• Title/Summary/Keyword: image of mother

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음양론 관점에서 본 서왕모(西王母) 인식 변화 고찰 (A Study on the Changing Perception of Queen Mother of the West from the Perspective of Yin-Yang Theory)

  • 조민환
    • 대순사상논총
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    • 제42집
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    • pp.45-73
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    • 2022
  • 서왕모(西王母) 존숭 현상은 고금에 걸쳐 중국은 물론 한국에서도 많은 관심의 대상이 되었던 이른바 '문화적 흐름'의 한 현상을 엿볼 수 있는 대상에 해당한다. 서왕모에 관한 이같은 문화적 흐름을 이해하는 것은 동아시아 여성과 관련된 신화는 물론 여성관의 변모를 엿볼 수 있는 중요한 의미가 있다. 가부장제 사회의 정착과 더불어 여신과 남신의 관계도 점차 차이에서 차별의 관계로 만들어진다. 이에 여성은 의미를 부여하는 주체보다는 의미를 부여받는 대상으로 변화함에 따라 여신의 탈신성화가 일어나게 된다. 본고는 여신의 탈신성화 경향에 나타난 여신의 남신의 보조자 혹은 배우자로 탈바꿈하는 이런 변천 과정에는 음양론 사유가 작동하고 있음을 서왕모 인식 변화에 초점을 맞추어 살펴보았다. 음양론은 중국의 철학은 물론 문화와 역사 및 예술을 이해하는 관건인데, 이런 점은 신화와 여성이란 주제에도 그대로 적용되었다. 서왕모가 반인반수(半人半獸)의 여신으로 규정되다가 여선으로 변모하는 과정에서 특히 주목할 것은 이른바 절대 미인이면서 예술적 재능을 가진 인물로 묘사된다는 점이다. 본고에서는 이같은 절대미인이면서 예술적 재능을 가진 서왕모에 대한 인식에는 음양론 차원에서 이해된 여인상 및 가부장제 사회에서 남성이 바라는 여인상에 대한 바람이 담겨 있다는 점을 밝혔다. 『산해경(山海經)』의 서왕모는 하늘의 재앙과 형벌을 주관하는 반인반수의 공포감을 주는 형상이지만, 한대에는 벽사(闢邪)와 기복(祈福)의 대상으로 신앙화되고, 위진남북조의 지괴소설(志怪小說)에서는 장생불사를 주관하는 여선(女仙)으로 변모하는 과정에 담긴 서왕모에 관한 인식 변화에는 음양론 관점에서 봤을 때 주대 종법제(宗法制)에 의한 가부장제 확립과 더불어 이후 형성된 음양론에서의 양 위주의 사유 및 남성 위주의 시선이 작동하고 있었음을 알 수 있었다.

텍스트와 공간이미지의 구조 - "갈매기" 의 극공간 구조와 의미작용을 중심으로 - (The Structure of Text and Spatial Image - Focused on the Signification and Dramatic Space of ${\ulcorner}$the Sea-gull${\lrcorner}$ -)

  • 오경환
    • 디자인학연구
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    • 제14권4호
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    • pp.199-207
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    • 2001
  • 극의 공연은 희곡 텍스트를 무대라는 시각적 이미지로 바꾸어 표현하고 전달하는 것이 본질이다. 시각적 이미지는 두대라는 골간을 통해 형성된다. 무대는 시각적 이미지의 모태이다. 다시 말해서 극의 시각적 이미지는 결국 총체적인 공간이미지가 되는 것이다. 본 연구는 극텍스트의 공간이미지를 기호학적 관점에서 해석해 보고, 그것을 통하여 구현되는 공간의 구조와 체계를 파악해 보고자 하는 시도이다. 특히 본고에서 관심을 갖는 것은 이미지 속에 도입된 문자의 기호학이 아니라 텍스트의 언술내용 자체를 도입하는 공간의 이미지텍스트, 극공간의 구조와 의미작용을 파악하는 과정과 내용이며, 결국 이를 통하여 텍스트 그리고 실제 기념적·상징적 공간의 해석방법론으로서 기호학적 측면에서의 '공간 구현의 체계'를 제시하였다.

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한국과 알제리 속담에 나타난 전통 여성관 비교 (Comparison of Traditional Perspective of Women in the Proverbs of Algery and Korea)

  • 김경랑
    • 비교문화연구
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    • 제30권
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    • pp.53-71
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    • 2013
  • The aim of this study is to compare and analyze the similarities and differences in traditional perspective about women between Algery and Korea. Through this study, we found out following common denominators: sexual discrimination and denigration of women. Under the patriarchal system in Korea and Algery in the past, women were considered to be inferior to men and treated as men's possessions. The noteworthy feature is the perspective of mother. In both countries, the image of woman as a mother is regarded as the source of life and a central axis leading our society. It is very remarkable that we could find a lot of common ground despite that there are a lot of social, cultural and geometrical differences. Therefore, through this study, it is proved that the proverbs tell us the universality among people in the world regardless of culture and region.

