• Title/Summary/Keyword: familyStory

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The multi-level understanding of Shamanistic myth Princess Bari as a narrative: focusing on levels of story, composition, and communication (무속신화 <바리공주> 서사의 다층적 이해 - 이야기·생성·소통의 세 층위를 대상으로)

  • Oh, Sejeong
    • 기호학연구
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    • no.54
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    • pp.119-145
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    • 2018
  • This paper attempts to divide the narrative into three levels and review the approach methodology to understand Princess Bari as a narrative. If the stratification of the narrative, the analysis of each levels, and the integrated approach to them are made, this can contribute to suggesting new directions and ways to understand and study Princess Bari. The story level of Princess Bari, the surface structure, is shaped by the space movement and the chronological sequential structure of the life task that started from the birth of the main character. This story shows how a woman who was denied her existence by her father as soon as she was born finds an ontological transformation and identities through a process. Especially, the journey of finding identity is mainly formed through the events that occur through the relationship with family members. This structure, which can be found in the narrative level, forms a deep structure with the oppositional paradigm of family members' conflict and reconciliation, life and death. The thought structure revealed in this story is the problem of life is the problem of family composition, and the problem of death is also the same. In response to how to look at the unified world of coexistence of life and death, this tradition group of myths makes a relationship with man and God. This story is mainly communicated in the Korean shamanistic ritual(Gut) that sent the dead to the afterlife. Although the shaman is the sender and the participants in the ritual are the receivers, the story is well known a message that does not have new information repeated in certain situations. In gut, the patrons and participants do not simply accept the narrative as a message, but accept themselves as codes for reconstructing their lives and behavior through autocommunication. By accepting the characters and events of as a homeomorphism relationship with their lives, people accept the everyday life as an integrated view of life and death, disjunction and communication, conflict and reconciliation, and the present viewpoint. It can not change the real world, but it changes the attitude of 'I' about life. And it is a change and transformation that can be achieved through personal communication like the transformation of Princess Bari into god in myth. Thus, Princess Bari shows that each meaning and function in the story level, composition level, and communication level is related to each other. In addition, the structure revealed by this narrative on three levels is also effective in revealing the collective consciousness and cultural system of the transmission group.

Differences of Narrative Representations by Foster Care, Adopted and Biological Family Children (가정위탁유아, 연장입양유아와 일반유아의 내적표상에서의 차이)

  • Shin, Hye Won;Min, Sung Hye
    • Korean Journal of Child Studies
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    • v.29 no.3
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    • pp.157-174
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    • 2008
  • This study used the person-oriented approach to explore differences in narrative representations of 97 4-, 5- and 6-year old children (30 foster care, 40 biological family, 17 adopted). Using the MacArthur Story Stem Battery (Bretherton et al., 1990), observations were made to obtain children's narrative representations of content themes and performances. Descriptive statistics, ANOV A and hierarchical cluster analyses were performed. The results of this study were that : (1) Biological family children showed more empathy/helping representations. Foster care children and adopted children showed more anxious representations, and foster care children showed more dysregulated aggression. (2) Four clusters of foster care and adopted children and five clusters of family biological children were found.

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Space Transition and Construction Characteristics of Mugiyeondang in Chirwon (칠원 무기연당의 공간 변천과 조영 특성)

  • Lim, Hansol;Han, Dong-Soo
    • Journal of architectural history
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    • v.27 no.1
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    • pp.29-42
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    • 2018
  • Mugiyeondang(舞沂蓮塘) is the garden that the provincial noble family in Yeongnam(嶺南) has constructed since the late Joseon period. Mugiyeondang is well known as a typical case of traditional garden in Joseon period. But it is also an exceptional case because of its informal layout that infers gradual space transition. This study aims to establish the historical story of the garden beyond the superficial description about existing spatial status and literature materials. Mugiyeondang had been constructed by seven generations of the family during two hundred years, and there were significant events at every transition points. The figure and name of elements reflects each historical change of the family. Mugiyeondang is an important case to notice that a garden was not just a subsidiary space for mere leisure life of the gentry of Joseon period, But it was an important for some families as their representative and symbolic space.

Universal Narrative of a Familial Comedy: Ins Choi's Kim's Convenience (보편 서사로서의 가족희극, 인스 최의 『김씨네 편의점』)

  • Lee, Yonghee
    • American Studies
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    • v.44 no.2
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    • pp.67-96
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    • 2021
  • The Canadian public broadcaster CBC had successfully aired a sitcom centered on a Korean immigrant family from 2016 to 2021. The show is based on the play Kim's Convenience written by a Korean-Canadian playwright Ins Choi. This study explores literary features of Kim's Convenience that accounts for its popularity; three elements of the show play crucial roles in maintaining the balance between specificity and universality. First, Choi deploys a Korean immigrant story in the form of comedy. Second, the main plot revolves around an ordinary family with generational strains that ends in reconciliation. Third. the Kims are depicted more as an archetypical family than a stereotypically Asian one. By closely interweaving these elements, Choi induces the audience to find commonalities from the show, and racial specificities of the Kim's family become "spicy" attractions of the play.

