• 한국의류학회지
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• 제34권11호
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• pp.1786-1797
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• 2010

This study investigates the historical formation and characteristics of modern Korean consumption culture by reviewing previous literature about consumption spaces and conspicuous consumption in modern Korea. This study examined the historical formation and characteristics of three different periods of time: from 1876 to 1919, from 1920 to 1936, and from 1937 to 1945. In addition, the current study reviews previous literature related to advertising, poems, novels, historical events, and Orientalism. Based on this, the historical characteristics were also analyzed. The overall results were as follows: The first period from 1876 to 1919 was the beginning of modern Korean consumption culture, in which exotic goods such as foreign fabrics were preferred and consumed. In addition, clothing was simplified and westernized through modern reform. The second period of time, 1920 to 1936, was the development stage of modern Korean consumption culture that formed the foundation of modern consuming spaces where the recognition of the human form became more modern, and 'modern girls' styles appeared. The final period, 1937 to 1945, was the regression stage of Korean modern consumption culture, in which consumption decreased during the Sino-Japanese War and World War II. The results of this study' conclude that the leading-consumer items hold symbolic value as well as became signifiers within modern consumption spaces such as modern Korean department stores and that women were recognized as modern leading-consumers as shown by the dramatic increase in the number of products that targeted women.

• 비교문화연구
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• 제30권
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• pp.7-29
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• 2013

A movie which brought its material from a historical character or incidents in the past was produced by a story suggestion through a historical fact. It is because Shakespeare created a story based on a mythical element related with his life in the plot which was written from the script of the play and was on the show in the cinemas of London. It is an obvious fact that the historical drama of this movie was intentionally modified and the fictional story was added to episodes in order to create a dramatic effect. However, reflecting historical backgrounds and cultural aspects accurately through a historical study would also be an important factor. Therefore, the backgrounds and aspects presented in this movie are a kind of storytelling which was reconstructed as if a historian added his opinion to historical facts like a discourse. A historical background in was a story about Shakespeare who worked at the theater in London as a writer in 1593 the period of England Reneissance. The movie included the working and playwriting of Shakespeare who is a main character. This indicated not only the environment of the theater and literature during the reign of Queen Elizabeth I but also historical aspect in the early modern industrial society in England. This movie, that is, described that time as a recreation such as a cultural acceptance and an achievement of an initial capitalism in Renaissance in the life of characters. In particular, the factor of theaters flourishing during the Renaissance was because a newly emerging class, bourgeoisie, who held the capital emerging from a policy for middle class led to a box office hit through founding theaters and drama company and selling tickets and performing plays by themselves. Like this, the movie depicted the time led by plays to a industrialization. Moreover, Social aspects in the late 1500s were revealed in this movie through a depiction of the cinemas and the city of London. The depiction of the city of London reflected a social situation of an initial capitalism rapidly developed in trade and commerce. The social aspects such as conflicts between social classes based on getting richer and poorer, mammonism, a corrupted love between the male and the female, a immortality with growing brothels, religious and political conflicts with the foundation of the church in England were closely linked with characters' daily routine at that time in London and were reflected in this work overall. The reason why we highlight characters' job and custom like this in the movie is that these are ideationally inherent in a critical mind from people at that moment. The historical background and reproduction of the image depicted in the movie were focused on characters' daily routine and indicated the problem mentally and independently exposed in the form of initial capitalism.

• 한국콘텐츠학회논문지
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• 제20권2호
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• pp.82-95
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• 2020

본 연구는 역사문화지구 퍼블릭 아트의 특징과 아이덴티티를 연구 대상으로 역사문화구역의 퍼블릭 아트에 대한 이론 연구와 조사를 통해 징더전 도계천이 대표하는 역사문화지구 퍼블릭 아트의 특성을 연구하였다. 공간적 특성과 아이덴티티를 형성하는 여섯 가지 평가요인인 환경성, 공공성, 상징성, 예술성, 역사성, 상호작용성을 중심으로 도계천 퍼블릭 아트의 특성과 아이덴티티를 분석과 평가하였다. 연구 결과 산업 유산물로 재탄생 한 7개 큰 굴뚝의 퍼블릭 아트는 완전히 보존된 산업역사 건물과 어울린다. 그중, 환경성, 공공성, 상징성, 예술성, 역사성이 명확한 구현을 갖추고 있으며 단지의 역사적 상징물로서 보존가치와 식별가능성이 높아 일반 퍼블릭 아트의 행사나 체험기능을 더하지 않아도 된다. 지역 재생을 위한 신퍼블릭 아트 중 퍼블릭 아트의 예술성, 환경성, 공공성이 높게 나타났고 환경성도 중간 수준을 보이고 있지만, 역사성이 높지 않고, 상호 작용성이 약하다. 산업 유산물로 재탄생한 퍼블릭 아트는 역사유적 퍼블릭 아트로 산업유산과 도자기 요소로 대중들의 시공간과소통을 형성하면서 대중에게 정신적 공감을 전달할 수 있는 아이덴티티를 형성하였으며, 지역재생을 위한 신 퍼블릭 아트는 도계천에 새로운 예술적 정취를 부여하였으나 새로운 아이덴티티는 나타내지 못하는 것으로 평가되었다.

