• 제목/요약/키워드: functionalism

검색결과 123건 처리시간 0.033초

철도조직변화 스웨덴 사례 (Railway Organizational Change - Swedish Railway Case)

  • 방연근;문대섭
    • 한국철도학회:학술대회논문집
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    • 한국철도학회 2005년도 추계학술대회 논문집
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    • pp.534-539
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    • 2005
  • This article introduces a railway organizational change of the Swedish Railway Case written by Petra Stelling. Through the Swedish Railway organizational change case we know that issues such like functionalism vs. regionalism, dividing rolling' stock department, and separating divisions are solved in the organizational designs. Swedish experience could give some hints to Korail organization change efforts.

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독일 표현주의 건축의 재인식 - 한스 셔로운과 휴고 헤링의 작품을 중심으로 - (German Expressionist Architecture Reassessed - Works of Hans Scharoun and Hugo Haring -)

  • 황보봉
    • 한국실내디자인학회논문집
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    • 제15권5호
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    • pp.12-19
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    • 2006
  • The artistic features of German Expressionism in the early twentieth century are often recognized for its abstract and emotional representation in art and architecture. Expressionism departed from the paintings, notably the works of Der Blaue Reiter and the Bruck, but the architectural works with curve and organic features were also taken as expressive. German architects Hans Scharoun (1893-1972) and Hugo Haring (1882-1958), in this regard, have long been regarded as Expressionist architects, but recent studies suggest that their architectural designs include a profound idea of modem functional building. Scharoun and Haring held a socialist utopian vision as other modernists have also had, but their inherent view upon modern architecture was function which was mistakenly viewed as Expressionism in earlier documents. This paper intends to exemplify how Expressionism is inappropriate to represent the expressive presentations of Scharoun and Haring. Despite the fact that their designs possess certain expressionist elements, their works can also be constructed as an advanced functionalism. Many young architects in Germany were not given chances to build due to economic hardship after the First World War, and they were naturally led to imagery sketch designs for future architecture. Abstract Idea was freely exposed in its preliminary visual form, and it is also uneasy to draw a borderline between expressive presentation and the Expressionism itself.

1920년대 유럽의 집합주택에 적용된 강관의자디자인의 특성연구 (A Study on a Tubular-Steel Chair Design applied to European Multipole Dwelling Space in 1920s)

  • 정신원;신홍경
    • 한국실내디자인학회논문집
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    • 제17호
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    • pp.136-142
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    • 1998
  • In early 20th Century Neo Art Movement and Fuctionalim in Europe effected to create new tendency as Modern Design and technical development through Industrial Revolution offered technical background to realize Modern Design. All these things were basic to establish 1920s and the concept as Modern Design had been established at this time in field of Architecture and design. Thubular-steel Chair which used industrial material based on social andtechnical circumstance came out as an epochal event and which symbolize Modern Design have enlarged their concept with 1920s European Dwelling Space. According to each tendency arrange characteristics as classifying on the society-cultural spatial plastic technical sides multiple dwelling house and tubular-steel chair for low income brackets have characteristic of (1) the pursuit of social functionalism design for public(socity-cultural characteristics) (2) the pursuit of simplicity based on functionalism (plastic charcteristics) (3) the standardization for mass production (technical characteristc). In conclusion the characteristics of tubular-steel chair which correspond with dwelling space in 1920's is presented a type for relation between furniture and space which correspond with formating in the formative period of Modern-design.

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알바 알토와 안토니오 가우디의 교회건축 및 디자인 비교 연구 - 지역주의 디자인의 관점에서 - (A Comparative study on the religious buildings of Alvar Aalto and Antonio Gaudi - on the perspective of regionalistic design -)

  • 양세은
    • 한국실내디자인학회논문집
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    • 제16권1호
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    • pp.31-38
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    • 2007
  • This study investigated and compared regional features of Aalto's buildings and Gaudi's on the assumption that their designs are based on the regional backgrounds. For it, two churches of each one we selected and analyzed about five divided spaces like disposition, the exterior, plan, structure and introduction and use of the sunlight. As result of analysis, following conclusions are induced: first, Aalto's church design and Gaudi's we similar in which they reflected the thought of regionalistic design. Nevertheless they are deferred in which Aalto accepted the international functionalism but Gaudi rejected it due to his deep belief. Second, they followed the tradition of the regional architecture. Third, both of them took in consideration the nature, but due to the difference of the contexts they are deferred in its use. Finally, both gave importance to the sunlight. But Aalto is from the country where lacks the light while Gaudi is from the country where abounds the light, so its use is different. This investigation shows several possibilities of design under the influence of its regional culture, which gets more important in this century.

욜리 텡(Yeohlee Teng) 디자인에 표현된 노마디즘 (Nomadism in Yeohlee Teng's Works)

  • 임은혁
    • 패션비즈니스
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    • 제20권1호
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    • pp.35-52
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    • 2016
  • Yeohlee Teng's 'Urban Nomad' concept stresses high mobility and flexibility in 'Clothing-as-shelter' in order to satisfy the needs of urban dwellers. Yeohlee interprets clothing as a portable environment that protects and shelters urban nomads as well as creates space of clothing as intimate architecture. This study examines Nomadism in Yeohlee's designs since 1981 when she received the attention from the fashion critics, by conducting literary survey as well as case analysis. Nomadism in Yeohlee's work showed the following characterizes. First, 'modular system' deals with the organized dressing system that enables interchanging and layering of separates that function in the fifth season; second, 'organic geometry' describes the architectonic approach to clothing as wearable structure that transforms two dimensional geometry into three dimensional form; third, 'functionalism' refers to the use of technological novel materials, ergonomic clothing construction, and the strategy of using structure as decoration; and fourth, 'reductionism' is the economical approach for realizing Nomadism, which is composed of one-size-fits-all as well as unisex size system and 'zero waste' strategy to maximize use of a piece of cloth.

