• 패션비즈니스
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• 제17권1호
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• pp.98-113
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• 2013

This study is an attempt to analyze the daily life of the Western-yearning Seoul citizens and the inflow of the Western culture into certain social classes. The customs of the characters in the film are studied to illustrate the process of deconstruction of Korean traditional clothes due to the Western influence. The combined application of the Western and Korean styles is also observed. All this study leads to the sense of homogeneity of the times and the conformity to the culture the Korean women shared, which boils down to the social identity of the Korean women who sought an escape from the men-centered social structure by displaying their competence in the field of global modern fashion. As Seonyeong Oh, the main character of the film, , was wearing in the movie the Korean traditional dress, socks, rubber shoes, and then a western-style coat, it well shows that in 1950's, the traditional dress and ornaments were mixed with Western styles. In time, men's wear were completely changed from the traditional Korean clothes to suits, while women's could not break off from the traditional clothes and become westernized, which indicates that the men-centered conservative ideas to keep women within the feudal regime of the society remained. The military look of Seonyeong Oh while she was acting in the society was a symbol of anti-bias against women and anti-convention as well as the will of freedom as an independent woman. Besides, the modern girls would wear clothes of military fashion, Dior's trapeze line, and knit styles flattering the figures. All these well show their desires to embrace Western cultures, especially their dress fashions as well as manners as so-called enlightened ladies. All these elements show that the director was trying to represent the progress of the drama, characters, and psychological states by means of the dress and ornaments.

• 한국컴퓨터정보학회논문지
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• 제29권2호
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• pp.43-50
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• 2024

본 논문은 GPT-3.5 및 GPT-4와 같은 대규모 언어 모델의 한국어 감성 분석 성능을 ChatGPT API를 활용한 zero-shot 방법으로 평가하고, 이를 KoBERT와 같은 사전 학습된 한국어 모델들과 비교한다. 실험을 통해 영화, 게임, 쇼핑 등 다양한 분야의 한국어 감성 분석 데이터셋을 사용하여 모델들의 효율성을 검증한다. 실험 결과, LMKor-ELECTRA 모델이 F1-score 기준으로 가장 높은 성능을 보여주었으며, GPT-4는 특히 영화 및 쇼핑 데이터셋에서 높은 정확도와 F1-score를 기록하였다. 이는 zero-shot 학습 방식의 대규모 언어 모델이 특정 데이터셋에 대한 사전 학습 없이도 한국어 감성 분석에서 높은 성능을 발휘할 수 있음을 시사한다. 그러나 일부 데이터셋에서의 상대적으로 낮은 성능은 zero-shot 기반 방법론의 한계점으로 지적될 수 있다. 본 연구는 대규모 언어 모델의 한국어 감성 분석 활용 가능성을 탐구하며, 이 분야의 향후 연구 방향에 중요한 시사점을 제공한다.

• 한국콘텐츠학회논문지
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• 제4권4호
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• pp.21-32
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• 2004

본 연구는 우리나라의 역사와 문화 그리고 오랜 상상력이 담긴 시나리오 소재 개발에 기여할 한국 전통 몬스터의 원형 재현 및 복원을 목적으로 한다 연구방법은 역사서, 설화, 민화 등의 문헌조사와 전문가의 고증을 근거로 하였으며, 한국 전통 몬스터 50건을 디지털 복원하였다. 연구결과는 다음과 같다. 첫째, 신, 귀, 괴, 인간, 짐승을 포함한 한국 전통 몬스터의 범위를 규정하였다. 둘째, 한국 전통 몬스터의 유형을 위계와 출현 장소에 따라 5급 4부류로 분류하였다. 셋째, 소재 개발에 활용할 전통 몬스터 50종 각각을 디지털 그래픽 이미지와 플래쉬 애니메이션으로 제작하였다. 넷째, 각 몬스터의 스토리를 중심으로 게임, 캐릭터 등 문화콘텐츠 산업 소재개발을 위한 아이디어를 제안하였다. 본 연구에서 개발된 결과물이 앞으로 우리 문화전통에 대한 이해를 높여주는 자원으로 활용되고, 게임, 캐릭터, 만화, 영화 등의 문화콘텐츠 산업분야의 독창적 소재로서 활용될 수 있기를 기대한다.

