• 패션비즈니스
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• 제9권3호
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• pp.150-161
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• 2005

The retro fashion and orientalism have been the main trend in the fashion industry tram 2000 as the turning point tram the minimalism. In particular, the far eastern oriental ism, that is, Japanese orientalism had been rapidly spread from 2001. As the trend has been moving to Chinese orientalism from 2003, the fabrics with flower pattern prints and those imbued with Chinese orientalism that were popular in 1960 are the main stream in the textile industry at present. As keeping up with the current trend, this study analyzed the common features and differences between textile patterns with Chinese orientalism that are prevailing ai present and the textile patterns that were popular in 1960s through the film "In the Mood for Love" that told the story of people who immigrated from Shanghai to Hong Kong in 1960s. According to the analysis, the popular textile patterns in 1960s were splendid flower patterns, pop art and op art patterns. Such a trend was elegantly expressed as the textile pattern of Chinese orientalism using qipao in the film "In the Mood for Love".

• 한국심리학회지 : 문화 및 사회문제
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• 제20권2호
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• pp.89-105
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• 2014

본 연구는 20분의 단기 자비명상이 대학생의 자비심과 이타행동에 어떤 영향을 미치는지 확인하고자 하였다. 대인관계 문제척도(KIIP-SC)에서 점수가 높은 순으로 대학생 35명을 선별하여 자비명상집단(n=19)과 심상화집단(n=16) 중 하나에 무선할당하였다. 자비명상집단에는 20분간의 자비명상을 실시하였고, 심상화집단에는 같은 시간동안 자비명상집단과 동일한 인물을 심상화하고 외모특징을 탐색하게 하였다. 연민적 사랑과 사무량심을 측정하여 자비심의 측정치로 삼았고, 곤경에 처한 인물에 관한 2개의 시나리오를 제작하고 주인공을 친구, 아는 사람, 낯선 사람으로 달리해서 기부와 도움의도를 측정하여 이타행동의 지표로 삼았다. 연구결과, 자비명상집단은 심상화집단에 비해 연민적 사랑이 더 많이 증가했으며 낯선 사람에 대한 기부행동, 친구와 아는 사람, 낯선 사람에 대한 도움행동도 유의하게 많이 증가하였다. 또한 두 집단 모두 수련 후에 긍정적 기분 수준이 증가하고, 부정적 기분은 감소하였다. 하지만, 사무량심과 대인관계 문제 수준에서는 두 집단의 증분점수에 유의한 차이가 없었다. 이러한 결과를 단기 자비명상이 대인관계 문제가 있는 사람들의 자비심과 이타행동을 증가시키는 데 긍정적인 영향을 미치며, 이런 효과를 기분의 효과로 설명할 수 없다는 것을 보여주는 것으로 해석하였다. 본 연구의 의의와 제한점 및 향후 연구의 방향에 대해 논의하였다.

• 인문언어
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• 제1권2호
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• pp.47-63
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• 2001

"A Variation of Love" is a characteristic Kim Soo-Young poem, in that it embodies the poet′s innovative use of language and proceeds speedily, like many of his other poems. Above all, the poem reveals the core of Kim′s poetical spirit, his speculation about love. The poem is difficult to understand because it broadly uses run-on lines and even run-on stanzas, a technique that many readers are unfamiliar with. The semiological approach of this paper will bring new light on the poem by restructuring the relationship between signs, that is, by taking apart the sign system of the original text and reconstructing its sentence structure. If we rearrange the poem from its original six stanzas and fifty-one lines to four stanzas and twenty-three lines, we will discover a close connection between stanzas 1 and 2, and between stanzas 3 and 4. Of the many keywords of the poem, we may establish the dominant word as "love," into which every poetic word converges and from which each word emanates. Another important keyword is "fatigue of the city" in stanza 4. Similarly negative aspects of the city may be found in the line "the same may be said of Bombay, of New York, of Seoul" in stanza 3, as well as in the words "desire" in combination with "the lamplights of Seoul like leftovers in the pig sty" in stanza 1. The persona of the poem tries to overcome the "fatigue of the city" by "love," but the way he realizes love is, somewhat peculiarly, through stillness and silence. The persona aligns "the stones of the peach and the apricot and the dried persimmon" with the his faith in love. He calls the stones "beautiful hardness" presumably because that hardness (the stillness and silence) may blossom into beauty. In the earlier stanzas, the persona′s quest for love results in an awareness that love is omnipresent, but the persona determines "not to shout it out loud." The reason for this determination is found in stanza 4. Those who experience the "fatigue of the city" will be able to realize it by themselves. This seemingly defeatist conclusion by no means suggest pessimism, for the persona holds the conviction that "there will come a day when [one] will rave for love." This conviction rescues the poem from the dismal mood suggested by the "fatigue of the city." At all events, it is important to note that the "fatigue of the city" should not be considered apart from "love." Yet, strangely enough, the poem embodies a severe critique of the city, and further investigation is necessary in order to clarify why this critique appears in the form of "love." But this will be the treated in another paper.

