• 영어영문학
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• 제58권1호
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• pp.163-183
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• 2012

This paper is one of those attempts to explore some possibility of agreement between feminist discourse and postcolonial discourses through the approach of postcolonial feminism in the reading of the controversial novel, So Far from the Bamboo Grove and Year of Impossible Goodbyes. So Far from the Bamboo Grove, when read from the perspective of postcolonial feminism, reveals 'domestic nationalism' of imperial narratives in which the violence of imperial history in Korea is hidden behind the picture of every day lives of an ordinary Japanese family and Japanese women. Furthermore, postcolonial feminist's perspective interprets Yoko family's nostalgia for their 'home,' Nanam in Korea, as 'imperialist nostalgia' working as a mask to hide the violent history of colonization of Empire. In this way, postcolonial feminist reading of the story detects the ways the narrative of Empire appropriates women, family image and even nostalgia for childhood. At the same time, this perspective explains the readers' empathy for Yoko family's suffering and the concerning women issues caused by wartime rape and sexual violence by defining Yoko as a woman of Japanese Empire, whose life of interstice between imperial men and colonial men cannot be free from violence of rape during anti colonial wars. Year of Impossible Goodbyes as a counter discourse does not overcome the traditional binary opposition of nationalism which quietens gender and class issues. As an attempt to fill in the interstice between the two perspectives of feminism and postcolonialism. postcolonial feminist reading turns out to be a valid tool for the reading of the two novels chosen here.

• 영미문화
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• 제14권1호
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• pp.27-51
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• 2014

Doris Lessing describes a band of revolutionaries who become involved in terrorist activities far beyond their level of competence in The Good Terrorist. Alice Mellings who is from a middle-class family has organized a squat house in London and seems capable of controlling everyone around her and anything about the house. She is seemingly like a housekeeper or a breadwinner. She also likes to be on the battlefront, for instance, demonstrating, picketing and spray-painting slogans. Such is able to easily exploit the others and she increasingly becomes the leader in the house. Recently some critics have focused on the political and social roles of the protagonist who represents a voice of terrorists in the 1980s England. Based on this, The Good Terrorist is read with the concept of the subject of feminism that Gillian Rose adopts in order to show that this subject tries to avoid the exclusion of the master subject. This subject imagines spaces which are not structured through masculinist claims to exhaustiveness. Alice as the subject of feminism shows different roles; she extorts or steals money for the maintenance of the house from her affluent parents; she spends all her time cleaning, fixing, decorating the deserted house; and she looks after the official affairs related to the house with her skills and experiences. She is systematically in charge of the house and sits at the head of the table in the kitchen. But when their activities turn into disaster and their plans fail, Alice willingly decides to close down the house after ousting the members. Here in her extorted gaze it is revealed that she takes control over the working class members of the house who are unable to lead a revolution because of their own problems and thereby the working class are dominated by the middle class. That is, the place is paradoxically recreated based on class differences, which the revolutionaries try to break. By representing the deconstruction and recreation of the place through squat houses, Lessing reveals her implicit feminism in which a new place should be produced crossing the principle of the dichotomy of gender and class.

• 대한간호학회지
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• 제34권5호
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• pp.881-890
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• 2004

Purpose: The purpose of this study was to explore women caregivers' lived experiences in caring at home for a family member with dementia and to identify conditions that oppress women in the context of family caregiving. Method: This study was conducted within the feminist perspectives using qualitative secondary data. Ten secondary data conveying self reflective contents were selected from the 25 original data obtained in 1999 to 2000. Result: Six themes that emerged from the qualitative thematic content analysis were; androcentric view of family caregiving, undervalued family caregiving by the family members, Self rationalization in the context of family caregiving, family-centric care mechanism, exemplary caring within the family context, and inter-familial relationships among women. Conclusion: The main focus of feminist research is to provide empowerment for the women, research participants and to bring about social change of oppressive constraint through some actions. On the basis of the research findings, therefore, action strategies from feminist perspectives were suggested in some aspects of health care delivery sectors, nursing education and research sectors, and administrative sectors.