• 한국콘텐츠학회논문지
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• 제14권7호
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• pp.83-92
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• 2014

본 연구는 한국의 영화산업을 주도하는 기업이 연도별 포트폴리오를 구성하면서 어떤 방식으로 제작비 차별화를 하고 있는 지를 사례연구를 통해 알아보았다. 분석 결과, 롯데엔터테인먼트의 배급전략은 연간 투자포트폴리오에서 제작비가 큰 영화의 투자 비율을 제한하고 전체 예산의 80% 이상을 중간 규모급 영화의 제작에 투자하여 배급 라인업을 보다 더 다양하게 구성하려는 방식을 택한 것으로 나타났다. 이에 반해, 흥행실적은 60억 원 이상의 제작비가 투입된 작품들이 많았고 수익성에서도 가장 높은 수준을 기록하였다. 롯데배급 영화 중 장르별로는 코미디, 드라마가 가장 많이 배급되어 1, 2위를 차지했다. 하지만 코미디와 드라마장르는 수익성 면에서는 7개 장르 중 3, 5위를 차지하였고 액션과 범죄 스릴러 장르가 1, 2위를 차지해, 제작비 차별화 방향과 흥행 실적이 불일치하는 모습을 보였다.

• 한국콘텐츠학회논문지
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• 제17권11호
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• pp.319-330
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• 2017

근래 사드 미사일 배치 문제로 한중관계가 급격히 냉각되면서, 많은 한중합작영화와 엔터테인먼트 사업들의 기획과 제작이 무산되었다. 설상가상으로 중국내에서는 그간 합작영화의 결과를 통한 '한중합작 무용론' 까지 제기되고 있다. 필자는 그간의 한중합작영화들의 많은 실패 원인이 중국영화계에 대한 한국영화인들의 이해와 경험의 부족이라고 판단하였다. 이에, 필자는 본 지면을 통해 중국영화사를 개괄하여 현재 중국영화계의 특성이 형성된 원인을 밝히고, 여타의 장르보다 더욱 까다로운 검열을 거쳐야하는 범죄스릴러 장르인, 한국영화 <블라인드>를 라메이크한 <나는 증인이다>의 경우를 통해 중국영화계의 검열방식과 실제 적용된 사례를 소개하여, 중국영화계의 현주소를 파악하는데 도움이 되고자 한다. 또한 앞으로의 한중합작영화를 준비하고자하는 한국영화인들에게 드리는 제언과 함께, 한중합작 영화산업의 발전을 위한 필자의 의견을 간략하게 피력하고자 한다.

• 지식경영연구
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• 제17권3호
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• pp.181-206
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• 2016

Under the influence of growing popularity of "hallyu" (Korean wave), corporates that have copyrights such as music, movie, drama as their core competitiveness are showing continuing growth. In Addition, they built on contents are rapidly growing, interests in protection and management of intellectual property rights linked to contents are growing. Global contents development corporates are making great efforts to create profits out of copyrights. They could utilize original contents to strengthen brand value use it to produce additional contents in current market. Also they take advantage of existing storyline of the contents and strong brand to explore new markets. This paper looks into Value articulation model by Professor James Conley and analyzed the firms that utilized intellectual property rights to extend the period of protection, strengthen their competitiveness and succeeded in breaking into new market by using the rights they possess. Also, this paper examines the usage of intellectual property rights and business expansion strategy of of Iconix, the Korean entertainment company, which gained tremendous popularity in last ten years using this model. In Value articulation model, Conley classifies the process of exploiting the portfolio of the single product's(or service's) intellectual property right for a period of time into three stages ; value transference, value translation, value transportation. Pororo's strategy of utilizing intellectual property right is suggestive to domestic entertainment companies. Under the influence of hallyu" (Korean wave), domestic contents such as movies, dramas and music are enjoying the high level of popularity recently not to mention animations. In reality, Korean entertainment companies who have no background or experience of Intellectual property rights are not creating enough added values compared to fast growing market. It is believed Iconix's intellectual property rights management strategy will suggest positive aspects to domestic companies. Moreover, I hope various intellectual property rights management strategies including Conley's value articulation are studied and they can make contributions to managing domestic entertainment companies.

• 한국의류학회지
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• 제36권9호
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• pp.966-978
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• 2012

Fashion exhibitions in museums and galleries is a form of fashion communication media. This thesis examines the messages, objects, and space of fashion exhibitions as fashion communication media as well as analyzes the method of fashion communication. This thesis first provides a theoretical study on fashion exhibition and conducts a case study of the 2012 Nora Noh Retro Exhibition La Vie en Rose (2012/5/23-6/2, Horim GNB Gallery, Seoul), dedicated to the first Korean female fashion designer. The message of the exhibition was the fashion philosophy and the fashion style of the designer as well as the intention of the curator. The objects presented were the dresses kept by the loyal customers of the brand, and the homage items by designers of present generation. The space designs of the exhibition were the layout and total coordination of the opening event. The methods of fashion communication for the fashion exhibition, in the case of the La Vie en Rose exhibition, were communicated (1) from the past to the present, (2) from designers to celebrities and (3) from the designer to the celebrity and the viewers. From the past to the present, the designer's style throughout the 60 years of her fashion career is conveyed to the present generation fashion people, in the form of homage designs and collaboration works. From designers to celebrities, her fashion philosophy was delivered in the form of movie and stage costumes. Some present generation celebrities tried reinterpretations of the garment. From the designer to the celebrity and the viewers of the exhibition, the intention of the curator and the designer were individualized and internalized by the viewers.

