• 한국멀티미디어학회논문지
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• 제18권8호
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• pp.980-987
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• 2015

Most of cultural area which people enjoy and consume is kitsch culture, though the culture is barely acknowledged. In this multimedia era, people create, publish and enjoy contents of 'webtoon(web+cartoon)', which is relatively faster and more convenient to enjoy comparing to published cartoon. Contrarily to its physical growth, the webtoon shows difficulty in advancing with other genres, is full of irritative factors and contents, and has tough time to become more sophisticated one. This study derived characteristics of kitsch in webtoon, suggested the way of webtoon as an art by analyzing conditions and usage motivation of webtoon. The conditions of kitsch are uniformity of mass consumption, popular vein, catharsis, vicarious satisfaction, immediate feedback-requiring image flood, and reproduction of techniques. The usage motivations of webtoon are studied as pursuit of information, entertainment, relaxation, socialization, convenience, and effectiveness. Usage motivation factors in webtoon and kitsch culture are almost identical. Contrary to its past of being underestimated and vulgarly considered, kitsch is acknowledged as an 'kitsch art'. By studying the process of becoming an art, the study has its purpose to suggest the experimental and developing way to make webtoon be acknowledged as 'webtoon art'.

• 한국과학교육학회지
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• 제15권4호
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• pp.394-403
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• 1995

The purpose of this study was to find out and analyze the science teacher's teaching methods. A total of 35 teaching methods were abstracted from the previous studies and the relating literatures. An instrument to measure the frequencies of using methods was developed and then tested to middle school science teachers. The Results of two factor analysis methods were compared. The results are as follows: The instruments's reliablity coefficient(Cronbach ${\alpha}$) was 0.7707. The teaching methods which middle school science teachers have used frequently were represented as the proposing of the learning objectives, the deductive teaching, the experimental activities by teacher's guide, the summarization after explanation, the reading text etc. Also, it was revealed that they have not use the diagnostic evaluation, the formative evaluation, the experimental activities by student's design, the instructional medium. By confirmatory factor analysis, the 1st factor included 13 teaching methods and 2nd and 3rd factor included 9 and 7 methods respectedly. The meaning of 1st factor was interpreted to stimulate student's learning motives. And the other's were about the development of instruction. In exploratory factor analysis factors were overlapped or more fined. These were due to the structure of factors.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2007년도 춘계학술대회 논문집
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• pp.643-652
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• 2007

This study identifies visible/invisible factors and analyzes facilities, structure, and visible perceptive contents in the aspects of operation and efficiency with a focus on the interfaces between interior design of the subway and users. More specifically, it diagnoses the requirements and empirically presents improvements. In addition, this study aims to diagnose the interfaces between trains and users by reinterpreting and evaluating factors from the perspectives of users, and to elicit the universal interface and an objective form of conceptual, structural, and formative relations in regard to the conditions required to the design. As the interior design in the subway trains is for the public reflecting the value, consciousness, and behaviors of users, it should be approached through the application of the concept of universal design that considers the potential needs and psychological satisfaction of users. In arranging the indoor of the vehicles, the conditions for the facilities should be specified through the interdisciplinary approach from professional fields including ergonomics and psychology, the path of flow should be induced through the use of space and the analysis of passengers' behaviors, an integrated planning should be re-established, and continuous evaluations of basic guidelines, manuals, and requirements should be made.

• 복식문화연구
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• 제7권5호
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• pp.122-139
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• 1999

Paco Rabanne, who has created experimental and prophetic avant-garde fashion by cutting edge techniques and revolutionary new materials, is known as one of the most influential fashion designer of modern times. The purpose of this study is to analyze the various factors, including some major artistic movements, which influenced on the formative characteristics of Paco Rabanne\`s fashion design. First, Paco Rabanne\`s fantastic new materials is also influenced by his study in architecture and his own fantasies -which other people can hardly imagine- during his early childhood. Second, light one of the most important element in Paco Ranbanne\`s fashion design, shows some influence of medieval symbols of love and salvation. Third, the artistic trends which influenced on Paco Rabanne\`s fashion include surrealism, opart, and kinetic art. His use of new materials and avant -garde style represents the influence of surrealism. his experimental use of waving plastics and glittering metal during his early period is especially related with opart and kinetic art in the early 1960s which emphasize the artistic effect of light and movement. Fourth, the geometrical figures like triangles, rectangles, and circles represent the influence of Egyptian architecture like pyramids and the geometrical characteristics of Eguptian art. Fifth, Paco Rabanne\`s distinctive use of metal chains in his fashion shows the influence of the chain mail hauberk, the medieval knightly armour. By using the medieval material Paco Rabanne properly expressed the modern person\`s pain and suffering. Sixth, the ethnic elements of Egypt, Africa, Spain, and Japan reflect the experience in his former lives he insists he lived. The ethnic elements of his dresses emphasize the natural vitality and inheritance from the past.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.513-520
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• 2008

