• 건축역사연구
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• 제7권1호
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• pp.49-66
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• 1998

The purpose of this study is to connect the technics and form from ancient to Korea Dynast But in these period there is no buildings remains but paintings, fine arts, and stupas. In the historical materials there are many architectural form and signature revealings, so as a result these analysis, 1)The building showed in paintings of Silla, and Korea Dynasty reflect the architectural style their own Dynasty. 2)In detail, the architecture of Silla and Korea Dynasy was connected with Chinese architectur Liao, Song. But from the 8Century Koreans were succeeded the one of Silla Dynasty and had originility in architectural style. 3)The architectursl style in Silla and Korea Dynasty were very various and very rich content. And we must more serious study of historical materials so that we improve the ancient a middle age of architcture in Korea.

• Earthquakes and Structures
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• 제8권1호
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• pp.153-184
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• 2015

Most damaging earthquakes come as complex sequences characterized by strong aftershocks, sometimes by foreshocks and often by multiple mainshocks. Complex earthquake sequences have enormous seismic hazard, engineering and societal implications as their impact on buildings and infrastructures may be much more severe at the end of the sequence than just after the mainshock. In this paper we examine whether historical sources can help characterizing the rare earthquake sequences of pre-instrumental times in full, including fore-, main- and aftershocks. Thanks to the its huge documentary heritage, Italy relies on one of the richest parametric earthquake catalogues worldwide. Unfortunately most current methods for assessing seismic hazard require that earthquake catalogues be declustered by removing all shocks that bear some dependency with those identified as mainshocks. We maintain that this requirement has led most modern historical seismologists to focus mainly on mainshocks rather than also on the fore- and aftershocks. To shed light onto major earthquake sequences of the past, rather than onto individual mainshocks, we investigated 10 damaging earthquake sequences ($M_w$ 4.7-7.0) that hit the L'Aquila area and central Abruzzo from the 14th to the 20th century. We find that most of the results of historical research are important for modern seismology, yet their rendering by the current parametric catalogues causes most information to be lost or not easily transferred to the potential users. For this reason we advocate a change in current strategies and the creation of a more flexible standard for storing and using all the information made available by historical seismology.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.40-50
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• 2007

This study started from my concern over maintenance and renewal of existing buildings and other seriously damaged Modern Architecture under the urban development. Above all, we must face up to reality of an increasing need of renovation of old buildings that are in its physical, social, and economical decrepitude. Currently, 25% of total buildings come under renovation period within 20 years, which means that we do not have enough time to decide the destiny of old buildings. In the city, there has been endless controversy over conversation and development. Recently the Cultural property Registration System made it possible a positive usage of non-designated cultural property with historical value. This very useful system renewed our perception on Modern Architecture as cultural property and also triggered peoples' interest in recreating new value beyond economical one. So we really need a balanced view that can bring into both growth of contemporary city and renewal use of Modern Architecture. Here, in this study I tried to solve that problem with Conversion Design and define what a realistic design way for them is. To get more reasonable result, I chose a factor analysis for 20 conversion projects in Japanese Modern Architecture. Conversion Design is a proper way to restore the identity of old buildings and the most effective way to sustainable use of Modern Architecture.

• 건축역사연구
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• 제7권3호
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• pp.67-86
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• 1998

In this thesis, the Development of Station Buildigs Design during last a hundred years in Korea is analyzed. From the early time to today, several posts of Office of Korean National Railroads have controlled the Station Buildings Design by Standard Drawings. Sometimes, private architects joined in designing the Stations, that have the value as historic architecture. Under the Japanese imperialistic rule, Japanese Officer designed all of the stations ; that can be classified 1) wooden compromise style, 2) renaissance style, 3) northern European house style, 4) general station by standard drawing, 5) Korean house style. 6) modernism style. Especially, Korean house style was not planned to commemorate the old Korean Architecture, but to beguile the Japanese tourists' monotony of the journey in Korea. After the Independence, the Station Buildings are grouped into 1) international style, 2) modernism style with traditional details, 3) Station Complex Buildings. In the future, design of the Railroad Station Building needs to be diversified to satisfy tourists' emotion.

• 한국가구학회지
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• 제21권1호
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• pp.17-25
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• 2010

Three buildings -Jibokjae, Hyubgildang and Palujung- are connected each other and consist of a library and reception complex for royal kings at Kyungbok Palace in Seoul. Jibokjae and Hyubgildang were known to have been moved from Changdok Palace in A.D. 1891. No construction records have been known for Palujung. In 2004, during repair of three buildings, a dendrochronological analysis was conducted to examine their building histories. We took 67 wood samples for dendrochronological analysis; 20 from Jibokjae, 37 Hyubgildang and 10 Palujung, respectively. The results showed that the felling dates of Jibokjae and Hyubgildang woods were A.D. 1877-1879/1880, indicating original construction of two buildings at early 1880s. Felling dates of Palujung were 1886-1889/1890, those of roof filling timbers 1890 and the connection part between Hyubgildang and Jibokjae 1886, confirming 1891's movement of Hyubgildang and Jibokjae and adding a new building, Palujung.