• 한국콘텐츠학회논문지
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• 제21권11호
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• pp.268-280
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• 2021

본 연구는 TV 드라마 <마인>을 대상으로 이 드라마가 최근의 여성주의적 요구를 수용하고 실현해 나가기 위해 어떤 서사 전략을 사용하는지 분석하였다. 그 결과 가부장제가 견고한 재벌가를 배경으로 부계 혈통인 아들이 아닌 두 며느리를 서사의 주체로 호명하고, 이들이 가부장제 질서에 도전, 사건 해결의 주체가 되어 가는 과정을 그리며 기존 가부장제 드라마의 클리셰를 파기하는 것으로 나타났다. 이 과정에서 남성들의 권력이 거세되고 대리인 역할을 해왔던 여성들이 희화화됨으로써 젠더 권력이 전도되었다. 또한 기존의 친모-양모, 동서 간 등 여성 간 갈등 구조의 인물관계를 파기하고, 이들 간의 끈끈한 연대를 통해 부계 혈통주의를 상징하는 남성을 단죄하고 진정한 '나의 것'을 찾아가는 결말을 통해 가부장제 질서를 전복하며 두 가지 성취를 일궈낸다. 하나는 가부장제의 원형인 부계 혈통의 아버지가 아닌 양모와 친모가 아이의 공동양육을 하게 됨으로써 비혈연 모계가족의 가능성을 제시한 점이다. 다른 하나는 부계 혈통으로 승계되던 재벌가의 후계 자리가 장자나 부도덕한 아들이 아닌 레즈비언 며느리에게 승계됨으로써 가부장제가 고수해온 이성애 중심의 '정상가족' 이데올로기를 전복했다는 점이다.

• 가족자원경영과 정책
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• 제15권1호
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• pp.137-155
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• 2011

Rethinking the Value of Family. This study compares and contrasts positive and negative viewpoints concerning the family. Currently, a resurgence in positive viewpoints has exposed the untruths and myths put forth concerning the family on the part of those with a more pessimistic viewpoint. However, those with negative viewpoints still have not acknowledged that the family is an important part of human lives. In this study, the "equal family" (a family where tasks are split evenly among, say, the mother and father with regard to both vocation and household tasks) is criticized as an alternative to the "unfair family", as the "equal family" structure fails to go beyond the liberalization of family relationships to create a virtuous structure worthy of emulation by the children in the family. This is true in spite of the fact that the "equal family" structure has done much to improve individual freedom in the lives of its members. In conclusion, this study posits a third family structure, the "life family," as a new alternative to the other two models. The "life family" recognizes the family's central role: as a safe haven for raising children and building human esteem through close long-term relationships.

• 대한가정학회지
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• 제32권2호
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• pp.145-160
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• 1994

This paper reviews the feminist approach in family therapy field as a proper intervention for the sexist problems in Korean family. First this paper identifies the sexist problems according to the traditional family ideology structure and value conflicts due to the change of society in Korean family and analyses those problems referred to the actual situation of family counseling and therapy. Second this paper introduces the background for the emergence of the feminist family therapy. The feminist approach in family therapy had been emerged since the woman's psychology and feminist therapy appeared in psychology by the influence of women's movement in late 1960s Third the critiques to the existed family therapy from the viewpoint of feminist family therapy are raised. this approach which is challenging the existed family therapy and criticizing the main theoretical models especially emphasizes gender as a primary factor in the approaches of family problems and includes all the aspects of feminism an awareness of sexism and attempts to counteract the ways in which family therapy may reinforce women's surbodinate position. Fourth the techniques of feminist family therapy and the training methods for feminist family therapists are explained. this approach attempts to develop the clinical skills teaching tools and techniques to incorporate the feminist perspective into family therapy practices and proposes the various education and training methods. Finally this paper reviews interests in the feminist family therapy in Korea an has good prospects of increase of it.

• 한일민족문제연구
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• 제32호
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• pp.215-275
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• 2017

In the absence of the alternative public space of women in Japan, the experience of the "Bongseonhwa" was interpreted as the public domain of Japanese society as a public domain, a confession that focused on gender discrimination in the patriarchal system of Japan, Most of the enemy discourse is. These alienated discourses are the product of the efforts of women in Japan who do not want to forget about the traces and memories that can not be incorporated into the big narrative. It can not be denied that the women in the society of Japan have been excessively excluded and alienated by national ideology and patriarchal ideology. The meaning of presenting them through "Bongsinghwa" is the resistance of the minority, and it is the expression way of reconstructing and strengthening the identity of the women, and it is said to be a space of symbolic meaning. It is further clarified that it is based on a narrative that creates a new life area for coexistence with Japanese society, on the other hand, by constantly searching for the linkage with the motherland, held by women in Japan. As a result, between public social phenomena and private living space, confirmed that it conflicts with repetitive internal contradiction of controlling power and confirmed that complicated and detailed material of women living in Japan who undergo double discrimination What has been expressed over a period is considered to be a resistance expression and a will of expression of reconciliation to coexist with Japanese society. I have attempted to analyze the confessed alienated discourse of "Bongsinghwa" by classifying it as . As a result, it is confirmed that the public social phenomenon and the private life space are confronted with the repetitive internal contradictions of the power of domination, and the expression of the complex and detailed material of the discriminated women in Japan over a long period of time is a resistance to symbiosis with Japanese society And the will of the conversation.

