• Title/Summary/Keyword: handwritings

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A Study on the Contingent Worker's Handwritings and Documentation of Labor (비정규노동 수기와 노동의 기록화)

  • Kwak, Kun Hong
    • The Korean Journal of Archival Studies
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    • no.64
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    • pp.5-25
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    • 2020
  • The archives should not document the absence of labor records, but document the traces of workers' lives. In other words, it is the responsibility of the archive to reproduce the acts and sufferings of contingent workers with records, and to reveal the oppressive structure of capitalism based on them. Records representing the lives of contingent workers, such as labor manuals, should be at the core of records that symbolize the present, and archives should be documented. The archives should discard the illusion of neutrality.

A Structural Representation of Handwritings for Automatic On-line Signature Verification (온라인 서명 검증을 위한 필기의 구조적 표현)

  • Kim, Seong-Hoon
    • Journal of the Korea Society for Simulation
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    • v.14 no.3
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    • pp.147-154
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    • 2005
  • In conventional approaches such as a functinal approach or a parametric approach to online signature verification, which could not deal with the local shape of signature, much various important informations inherent in the local part of signature shape have been overlooked. In this paper, we try a structural approach in which a signature is represented as a structural form of handwriting primitives and the local parts along a signature handwriting can be selectively compared according to their discrimination power in the process of signature verification, As a result, the error rate is diminished in the case that the weights of subpattern units is applied into comparing process, which is the degree of discrimination power of local part. And also, the global variation and complexity of each signature extracted from the analysis of local shape is found useful in determining the decision threshold more precisely.

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Handwriting Feature Analysis of Korean Alphabets (한글 자소의 필기 특징 분석)

  • Kwon, Oh-Sung
    • Journal of The Korean Association of Information Education
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    • v.4 no.2
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    • pp.129-139
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    • 2001
  • For the efficient teaching of Korean characters(Hangul) handwriting method, it needs to the collection of Hangul handwriting samples and the study of analysis methods. For the collection of Hangul handwriting samples, the students of teacher's university take part in this survey. The analysis is performed according to the characters and graphemes in Hangul. The analysis features include the number of strokes, the direction of handwriting, the relational position of graphemes, the height and width of characters, and so on. The results of this analysis will be used for the reference data for the teaching of Hangul handwritings, the study of Hangul fonts, and the research of Hangul information engineering.

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Writer Dependent Online Hangul Syllable Generation based on Similarity between Probabilistic Distributions of Handwritings (필기 문자의 확률 분포 유사성에 기반한 필기자 종속적 온라인 필기 한글 낱자 생성)

  • ;Choi, Hyun-Il;Kim, Ja-Hwan;Kim, Jin-Hyung
    • Proceedings of the Korean Information Science Society Conference
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    • 2005.07b
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    • pp.871-873
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    • 2005
  • 필기는 특정인의 정체성을 나타내는 매우 효과적인 매체이다. 이런 이유로 최근 개인의 필기를 디지털 환경에서 사용하기 위한 방법들이 제안되고 있다. 또한 필기 인식 분야에서는 높은 성능의 필기 인식 시스템을 개발하기 위해 많은 양의 필기 데이터를 필요로 한다. 이에 본 연구는 주어진 데이터내의 문자 조합을 바탕으로 한글 필기를 생성하는 것을 목적으로 한다. 특히 데이터에서 관측되지 않은 필기까지도 생성하는 것을 주요 문제로 다룬다. 실험 결과 생성된 필기는 실제 필기와 시각적으로 매우 유사함을 보인다.

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An Analysis on Types and Contents of Hanging Boards Inscribed with King's Writings in Donggwanwangmyo[East Shrine of King Guan Yu] (동관왕묘의 어제(御製) 현판(懸板)의 유형과 내용 분석)

