• 건축역사연구
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• 제20권6호
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• pp.41-56
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• 2011

This study mainly examined the unit space (room) called 'MARI' of the private houses that were built between the 19c and the early 20c in the insular areas of southwestern sea. Generally, this region has unique historicity (restructure of the insular environment in the 17c and the 18c) and geographic environment that are different from inland regions thus the environment is presumed as a related factor to developments and structures of the private houses. 'MARI' is a noticeable space that is installed in a main building without an exception even in small 3 bedroom private houses. Its nature has location and usage distinctions in an architectural plan with similar 'MARU' of inland Jeollanam-Do. There are large crocks filled with grains at MARI. Thus, MARI is a storage room. Mostly rice and various other kinds of grains are stored in the several crocks, large and small. Many household goods are kept here as well. Another peculiar function of MARI is that this space commonly enshrines ancestral tablets of three generations. Hence, MARI takes a role of a shrine of an aristocratic house from an inland region. Considering the size of the house and space, this seems to be a very unprecedented utilization of area. MARI is located at the top (at the head of the house) on the floor plan. In other words, it is located at the space in the highest rank. The importance of ancestor worship and grains is evinced architecturally. It is really interesting fact that MARI is also located within recently built modern houses (Cheongsan Island, Joyak Island, etc.). Therefore, it can be said that the unique MARI tradition of this region has an intact continuity even today. After all, MARI has a great significance as a unique unit space of insular areas of southwestern sea that is installed in the main buildings of all houses regardless of size and shape of the houses, and their insular locations.

• 한국실내디자인학회논문집
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• 제24권1호
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• pp.93-103
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• 2015

This study set out to figure out the tendencies of the staff members participating in the space design of Blade Runner and compare and analyze its set and location characteristics with its narrative based on Gilles Deleuze' Simulacrum, one of the basic theories of Post modernism, thus identifying the characteristics of postmodern space inherent in it. The findings were as follows: first, the spaces in a Late modernism tendency in Blade Runner seem to have been created by the cinematic imagination of Syd Mead and Douglas Trumbull rather than being influenced by the old Late modernism architecture. Second, the postmodern spaces of the movie were designed to depict a more realistic future by reinforcing the old ornamental elements or adding the mechanical aesthetics of Late modernism based on a prediction of future cities. Third, the characters representing Late modernism and Post modernism in the narrative of the movie embrace the tendencies of the parties objected by Model and Simulacrum in the scenes where they deny the tendencies of the spaces to which they belong, thus exhibiting a dual trend. Fourth, the dual narrative of Model and Simulacrum holds duality even in the space and architecture of the movie, which is the reason why the movie chose postmodern spaces reflecting historical contexts instead of inner spaces in the tendency of minimalism, which was in vogue when SF movies were made those days. Finally, the spaces of the movie can be categorized according to the Late modernism and Post modernism tendencies from the perspective of the 1980s and be understood to show the architecture and space of future Post modernism feasible through the layering of historicity, locality, and mechanical aesthetics from ancient Maya to a future city in Los Angeles, the background of the movie, from the perspective of 2019.

• 한국실내디자인학회논문집
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• 제24권1호
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• pp.54-63
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• 2015

This study aims to suggest the place branding methods applicable for regenerated idle industrial facilities. The place branding methods were analyzed by separating into hard branding methods and soft branding methods, and the results of the study are as follows: As for the hard branding methods, the exterior, outer wall materials and interior materials of the building and industrial equipment are preserved to revive the historicity of the building. In order to organize a differentiated space, it is important to create the convenience space such as cafes, experience space, lounge, and restaurants as well as the space for the operation of the programs. The building itself is utilized as a landmark or the iconic facility such as the winding tower or chimney is utilized as a landmark. As the methods of introducing natural elements, there is a need to create the resting space, law area and water space where trees can be planted and landscape can be viewed, and the development of tourism products utilizing the peripheral resources and the link of programs are also important. As for the soft branding methods, the provision of programs where a variety of art genres and the sense of place are reflected and the programs linked to the region is needed, and the story of place can be shared by storytelling utilizing the work and programs reflecting the sense of place. In addition, the content development and physical improvement of facilities reflecting the needs of visitors and the establishment of the organic collaboration system of a variety of subjects are needed for the sustainability of place.