• 대한두개안면성형외과학회지
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• 제13권2호
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• pp.95-98
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• 2012

Nowadays, plastic surgical operations are increasingly being performed in Korea. We have gained added interest in this because some professional pictures contain plastic surgery in their venue. In the films, we intend to see the recognition of society for plastic surgeons and which field of plastic surgery. The list of movies for analysis were 'Plastic Beauty (1975)', 'Penthouse Elephant (2005)', '200 Pounds Beauty (2006)', 'Cinderella (2006)', and 'Time (2006)'. The TV dramas were 'She is looking (2005)', 'Lovers (2006-2007)', and 'Before & After Plastic Surgery Clinic (2008)'. Films were analyzed according to the following: the chief complaints and names of the operations, character of plastic surgeons, result of the operation and its possibility in reality, and its effect of plastic surgery on the life of the patients. Most of the film contained facial transplantation or the change of the face or body different from the original shape. Character type of the plastic surgeons was mostly medical realism, rather than ideal humanism. Most of the plastic surgeons have capability as a doctor; however, some of them had extramarital affairs. The surgery was successful in most of the cases, but were the patients happy with the results? This was not the case in the movies. In only one movie, '200 Pounds Beauty', the patient became happy; rest of them were eminently unhappy with the outcome. Why the discrepancy? It is difficult to analyze the minds of the people in the films, but considering that the majority of the characters in the films were rather unsavory, one may deduce that a crooked mind functions differently. Perhaps it is too much to hope for a day that will come when we will see a film that portrays the mental anguish that accompanies each and every procedure the Korean plastic surgeons make.

• 복식
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• 제66권1호
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• pp.58-72
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• 2016

Since the mid 2000s, a large number of Chinese students have come to Korea to study. This study investigates the research trends of Chinese students studying in the fashion field in Korea. For this study, a total of 235 graduate degree theses on fashion written by Chinese students in Korea (from 1992 to 2014) were collected through the RISS website. Various keywords were used to find the theses, including fashion, clothing and costume. Factors used in the analysis of these theses were the number of theses per year, major of the student, research trend of specific areas and research target area. The results are as follows: Most of the theses were written by Fashion/Clothing majors (141 theses/60% of the total), while other majors - such as Business Administration, International Trade, Economics, Journalism/Broadcasting, and Movie Entertainment - made up the rest (94/40%). The theses researched in the study were focused on a specific field in fashion. Fashion Marketing/Socio-Psychology of Clothing was the most popular field (113/48.1%), and Fashion Design/Aesthetics came in second (87/37.0%). Other topics, such as Costume History, Clothing Construction/Textile Science, Costume Culture, followed. Chinese student's research target area was very limited, with Chinese Study being the most popular area, and Korean and Chinese Comparative Study coming in second.

• 디지털콘텐츠학회 논문지
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• 제19권1호
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• pp.133-140
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• 2018

감성 분석에서 정확한 감성 분류는 중요한 연구 주제이다. 본 연구는 최근 많은 연구가 이루어지는 word2vec과 앙상블 방법을 이용하여 효과적으로 한국어 리뷰를 감성 분류하는 방법을 제시한다. 연구는 20 만 개의 한국 영화 리뷰 텍스트에 대해, 품사 기반 BOW 자질과 word2vec를 사용한 자질을 생성하고, 두 개의 자질 표현을 결합한 통합 자질을 생성했다. 감성 분류를 위해 Logistic Regression, Decision Tree, Naive Bayes, Support Vector Machine의 단일 분류기와 Adaptive Boost, Bagging, Gradient Boosting, Random Forest의 앙상블 분류기를 사용하였다. 연구 결과로 형용사와 부사를 포함한 BOW자질과 word2vec자질로 구성된 통합 자질 표현이 가장 높은 감성 분류 정확도를 보였다. 실증결과, 단일 분류기인 SVM이 가장 높은 성능을 나타내었지만, 앙상블 분류기는 단일 분류기와 비슷하거나 약간 낮은 성능을 보였다.