  • Jang, Kyung-hee
    • Korean Journal of Heritage: History & Science
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    • v.49 no.3
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    • pp.52-77
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    • 2016
  • A spirit tablet of king Guan Yu is enshrined in Donggwanwangmyo shrine[East Shrine of King Guan Yu], which houses 51 hanging boards. The hanging boards were written by the kings of Joseon Dynasty and envoys and generals of the Ming and Qing Dynasties. Most studies on hanging boards have been focused on the collections of the palaces but not on those in Donggwanwangmyo shrine. In this regard, this study researches the hanging boards of the kings' writings in the late Joseon period and analyzes their forms and contents. In terms of contents, it examines who made the boards, when they made them, and what brought them to make them, etc. This study analyzes the forms of hanging boards by types, used materials, and periodic transition of forms. The findings are as follows. First, Donggwanwangmyo shrine houses 7 pieces of hanging boards inscribed with kings' handwriting: one piece of King Sukjong, 4 pieces of King Yeongjo, and 2 pieces of Emperor Gojong. They are divided into two types: one is the name of the buildings and the other is the poems that the kings wrote regarding what they felt when they visited the shrine. Especially, the latter were written by the kings who visited the shrine in spring and autumn. The kings intended to promote peace of royal family through a sense of royalty and fidelity of King Guan Yu. Second, the hanging boards of the kings are differentiated from those of the envoys and generals of the Ming and Qing Dynasties in materials and forms. The background of the board is colored by blue, deep red lacquer color, and black lacquer color, which are more expensive than black color or white color. The hanging boards are embossed with the kings' handwritings and then colored with gold. The frame-style four-side hanging board is held at a 45-degree angle and painted with floral patterns and seven-treasure patterns in Dancheong technique. The left and right sides and the top and bottom sides of the board are decorated with Dang-cho pattern(Korean arabesque pattern). This style is called "quadrilateral"and considered the most classy and top-class among the other three ones. In conclusion, this study confirms the status of Donggwanwangmyo shrine with hanging boards inscribed with kings' handwritings as a political space where kings had interest and demanded their soldiers' royalty and fidelity. Research into the boards inscribed with the handwritings of envoys of the Ming Dynasty and generals of the Qing Dynasty, and the comparison of the styles and periodic transition of forms will be reserved for another study.

Intermediate Font Generation based on Shape Analysis of Hangul Glyph (한글 글립의 조형적 분석에 기반한 중간 폰트 생성)

  • Koo, Sang-Ok;Jung, Soon-Ki
    • Journal of KIISE:Computer Systems and Theory
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    • v.36 no.4
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    • pp.311-325
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    • 2009
  • This paper presents a method for analyzing Hangul glyphs with their outline fonts and obtaining intermediate fonts with two different fonts. The glyphs are represented and analyzed hierarchically such as characters, components(letters) and strokes. With the analysis results, we obtain several intermediate glyphs by morphing two different glyphs of same character. For a natural glyph contour morphing, we employ the curve morphing algorithm by weighted mean of strings. In addition, we provide four operations for transformation of glyphs with different topology. As a result, it is illustrated that the proposed Hangul glyphs morphing scheme is useful for new font generation from any exist fonts or handwritings.

Semiautomatic 3D Virtual Fish Modeling based on 2D Texture

  • Nakajima, Masayuki;Hagiwara, Hisaya;Kong, Wai-Ming;Takahashi, Hiroki
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 1996.06b
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    • pp.18-21
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    • 1996
  • In the field of Virtual Reality, many studies have been reported. Especially, there are many studies on generating virtual creatures on computer systems. In this paper we propose an algorithm to automatically generate 3D fish models from 2D images which are printed in illustrated books, pictures or handwritings. At first, 2D fish images are captured by means of image scanner. Next, the fish image is separated from background and segmented to several parts such as body, anal fin, dorsal fin, ectoral fin and ventral fin using the proposed method“Active Balloon model”. After that, users choose front view model and top view model among six samples, respectively. 3D model is automatically generated from separated body, fins and the above two view models. The number of patches is decreased without any influence on the accuracy of the generated 3D model to reduce the time cost when texture mapping is applied. Finally, we can get any kinds of 3D fish models.

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Semantic crack-image identification framework for steel structures using atrous convolution-based Deeplabv3+ Network

  • Ta, Quoc-Bao;Dang, Ngoc-Loi;Kim, Yoon-Chul;Kam, Hyeon-Dong;Kim, Jeong-Tae
    • Smart Structures and Systems
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    • v.30 no.1
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    • pp.17-34
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    • 2022
  • For steel structures, fatigue cracks are critical damage induced by long-term cycle loading and distortion effects. Vision-based crack detection can be a solution to ensure structural integrity and performance by continuous monitoring and non-destructive assessment. A critical issue is to distinguish cracks from other features in captured images which possibly consist of complex backgrounds such as handwritings and marks, which were made to record crack patterns and lengths during periodic visual inspections. This study presents a parametric study on image-based crack identification for orthotropic steel bridge decks using captured images with complicated backgrounds. Firstly, a framework for vision-based crack segmentation using the atrous convolution-based Deeplapv3+ network (ACDN) is designed. Secondly, features on crack images are labeled to build three databanks by consideration of objects in the backgrounds. Thirdly, evaluation metrics computed from the trained ACDN models are utilized to evaluate the effects of obstacles on crack detection results. Finally, various training parameters, including image sizes, hyper-parameters, and the number of training images, are optimized for the ACDN model of crack detection. The result demonstrated that fatigue cracks could be identified by the trained ACDN models, and the accuracy of the crack-detection result was improved by optimizing the training parameters. It enables the applicability of the vision-based technique for early detecting tiny fatigue cracks in steel structures.