• 한국산학기술학회논문지
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• 제18권11호
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• pp.785-793
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• 2017

비교적 짧은 역사를 지니고 있는 미국과 호주에서도 조차 역사유산, 문화유산에 대한 보존 및 재사용에 대한 중요성을 크게 인식하고 이를 보존, 활용하는 데에 매우 체계적이고 현실적인 방안을 모색하여 이를 실천하고 있다. 반면, 반만년이란 오랜 역사를 지니고 있는 우리나라의 경우, 소중한 건축유산을 어떻게 보존하고 다시 사용해야 하는지에 대한 복원 시스템 및 활용방안에 대해 명확한 기준들이 매우 부족한 것이 현실이다. 본 논문은 이렇게 역사가 짧고 따라서 역사, 문화유산이 그리 많지 않을 것 같은 호주, 미국을 대상으로 이 나라에서의 이들 유산에 대한 보존 및 활용방안이 어떻게 이루어지고 있는 지를 사례를 통하여 그의 제도와 시스템을 면밀히 조사, 분석하고자 하였다. 이를 통하여 지금까지 재개발에 의해 한순간에 사라져 갔던 우리들의 옛 건축, 구도심 환경, 특히 현재의 건축물들에 대한 인식 제고와 일괄적인 재건축에서 벗어나 역사와 함께 건축적 환경이 지속될 수 있는 건축물 및 도시환경의 가이드라인을 제시하고자 하였다.

• 한국산학기술학회논문지
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• 제15권6호
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• pp.3944-3949
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• 2014

본 논문은 대구광역시 중구 서성동 일대의 도시형한옥 밀집지역을 대상으로 물리적 공간적 변화를 파악하고자 했으며, 특히 이 지역이 한옥주택들이 밀집된 지역으로서의 동질성과 연속성을 상실하고 해체되어 가는 그 과정을 살펴보고 체계적으로 이해하고자 했다. 도시환경을 열악하게 전환시키는 물리적인 행위 그리고 이에 연계된 행태적 변화는 기존 전통공간 구조의 파괴를 가져오고 결국 공존할 수 없는 상황이 연출되게 된다. 이 논문은 도시재생을 위한 전략으로서 한옥보존의 가치를 재고하고 구체적인 실천전략을 마련하기 위해 법적 제도적 장치가 조성되지 않은 대구시 서성동의 사례를 중요한 학술자료로 구축하고자 했다. 역사적 환경에서 도시한옥이 지니고 있는 현대적 매력은 역사적 연속성을 유지하는 동시에 도시재생을 위한 유효한 전략으로 판단된다.

• 한국멀티미디어학회논문지
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• 제16권10호
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• pp.1214-1229
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• 2013

Maintaining our tradition makes us have pride for our nation and plays important role for recognition and establishment of identity for our unique culture in the world. Contrast to the western scientific technique, the scientific technique of Silla Bell absorbed in the life of our nation is the fruit of wisdom science found through rich life and experience by harmony between our nation and nature. Today, ideological backgrounds for many cultural heritages weren't be found and there are many overflowing hypothesis. Silla Bell is the plastic art including cumulative utopia of the racial spirit. So there would be the information of the racial spirit including symbolization, artistry, creativity, and historicity. However, unlikely with the words, it is the profoundly concentrated shape, so the meaning can be diluted or distorted in later generation. The efforts to figure out the symbolization in Korean bells, especially Silla bell according to its exclusive shape, but no hypothesis was accepted as an established theory of academia by gaining extensive agreements. Thus this paper traces the symbolic meaning accumulated in the shape and prepares for the theoretical background accessing to the artistic spirit of forebears who created super-humanity formativeness. Also regarding the Silla bell which is regarded as the best Buddhist metal craft that people believe they can be free from the anguish at the time of listening to its sound, we studied the symbolization of the bell as the religious ritual custom as well as the possibility to utilize the bell as a motif of living art in the aspect of formative expression.

• 복식문화연구
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• 제24권6호
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• pp.903-919
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• 2016

This study aimed to contribute to the development of various female fashion designs by reviewing the genderless styles in androgynous trends that have loomed large in women's fashion, as well as through analyzing and organizing the changes in women's fashion that were required in a society in which various values coexist. A literature review was conducted to identify the genderless concepts, through which a total of 1,273 materials were selected from 10 brands of the S/S collections, during the period of 2006~2016. The results were as follows: first, without the juxtaposition of incongruous objects or images and a fixed type of color arrangements, the compromise shown in women's fashion were mostly expressed through various tones and diverse colors, and with the mixed use of heterogeneous patterns and materials. Second, the enjoyment of genderless styles was expressed with the unexpectedness that occur through symmetry/asymmetry and harmony/disharmony, as well as through the deviation from conventional notions regarding clothing structures. Third, the exaggeration expressed in women's clothing collections perfectly covered up a woman's body shape with the silhouette of exorbitantly expanded bulk and dimensions. These were done with extended lengths, expanded adornments, and modified clothing design types or structures. Fourth, the sensuality of genderless styles analyzed in women's fashion was expressed with mannish clothing that accentuates the beauty of the female body. Lastly, the historicity shown in genderless styles was expressed through clothing that represented traditional styles of the past, the symbolic meanings expressed in the clothes' colors and patterns, and the methods in which the decorative factors were utilized.