• 비교문화연구
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• 제31권
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• pp.7-33
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• 2013

The ultimate goal of women's studies and feminist critics is to improve the understanding on women and recognize women's values. When we examine the Korean women's history on the viewpoint of gender, we can find that the gender role is not fixed. We do not have any proofs that there are any kinds of gaps between women and men in ability and temperament. All of women's identity and subjectivity in status and activities was not insignificant. Especially women's subjectivity in high social standing was superior. The women's activities in economic area were energetically. The productive activities were lively, too. The patrilineal decent is usual in Chana though China is in the same Confucianism cultural area. But patrilineal and matrilineal decent were popular used until the early days in Chosun Dynasty. Only sons can be inherited father's estate in China but it's not in our country. Also the patriarch had the economic power in family in China but the housewives had the power in ours. The feminism has been making efforts for the equality of sexes and the dismantling of the patriarchal sex role for a long time. Every feminist activities included feminist theory and cultural criticism has the goal to increase women's liberty and equality and change the world. This study to understand the historical substance of Korean women is on the way, too.

• 한국콘텐츠학회논문지
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• 제10권11호
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• pp.102-112
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• 2010

본 연구는 학문적 연구 대상에서 소외돼온 텔레비전 드라마 작가에 관한 후속 연구로, 한국 텔레비전 드라마에 홈드라마와 멜로드라마라는 장르 개념을 구축한 김수현 작가 홈드라마의 장르 차별성과 이데올로기 경향성을 논하고 있다. 김수현 작가의 멜로드라마에 관한 선행 연구에 이어 홈드라마 장르 연구를 시도한 첫 번째 목적은 기능주의적 사회규범 잣대의 편협한 단편적 평가를 재고하기 위해서이다. 또한 페미니즘 시각에 매몰된 평가에 의해서 김수현 홈드라마가 가부장 이데올로기를 옹호한다는 평가를 재고하기 위해서이다. 이 같은 평가야말로, 텔레비전 드라마 작가 연구의 부재라는 현실의 반증이기도 하다. 2008년 화제작 <엄마가 뿔났다>를 중심으로 한 연구 분석 결과, 김수현 작가의 홈드라마 장르문법은 안정적, 변동적 서사 전략을 적절히 융합, 구사함으로써 대중적 소구력을 획득하는 것으로 나타났다. 즉 대가족과 중층적 인물 구성, 일상성을 기초로 한 사실주의와 해피엔딩으로 끝나는 가족애의 주제 의식의 안정적 장르 관습에 시대상을 반영한 1대 가부장의 변화, 2대 전업주부의 역할 변화, 3대 결혼 풍속도의 변화라는 변동적 서사전략을 융합 구사함으로써 장르문법의 차별성을 보이고 있다. 또한 연구 대상 드라마의 갈등 유형과 갈등 관련 젠더 역할 분석 결과, 김수현 작가는 홈드라마 장르를 통해 그간의 남성 지배 가부장 젠더 이데올로기에 관한 진보적, 보수적 경향성 논의 보다는 그 저변에 자리한 작가의식, 즉 자본주의 이데올로기에 붕괴돼 가는 인간성의 회복과 사랑과 이해, 신뢰를 바탕으로 하는 가족애를 지향하는 인본주의적 경향성을 보인다.

• 산업노동연구
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• 제24권3호
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• pp.1-34
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• 2018

본 논문은 2010년대 한국의 소득불평등 구조와 그의 변화를 분석하기 위하여 새로운 전체적인(holistic) 이론적 논의를 제시하고 그에 기초한 경험적 분석을 시도한다. 사회학, 노동경제학과 페미니즘에서 이루어진 불평등에 관한 논의는 특정한 영역의 불평등을 중심으로 하는 국지적 불평등에 초점을 맞추었다. 사회 불평등은 국지적 불평등을 넘어서는 전체적인 차원의 불평등에 대한 논의를 필요로 한다. 이는 이들 국지적 불평등을 통합하는 통합적 접근을 필요로 하며, 계급, 노동시장, 인구와 가족 차원의 논의를 포괄한다. 회귀분석 기반 불평등 분해 방법을 활용하여, 전체적 불평등에 영향을 미치는 젠더, 교육, 고용상의 지위, 직업, 가구구성과 재산이 전체 불평등에 기여하는 정도를 분해하여 분석한다. 본 연구는 기존의 국지적 불평등 연구에서 밝혀진 요인들 이외에 기존의 논의에서 간과된 가구 구성과 재산이 소득 불평등에 커다란 영향을 미친다는 점을 밝힌다.