• 제목/요약/키워드: half-linen

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천연 잉크로 DTP한 half-linen의 색상 효과 - 한국 고유식물을 모티프로 한 텍스타일 디자인 적용 - (The Color Effect of Half-linen by DTP with Natural Ink - Apply Floral Textile Design with Motif of Korean Endemic Plants -)

  • 심주연;박영미
    • 한국염색가공학회지
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    • 제33권4호
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    • pp.220-229
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    • 2021
  • This study is aimed to a textile design with a motif of korean endemic plants and a method for printing it in an eco-friendly manner. The floral pattern with the motif of korean endemic plants was designed using Illustrator and Photoshop program. CMYK color, which is the basic color of Digital Textile Printing (DTP), is based on natural dyes, and various colors, achromatic colors and pastel tones are applied. As a result, half-linen and cotton were suitable as a result of designing and applying a floral pattern of a korean special plants. Also, as a result of analyzing the printing effect by colorway and DTP for each material, it was printed uniformly and the washing fastness was good. However, fastness of color change showed low, indicating that a follow-up study was needed. This study contributes to environmental conservation through eco-friendly printing and the korean endemic plants will be interested in people around the world beyond korea.

서양 남성 속옷의 변천에 관한 고찰 - 20세기 전기 - (Changes of Western Men′s Underclothes - in the First Half of the 20C -)

  • 김주애
    • 복식
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    • 제50권5호
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    • pp.53-64
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    • 2000
  • The purpose of this study was to investigate the historical changes of western men's underclothes in the first half of the 20C and analyze functions and features of men's underclothes. This study was to utilize many literatures in the analysis of historical changes of western men's underclothes. In the 1900's, the attached collar was giving place to the detachable, and the coloured shirt for day wear was becoming accepted. The correct wear fur various occasions was given. Double collar was the favourite for day wear. The dress-shirt protector worn over the dress-shirt front. Men preferred to vest and pants in one as a combined garment. In the 1910's, underclothes were permitting freer movement, but what was still more significant was the glowing inclination to reduce the layers which covered the body. The new conception of decency which was beginning to appear continued to characterize underclothing the symbols of social rank, expect for formal occasion, were declining. For day the white shirt was being displaced by the soft-fronted shirt. In the 1927-1930's, Underclothes were reduced in number, extent and thickness. Underclothing had lost two of its original function : it no longer preserved the warmth of the body, nor did it disguise its essential shape. Both sexes discarded the use of white underwear, In the 1930's, men saw an increasing preference for the coloured shirt. Combinations became increasingly popular and the singlet were displacing the under-vest in the 1930's. All undergarments were very commonly in natural colours. In the 1940's, for evening dress. shirt was plain linen front and square cuffs. Short trunks reached to mid-thigh, had a front waist yoke with three button fastening. Underclothes were pursued ease and activity.

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A Study on the Costume of The Korean-Chinese Women in Yanbian, China - Focusing on 1990′s -

  • Zhang, Shun-Ai;Kim, Jin-Goo
    • The International Journal of Costume Culture
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    • 제4권1호
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    • pp.25-33
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    • 2001
  • This study is to analyze Korean-Chinese women's Costume in Yabian with factors such as reform opening-up, economic growth, change of social values, development of technology, more education opportunities and influence of mass media. It divides the 1990's into two halves. Photos, interview, observation and relevant literature were used for this study. Even though economy grew rapidly, they needed to purchase daily goods other than clothes. In a way that they preferred practicality, it showed somewhat it was still developing. The trend in the first half of the 1990's was characterized : first, Synthetic or artificial fibers and ready-made suits were popular ; second, there still remained the men's style ; third, they wore Tanrikoo(彈力袴), Tisingkoo(體型袴), Jiaotakoo(脚袴) because of its properties of activeness and comfort ; fourth, shoulders looked ore prominent with pads as they were used in Chungsanfoo(中山服) ; fifth, clothes in grey and dark blue was in fashion ; sixth, they wore hand-made knit vests and sweaters and often mountain-climbing gears for its light and warm quality ; seventh, along with opening-up, various materials and colorful clothes were in style, which satisfied women's desire for beauty. They decorated Hanbok(韓服), using sleeves with colors, golden ornaments, flower patterns embroidery, materials of different color in collar and tie and dyes of sleeves and skirts. In the first half of the 1990's when the opening-up was beginning, there were diverse styles and colors in fashion, yet not close to good quality. As the economy grew, the second half of the 1990's was characterized by good palate, individuality, favouritism on foreign goods, rapid change of fashion. For instance, fur coat and woolen fabric were favored. Economic growth led to abundance of cloth, dyes and decorative materials. In addition, people possessed more clothing and it was possible for them to wear both Hanbok and wedding dress in wedding ceremony. People placed their standards on competency and financial ability rather than ideology. Worship disappeared and individuality arose. Therefore, apparel functioned not only as protection but as suits with aesthetic purpose. This resulted in introduction of bold style, imitation of western countries and extension of use of Hanbok. With the help of mass media, transportation, telecommunication, contact with Korean company and civilians, Korean and western cultures, through Korea, were accepted. Change in structure of economic status caused excessive spending and more educational opportunities that enabled people to accept foreign culture quickly. Values moved onto new, beautiful and better characteristics. it was possible to have suits ready-made due to improvement of mass production and cotten, wool, linen, silk became popular owing to technology. New technology, the bases of mass consumption, increased possession of clothing and accelerated change of fashion. In summary, women's Costume in Yanbian were affected by the factors in economy, politics, culture contact as well as change of society and technology.

