institution of the Korean Astronomical Almanac and of its organization for the period of 1894 to 1912. During this period, the name of the observatory had been changed several times, from Gwansanggam (觀象監) to Gwansangguk (觀象局) in 1894 and to Gwansangso (觀象所) in 1895. In addition, the affair of the Astronomical Almanac compilation was transferred to the Editorial Bureau [編輯局] of the Ministry of Education [學部] and to the Editing Department [編輯課] of the Governor-General of Korea [朝鮮總督府]. In 1907, the Gwansangso was abolished. Moreover, the affair of timekeeping was separated and the official number of personnel was reduced to less than 5% compared to that of Gwansanggam. Consequently, the royal astronomical observatory was significantly reduced in terms of its functions and the organization through the process of those changes. Therefore, we believe that this period is important when seeking to understand the transition between the traditional Astronomical Almanac of the Joseon dynasty and its modern astronomical counterpart of the present day.

• 건축역사연구
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• 제28권6호
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• pp.43-54
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• 2019

The grade of East Asian architecture is generally classified by the size, the shape of the roof, and the type of bracket set. The craftsmanship of columns, beam, purlin, stylobate, column base stone and paintwork is also a contributing factor for such classifications. These classifications can be found not only in historical documents such as 「Oksajo(屋舍條)」 of 『Samguksagi(三國史記)』 but also in 「house details regulations of residential architecture(家舍規制)」 of Joseon Dynasty. However, there are differences in detailed designs among the same grade of architecture regardless of the classification. In this research, the Palace, the Royal Residence(宮家), and the Jaesil(齋室) are considered as the Palatial Buildings and Royal Residences. And the advanced architectural o details which appear only in the Royal Architectures are defined as the 'The Architectural Crafts as a Code of Manners'. The Architectural Crafts as a Code of Manners is detailed design, which can be seen as fabrication of materials and supplementary factors. The Architectural Crafts as a Code of Manners used in the Palatial Buildings and Royal Residences reveal the types and their historical changes. This research will present a basis for the repair and restoration of cultural heritages to be carried out in the future, and also prevent them from further damages, thus help to preserve the cultural heritages.

• 건축역사연구
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• 제20권3호
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• pp.23-38
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• 2011

The Axes and Adzes are the oldest tools since the beginning of human history which is used to cut the tree and make part of architecture such as boards, square timber etc. Nowadays, these old woodworking tools especially "Jagui(자귀)" (adze) has been almost disappeared at the working site of residential and cultural properties. It is necessary to study Korean traditional woodworking tools to keep Korean traditional skill and technology. It has been reviewed the change of shape of "Jagui(자귀)" (adze) from before Samhan (삼한) period to Joseon Dynasty through excavated relics and paintings and summarize as follows: Based on excavation relics of Dahori, both plate type blade and pocket type blade are used for "Tokki(도끼)" (axe) and "Jagui(자귀)" (adze). The excavated "Jagui(자귀)" (adze) from Jeongbaikri 356 tomb, near Pyongyang is prototype of "Jagui(자귀)" (adze) used nowdays which has almost same shape as well as the insert method of blade and handle. The auxiliary handle is inserted to blade and the main handle is inserted to the auxiliary handle which is different from the method of Chinese and Japanese "Jagui(자귀)" (adze). The length of handle of "Jagui(자귀)" (adze) until late Joseon Dynasty is short by which we assume it is used for a sitting position as hand held Jagui and from that time long handle has been introduced for a standing position which is called "Sunjagui(선자귀)". "Jagui(자귀)" (adze) has been used since the beginning of human history but it is almost disappeared at the most of woodworking site which is the crisis of Korean traditional architecture and we have to do something to keep it.