초국가적 입양과 탈경계적 정체성 -제인 정 트렌카의 『피의 언어』 (Transnational Adoption and Beyond-Borders Identity: Jane Jeong Trenka's The Language of Blood)

  • 김현숙
    • 영어영문학
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    • 제57권1호
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    • pp.147-170
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    • 2011
  • This paper elucidates the characteristics of transnational adoption, estimates the possibility of beyond-borders identity of transnational adoptees, and tries to analyze Jane Jeong Trenka's The Language of Blood in its context. Though it has been regarded as one of the most humanitarian ways of helping orphans and poor children of the world, transnational adoption, a one-way flow of children from poor Asian countries to rich white countries, has been operated under the market logic between countries. Transnational adoptees, who had been abandoned and forced to be taken away from their birth mother, and later, to fulfill the desire of white parents for a perfect family, perform an ideological labor, serving to make the heterogeneous nuclear family complete. Korean transnational adoptees, forced to transcend the borders of nation, culture, and ethnicity, experience racial conflict and alienation in white adoptive family and society. Their diaspora experience of violent dislocation creates frustration and confusion in establishing their identity as a whole being. When they return to Korea to find their birth mother and their true identity, Korean adoptees, however, are faced with other obstructing issues, such as language problem, culture conflict, and maternal nationalism. Finally, Korean transnational adoptees reject Korean nationalism discourse based on blood, and try to redefine themselves as beyond-borders subjectivities with new and fluid identities. Jane Jeong Trenka's The Language of Blood, an autobiographical novel based on her experiences as a transnational adoptee, represents a Korean adopted girl's personal, cultural, and racial conflict within her white adoptive family, and questions the image of benevolent white mother and the myth of multiculturalism. The novel further represents Jane's return to Korea to find out her true identity, and shows Jane's disappointment and alienation in her birth country due to her ignorance of language and culture. Returning to USA again, and trying to be reconciled with her American mother, Jane shows the promise of accepting her new identity capable of transcending the borders, and thus, the possibility of enlarging the category of belonging.

리얼 예능 프로그램 <삼시세끼>가 재현한 가족에 관한 연구 (Meanings of Family Reproduced by the Real Entertainment Program )

  • 전미경;이정원;김지욱
    • 한국콘텐츠학회논문지
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    • 제22권5호
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    • pp.553-564
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    • 2022
  • 이 연구의 목적은 <삼시세끼> 어촌편 1이 재현한 가족을 살펴보는 것으로, 이야기 전개구성과 등장인물의 관계 특성을 서사분석을 활용해 분석하였다. <삼시세끼>는 '기상-자유시간-아침-점심-저녁-휴식-취침'의 비교적 단순한 전개구성을 보였다. 각 등장인물에게는 주된 공간과 역할을 배치함으로써 '차줌마', '바깥양반', '호주니'의 캐릭터를 완성해갔다. 출연진이 모두 남성임에도 이들에게는 아내/주부/엄마, 남편/가장/아빠, 아들의 가족지위가 부여되었고, 매우 고정된 감정과 획일적 행동의 가족실천이 탄탄한 관계구조 속에서 반복되었다. 동시에 유자녀 가족, 양부모 가족, 이성애가족, 핵가족이라는 전형적 근대가족, 정상가족, 표준가족을 연출하였다. 즉 <삼시세끼>는 스위트 홈의 표상을 적극 차용해 정상가족 이데올로기를 강화시켰다.

주부가 선호하는 아동복 브랜드의 이미지에 따른 구매의도 -자기일치성과 행동의도모델을 중심으로- (Brand Images of Children's Wear and Mother's Purchase Intention -Focus on Self-Image Congruence and Behavioral Intention Model-)

  • 김지연;이규혜
    • 복식문화연구
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    • 제19권3호
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    • pp.622-636
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    • 2011
  • The purpose of this study was to assess the effects of self-image congruence on attitudes toward purchase intentions of children's clothing via the Behavioral Intention Model. The empirical study was conducted via on-line survey and data were collected from mothers with children aged 6 to 10 years. A total of 593 respondents answered the questionnaire and 574 usable data were statistically analyzed. SPSS 18.0 was used to conduct descriptive statistical analysis, factor analysis, reliability analysis, cluster analysis, Chi-square test, ANOVA, and multiple regressions. A K-means cluster analysis was conducted based on three dimensions brand images of children's wear. Respondents were divided into four groups: elegant image group, multiple image group, ordinary image group, and childlike image group. Characteristics of consumers and clothing evaluative criteria that mothers considered important differed significantly across groups. Moreover, based on these groups, each dimension of self-congruence had different effects on brand attitude. Brand attitude and subjective norms had different effects on purchase intentions. In conclusion, levels of self-congruence and factors influencing purchase intention varied according to brand images of children's wear.