Healing through Storytelling: Linda Hogan's The Woman Who Watches Over the World (이야기를 통한 치유: 린다 호건의 『세상을 지켜보는 여자: 한 원주민의 회고록』)

  • Chun, Sehjae
    • English & American cultural studies
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    • v.18 no.1
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    • pp.1-21
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    • 2018
  • In Woman Watches over the World, Linda Hogan explores the broken identity of herself and her family, the issue of the poverty and the identity crisis, the alcoholism, prevalent in the Native American community and their silenced history. Previous studies have claimed that her memoir contributes to the restoration of Native American identity and history by accusing the violence of white culture, and seeks to recognize a dialogue between native culture and white mainstream culture as well. However they seem to overlook the complicated relations among story, identity, body and nature, to which Hogan as a multi-binded storyteller resorts as a way to break the silence of herself and her tribe for healing. Her own story, as a way to break the silence, becomes the formative drive to reveal the silenced history of her own tribe to lead the young generation to the future. She also understands the formative function of the story, which becomes the vehicle for embodying and connecting themselves to nature. To her, healing lies in the restoration of sympathetic relationship with nature. History, as a type of story, can be made up or mistold just like a story. There may be a blind spot where one can not assess what is true. In spite of the vision of the parallel worlds of the two cultures she presents, there seems to be no immediate solution to the discrimination against the Native American, poverty, identity crisis, and environmental problems which the Native American community faces. However, it can be said that her memoir serves as a rudder by presenting a direction to not only the Native American but also to readers in other cultures in its quest for practical possibilities for the future.

family story SVI-green C&T

  • Korea Venture Business Association
    • Venture DIGEST
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    • s.109
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    • pp.47-47
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    • 2007
  • 솔루션 개발 중에서 Payment 분야의 OLTP(Online Transaction Processing) 및 정산 개발, Payment 기술을 활용한 Mobile Payment 솔루션 개발에 전력을 모으는 그린씨엔티(대표 심재범)는 지난 2006년에 창업한 신생기업이다. 하지만 신생기업 답지 않은 기술력과 전략으로 전문기업으로 성장하고 잇는 그린씨엔티를 방문했다.

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Family story SVI-STA(소프트웨어 테스팅 연구소)

  • Korea Venture Business Association
    • Venture DIGEST
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    • s.115
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    • pp.20-20
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    • 2008
  • STA(Software Testing Alliance)는 사명 그대로 소프트웨어(SW) 테스팅 전문기업이다. 이 회사는 SW 품질향상을 위한 테스팅 분야에서 관련 서비스를 제공하는 '테스팅관리 자동화 지원 도구 보급', '테스트 컨설팅', '테스팅 교육 서비스'등 SW테스팅 전반에 걸쳐 사업을 전개하고 있다.

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Family story SVI-카르마젠

  • Korea Venture Business Association
    • Venture DIGEST
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    • s.110
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    • pp.47-47
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    • 2007
  • 양질의 삶을 누리고자 하는 사람들의 관심이 웰빙, 로하스 등의 문화를 만들며 그야말로 웰빙 제품의 홍수에 살고 있다 해도 부족함이 없는 시대이다. 다양한 제품 중 먹거리는 단연 관심 대상 0순위. 건강에 직접적으로 영향을 미치기도 하지만 식재료 하나에 담긴 영양을 몸에서 그대로 느끼고자 하는 욕망이 그 문화의 배경이라 할 수 있다. 창업과 동시에 높은 호응으로 상승세를 이어가고 있는 카르마젠(대표 이수영)을 찾았다.

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The Analysis of Significations for an Advertisement based on Theories of Roland Barthes and Roman Jakobson -Samsung Electronics' Corporate Advertising 'Hoon's Family Story' (롤랑 바르트의 이론과 로만 야콥슨의 커뮤니케이션 이론을 중심으로 한 광고의 의미작용 분석 -삼성전자 기업광고 '훈이네 가족이야기' 편을 중심으로)

  • Park, Young-Won
    • The Journal of the Korea Contents Association
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    • v.8 no.3
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    • pp.97-106
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    • 2008
  • 'Hoon's family story' is worth analysing because it is appreciated one of excellent advertising campaigns made success of gaining social sympathy and inducing interaction on media. And advertisements expressions have been regarded as the tort that we should analyze by semiotic methods. This paper provides possibilities of the advertisement analysis matrix for analysing significations of this campaign based on theories of Roland Barthes and Roman Jakobson for advertising planners and designers.

A Case Study on the Costume Culture of the Head Family for Adolescent′s Spot Experience Studying (청소년의 종가 생활문화 현장학습프로그램 개발을 위한 종가 복식문화 사례 연구 -전남 함평 종가를 대상으로-)

  • 서리나;유명의
    • The Research Journal of the Costume Culture
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    • v.11 no.5
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    • pp.753-766
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    • 2003
  • The purpose of this study was to examine the cases of the family head's costume culture and to apply them to field experience education of adolescent's home economics subject. To examine the family head's costume culture, women in the family head in the Hampyeong area, Jeollanam-do were selected and interviewed. The focus of examining the family head's costume culture was on the life story of the family head, the reason to wear or possess such costume, and a motive of making. The findings of the head family's costume culture suggests that the head family of the Mos of Hampyeong had unique shroud making and custom. Also it was found that the eldest daughters-in-law of the Lees of Hampyeong have horizontally exchanged the information of the family head's costume with village women of the same family. They have initiated their costume culture directly through their daughters and it had the great influence on after-ages. The learning program for youth to experience the head family's costume culture consisted of four subjects:(l)Educating the family head's traditional living culture including etiquette training, (2)head family village walk, (3)experiencing the family head's clothes life including natural dyeing and sewing, and (4)a field trip of Hampyeong Local Life Culture Museum. For a model experience of the family head's costume life culture, three families with middle and high schoolers participated in 8- hour experience learning program. To examine the effect of learning program to experience the family head's costume culture, youth and their parents who participated in the program were asked open-ended questions, which included the content validity of experience learning, impressive experience, model experience level(difficulty), and expected effect after a model experience. As a result, their responses were found positive.

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