• 공학교육연구
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• 제5권1호
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• pp.77-84
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• 2002

홍대용은 서양의 과학기술이 수학적 원리와 정밀한 관측에 근거하고 있음을 확인하고, [주해수용(籌解需用)]이라는 수학책을 저술함으로써 수학자로 일컬을 만 하다. 그리고, 홍대용은 동양의 자연관과 우주관을 비판적으로 수용 검토하고, 서양의 과학사상에 근거하여 무한우주설을 포함한 여러 가지 진취적 과학사상을 제시함으로써, 조선후기의 자연과학자로 인정할 수 있는 업적을 남겼다. 또한, 실천을 중요시한 홍대용은 서양식 혼천의와 자명종을 이해?수용하고 기술자의 도움을 받아 제작하여, 자신의 개인관측소(籠水閣)에 설치할 정도로 기술자로서의 면모도 갖추었다. 홍대용의 과학자 및 기술자로서의 측면을 통하여, '수학적 사고, 창의적 구상, 실천적 활동' 등을 21세기 한국의 우수한 기술자를 양성하기 위한 교육방향으로 설정하여도 좋을 것으로 판단된다.

• 대한한의학원전학회지
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• 제28권4호
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• pp.121-137
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• 2015

Objectives : To investigate the progress, characteristics, and reasons of CV12 moxibustion that King Sukjong of Joseon Dynasty had experienced 31 years since 1684. Methods : This study mainly extracted the records and related records about CV12 moxibustion of King Sukjong and relevant records from Seungjeongwon Ilgi, and analyzed them. Aside from that, medical books wrote at that time and relevant records were additionally investigated. Results : King Sukjong cauterized CV12 or other CV12 related acupoints with moxa 21 years out of his 31 years from 1684 to 1714. The cautery period was usually between late January and mid February. He had 100 pieces of moxa for cautery. On the last day of his moxibustion, he cauterized ST36 with moxa. The moxibustion process consisted of the following steps: suggestion or requirement of moxibustion, decision of date and time, and moxa cautery. In 1684, the reason why King Sukjong cauterized CV12 with moxa was to treat his joint pain and nauseous symptoms. The effect can be found in Donguibogam, many other Korean medical books, and other general books at that time. In 1685, he began to cauterize CV12 with moxa to prevent diseases. Since then, most moxa cautery on CV12 had been performed in the same context. Conclusions : For 21 years, King Sukjong repeatedly cauterized CV12 with moxa. The moxa therapy was conducted to prevent diseases mostly. And King Sukjong had a lot of interest in the therapy. For the reasons, the therapy had repeatedly been performed so long.

• 암석학회지
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• 제27권1호
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• pp.67-72
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• 2018

옥동단층대를 따라 발달한 하부 장산층내 견운모 석영 편암의 K-Ar 연령이 옥동단층의 활동시기와 옥동단층이 자르고 있는 장산층의 퇴적시기를 한정하는데 활용할 수 있어 다시 주목 받고 있다. 보고된 3개의 K-Ar 연령 중에서 가장 오래된 연령($562{\pm}2Ma$)은 조선누층군 최하부층인 장산층의 퇴적시기가 신원생대 말기라는 주장의 중요한 근거로 제시되고 있다. 이와 같은 해석은 퇴적분지의 생성과 진화를 포함한 한반도의 지구조적 진화에 매우 중요한 의미를 갖기 때문에 보고된 연령 분석자료(Yun, 1983)의 신뢰도와 지질학적 의미에 대하여 다시 고찰하였다. 그 결과 분석된 암석표품에 함유된 석영은 상당량의 과잉 Ar을 포함하는 것으로 추정되기 때문에 장산층의 연령을 한정하는 근거로 활용하는 것은 적합하지 않으며, 이 암석표품이 나타내는 압쇄운동의 시기는 약 170 Ma로 판단된다.

• 보존과학회지
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• 제32권4호
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• pp.571-578
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• 2016

심희수 초상화 2점의 채색 안료에 대한 분석과 현미경 관찰을 통해 채색 안료의 특성을 조사하였으며 비파괴분석 결과와 비교 검토하였다. 심희수 초상화에 사용된 안료는 색상에 따라 유사한 안료를 사용한 것으로 확인되었다. 적색 안료는 진사/주, 연단을 사용하였으며, 청색 안료는 석청, 녹색 안료는 녹염동광, 백색 안료는 연백을 사용한 것으로 확인되었다. 또한 유사한 형식으로 제작된 17~18세기 조선시대 관복초상화 6점과의 채색 안료를 비교한 결과 제작 시기에 따라 차이를 보였다. 적색 안료의 경우 18세기에 제작된 초상화에서 산화철 계통의 안료가 추가적으로 사용된 특징을 보인다. 청색 안료의 차이점은 18세기 초반까지 사용되지 않았던 회청 안료가 18세기 후반에 제작된 초상화에서 확인된 점이다.