The Difference of Perception of High School Girl Image according to Hair Style and Perceiver's Generation

  • Kim, Youngok;Lee, Eunsil
    • 패션비즈니스
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    • 제18권6호
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    • pp.208-221
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    • 2014
  • The purpose of this study was to investigate the effects of the hair style, and perceiver's generation on the perception of a high schoolgirl's image. A quasi-experimental method by questionnaire was used. The subjects were 253 high schoolgirls and their mothers living in Jinju. The data were analyzed by using frequency, factor analysis, Cronbach's alpha-reliability coefficient, three-way ANOVA, and Duncan's multiple ranges test. The high schoolgirl's image was derived in five dimensions by factor analysis: schoolgirl look, prettiness, individuality, activeness, and cuteness. In the image based on the hair length, it was assessed that the short cut and the bobbed hair styles looked more like school girls. And the short cut and long hair styles were considered as showing individuality. On the other hand, the bobbed hair style was assessed as cuter than styles of other lengths. For the bangs, the short bangs were found to more school-girl look and cuter than the long bangs. The mother group, whose ages were older than that of the other group, evaluated that the stimulative pictures had more school-girl look, individuality, prettiness, activeness and cuteness, compared to how the school girl group evaluated. It was shown that the generation gap produced different opinions about the stimulative pictures. Therefore hair style, bangs style, and difference in generations were found to be the variables affecting perception of high school girl image.

영유아기 자녀를 둔 어머니의 전통육아에 대한 이미지 분석: Q방법론적 접근 (A Study on the Image Type of the Korean Traditional Child Rearing: Focused on Mothers with Infancy and Early Childhood)

  • 김은주;이영경;연희정
    • 한국보육지원학회지
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    • 제10권5호
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    • pp.273-298
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    • 2014
  • 본 연구는 영유아기 자녀를 둔 어머니들의 전통육아에 대한 이미지 유형과 그 특성을 Q-방법으로 분석하였다. 이를 위해 전통육아를 경험한 어머니들을 중심으로 심층면담을 실시하고 어머니들에게 전통육아에 대한 브레인스토밍을 실시하여 Q-모집단을 마련하였다. 그 중 40개의 진술문을 추출하여 Q-표본을 만들고, 40명의 어머니들에게 진술문의 동의수준을 9단계로 분류하도록 하여, 그 결과를 QUANL 프로그램으로 분석하였다. 연구결과 영유아기 자녀를 둔 어머니들의 전통육아에 대한 인식 유형은 네 가지로 구분되었으며, 각 유형 '조화로움을 통한 관계 지향적 육아', '한국 고유의 전승가치를 담은 원형적 육아', '생명을 존중하는 실천 중심적 육아', '현대적 변형이 필요한 애착육아'로 명명되었다. 이 연구는 어머니들이 가지는 전통육아에 대한 이미지를 살펴봄으로써 전통육아의 전승과 효과적 실천을 위한 실제적 시사점을 도출하는 계기가 되었다.

니키 드 생 팔의 트라우마를 통해 살펴본 아상블라주와 사격회화의 양면적 특성 (A Study on the Ambivalent Characteristic Displayed in Niki de Saint Phalle's Assemblages and Shooting Paintings by Looking Into Her Trauma)