온라인 3D 게임에 기원을 두던 3D 가상공간은 오늘날 Web 3D 기술의 발달로 정정 현실과 유사하게 구현되어 사회성이 강조된 공간으로 변화하고 있다. 따라서 사용자들은 3D 가상공간에서도 현실세계와 똑같이 의미 있는 인간관계를 갖길 원하게 되었고 3D 가상공간에서 인상의 중요성이 높아졌다. 이에 본 연구는 대인관계와 인상의 관계를 확인하고 인상을 형성하는 요소를 제시할 것이다. 타 매체와 구분되는 3D 가상공간만의 특정적 요소들을 분석 함으로써 본 연구는 3D 가상공간 상의 인상에 따른 대인관계 연구에 대한 바탕이 되는 이론으로서의 가치를 지니며, 향후 지속적인 기술발전에 따라 변화될 3D 가상공간 상에서의 대인관계 및 문화적, 사회적 현상에 대한 연구의 기반이 될 수 있다.

• 한국전통조경학회지
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• 제35권1호
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• pp.36-47
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• 2017

신흥유학 성리학을 바탕으로 조영된 조선시대 별서원림인 소쇄원과 중국 송대 성리학 생성기(生成期)에 조영된 창랑정을 비교 고찰하여 원림문화의 조영사상과 구성요소의 의미론적 해석에 관한 결과를 요약하면 다음과 같다. 첫째, 소쇄원은 한국 별서원림 중에서도 성리학사상을 오롯이 구현하였으며, 중국 창랑정은 현재까지 잘 보존된 가장 연원이 깊은 중국의 사가원림으로서, 조영 시기는 소쇄원보다 약 500년가량 앞서며 조영자인 소순흠 또한 송대의 사대부로서 창랑정 조영배경에는 성리학이라는 뿌리 깊은 사상이 자리 잡고 있다. 둘째, 소쇄원과 창랑정 두 원림 모두 은일사상(隱逸思想)에 뿌리든 둔 자연친화(自然親和)성향이 두드러진다. 특히 소쇄원은 산림에 입지한 형태로 은일(隱逸) 중에서도 '소은(小隱)'이며 창랑정은 도시에 입지한 '중은(中隱)'으로 해석할 수 있다. 셋째, 소쇄원과 창랑정의 명명(命名)에 상징의미가 배태된 원림요소들을 비교분석하면, 소쇄원은 자연합일(自然合一)된 원림으로서 유불선(儒佛仙)의 다양한 사상들이 습합되어 발전된 중국 송대 성리학 사상이 원림조영에 깊숙이 내재되어 있으며, 현재 창랑정에서 발견할 수 있는 다양한 상징요소들의 의미해석의 밑바탕으로 작용하고 있다. 넷째, 사상적인 변화는 반드시 원림의 형식적 양식이나 요소들에 체현(體現)됨으로 원림요소를 비교분석하였다. 이를 통해 소쇄원은 최대한 자연을 활용함으로써 최소한의 인공을 가미하여 조영된 원림임을 알 수 있다. 즉 자연환경과 인문환경을 결합함으로써 공간의 의미적인 특징을 표출하고자 하였다. 그 대표적인 예로 소쇄원의 대봉대는 조영자의 이상을 표현하는 장소이며, 창랑정은 높은 담장 내에는 원내의 경치가 새롭게 창출되고 속세와의 단절감을 둔 채 재현된 자연을 구축함으로써, 창랑정은 가산 위에서 주변의 가경을 관조하며 삶을 성찰하는 공간으로서의 장소성이 감지된다. 한국과 중국은 같은 문화적 뿌리를 가졌음에도 불구하고 원림의 양식이나 성격에서는 다양한 차이를 드러내고 있다. 이는 사회적, 문화적 배경이 각 민족의 특성과 결합하여 원림을 형성하였고, 상이한 결과를 나타나는 것으로 해석할 수 있다.

• 한국경제지리학회지
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• 제15권2호
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• pp.274-291
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• 2012

인터넷으로 대표되는 정보통신기술의 혁명으로 지식 정보전달방법이 과거와 달라진 가운데, 지식기반서비스업의 공간체계가 어떻게 역동적으로 변화하였는지를 고찰하고자, 광고산업 중에서도 특히 인터넷 광고산업을 대상으로 실증적 사례연구를 수행하였다. 본 연구의 목적은 정보통신기술의 발달로 등장한 한국 인터넷 광고산업에서 지식창출을 위한 행위자간 공간 네트워크의 역동적인 특성을 파악하고, 새로운 경제활동 공간형성에 영향을 끼친 네트워크 형성요인을 분석하고자 함이다. 인터넷 광고산업의 핵심주체인 인터넷 광고대행사의 프로젝트 팀을 중심으로 공간상에 나타나는 인터넷 광고 관련 행위자들과의 지식창출 네트워크를 탐색하였다. 이를 위해 행위자 유형별로 기업내, 기업간, 기업과 소비자로 분류하고, 공간적 범위에 따라 국지, 지방, 글로벌로 나누어 다층적 차원에서 분석하였다. 한편 인터넷 광고산업의 입지에 영향을 끼친 네트워크 형성요인은 인터넷 광고 업무상의 측면과 업무외 측면으로 구분하여 도출하였다. 분석 결과 두 네트워킹 측면은 상호보완적인 관계를 구축하며 디지털시대의 새로운 경제공간을 형성하고 있었다.

