• 디지털융복합연구
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• 제9권6호
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• pp.379-387
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• 2011

역사문화 콘텐츠는 사회적 변화 또는 발전에 대한 기록 또는 근거 자료들을 디지털화한 것을 말한다. 사회적 변화 또는 발전은 사회와 자연의 상호작용의 결과라고 할 수 있으며, 관찰자의 시공간적 위치에 따라서도 내용이 달라진다. 따라서 역사문화 콘텐츠는 저장과 보존, 정보의 교환뿐만 아니라 미래의 변화에 대응할 수 있도록 하는 확장된 개념의 상호운용성과 사용자의 요구 또는 상황에 따라 연관된 정보를 쉽게 제공할 수 있도록 하는 지능화된 서비스가 가능한 구조를 갖도록 할 필요가 있다. 본 연구는 사건 또는 스토리의 콘텍스트에 기반으로 사람, 공간을 포함하는 객체들 간의 관계를 설정하는 온톨로지 설계 방법을 제안하고 이를 성서 콘텐츠에 적용하였다.

• 한국농촌건축학회논문집
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• 제25권1호
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• pp.25-34
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• 2023

In 2018, the Cultural Heritage Administration of Korea introduced a new system that registers national cultural heritage in street and district units. Yeongju City's Modern Historical and Cultural District was selected as the first trial region. This grouping method breaks through conservation and utilization limitations of cultural heritage in individual building units. Thus, the issue is how will such historical and cultural spaces be grouped, conserved and managed. Hence, this study identifies the current situation of buildings in the Modern Historical and Cultural Street of Yeongju and conducts an experimental survey. Based on this, the types of modern architecture were classified, and the architectural groups were extracted and categorized to preserve and utilize the architecture. For these purposes, priority groups were determined by evaluating them based on five criteria: archetype, placeness, politicalness, typicality and originality. The modern architecture in the Modern Historical and Cultural Street of Yeongju have undergone many changes. The residential transformation of small and medium-sized cities during modern times can be understood as a process of settlement and nativization.

• 한국의류학회지
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• 제32권11호
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• pp.1680-1691
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• 2008

This study examines how the development and value of dresses shown in MBC historical dramas have changed with the overall change of the dramas. As for the research method, the second data analysis was done with literature study which was supplemented with interviews with the wardrobe team of MBC production design center. Historical dramas produced by MBC have gone through the developmental period, legitimate historical drama-oriented period, stagnant period, and historical dramas-modernized period. The value of costume in each period is as follows: Costume in the developmental period is considered only as part of drama setting. During legitimate historical drama-oriented period, it carries value as educational data and historical replica produced by historical research. Production design including costume obtains its own value in the stagnant period although the production of historical dramas decreases dramatically. And lastly, in the historical dramas-modernized period, costume starts to have commercial value as cultural contents. Historical drama costume may contain important value in terms of education and history, even though there has been controversy on TV historical dramas' role: they should focus on reproducing historical facts or they should support writers' creativity.

• 비교문화연구
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• 제29권
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• pp.201-232
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• 2012

In the world history in the rein of totalitarianism cultural project of government had been activated, and consequently of it official culture had been organized. But at the same time on the other side of it people('narod'), who didn't have cultural means for active expression of own opinion on the reality, had expressed world-view and judgement informally in everyday language. In the literature of autocracy, subjected to censorship, had been expressed and fixed mythically idealized image of sovereign and his works. But in the folklore the image of ruler had been created by liberal fantasy of people. This article examined russian literature and folklore texts of 18 century, when russian people suffered from rapid and dramatic changes, caused by Peter I. Although russian literature of 18 century had gone over to the new literary regime, it still accepted political mechanism as dominant of age, and consequently in the literary texts of this century Peter I was represented as ideal person and great monarch. But various images in folklore texts show that people's opinion on ruler and his activities couldn't be controlled. In other worlds, diverse images of Peter I in folklore texts reflect clear and plain historical consciousness of people. This analysis reveals not only difference between mechanism of idealization of government and historical consciousness of people, but also meaning of cultural memory as indicator of historical reality.

• 수완나부미
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• 제9권2호
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• pp.35-49
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• 2017

This paper will concentrate on how various particular Southeast Asian conditions created a distinct Southeast Asian cultural identity despite a very challenging geographical and historical diversity in the region. The paper will argue that Southeast Asians demonstrate an ability to adapt to changes and new values but also exhibit fatalism through a very high degree of passive acceptance to political and other changes that affect their society. The paper identifies a degree of environmental and geographical uniqueness in Southeast Asia that shapes context and gives rise to very distinct cultural traits. The historical transformation in the region brought about by colonialism and nationalism, combined with this geographical and political make-up of the region, had an immense impact on Southeast Asian society as it fostered adaptability. Finally, the political transitions brought about by various conflicts and wars that continued to affect the area in rapid succession all throughout the 20^th century likewise contributed immensely to a local Southeast Asian fatalistic response towards change. Historically, Southeast Asia demonstrated these socio-cultural responses to such an extent that these are argued to permeate the region forming a distinct aspect of Southeast Asian culture.