Effects of Excellent or Bad Handwriting on the Writing Assessment (쓰기검사에서 글씨체가 평가결과에 미치는 영향)

  • Yu, Gyung;Kim, Lak-Hyung
    • Journal of Oriental Neuropsychiatry
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    • v.25 no.2
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    • pp.133-142
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    • 2014
  • Objectives: The aim of this study was to investigate the effects of handwriting on the writing assessment, according to whether the handwriting is excellent or bad. Methods: A total of 24 elementary and middle school teachers participated in this study and assessed 6 original writings and 6 transcriptions of the same original writings using the HWP 2007 program. Six writings were collected from elementary students of 4th to 6th grades, 3 of 6 students presented with excellent handwriting and 3 of 6 with bad handwriting. The assessments were done according to the standards of propositional knowledge assessment (You & Jeong, 2008). Results: In the excellent handwritings, the rules of orthography and the contents of introduction of the original writings were scored higher than those in the transcriptions. The difference between transcription and original writing showed minus scores in original writing assessments and plus scores in transcription assessments. In the propositional knowledge score and its subscales scores - content knowledge, text knowledge, language knowledge and text context knowledge -, were differences in transcription assessments significantly higher than those in original writing assessments. Several assessment indices - clarity of the ending, contents of introduction, appropriate contents, rules of orthography, structured composition and various vocabularies showed significantly higher differences in transcription assessments than those in original writing assessments. Conclusions: The excellent handwriting could be assessed high and the bad handwriting could be assessed low. These results suggest that we should consider the effects of handwriting factors on the results of writing assessment and that the transcription could be used for an accurate writing assessment.

Assumptions on the Location of Changokbyeong and Saahm Park Soon's Garden Remains (창옥병(蒼玉屛)의 위치 비정(比定) 및 사암(思菴) 박순(朴淳)의 정원유적 연구)

  • Rho, Jae-Hyun;Park, Joo-Sung;Choi, Jong-Hee
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.34 no.4
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    • pp.37-50
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    • 2016
  • Recognizing the problem of fallacy in geographical name of Changokbyeong(蒼玉屛), assumption has been made on the location of Changokbyeong through literature research on antique maps, ancient paintings, and old prose, through field survey on rock inscriptions and landscape characteristics, and through interviews with local people. Furthermore, Baegyeonwa, the Cuckoo Hut, and Iyangjung(二養亭), an annex to the cottage, both of which were managed by Saahm Park Soon(思菴 朴淳), the Subject of Jouissance, were studied in depth with emphasis on the spatial structure as well as special features of the area as a garden. The major findings are as follows: Changokbyeong is a spatial threshold that imparts a sense of unity with Okbyeng seowon(玉屛書院) and indeed Changokbyeong is presumed to have been the frontal river terrace of Okbyeng seowon according to the analysis of antique maps and rock inscriptions. This ancient location and the Ogari Stone Wall, the present day Changokbyeong, are only 460m away so that both areas are considered as falling under the influence of Changokbyeong landscape. The expression "Changokbyeong Geupsangeum(蒼玉屛及散襟)" written in an old prose tells us that the high rock wall with Sangeumdae inscribed on the rock might be the rock wall of Changokbyeong. In addition, while not a single rock inscription has been found on the Ogari Stone Wall, 11 rock inscriptions designed and ordered by Saahm Park Soon, the Subject of Jouissance, are found on every corner of the high rock wall standing in front of Okbyeng seowon, 8 of those 11 being place names and recitative poems(known as Jeyeongsi: 題詠詩) in close formation resembling the handwritings in a little notebook. This provides a strong evidence for assuming the location of Changokbyeong to be the frontal river terrace of Okbyeng seowon. The "Songgyun Jeoljo Suwol Jeongshin(松筠節調 水月精神)" rock inscription on Changokbyeong should be considered as the stamping ground and as the symbolic language of Changokbyeong that bears the high character and nobility of the Subject of Jouissance, Saahm Park Soon. The inscription should also be recognized as the handwritings of Wooahm Song Si-Yeol(尤庵 宋時烈) correcting the misconceptions that persisted until today. Meanwhile, the garden remains of Saahm's Changokbyeong are composed of four sites: Sangeumdae-Sugyeongdae-Cheonghakdae-Baekhakdae from the left. At the back of Sangeumdae, there is the original house, the Baegyeonwa(拜鵑窩), and on the fantastically shaped stone wall at the left of Baekhakdae, there is the annex, the Iyangjung, together creating a landscape composition that overlooks the splendor of the Ogari Stone Wall. The Iyangjung is located on the highest spot to the left of the four sites, and it is believed to have been a little outhouse and library for Saahm which remains to the present day as a place where Saahm's character can be felt. The drinking plates[窪樽] made of rock that are affectionately arranged on the broad flat rock in front of Iyangjung is part of the garden remains that reflects the artistic taste of Saahm regarding the drinking culture at the time.