• 공학교육연구
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• 제20권4호
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• pp.38-50
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• 2017

The purpose of this study is to analyze the current evaluation methods on faculty performance at Korean engineering colleges and develop teaching evaluation indicators for faculty performance. We investigated the faculty performance cases in engineering colleges inside and outside of the Korea, the engineering faculty's awareness of evaluation factors for their educational performance, and the appropriate ratios by indicating factors. Also we developed evaluation indicators for educational achievements to improve the current faculty performance system. 227 engineering faculty members answered our survey questionnaire. The result in the case study on faculty performance evaluation is as follows. First, most items of faculty performance evaluation are about quantitative indicators that can easily conduct objective evaluation. Second, evaluation items of faculty performance are mostly focused on instruction in a classroom. Third, the evaluation by students and administrative managers is more dominant than that by professors or their colleagues, document evaluation than on site evaluation, general evaluation than formative evaluation, and static evaluation than dynamic evaluation. Lastly, Some universities tend to substitute outstanding articles for underperforming instruction. The evaluation indicators that we have developed can be implemented by four types of subjects, such as students, professors, their colleagues, and deans. Also, based on the evaluation indicators, faculties can freely select their evaluation domains depending on the their tracks, such as a teaching track, a research track, or an industry-university cooperation track. The mandatory evaluation fields include teaching, student counselling, teaching portfolio evaluation by mentors or colleagues, class management evaluation by deans, and self-evaluation. The other areas are optional and professors can choose their evaluation factors.

• 한국실내디자인학회논문집
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• 제21권2호
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• pp.23-34
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• 2012

After the modern age, the rapid urbanizationhad a big impact on the then architecture. R. Venturi and A. Rossi are two of the leading architects, developing architecture in cities in the US and Europe respectively. This study shed light on a tangible and intangible meaning and interpretation of urban landscapes through their architectural thoughts and architectures. The followings are the physical and intangible meaning and interpretation in architectural thoughts and works of those two architects. Venturi understood that iconological landscapes at the roadside in large citiesare the nature of physical landscapes. To Venturi, the façades of buildings at the roadside are a part of signage such as traffic lights and road signs, and those façades have the meaning of symbolic systems beyond simple physical landscapes. To A. Rossi, types of buildings as physical townscapes are a key role supporting raw data of classification in architecture. And also, those types have significance of the basic data shedding light on the principles and history of cities. For intangible factors in R. Venturi's architecture, daily routine, function and use, time, a use for a building and others form complex architecture. And also, those factors describe shared values of the same period as the façades of buildings and complex symbols and formative lexicons in metaphorical terms. For A. Rossi's intangible factors, 'collective memory' is buried in inhabitants of the city, and with that, the city is a place for memory to its inhabitants. What is more, cities' monuments have intangible landscapes like 'sustainability', 'permanence' and so on. With lots of events happening throughoutcities, those monuments are the whole images of cities giving the value to the urban buildings that reside in cities. Finally, R. Venturi's all-encompassing complex architecture concept was extended on a tangible and intangible point of townscapes. It was found that A. Rossi's tangible thought was formed from the whole landscape of historic cities in then Italy as the background of time and place. Also, With types of urban buildings and 'collective memory', A. Rossi drew architectural norms and formats of unchangeable types.

• 한국실내디자인학회논문집
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• 제6호
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• pp.45-52
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• 1995

The presentation of the method by which the furniture and the architecture can be unified in one category, and the study and the verification on the mutual relation in the shape and the function are having been consistently made till the late twenties. The change of the social structure such as increasing the unit dwelling space with the small scale comes to need the efficiency in using space and the open dwelling space by the systematic spa-cial formation. Therefore, the understanding of the mean-ing and the characteristics of system furnitures as the design method which can meet such needs will be made here in this study. The application of the systematic consideration as the method of interior design means the formation of the firm image on the spacial environment through the mix-ture and link of the heterogeneous factors, the organic connection of each surface, the establishment of the natu-ral relation by linking the heterogeneous materials mutu-ally. and the easiness of the entire plan in the end. This study aims at analyzing and studying the typical charac-teristics by understanding the historical background and methodical principle which enabled the appearance of this kind of thought, and the adapted cases of the wood and metal material system furniture. There may be difference between the structural sub-stance and formative consideration. Transformative furni-ture which consists of the factors is the concept for the encrease of the multi purpose value by mixing the unit cabinets. One system can be separated horizontally, verti-cally, and to the drawers, and it gives us the disengage-ment from the artificial environment, since all the heights and width can be transformed as per each situa-tion of the space. The factors which can not be found in the other existing furniture are as follows. 1. disengagement from the artificial environment. 2. establishing the new productiosn trend as freed from the customers' fashion trend. 3. presenting the producing condition which leads the exact technology. 4. flexibility of the furniture which enables the reduction and enlargement in each situation.