• 패션비즈니스
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• 제4권2호
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• pp.127-140
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• 2000

The purpose of this study was to research and design stage costumes of Whangjinie focusing on inner image of Whangjinie, present stage costumes of new image. Four steps were taken in order to achieve this purpose. The first step was to investigate the old documents and prior research about literature world of Whangjinie. The second step was to analyze stage costumes of Whangjinie which were worn in opera, movie. The third step was to design and make the stage costumes according to new images Whangjinie which were extracted from above two research results. The new images of Whangjinie are as follows 1. Whangjinie as a kisaeng(professional entertainer) She thirsted for new, materialistic love though she failed in love everytime. 2. Whangjinie as a woman. She had a hard time by feeling an irresistible yearning for lover 3. Whangjinie as a poet. She expressed as a poetry her vanity and loneliness of life. Using above three images, this study designed four new stage costumes of Whangjinie and two designs of them were made really. But this study didn't present historic costume of her age but expressed modern mood in color and form.

• 동서간호학연구지
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• 제5권1호
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• pp.19-35
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• 2000

This study confirms and describes the meaning of the true experience on sexual perception of female college students as it is. Thus this study, revealing the structure of the meaning, tried to use phenomenal study tool as qualitative research design in order to seek nursing intervention for them. The method of data collection of this study was achieved February, 2000$\sim$August, 2000 through systematic interview, participation and observation from a focus group. The number of each focus group was 3 to 4, and the study analyzed with Giorgi method after selecting total 3 groups with 10 to saturate data, considering of the closeness among group members. The results are as follow; 1) Feeling psychological uneasy : feeling special mood, mysterious thing, tense thing, curious thing, concealing thing 2) Being to someone : receiving unilaterally, giving ahead, attracting attention, being to, being selected unilaterally 3) Feeling like to do together : relying, contacting, being together 4) Accepting another one's self : understanding the partner, taking responsibility for each other, enduring, trusting each other 5) Trying to be best to the partner : physically being pure, mentally being pure, being only one person to the partner, being open to each other, feeling free 6) Harmonizing conditions with conditions : considering appearance, one's family, economic support and so on 7) Making a love without premise of marriage : making a difference between marriage and love 8) Being a difference between men and women : being a different position, being shameful (because of not having a boyfriend), indecent thing 9) Being for a new life : conceiving a new life 10) Being able to have body touch : being able to kiss, being able to sleep together, being able to touch body 11) Being able to make homosexual love : being able to do homosexual love From the above results, right sexual education should deliver the value of sex which exists for life. So we need to develop the Korean-typed sexual education, according to the social and cultural background and reasonable demand level of education subjects. Furthermore we should give systematically connected education through the development of sexual education program by a developmental stage on the sex with broad and dynamic features, revealing different shapes each period of life. Since the members' value by culture is very different, reasonable and healthy sexual education cannot be done through a education program from foreign cultures. Consequently, the development of the study and program on sexual perception of Korean female college students suitable for the Korean cultural situation will be done.

• 한국사회복지학
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• 제60권2호
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• pp.77-98
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• 2008

본 연구는 여성정신장애인의 양육능력에 사회적 지지와 모성역할을 격려하는 사회적 맥락이 주요 영향요인이라는 전제하에 자녀를 직접 양육하고 있는 정신분열병과 기분장애를 가진 여성정신장애인 145명을 대상으로 정신장애 특성(유병기간, 진단, 증상정도, 입원횟수)과 인구사회학적 특성(나이, 자녀수, 주관적 경제수준)을 통제한 상태에서 부부관계와 사회적 지지가 양육능력의 세 차원(애정표현, 자율성 격려, 합리적 통제)에 미치는 영향력을 분석하였다. 그 결과 애정표현능력에는 부부관계, 사회적 지지, 경제적 수준이, 자율성 격려 능력에는 부부관계가 주요 예측요인으로 나타났다. 그러나 다른 차원과 달리 합리적 통제능력은 진단, 증상정도, 유병기간과 같은 장애특성과 경제적 수준이 주요 예측요인으로 나타났고 부부관계와 사회적 지지는 의미 있는 예측력을 가지지 못했다. 이러한 결과를 바탕으로 연구자는 여성정신장애인의 양육능력 향상을 위해 가족중심의 서비스와 임상적 서비스를 포함한 포괄적인 심리사회적 개입을 제안하였다.

• 인간행동과 음악연구
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• 제15권1호
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• pp.51-68
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• 2018

본 연구는 국내 외국인 유학생의 음악 활용을 살펴보기 위해 B시에 소재한 5개의 4년제 대학에 유학 중인 외국인 학부생을 대상으로 조사 연구를 실시하였다. 이를 위해 음악 활용 현황, 음악 활용 목적, 개인 변인 등 총 25문항으로 구성된 설문지 150부를 배포한 후 회수된 81부의 설문지 중 불충분한 12부를 제외한 총 69부를 분석한 결과는 다음과 같다. 첫째, 국내 외국인 유학생은 노래부르기나 악기연주에 비해 음악감상 활동을 선호하였으며 주로 혼자 기숙사에서 대중음악을 감상하는 것으로 나타났다. 또한 사랑을 주제로 한 음악을 선호하였으며 한국의 음악 보다는 본국의 음악에 대한 활용도가 높았다. 둘째, 음악 활용 목적은 편안함, 기분전환, 즐거움, 소속감, 성취감의 순으로 나타났다. 셋째, 국내 외국인 유학생의 개인변인(성별, 한국거주기간, 음악교육경험 유무)별 음악 활용에는 전반적으로 차이를 보이지 않으나, 한국거주기간에 따른 선호 음악분위기와 음악을 통해 소속감을 얻는 정도가 다른 것으로 확인되었다. 이에 본 연구는 국내 외국인 유학생의 음악 활용 현황 파악을 통해 이들의 문화적응 및 심리 정서적 지원을 위한 음악프로그램을 개발하는 데 기초자료를 제공할 수 있을 것이다.