  • 유가은
    • 미술이론과 현장
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    • 제6호
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    • pp.77-99
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    • 2008
  • The purpose of this study is to show that the reason behind the ambivalent characteristic displayed in Niki de Saint Phalle's works is in her trauma and how such characteristic can be extracted from her works. During her creative years, Saint Phalle worked on various materials from different genres such as assemblages, shooting paintings, a series on Bride and Monster, 'Nana', 'Tarot Garden'and public sculptures. One commonality found among her various works is the ambivalent characteristic that contains contrasting elements simultaneously. Saint Phalle suffered a terrible psychological damage inflicted by her parents during her childhood. Specifically, she was sexually assaulted by her father and emotionally neglected by her mother, the trauma that affected her for the rest of her life. As a result, she came to develop extreme love- hate relationships with her parents and this became the main reason for the ambivalent characteristic displayed in her works. The love-hate relationship Saint Phalle developed can be identified through various researches done on the subject of the affect of sexual assault. It is common for incest victims to develop ambivalent feelings towards the perpetrator and Saint Phalle was no exception. Dissociation disorder and a snake well explain the trauma from her father. It is a generally accepted belief in the field of psychology that dissociation disorder commonly occurs to children who experience incest. And dissociation disorder is similar to the characteristic of ambivalence in the sense that a single entity contains more than two contrasting elements at the same time. In addition, the amputated doll objects used in her assemblages coincide with the expression of body detachment of people with dissociation disorder. These facts clearly indicate that the trauma from her father is showing through in her works. A snake is a subject matter that reflects the ambivalent tendency of Saint Phalle that resulted from her trauma. She remembers her father's rape as an image of a snake which is related to a phallic symbol in mythology or art reflecting her trauma. Moreover, she displays a similar pattern of ambivalent emotion like love and hate or fear towards a snake and her father. This is also confirmed by her portrayal of a snake as a monster or reversely as a creature with fundamental vitality in her works. The lack of affection from her mother can be explained by her mother's maternal deprivation. It appears that Saint Phalle's mother possessed all the causes for maternal deprivation such as maternal separation, personality disorder and inappropriate attitude towards child rearing. Especially, a study that shows mother's negative attitude towards child breeding tends to increase dissociation experience of children is another important evidence that supports Saint Phalle's dissociation tendency. These traces of Saint Phalle's trauma are clearly revealed in her assemblages and shooting paintings. The violent objects in her assemblages such as a hammer, razor, nail represent the rage and defensiveness towards her father. The objects such as fragments of broken plates of feminine patterns, pots and mirrors that her mother used symbolize the affection towards her mother. On the other hand, the destructed objects can be interpreted as her hate and resentment towards her mother. Shooting paintings contain her extreme fury and hate. Things such as acts of shooting and the image associated with blood after shooting are blunt expressions of her bursts of emotions. I have tried to define and classify the ambivalent characteristics shown in her assemblages and shooting paintings as hate, rage, violence, calm, love and pleasure according to the frame of Thanatos and Eros. Out of the six, hate, rage, violence and clam are associated with Thanatos while love and pleasure are associated with Eros and they correspondingly form an ambivalent structure. These ambivalent characteristics can be found in her assemblages and shooting paintings. The objects in her assemblages such as a razor, saw, hammer imply hate, rage, violence and the silence felt throughout her works represent calmness. And, as mentioned, the feminine objects can be seen as symbolizing love. In shooting paintings, hate, rage, violence can be found in the use of force and in the traces of watercolor after shooting, and a sense of pleasure in her feelings of catharsis after her shooting. Moreover, a shielded calmness can be found on the plywood all covered with plaster before the shooting. This study looked into the ambivalent characteristic of Saint Phalle's works by examining her trauma to find its correlation, and a meaning of this study can be found from the fact that it refocused the origin of Saint Phalle who is generally known as a feminist artist. Additionally, a meaning of the study can be found also from the fact that it examined the ambivalent characteristics of her works through a frame of Thanatos and Eros.

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1970년대 한국여성의 사회적 이미지와 메이크업 특성 연구 (A Study on the Social Image and Make-up Characteristics of Korean Women in 1970s)

  • 김영희;박혜원
    • 패션비즈니스
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    • 제12권4호
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    • pp.99-113
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    • 2008
  • The purpose of this study is to compare the social image and the external image of a Korean woman in 1970s and find out that the make-up can provide an important clue to examine the image of a woman in a given period. The research scope covered 10 top news of the daily newspapers and articles of women's magazines. A focus was made to an analysis on words and photos from them. The relationship of each image scale was examined by comparing the linguistic image scale and the visual image scale. The results were as follows : First, a frugal and tidy image. It was the look of our tidy, simple, traditional and classic woman. Second, an image of a cute and pure lady of refined manners. In 1970s, women were supposed to be 'a loving wife', a cultured female image with a faithful role of a 'wise mother' and a lady of refined manners as the best value. Third, a frivolous and decadent image. Double-faced image of a woman which included the women, who had to live as the lady of refined manners during the daytime and seductive woman during the night. Fourth, an image of a contemporary working woman. It was the image as a chic, confident and dignified working woman requested by the society of the times. Namely, it can be understood that women had a make-up of a soft and gorgeous tone as an expression of a will to keep a confident and female aspect in the course of working in the society by the women experiencing 1970s, the turbulent period. Consequently, it is possible to understand that the make-up was utilized as a means to express an ideal beauty of the time pursuant to the historical background or feature.