20세기후반 이후 패션 구성 방식에 나타난 모듈러 시스템 -욜리 탱, 존 리베, 갈야 로젠펠드 작품을 중심으로- (Modular System Expressed in Structural System of Fashion Since the Late of 20C -Focusing on the Fashion of Yeohlee Teng, John Ribbe, and Galya Rosenfeld-)

  • 양희영
    • 한국의류학회지
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    • 제32권5호
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    • pp.788-799
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    • 2008
  • Since the late 20C, a lot of fashion designers have considered about new construction system in fashion. Many arguments about architectural form and construction system have being supported on enlargement of range of functionalism fashion through the consideration about new shape and combination among various any other spheres. Modular concept, which is able to divide complex construction of integration into separated basic unit and use various and liberal arrangements, is regarded alternative idea of economic construction that creates new shape and constructive beauty through the simple operation and changing combination continuously. Specially, fashion designs of Yoehlee Teng, John Ribber, and Galya Rosenfeld are estimated that they are effectively utilized architectural modular system pursuing multi-function and multi-change in fashion. Modular system utilized in fashion construction will be classified as follows: 1) layering system of Yoehlee Teng, 2) combine system of john Ribber, and 3) lego system of Galya Rosenfeld. This thesis will presents beneficial guide for simple and practical functionalism fashion design development in 21C.

20세기 프랑스 패션과 이탈리아 패션의 비교 연구 (A Comparative Study on the 20th Century French Fashion and Italian Fashion)

  • 정유경;전혜정
    • 복식
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    • 제56권9호
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    • pp.112-126
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    • 2006
  • In this study, to study the aesthetic properties of the Italy fashion, the internal fashion contents are defined according to the cultural characteristics of Italy and based on the definition, the external features are investigated. The cultural characteristic was analyzed based on the reference literatures on the Italy culture. The aesthetical properties of the contemporary Italy fashion can be analyzed as follows: ${\cdot}$ Functionalism is a feature showing the Italian cultural environment where the genuine humanism is retained. It enables the practical designs by applying details and materials that wouldn't put a limit to the movement of the human body. ${\cdot}$ Naturalism focuses on the natural beauty of the human body without any artificial forms or exaggerated ornaments. Natural texture or materials are used to express the human body itself, or to emphasize the natural aesthetic effects flowing with the human body. ${\cdot}$ Localism is the expression of folk spirit affected by the natural environment. It expresses local atmosphere by unique craftsmanship in material, pattern, color and details. Based on this result, the aesthetic properties of the contemporary France fashion, examined through ${\Iceil}$A Cultural Approach to the Aesthetic Characteristic of the 20th Century French Fashion${\rfloor}$ and those of the contemporary Italy fashion are compared.

부오크세니스카 교회의 건축 특성에 관한 연구 (A Study on the Architectural Characteristics of Vuoksenniska Church)

  • 정태용
    • 한국실내디자인학회논문집
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    • 제18권1호
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    • pp.19-26
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    • 2009
  • Aalto designed his own modern architecture in comparison with other modern architects of his days. It is because Aalto went beyond the principle of dogmatic functionalism based on his attitude not to copy images of functionalism but to fulfill function of the building. He decided architectural form and space according to logical basis including the effective use of light and sound. Vuoksenniska church, as is called the most exceptional and notable church in his works, was designed based on the fulfillment of program. As he knew that the program needed the extension of the main church space into social areas, he put emphasis on individuality of space rather than the wholeness of space. Sound and light analysis of Vuoksenniska church shows that Aalto tried to have adequate environment of each space at the start and Integrate them later. The spatial configuration of Vuoksenniska church shows that the individuality of space has priority over the wholeness of spaces. Discordance between roof form and ceiling is the best example for this matter. Aalto designed various windows that have different sizes, figure and location to induce desirable light for each space of the church. He also adjusted the shape of the ceiling and the angle of wall for a effective sound transmission. This result indicates that he knew the activity of the church is normally confined to one weekly morning and the whole space Is hardly used as a religious purpose.

가정복지' 개념을 중심으로 한 가정학의 재개념화 (Reconceptualizing Home Economics by Focusing the Concept of 'Family life welfare')

  • 허정원
    • 가정과삶의질연구
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    • 제17권2호
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    • pp.173-184
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    • 1999
  • The purposed of this study was to reconceptualize home economics by focusing the concept of 'Family life welfare' which pursue the improvement of family life through making the home resourceful and developing the community. The reconceptualization of home economics as family life welfare could solve the problem identification and professionalization which home economics lack of. It also would contribute to the extension of an arena and activation of the Discussion no the family life by criticizing several approaches based on functionalism Finally the utilization of home economics major in public affair means the advancement of women's social participation.

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