• Journal of Astronomy and Space Sciences
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• 제32권1호
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• pp.73-80
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• 2015

The Yang-gyeong-gyu-il-ui (兩景揆日儀) is a kind of elevation sundial using three wooden plates. Sang-hyeok Lee (李尙爀, 1810~?) and Byeong-cheol Nam (南秉哲, 1817~1863) gave descriptions of this sundial and explained how to use it in their Gyu-il-go (揆日考) and Ui-gi-jip-seol (儀器輯說), respectively. According to Gyu-il-go (揆日考) there are two horizontal plates and two vertical plates that have lines of season and time. Subseasonal (節候) lines are engraved between seasonal (節氣) lines, subdividing the interval into three equal lines of Cho-hu (初候, early subseason), Jung-hu (中候, mid subseason) and Mal-hu (末候, late subseason); there are 13 seasonal lines for a year, thus resulting in 37 subseasonal lines; also, there are 12 double-hour (時辰) lines for a day engraved on these plates. The only remaining artifact of Yang-gyeong-gyu-il-ui was made in 1849 (the $15^{th}$ year of Heon-jong) and is kept at the Korea University Museum. We have compared and analyzed Yang-gyeong-gyu-il-ui and similar western sundials. Also, we have reviewed the scientific aspect of this artifact and built a replica. Yang-gyeong-gyu-il-ui is a new model enhanced from the miniaturization development in the early Joseon Dynasty and can be applied to the southern part of the tropic line through a structure change.

• 박물관보존과학
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• 제18권
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• pp.35-50
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• 2017

국립중앙박물관 목조불상 조사사업 중 복장물에 직물이 포함된 4건 53점의 조사를 실시하였다. 조사 결과 첫째, 복장직물의 직조 방식을 구분하면 고려시대의 라직물 2점과 능직물 5점이 확인되었으며, 조선시대 특징이 나타나는 단직물과 사직물로 분류되었다. 특히 금동관음보살좌상(덕수801) 복장직물에서는 조선 전기와 후기 특징을 지닌 직물로 분류된 것으로 보아 15세기와 17세기에 2차례에 걸쳐 납입이 이루어졌을 가능성이 높다. 둘째, 직물 무늬의 종류는 꽃무늬와 보배무늬, 과실무늬, 동물이 함께 나타난 식물무늬와 구름무늬로 구성된 자연산수무늬로 구별되었다. 셋째, 복장직물의 수량은 적지만 구성에 따라 모든 방위에 해당될 것으로 추정할 수 있는 직물 편이 발견되었다.

• 지적과 국토정보
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• 제49권1호
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• pp.145-156
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• 2019

본 연구는 조선 말기부터 일제강점기까지 제국주의 국가에 의해 설치되었던 조계의 특징과 토지문제에 관해 고찰하였다. 이를 위해 개항장과 조계 설치 관련 문헌을 검토하고 연대기적 분석을 실시하였다. 연구 결과 동아시아 지역은 서구 열강에 의해 중국과 일본이 앞서 개항하게 되었으며, 우리나라에도 개항장 설치 경험이 있던 일본의 주도로 개항장이 설치되었다. 결국 조선의 개항장에서 외국인이 자유로이 거주하며 치외법권을 누릴 수 있는 조계가 설치되었는데, 이는 조선에 불리한 형태였다. 또한 일본의 영향력이 높은 조계 내에는 일본식 토지 면적 단위인 '평'이 사용되었고, 이후 1910년 토지조사사업에서 사용된 면적단위의 기초가 되었다.