• 영어영문학
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• 제57권3호
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• pp.515-527
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• 2011

Miss Pettigrew Lives for a Day, Winifred Watson's novel of 1938, is a fairytale in novel form. Set in London of 1938, the story revolves around a one-day adventure of an ill-starred but truthful governess who is granted a second chance. This light-hearted comedy of manners was turned into a film by director Bharat Nalluri in 2008. An Anglo-American collaboration, co-scripted by Simon Beaufoy and David McGee, the film converts Watson's quaint novel into an edged heritage piece that encapsulates the 1930s, the problematic decade between the two World Wars. The film, while sustaining the narrative core of Watson's Cinderella story, attempts to place it firmly within a wider current of the novel's setting or London in 1938, tapping into the major concerns of the interwar years that engage with characters in one way or another. Stylistically, the film presents Art Deco as a main visual idiom to convey the prevailing mood of nihilism and decadence of the day. The setting here takes on significance in that it offers a telling counterpoint to the giddy superficial world of the novel. The 1930s was a highly charged decade under the threat of fascism and the Great Depression, fraught with economic and socio-political tensions and apprehensions. The film makes an explicit reference to the dismal context which is suppressed in the original text. The thirties is, therefore, portrayed as a decade of contradiction. It features gay buoyant festivity, rampant consumerism, and shifting morals and attitudes towards love, marriage and sexuality. Yet lurking beneath the surface glamour are the symptoms of crises and the deep-seated anxieties on the eve of World War II. In this way, Watson's novel of manners has been recreated into a defining film on the 1930s with its period feel propped by the atmospheric lighting, the exuberant Jazz score, and the splendid Art Deco costume and production design.

• 한국의상디자인학회지
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• 제15권3호
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• pp.69-83
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• 2013

Clothes show not just the different social status of people, but the ideology and value of former society through pattern, colour, materials, shapes, etc. The purpose of this article is to fill the academic blank of this part by researching the pattern of fabric design in Jing Pai(Beiing style) and Hai Pai(Shanghai style) cheong-sam during the period of the Republic of China. The contrastive analysis of regional pattern between Jing Pai and Hai Pai cheong-sam expect to provide the theoretical basis for the former fashion designers and scholars. There are three approaches in the article: Data collection method, comparison method and Combining theory with practice method as film. Regarding components of pattern, both Jing Pai and Hai Pai cheong-sam have mostly single or composite pattern like plants. Further the most of Jing Pai cheong-sam pattern is traditional flower pattern. But Haipai cheong-sam patterns have some western flower pattern. Beside that, it have some geometry pattern. Regarding arrangement of the pattern, both cheong-sams have scattered dot style, the border style, and pictures style. But continuous type of Jing Pai cheong-sam is less while Hai Pai cheong-sam is the most. Comparing Jing Pai cheong-sam color of patterns in "Moment in Peking" is unadorned and types are simple as chinese traditional clothes; However, "In the Mood for Love" introduces us various material colors, new types of patterns and extraneous characteristic geometry patterns of Hai Pai cheong-sam. Generally speaking, the main characteristic of Jing Pai cheong-sam is traditional and conservatism. It keeps Chinese traditional pattern and culture to the most extent. However, Hai Pai cheong-sam are confluent and open with absorbed external culture and techniques which are endowed new artistic color.

• 대한불안의학회지
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• 제12권1호
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• pp.13-20
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• 2016

Objective : The purpose of this study was to verify the differences of expressed character strengths graded as per the Korean Strength Scale, based on the type of work. Methods : A total of 2,444 conglomerate workers were classified into two groups: 1,356 office workers and 1,088 production workers. The subjects were examined through a web or mobile application based on the Korean Strength Scale. The Korean Strength Scale consists of a total of four top entries and 25 sub-items with appropriate validity. Results : The difference in the average score of sum of character strengths between the two groups was not significant. In the office worker group, character strengths such as love of learning, creativity, perspective, curiosity, facilitation, judgment and faith had significantly high scores. On the other hands, modesty, hope, gratitude, sincerity, magnanimity and self-regulation were high in the production worker group. The results remained unchanged in additional analysis of covariants as sex, age and education level, except for self-regulation and faith. Conclusion : Our results suggest significant differences in the character strengths between the two types of work; however, the average of sum of character strength score remains unchanged. These results may help to understand differences between work environments and thus help to establish a positive foundation.