• 제목/요약/키워드: folk culture

검색결과 347건 처리시간 0.028초

근대(近代) 기생(妓生)의 민속무(民俗舞) 공연복식에 관한 연구 (A Study of Gisaeng Performance Costume for Folk Dance in Early Modern Korea)

  • 김지혜;조우현
    • 복식
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    • 제59권10호
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    • pp.137-150
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    • 2009
  • Performance costumes are an important element in the stages which set the tones and embody characters in the performances. This study focuses on Gisaeng's costumes in folk dance performances when Korea experienced modernization from Joseon Dynasty, and aims to examine the features of the costumes as well as how the costumes both influenced, and got influenced by, the rapidly changing society. Gisaeng had been legal entertainment performers of the government in the Joseon Dynasty and, despite careful training and talents, had inferior social status in Joseon's social hierarchy system. In the modern society, a new system of Gisaeng emerged and the first public theater opened. The advent of theaters changed performance stages and the ways performances are conducted. This study investigated Gisaeng's performance costumes by the type of folk dances, such as monk dance, palace dance, Salfuri dance, Jangu dance, and Ip dance. The study brings light to three conclusions. First, as folk dances which had been performed by civil dancers were spread to Gisaeng, Gisaeng's costumes absorbed the costumes of civil dancers. Also, royal costumes appeared in folk dance performances. This can be viewed as mixture of royal and folk dance costumes, resulted from interactions between Gisaeng and civil art performers associated with the modernizing society and the weakening of the old hierarchical class system. Second, as performing arts on stages were modernizing, performance costumes changed accordingly. Thirdly, Giseang's costumes in folk dances also adapted the introduction of the western culture, which largely influenced the fashion trends of people in the early modern society in Korea.

애니메이션 콘텐츠 창작소재와 전통 민속문화와의 만남: 미셸 오슬로의 <키리쿠와 마녀>와 KBS 위성 TV <애니멘터리 한국설화>를 중심으로 (A Research of Relationship between Animation Content and Traditional Folk Culture: Centered around Michel Ocelot's <Kirikou et la Sorcière>(Kirikou and the Sorceress) and KBS Satellite Channel's <Animentary Korean Folklore>.)

  • 이종승
    • 만화애니메이션 연구
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    • 통권19호
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    • pp.65-88
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    • 2010
  • 본 연구의 목적은 '문화원형'으로서의 '설화'가 어떻게 애니메이션과 조우할 수 있는지, 더 나아가 애니메이션 콘텐츠 개발에 있어 설화적 모티프가 애니메이션 산업 발전에 어떻게 기여할 수 있는지를 알아보는데 있었다. 이를 위해 본 연구는 미셀 오슬로의 <키리쿠와 마녀>(Kirikou et la Sorci$\grave{e}$re)와 KBS 위성 TV <애니멘터리 한국설화>를 사례 연구로서 분석하였다. 본 연구를 통해, 설화를 이용한 애니메이션 콘텐츠 개발은 애니메이션 콘텐츠 산업의 시나리오 부족현상을 해결하는데 공헌 할 수 있는 하나의 전략적 모티프가 될 수 있음을 알 수 있었다. 또한 설화의 모티프를 차용한 애니메이션 콘텐츠는 다양한 부가 콘텐츠의 활용을 통한 수입 창출을 용이하게 해 줄 수 있는 '원 소스 멀티 유즈(OSMU)' 마케팅에 가장 적합한 문화 콘텐츠 중 하나가 될 수 있음을 살펴보았다. 이러한 맥락에서 볼 때, <키리쿠와 마녀>와 <애니멘터리 한국설화>는 미학적인 측면과 산업적인 측면 모두에서 애니메이션 콘텐츠 개발에 있어 설화 모티프의 성공적인 이용 가능성을 제시해주는 중요한 롤모델(role model)로서 기능하고 있다.

