• Journal of applied mathematics & informatics
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• 제5권2호
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• pp.301-301
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• 1998

• Journal of applied mathematics & informatics
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• 제5권3호
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• pp.785-796
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• 1998

In this paper we propose a model of HIv population through method of phases with non-Markovian evolution of immi-gration. The analysis leads to an explicit differnetial equations for the generating functions of the total population size. The detection process of antibodies (against the antigen of virus) is analysed and an explicit expression for the correlation functions are provided. A measure of bunching is also introduced for some particular choice of parameters.

• 한국응용곤충학회지
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• 제27권4호
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• pp.200-210
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• 1988

1981년부터 '87년 7년간 전국 151개 예찰소에 유아등으로 채집한 별멸구 유살성적을 비래파별로 구분하고 일일기상도와 850mb천기도를 근거로 비래시기의 기상형채를 검토한 결과 1)벼멸구의 주비래시기는 연도에 따라 차이가 있지만 주로 7월 중.하순이었다. 2) 비래량은 7월 하순에 가까울수록 많았으며 비래지역도 넓어졌다. 3)벼멸구 비래가 있었던 시기의 기상은 전선을 동반한 저기압이 우리나라를 통과할 때(A type)가 12회로 가장 많았고, 전선과 저기압이 남해안과 제주도를 통과할 때(B type)가 5회, 전선만이 걸쳐 있을 때 (C type)기 7회, 전선과 저기압이 통과가없을 때 (D type)가 2회 기록되었다. 4) 어니 브래형테에서나 우리나라 서남지방부터 비래가 있었으며, 이 지역이 비래량도 많았다. 5)비래시기에 기상의 공통점은 850mb천기도상에서 비래원으로 추정되는 중국 남부지방으로부터 남서풍이 불어오고 있었으며(26회중 26회), 강우전선은 26회중 24회, 저기압은 26회중 17회였다. 6)이상의 결과로 벼멸구는 중국으로부터 남서기류를 따라 이동해 오면 이동하는 과정에서 낙하를 유발하는 조건(전선등)이 있을 때 지상으로 떨어지는 것으로 생각된다.

• 자원ㆍ환경경제연구
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• 제20권2호
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• pp.357-379
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• 2011

경제환경의 글로벌화로 인해 외래종의 유입에 대한 관심이 증가하고 있다. 외래종은 동식물 개체 내지 미생물 수준에서 토착환경에 유입되어 침입종으로서의 유해한 영향을 미칠 수 있다. 본 논문은 확률적 확산과정을 이용하여 외래질병의 팬데믹 확률을 최소화하기 위한 최적제어 모형을 제시하며, 사회적 비용최소화 모형과 비교하였다. 실험적인 수치해석의 사례로 최근의 H1N1을 데이터를 이용하여 최적수준에 대한 비교정태 분석결과를 소개한다. 외래질병의 증가율이 높은 초기 시점부터 완전제어노력을 기울이는 것이 바람직하며, 사회적 비용을 최소화하는 접근방식보다는 보다 적극적인 초동대응 노력이 필요한 것으로 나타났다.

• 비교문화연구
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• 제24권
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• pp.46-61
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• 2011

This paper considers how Koreans found their positions in the complex, overlapping, disjunctive, and interconnected "Oriental" repertoires in the early Cold War years. When we use the term, Oriental, it should require careful translation from context to context because it may be subject to very different sets of contextual circumstances. Klein views Cold War Orientalism in the complex of various regions including East Asian and Southeast Asian countries; however, when Koreans are contextualized at the center of the discussion the Orientalism produces another discursive meaning. Even though many great researches have been done on Korean immigrations, Korean American literatures, and US-Korea economic, political, and foreign relations, not many discussions about Korean American popular cultures have been discussed in the basis of the Oriental discourse in the United States.For this argument, this paper investigates the performative trajectory of a girl group "Kim Sisters" who began to sing at the US military show stages in South Korea in 1952 during the Korean War. They moved to Las Vegas show stages in 1959 and later appeared in Ed Sullivan Show more than thirty times during the 1960s and 70s. Meanwhile, they not only returned to South Korea often times to perform at the stages for Korean audiences in South Korea but also played at the shows for Korean immigrants in the United States. Korean American immigration to the United States has followed a different route from the majority of Asian American population such as Chinese or Japanese Americans, which means that efforts to compare this particular group to the others may be unnecessary. Rather doing comparative studies, this paper, therefore, focuses on the formation of the intersecting and multiple identities of Korean female entertainers who were forced or forced themselves to be incorporated into the American popular "Oriental" imagination, which I would call "embedded" identities. This embeddedness has been continuously maintained in the configuration of Korean characters in the United States. This will help not only to observe the discursive aspect of Asian American identity politics but also to claim a space for comparatively invisible Korean characters in the United States which has been often times neglected and not brought into a major Asian American or Oriental historical discourse. This paper starts with American scenes at the beginning of the twentieth century to trace Americans Oriental imagination which was observable in the various American cultural landscape and popular music soundscape. It will help us more clearly understand the production and consumption of the Korean "Oriental" performances during the early Cold War period and especially the Korean performance in the American venue, silently overshadowed into the political, social, and cultural framework.