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르네상스 이후 20세기에 이르는 여성 헤어스타일의 변천 (Transition of Women's Hairstyles after Renaissance to 20th Century)

  • 이경희
    • 한국의류산업학회지
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    • 제9권1호
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    • pp.15-23
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    • 2007
  • In the Middle Ages it was customary to cover up the hair, but the Renaissance brought uncovered coiffures with the revival of humanism. In those days, silk and linen veil, ribbon, string of pearl used for covering, wrapping round with the hair. During the Baroque period, the style of hair was to pursue the beauty of imbalance in form, reflecting the atmosphere of the time. Hurluberlu and Fontanges hairstyles were in fashion. Then in the Rococo period, huge, resplendent coiffures of exquisite beauty were invented as a symbol of power, and these modes of hairdo were a dominant force in the culture of personal adornment of that time. Pouf and enfant hairstyles were in fashion. As a reaction against the extravagance of the proceding modes, late 18th and early 19th centuries brought revival of simpler hairstyles of ancient Greece and Rome by the influence of neoclassicism. The latter half of the 1820's onwards saw he reappearance of voluminous coiffures as well as an enormous variation of knots with combinations of false knots and chignons. Late 19th through early 20th centuries was the period of beautifully waved hair, the style of which was an integration of Marcel waves and Art Nouveau. The 20th century saw the epoch-making invention of permanent waves using electricity. Concurrently, with an increasing participation of women in social affairs since pre-and post-World War I periods, as well as with Art Deco in full flourish, bobbed hair was created in pursuit of lightness and nimbleness, quickly showing the change of women's modes of life. Hair fashions thoroughly embody the aesthetic sense of each period, reflecting the landscape of contemporary society.

의류소재용 직·편물의 수분이동 특성 측정 방법에 따른 흡한속건성 평가 (Assessment of Wicking and Fast Dry Properties According to Moisture Transport Measurement Method of Knit and Woven Fabrics for Garment)

  • 김현아;김승진
    • 감성과학
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    • 제20권2호
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    • pp.117-126
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    • 2017
  • 본 연구에서는 직/편물 8종을 대상으로 이들 수직방향과 수평방향 수분이동특성 측정방법에 따른 소재들의 수분이동 특성을 분석하였다. 또한, 8종의 시편의 MMT에 의한 건조특성을 수직 건조 측정 결과와 비교하여 논의하였다. 수평수분이동 방법인 MMT 시험 결과는 수직법인 바이렉 방법의 결과와 유사한 거동을 나타내었다. 대나무, 린넨 및 면/나일론 복합 소재는 드롭법의 흡수시간은 짧았으며, 표면의 낮은 접촉각 및 직물의 높은 다공성에 기인한 것으로 판단되며, 친수성 스테이플 섬유의 구조와 상관이 있을 것으로 보인다. MMT에 의한 건조특성은 니트 및 대나무 직물의 최대 흡수반경이 가장 우수했으며, 수식 건조법에 비해 차이를 나타내었다. MMT 방법의 건조속도는 직물의 두께와 포화수분 흡수율과 높은 상관성을 가졌으며, 회귀계수는 각각 0.9와 0.88이었다. 이는 직물의 두께가 얇을수록 위킹 및 건조특성이 우수하며, 기능성 소재기획시 착용 내구성을 판단하는데 중요함을 의미한다. 또한 상이한 섬유소재, 실 및 구조의 소재에 대한 수분이동특성(위킹, 건조)는 측정 방법에 따라 다른 결과를 나타내었다.