• 동양고전연구
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• 제57호
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• pp.331-357
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• 2014

이 글은 옥동(玉洞) 이서(李?)의 장편 영사시(詠史詩) "역대가(歷代歌)"를 대상으로, 그 속에서 확인되는 옥동의 역사인식을 살펴보고자 한 글이다. 옥동 이서가 도덕적 수양을 최상의 가치에 둔 도학자(道學者)였다는 점에서 옥동의 "역대가"는 유가적(儒家的) 인식세계(認識世界)와 구분하여 설명하기 어렵다고 할 수 있다. 옥동의 "역대가"는 7언 526구로 구성된 장편(長篇) 고시(古詩)인데, 지금까지 알려진 "역대가" 계열의 작품들과 그 구성에서 상당한 차이를 보인다. 옥동의 "역대가"는 두 개의 큰 단락으로 구성되어 있는데, 첫 번째 단락은 태초부터 명(明)나라 멸망시기까지 중국의 사적을 서술한 부분이고, 두 번째 단락은 당대 현실의 부조리를 서술하여 현실에 대한 강한 비판의식을 드러낸 부분이다. 일반적으로 "역대가" 계열의 작품들이 역사적 사건을 소재로 하여 치란(治亂)과 흥망(興亡)의 사적만을 이야기하는 것과는 다른 모습이다. 옥동의 "역대가"는 그의 유가적(儒家的) 역사인식(歷史認識)을 바탕으로 창작된 것이라 생각된다. 옥동에게 중국 역대 왕조의 흥망성쇠는 역사적 사실로 의미를 지니는 것이 아니라 현재를 살아가는 사람들이 도덕적 수양을 추구해야 할 이유를 설명해 주는 도구로 작용하였다고 보인다. 옥동은 자신이 익힌 중국 역대 왕조의 흥망성쇠와 현실의 부조리에 대한 예리한 비판, 그리고 도덕적 수양의 필요성에 대한 자극을 모두 더하여 526구의 장편 영사시 "역대가"를 창작하였다. 그런 점에서 옥동의 "역대가"는 예술성을 목적으로 하는 순수한 문학 활동의 결과물이라고 하기에는 쉽지 않은 부분이 있다. 그러나 옥동의 "역대가"는 그 나름의 문학성을 통해 이전까지 저작된 여타의 "역대가" 작품들과 비교하여 문학적으로 뒤지지 않는 모습을 보여준다. 특히 옥동의 "역대가"는 문학성과 함께 그 스스로의 학습과 자기 신념의 강화를 위한 수단이면서 동시에 그와 그의 주변에 있는 사람들을 위한 교육의 도구였다는 점에서 더 큰 의미를 지닌다고 할 수 있다.

• 복식
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• 제65권1호
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• pp.136-149
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• 2015

This research aimed to study the making of western men's coats in the early 19th century. First of all, the study figured out the concepts and forms of western men's tops in the early 19th century by collecting and categorizing pictures including engravings, paintings and pattern books, and literature data. Second, this research identified the patterns, sewing, and design techniques by examining the pattern books on men's clothing in the early 19th century, and analyzed the preserved costumes to restore the selected models. Third, this research presented historical evidences and patterns after designing a men's tailcoat of the early $19^{th}$ century and checking the fit based on the analyzed forms and design techniques. The research discovered that the analyzed results between the tailcoat forms depicted in literature, pictures and pattern books and preserved costumes were almost identical. From this, it can be assumed that the tailors followed a manual when designing garments during that time given the similarity between historical records and remaining items. In addition, it can be seen that the forms and designing methods of men's clothing in the 19th century were almost similar to that of the modern menswear, despite the differences in producing process.