• 복식
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• 제61권1호
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• pp.124-131
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• 2011

Modernity is commonly defined as a reflection of the features of modern society based on the historical experience of the West. As such, modernity includes involvement with political, economic, and social changes, a changing world-view, and changing trends in equality, gender roles, a desire for "the new," consumption, distribution based on mass production, and rational reform in fashion and dress. First and foremost, however, modernity in costume has been driven by the functional requirements of industrial capitalism. But while modernity has popularly been regarded as some sort of universal standard, in fact the West and the other societies have vastly different, unique, and particular experiences with their own respective histories of modernization. For this reason, cultural changes in the modernization process should be-indeed, must be-analyzed in the context of a country's own unique historical and cultural circumstances, rather than through the prism or strict adaptation of generalized Western concepts of modernization. Moreover, a "periodization" of the modernization of fashion and dress can be established by examining the characteristics of modernity in costume.

• 한국전통조경학회지
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• 제41권4호
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• pp.30-39
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• 2023

본 연구는 인천 자유공원의 '역사도시공원'으로서의 가치를 공원 및 주변지역의 역사적 변천 과정을 통해 규명하는 것을 목적으로 한다. 이를 위해 본 연구에서는 연구 방법으로 고지도 및 항공사진에 기반한 시계열 분석을 통해 자유공원의 시대별 변천에 대해 알아보고, 이를 근현대사의 시대적·문화적 변화를 바탕으로 해석하고자 하였다. 연구 결과, 자유공원은 (1) 근·현대사의 주요 사건을 보여주는 증거일 뿐 아니라, (2) 국내 최초의 도시계획에 기반한 도시공원으로서의 역사적인 가치도 지니며, 또한 (3) 근·현대 급변한 시민 생활상을 보여주는 매우 중요한 유산 가치를 지닌다. 그러나 본 연구의 유산 가치 규명에도 불구하고, 자유공원의 유산 가치에 대한 보다 명확한 규명 및 복원·활용을 위해서는 향후 자유공원에 대한 깊이있는 자료의 탐색 및 발굴연구 등 추가 연구들이 요구된다.

• 한국멀티미디어학회논문지
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• 제22권1호
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• pp.88-98
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• 2019

This study was conducted to explore ways to create a cultural city using local cultural resources. To that end, the qualitative case study was applied. As the original city center had been declining due to the expansion and changes of city space caused by the changes of city function and social change, the old downtown of Andong city was selected as an example. For the result, research shows that the region's historical resources and culture have to blend and develop together with abundant cultural resources, such as contents development, city's symbolic space settings, differentiated cultural and artistic establishment, comfort in living, utilization of cultural infrastructure, and supporting facilities which are suitable for cultural diversity. In particular, we found that the importance of establishing a new city image that leads local residents willing to participate and of forming a consensus among tourists. Therefore, for the implementation of a cultural city, policies, undertaking, and administrative support that meet to the city's conditions and environment are required, and a further study on that issue is needed.

• 한국주거학회논문집
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• 제18권5호
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• pp.93-102
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• 2007

The purpose of this study is to explore the changes in space structure in urban residential areas, based on the historical and cultural background of Gyeongju area. In order to clarify its residential and cultural properties, the residential patterns and living characteristics identifying its historical context were analysed. This study was carried out with the data of the Hwango-dong area that has maintained its original form since the creation as a urban residential area during the 1960s and 1970s, the data of the Dongbang village area that was developed as one of residential area projects during the 1970s, and the data of the Seonggeon-dong area that was developed as a residential area during the 1970s and 1980s. The analyses on previous studies and statistical data, referring to building administration registers, field survey and photographing of house types, and exploration of living characteristics by house types were used to perform this study. Four hundred and five sample houses were used in this study, having forty one sample houses which were used for living survey and actual plane measurement. The result of this study can be used as basic information for designing the house to meet Gyeongju citizens' desire for living environments, and to maintain the cultural and historical contexts.

• Human Ecology Research
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• 제62권1호
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• pp.121-135
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• 2024

By reviewing the cultural and historical literature on persimmon juice dyeing and Galot in Korea and Japan, this study aims to show the similarities and differences between the traditional and eco-friendly persimmon juice dyeing practices of these two countries and suggest a direction for the development of modern Galot. The root of persimmon dyeing in Korea is presumed to have begun around the 13^th or 14^th century; however, no documents or records have been found to support this notion. Meanwhile, there are records of persimmon dyeing in Japan that date back to around the 10^th century, but that fact is rarely mentioned. The historical and folk cultural significance of traditional persimmon dyeing in Japan and Korea was different in terms of the use of persimmon dye and the wearing of Galot. In other words, in Korea, Galot was mainly used as work clothes for farmers and fishermen, who took advantage of the garment's functional strength, while kaki-tannin in Japan was applied to fishing tools and industrial materials. Furthermore, Japanese traditional Galot (Kakigoromo) was worn by monks. This was a remarkable difference in that the garments were used as clothing by a special class within society. There were also differences between the two countries in terms of their use of modern persimmon juice dye and Galot. Korea is currently developing and releasing a variety of modern Galots. Meanwhile, Japan is attempting to develop a feeling of relaxation by using the natural colors of Kakisibu dyeing and applying sophisticated traditional pattern printing techniques to modern Galot.