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지역의 정보발신지로서 충북지역 향토민속자료전시관에 대한 연구 (A Study on the Fork Exhibition Hall as Eco-museum Core Center in Chungbuk Area)

  • 방한영;최효승
    • 한국농촌건축학회논문집
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    • 제5권2호
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    • pp.20-32
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    • 2003
  • In this study, I grasped the actual conditions of folk exhibition hall in Chungbuk area. From this data I researched basically as the fundamental role of regional museum, eco-museum core center facilities, the connection with islanded and various inheritances, and central facilities whole area to the museum. And I could get following conclusion. First, on the studied result of folk exhibition hall in chungbuk area, it is not enough the activity of unearthing, collection, study etc. that is basic activity of the museum because the museum just permanently displayed historical contents of the area and simple life folk data. Second, add to existent museum concept and have to widen viewpoint to the museum which whole area is no roof, and utilize folk exhibition hall as the central facilities. Specially, there are a lot of difficulties to communicate information to visitors because of the absence of cultural heritance exponent. So a plan that local resident participate actively in museum activity may have to be considered. Third, the concept of inheritance limited in historical culture of area has to be widening by nature and industry etc. And we should keep up study that is the linked plan to scattered conservation remains, inheritance and tourist place in area.

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서민 복식 문화에 관한 연구 (I) -경북 금오산 주변지역의 민속조사 결과를 중심으로- (A Study of Folk Costume Culture (I) -Field Research Around The Mt. Kumo Area-)

  • 이은주;홍나영;임재영
    • 한국의류학회지
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    • 제18권5호
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    • pp.739-748
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    • 1994
  • These days the Korean costume becomes the formal dress to be worn on particular occasions. The Westernization of life style, inculding dress, has made the costume of wearing traditional dress disappear from Korean's everyday life. This study is launched to investigate the precious textiles and materials of the past before they vanish; this study deals with the materials of folk costume in the early 20th century, preceding Westernization. The research method adopted in the study was interviews of fifth- five elderly persons living around the Mt. Kumo area in Gyungbuk province. The result was that costume culture in that area was poor because people living in the area were economically less well off due to meager agricultural products. There was no variety in the style of costumes to be worn for various occasions. It was also nothworthy that because of no diversification in naming, only one representative word was used to name several types of costumes. On the other hand, it was discovered that the people in the Mt. Kumo area had religious aspirations stemming from their folk beliefs concerning costumes. They also had an attitude of saving money despite poor economic conditions.

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거주자의 문화를 통해 본 강화도 최소중정형 튼입구자집($\sqcap$형 평면)의 해석 (Interpretation of House Form with Dweller's Life, on the U-type Folk Housing of Minimum Courtyard in Kangwha Island)

  • 이희봉;권오경
    • 건축역사연구
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    • 제13권4호
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    • pp.107-124
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    • 2004
  • The purpose of this study is to understand underlying principle to form the U-type folk house in the northwestern part of Kangwha Island by viewpoint of inner residents. It is found that many factors other than climate are coincidentally affecting the shape of house; Resident's fixed thought like following geomancer' suggestion, seeking fortune, and locating house enclosed low site; Economic reason of uniting one house with two buildings and making small type by used timber from dismantled house; Centralizing life with small courtyard by reason of family type change from extended to nuclear; Influence from L or ㅁ type of upper class building at Seoul area. The method is thick description of culture with ethnographic method from cognitive anthropology: Observing the form and restoring residents' life with open-ended deep interview.

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크로아티아 민속복식의 지역적 특성 (The Characteristics of Croatia Folk Costumes by Regional Groups)

  • 조우현;이호정
    • 한국의상디자인학회지
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    • 제8권3호
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    • pp.59-71
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    • 2006
  • This study contemplates Croatian traditional costumes with focus on its geographical characteristics and acculturation with neighbor countries as a member of old Yugoslavian Union. Therefore, it contains the information from field works based on Croatian language, native costumes and folk materials wildly. Men usually wear wide linen pants ($ga\'{c}$), shirt ($ko\v{s}ulje,\;rnbina)$, vest (lajbek), hat and jacket ($kro\v{z}et$). Also they sometimes wear scarves or aprons. Women put on blouse, long skirt, apron, headgear with various decoration and scarf ($pe\v{c}a$), shawl (tibetui robe) or necklace together. Croatian folk dresses fall into three different styles by provinces, such as Pannonia, Dinar and Adria, according to the basic environmental and racial characteristics of each province. People of Pannonia plain generally wear white linen clothing and often use flounce and lace, which are influenced by Serbia and Hungary. In the Dinar mountain province, aprons with tassel, knitted vests made of leather and fur are very popular. The clothing of Dinar province has much commonness with those of Bosnia - Herzegovina and Montenegro which have metal buttons and belts. And the clothing of Adria coast is influenced by Italy a lot. There are many splendid silk clothes in its folk dress code. As mentioned above, there are a lot of foreign influences in Croatian history. Although there were severe cultural invasions in many times through its history, Croatians didn't just surrender to these cultural influences. People in Croatia comply with these new coming culture and reconcile these into their own tradition and dress code in their own way.