• Asian review of World Histories
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• 제3권1호
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• pp.81-112
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• 2015

This essay interrogates the category of the 'global' in the emerging domain of 'global intellectual history'. Through a case study of the Indian social-religious reformer Rammohun Roy (1772/4-1833), I argue that notions of global selfhood and rights-consciousness (which have been preoccupying concerns of recent debates in intellectual history) have multiple conceptual and practical points of origin. Thus in early colonial India a person like Rammohun Roy could invoke centuries-old Indic terms of globality (vishva, jagat, sarva, sarvabhuta, etc.), selfhood (atman/brahman), and notions of right (adhikara) to liberation/salvation (mukti/moksha) as well as late precolonial discourses on 'worldly' rights consciousness (to life, property, religious toleration) and models of participatory governance present in an Indo-Islamic society, and hybridize these with Western-origin notions of rights and liberties. Thereby Rammohun could challenge the racial and confessional assumptions of colonial authority and produce a more deterritorialized and non-sectarian idea of selfhood and governance. However, Rammohun's comparativist world-historical notions excluded other models of selfhood and globality, such as those produced by devotional Vaishnava, Shaiva, and Shakta-Tantric discourses under the influence of non-Brahmanical communities and women. Rammohun's puritan condemnation of non-Brahmanical sexual and gender relations created a homogenized and hierarchical model of globality, obscuring alternate subaltern-inflected notions of selfhood. Class, caste, and gender biases rendered Rammohun supportive of British colonial rule and distanced him from popular anti-colonial revolts and social mobility movements in India. This article argues that today's intellectual historians run the risk of repeating Rammohun's biases (or those of Hegel's Weltgeschichte) if they privilege the historicity and value of certain models of global selfhood and rights-consciousness (such as those derived from a constructed notion of the 'West' or from constructed notions of various 'elite' classicized 'cultures'), to the exclusion of models produced by disenfranchised actors across the world. Instead of operating through hierarchical assumptions about local/global polarity, intellectual historians should remain sensitive to and learn from the universalizable models of selfhood, rights, and justice produced by actors in different spatio-temporal locations and intersections.

• 농촌계획
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• 제16권4호
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• pp.117-129
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• 2010

This study is to make value estimating system to valuate prototype landscape of rural and to derive itemized importance to select priority preservable object The results of the study are summarized as follows, It is examined value estimating standard by analyzing prototype landscape related previous study, law and order. Also, It is derived conclusive prototype landscape value estimating system by doing attribute assessment of preserving objects while surveying the site and interviewing professionals, Value estimating system is classified into five items of physical value which are integration, harmony, diversity, symbolism and aesthetics, The historical-cultural value are divided into four categories which are religious value, originality, historicity and scarcity, The communal values are divided into three categories which are sociality, continuing and regional locality and also divided into three categories which are rarity, primitiveness and diversity as the ecological value, Relative priority of prototype landscape value estimating system result is derived as historical-cultural value as the superior position and physical value, communal value and ecological value as the priority order. In the subordinate, historical categories are derived to be the most valuable and originality, symbolism, integration, regional locality, continuing, harmony, aesthetics, religious value, primitiveness, diversity of physical values and diversity of ecological value in order of the priority assessment The results of the study have the meaning of practical use in prior selection and preservation plan of preserving prototype landscape as practical alternative plan for systematical preservation of damaging prototype landscape.

• 토지주택연구
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• 제5권4호
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• pp.215-224
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• 2014

국가상징거리는 도시 및 국가의 환경개선과 다양한 기능을 수행하는 대표적인 공공 오픈 스페이스 중의 하나이다. 상징거리는 한나라의 수도 및 도시의 중심부에 있으며, 프랑스, 영국, 미국 등은 복합적 역할을 하는 광장과 연결되어 문화와 역사를 포함한 공간적 특성을 나타내고 있다. 본 연구에서는 국가상징거리의 장소 정체성 도출을 위해 광화문광장을 대상으로 상징거리의 구성요소 및 특성에 대한 만족도를 분석하고, 구성요소 특징과 만족도의 관계성을 파악하였다. 수집한 설문조사 결과는 빈도분석, 일원배치분산분석, 상관관계분석 등을 하였다. 국가상징거리 구성요소 및 특성에 대한 만족도를 분석한 결과, i) 교통 접근성 대한 만족도가 다른 요소에 비해 높은 것으로 나타났으며, ii) 공간특성 요소는 구성요소보다 상징거리 이용만족도에 높은 영향을 주며, iii) 연구대상지가 국가상징거리로 인식하고 있는 것으로 나타났다. 본 연구 결과인 구성요소 특징과 만족도 조사를 바탕으로 향후 국가상징거리의 장소 정체성 확보와 주변 상업지구와의 연계성을 고려한 관리 계획 및 개선방안 제시가 필요하다.