• 건축역사연구
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• 제27권4호
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• pp.7-16
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• 2018

This study is focusing on anchogongs(按草工) in yeonggeonuigwes(營建儀軌), which were recorded with few details and in unsettled transcriptions. First, the positions and functions of anchogongs in $18^{th}$ censtury are analyzed by comparing to anchogongs in more detailed early $19^{th}$ century yeonggeonuigwes and those in extant buildings. Second, with the result, the historical significances are presumed in changing transcriptions of anchogong terms in those uigwes. In $18^{th}$ century uigwes, most of anchogongs are functioned as matbo-anchogongs and only four anchogongs in a gate building were used as jongryang-anchogongs. It is mainly because the sorts of buildings in $18^{th}$ century yeonggeonuigwes had only several varieties: most of the buildings belonging royal shrines. Transcriptions of anchogong terms had been changed for reflecting functional developments of anchogongs in $18^{th}$ century. However, reflections were much later than changes of actual functions.

• 한국가구학회지
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• 제27권1호
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• pp.59-68
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• 2016

The Industrial/Technological Cultural Properties are being protected, the rest facing with demolition and damages. In order to better cope with such situation, Korea has officially introduced the Registered Cultural Properties System since 2001 and began acknowledging the historical values of industrial buildings as modern cultural properties. In the Nordrhein-Westfalen, Germany, there are approximately 3,500 industrial buildings under the cultural asset protection and management not only in the Ruhr-region but also state-wide. Among these, this case study focuses on the Hansa Coking Plant, a large-scale Revitalization project to rehabilitate the old industrial complexes and facility buildings that have been shut down on December 15, 1992. Purpose of this study is to analyze main project plans of each facility in the Hansa Coking Plant and to bring out the main features of the plans, so that they can be utilized to find suggestions for Industrial/Technological Cultural Properties Revitalization in Korea.

• 건축역사연구
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• 제11권2호
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• pp.7-22
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• 2002

Architectural style is said to be product reflecting political, social and cultural condition. Especially, in colony, architectural style is strongly related to political condition or policy. After colonization in 1910, public buildings with western historical architectural style in Japanese version were widely built by Japanese colonial government in Korea. And in the late 1920s, modernism style in architecture became dominant in Korea as like other countries. In this situation, curious buildings in strange architectural styles came out. One example is railroad station buildings with traditional Korean architectural style and timber house station having a steep roof which is widely used in North Europe such as Alps area with good sights and mountains. Generally, the colonizer says that colonization is the only way to save the colony at crisis defined by colonizer and they insist that they can help the colony modernize. To justify colonization, the colonizer attributes the colonization to the characteristics of the nation and stagnation of the traditional culture etc.. Accordingly, the colonizer tries to depreciate colony's traditional value and culture. In case of colony which has similar cultural background historically (in this case, economical exploitation is less important than other Asian colony by European power), this depreciation of traditional value and culture in Korea was done more strongly than others. At this time, we should understand special relation between Korea and Japan historically. Even though, colony's locality is adopted by the colonizer in public fields, which is based on political purpose or exotic taste etc.. In early days of Japanese ruling period, Japan never use the Korean traditional facts in public. Therefore there is no use of Korean traditional architectural style in public field. In late 1920s, some railroad station buildings were constructed in new styles without precedence in modern Korea. One is railroad station buildings in Korean traditional architectural style, the other is railroad station buildings in timber house stations having a steep roof which is different form western historical architectural style. It was mystery that Japan had constructed railroad stations in Korean traditional style which Japan had tried to destroy together with Western style railroad station buildings. This paper is made to solve the mystery why the colonizer(Japan) constructed entirely different types of railroad stations at the same time in the late 1920s and 1930s. The key point to solve this mystery is tourism. In this paper, to solve this mystery, I try to use terminology' 'Colonial Tourism' in architecture why colonial power had constructed railroad stations with colony's traditional architectural style and Western style having a steep roof which can be seen north European region.

• 건축역사연구
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• 제23권4호
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• pp.101-111
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• 2014

The magazine (Bulletin) of "Seikou" was made by conservation engineers to exchange information about the survey and repair work of historic buildings in Japan before World War II. This magazine has 26 volumes in total, and was published periodically four times a year from April 1937 to December 1943. Publisher is Nindokai that is supposed to the forerunner of Bunkenkyo (the Japanese Association for Conservation of Architectural Monuments). Only 3 or 4 organizations except personal possession have it now. And it has a limit to use the contents of the article as a general historical material. So, it was rare that experts and researcher used to the "Seikou". However, this study focuses on the articles of the Korean historic building, which is sometimes appeared in it, although there are few. The purpose of this paper is to clarify the fact-finding of the conservation for the Korean historic building in Japanese colonial period by analyzing the articles in historical records of "Seikou".

• 한국주거학회논문집
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• 제27권1호
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• pp.31-40
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• 2016

In 1995 the land development was executed in Songchon-dong, Daejeon-si, and the region lost the strong geographical and historical character as an old clan village of the Song family who has great influence over the country in the Josun Dynasty. Though many cultural assets related to the Song family are preserved during the land development, the region fails to keep the authentic sense of place because the preservation was fulfilled only based on the boundary of each specific buildings. The Dongchundang park is an example to reveal the issue. Besides the fact that it is the Designated Treasure, the Dongchundang has an important meaning for having been the center of the clan and its local community in Songchon-dong. While the Dongchundang park built during the land development contains the Dongchundang with closely related buildings, the Dongchungoteak and Youngurk Song's House for the purpose of preserving the historical assets, the park was planned in an irrelevant way to the place. This study investigates the discrepancy between the past and the present condition of the park and proposes a guideline to alleviate the discrepancy as to retrieve the park's genuine sense of place.