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수원시 공공도서관 초등학생 독서문화프로그램의 운영 개선을 위한 연구 (A Study on Improving the Operation of Reading Culture Programs for Elementary School Students in Public Libraries in Suwon City)

  • 기인영;강순애
    • 한국비블리아학회지
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    • 제24권4호
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    • pp.341-362
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    • 2013
  • 공공도서관은 사회적 변화에 따라 문화적 교육적 기능이 활성화 되면서 다양한 형태의 독서문화프로그램을 개발하기 시작하였다. 본 연구에서는 최근 5년 동안 수원시 공공도서관을 대상으로 초등학생 독서문화프로그램의 운영 실태를 조사하고, 이용자 만족도 조사를 통하여 문제점과 그에 대한 개선방안을 제시하였다. 조사 결과를 분석하여 도출한 문제점에 대한 개선방안으로는 담당자들의 협의체 구성, 강사 인력풀 구축, 잠재적인 자원봉사 교육, 프로그램을 위한 대규모 시설 필요, 향토문화예술단체와 연계 등이 있다. 본 연구의 결과는 수원시 공공도서관의 초등학생 대상 독서문화프로그램 운영 시 참고자료로 활용하고 참여자의 요구에 맞게 문제점을 개선할 수 있는 계기를 마련하는데 그 목적이 있다.

"반찬등속"의 식재료 사용을 중심으로 본 1910년대 청주지역의 식문화 (Dietary life in the 1910's in the Cheongju Area: Material use of Banchandeungsok)

  • 권선영
    • 한국식생활문화학회지
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    • 제25권4호
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    • pp.410-415
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    • 2010
  • Banchandeungsok is a book written by a person who lived in the Cheongju area located in northern Chungcheong Province. The literature is regarded as a useful source for showing types of local food in the 1910s, so it was purchased by the National Folk Museum in 2007. The writer categorized dishes described in the recipe section of the book into side dishes, snacks, rice cakes, drinks, and miscellaneous. Following this, each category was distinguished by the name of the dish, the main material, the side material, and the cooking method is presented in tables. Thus, the food culture of Chungcheong Province was arranged based on the above categorized contents. The material from the product and the outside which grow spontaneously divided with the product which flows. The case which is a product the outside, went through what kind of process and could flow toward Sangshin village in Cheongju area probably, to observe tried. The area and time were clear Eumsikdimibang and Gyuhapchongseo Jusigui with comparisons. So tried to observe the time of 1910's Cheongju area culture Dietary life time and a regional feature.

한증법(汗蒸法)을 통해 바라본 조선조(朝鮮朝) 불교의학(佛敎醫學)의 일면(一面) (An Aspect of Buddhist Medicine in Joseon Dynasty Studied through Sauna Therapy)

  • 이유진;안상우;김동율
    • 한국의사학회지
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    • 제31권2호
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    • pp.27-40
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    • 2018
  • Sauna, or hanjeung (汗蒸) is a physical sweating method that uses external heat to forcibly raise body temperature to treat cold damage disorders (傷寒) in traditional Korean medicine. This study focuses on the fact that the sauna was recorded as a healing and bathing method on the Vinaya Pitaka (律藏), and investigates the records of folk sauna therapy of Joseon Dynasty from the perspective of Buddhist medicine which played a significant role in ancient medicine history in Korea. Although the word 'hanjeung (汗蒸)' first appeared in "The Veritable Records of King Sejong (世宗實錄)" in the Korean literature, this study aims to confirm the possibility that the tradition of Buddhist sauna bathing has already existed since the Three Kingdoms period in Korea, based on the fact that sauna bathing was recorded in the Vinaya Pitaka and that the ancient Buddhist bathing culture was introduced in ancient Japan. In addition, the succession of the Buddhist sauna tradition by Goryeo will be traced back through the records of 1920s urban saunas in Gaesung (개성) which was the old capital of Goryeo and had a strong tendency to adhere to traditional Goryeo customs. Finally, the study tries to identify the elements of the Buddhist sauna bathing on the records of folk sauna therapy in the Joseon Dynasty. As a result, this study examines how the Buddhist sauna bathing culture in ancient Korea, which was led by medical monks, spread in the general public and influenced the folk sauna therapy in the Joseon Dynasty.