• 한국문헌정보학회지
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• 제20권
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• pp.331-403
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• 1991

1. The Purpose of the Research Historical study on the early woodblock printing in Korea has been mostly focussed on woodblock-printed books. Whereas, researches on those who pioneered to develop the advanced culture of the times have been very scant. Meanwhile, extant temple woodblock publications contain well preserved descriptions about Monk-Engravers and Sextons together with respective colophons at the end of the books. These records are very important research materials in the study of woodblock printing history and are also very useful source materials for discernment in conducting historical research about woodblock-printed books. Based on these records, this research has revelaed the characteristics of the Engrevers and realities of engraving activities, and by doing this, has clarified the characteristics of temple woodblock publications, and discussed the historical research about the woodblock-printed-publications by means of the Engravers. 2. Research Methods Temple woodblock publications with colophons in the nation's major libraries have been directly investigated and 3,059 Engravers were identified in 510 different woodblock-printed books, based on which this research and analysis have been conducted. 3. Research Results As a result of the research the followings have been clarified. A The Engravers' status composition and the motivation of engraving. B. The realities and tendencies of the Engravers' activities. C. The characteristics of the times found in the Engravers' lists. D. Historical research methods through the names of the Engravers.

• 한국한의학연구원논문집
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• 제14권3호
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• pp.11-22
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• 2008

The prime minister(樞密相公) Choi jongjun writes"Eouichwaryobang(御醫撮要方)"A.D. 1226 that is a Goryeo Period (A.D.$918{\sim}1392$). But today that has vanished, now. Inspite of the important worth of that book in Korea Traditional Medicine, there is no study about writer. So I research all the historical source about him. And I confront a historical source with the era for making a chronological table of Choi jongjun. I beliebe this survey make a great contribution towards the historical research of KTM. Now to conclude, In A.D. 1226, Choi Jongjun was Jung chuwonbusa(中樞院副使) or Chumseowonsa(簽書院事).

• 대한간호학회지
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• 제38권3호
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• pp.445-453
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• 2008

Purpose: This paper analyzed the historical origins of the Qi concept and assesses its possible contribution to the development of complementary therapy and new nursing practices. Methods: In order to clarify the Qi concept measure its theoretical/clinical potentials, this study analyzed both historical data and experimental research that adopt and apply the concept. These include modern/contemporary research measuring its effects in promoting mental and physical health. Using the method of cross-cultural comparison, this study analyzed diverse approaches to the Qi concept and sought to find common features among the approaches. Results: A historical, cross-cultural analysis revealed several fundamental similarities between Qi theories that have developed in the east and the holistic concepts that have evolved in the western traditions. Especially, the analysis of the more recent research on the Qi concept shows ample possibilities of its future contributions to the development of new diagnostic applications and the promotion of overall human health. Conclusion: The historical study of the Qi concept found some key common factors in the diverse philosophical traditions in the east and the west. Considering the growing popularity of complementary therapy among health professionals and the general public, the Qi concept and its clinical applications are expected to promote human health. In this context, this research contributes to developing new nursing practices based on the concept by clarifying its philosophical origins and theoretical backgrounds.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.107-112
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• 2007

This study had the purpose to restore imaginary environment involved to symbolic thinking system of Eastern culture discontinued by scientific and reasonable rationalism of Western. To restore imaginary environment, this study selected example places such as Seoul, Beijing, Kyoto which were ancient cities of Korea, China, Japan each and used hermeneutics and phenomenological access method to draw out the element of imaginary environment by analyzing historical and cultural view of example cities. Through comparison and re-interpretation of historical and cultural view of three countries[Korea, China, Japan] in Northeast Asia, as the result of drawing imaginary environment involved within it, it was structured that the spirit and the factor of natural environment of places involved to each cities were reflected as the factor of civilized environment, organized that each element was united, and more sanctified the spirit of place step by step. This study has the meaning as first trial which comparatively analyzed city spaces of existent place of human life by new concept called imaginary environment. It may has the meaning that verifying the universality of imaginary environment involved to historical and cultural view of three Northeast Asian countries, however, there was limitation to examine specificity up to detailed elements of each city.

• 대한토목학회논문집
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• 제34권1호
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• pp.293-303
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• 2014

현재 실적공사비 단가는 한국건설기술연구원에 의해 발표되고 있으며, 대규모 공사에서 수집된 공사비 자료를 분석하여 작성되고 있다. 따라서 소규모 공사의 경우 현행 실적공사비 단가를 적용함에 있어 불합리한 문제점이 발생하고 있다. 이러한 문제점을 분석하기 위해, 본 연구에서는 대 소규모 토목, 건축, 기계설비공사에 대한 실적공사비를 상호 비교하였다. 그 결과, 소규모 공사의 실적공사비는 대규모 공사에 비해 평균적으로 26.6%가 높음을 확인할 수 있었다. 한편, 노무비에 의한 대 소규모 공사의 실적공사비 차이는 18.4%이고, 재료비 경비에 의한 차이는 8.18%인 것으로 분석되었다. 또한 본 연구에서는 이를 시정하기 위한 소규모 공사의 실적공사비 보정방안을 제안하였다.