• 한국의류학회지
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• 제26권10호
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• pp.1390-1400
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• 2002

The purpose of this study is to categorize the type of fabrics and to analyze weaving method on the silk fabrics from ewongun's Tomb. The conclusions of this research are as follow. 1) Among the 26pieces of excavated clothes,98% of them were made of silk fabric and among them 84% used high-quality non-patterned silk I would assume, therefore, that the tomb was owned by a person who had a dignified yet humble tagte of higher society. 2) The weaving methods of textiles are plain weave, twil1 weave, satin weave. Plain weave includes spun silk tabby, fine filament silk tabby, raw silk tabby, thine silk tabby, damask on tabby, twill weave includes twill damask with different directions, satin weave includes non-patterned satin damask,5-end satin damask(4/1 warp faces ground, l/4 wok faced pattern). As the result of literature survey, I settled the names of textiles as follows; tabby was called Myunju, Saeju, Saengcho, and Sookcho according to the kind and density of silk threads used; Damask on tabby was ca]led Hwamunju) Twill damask was called Hwmunnung Satin damask was ca]led Hwamundan if they bear patterns by themselves or Mumundan if they don't have any patterns on them.

• 복식
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• 제62권3호
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• pp.137-151
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• 2012

In 1966, $Seokgatap$ pagoda in $Bulguksa$ temple was damaged by the tomb robbers and was dismantled to fix the damage. In the process, many offerings to Buddha and containers for Sarira(the cremated remains) were found in $Sarigong$(specially designated space for the Sarira casket) inside the second floor of the pagoda. Many fabrics like $Geum$, $Neung$(twill), $Rha$(complex gauze), silk tabby and linen were also excavated. In this study, $Geum$ fabric from the $Seokgatap$ was closely examined. $Geum$ of $seokgatap$ is weft-faced compound weave according to the analysis of its weaving pattern which was wrongly presumed as warp-faced compound weave for some time. Technical analysis of $Geum$: Main: silk, Binding: silk, Proportion: 1 main warp to 1 binding warp, Count: 15 main warps and 15 binding warps per centimeter, Weft: polychrome silk without apparent twist, Colors: yellow, mustard yellow, deep blue, green and purple, Weave: weft-faced compound twill, 1/2 S. $Geum$ of $Seokgatap$ was made in the $8^{th}$ century, since it was weaved in weft-faced compound weave twill which was popular in the $8-9^{th}$ century. And also, the arrangement of the colors was done in the same way of gradation $Geum$ silk which was popular in the $7-8^{th}$ C in China and Japan. Third, we restored the pattern of $Geum$ of the Unified Shilla Dynasty for the first time. It was very difficult to figure out the shape and the size of pattern since the fabric was partially lost and ruined. We tried to draw the diagram of structure with the cross point of the warp and the weft to restore the pattern. By doing so, we could identify two kinds of small flower pattern, palmette and the pattern of repeating vines. Fourth, we could infer that the $Geum$ of $Seokgatap$ was used for $geumdae$(a pouch made of $geum$) by analyzing all the documents and the characteristics of the fabric.

• 한국생활과학회지
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• 제11권4호
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• pp.381-389
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• 2002

This research was designed to investigate the preference to textiles for slacks of college students. 105 subjects majored in fashion design were surveyed. Subjects selected three favorite materials among 120 samples presented in swatch book and weighted frequency and percentage were added by order. The extent of preference was compared by season and sex. The results of this study were as follows: 1. College students preferred twill cotton Drill foremost as a textile for spring and fall season. 2. Plain linen Crash was the most preferred material for summer. 3. Cotton Corduroy was the most preferred textile for winter. 4. In thickness and weight, textiles for winter were thicker and heavier than those of other seasons. 5. In fiber content, natural fiber such as wool were preferred for all seasons. 6. In weave of textiles, twill weave fabric was preferred for spring fall and winter season, and plain weave for summer. 7. College students preferred plain texture materials foremost and navy blue and black color was preferred for textiles for slacks. 8. Girl students preferred cotton fabrics and boys preferred wool fabric for slacks. Also, girls generally preferred thinner fabrics than those of boys.

• 복식
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• 제64권5호
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• pp.141-153
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• 2014

Buddhist articles from various periods in the Vairochana Buddha statues, which are currently housed in the Haeinsa Temple's Supreme Buddha Hall and Beopbojeon Hall. This research concentrates on the artifacts found inside the storage boxes, which was placed inside the Buddha statues in 1490. A total of 24 pieces of fabric articles found inside the Virochana Buddha in Beopbojeon and 213 pieces from the Supreme Buddha Hall were examined. The types of textiles are as follows: bast fiber, silk, cotton, and union cloth. Bast fiber consisted of ramie and hemp. For silk, tabby woven with plain weave, spun silk, and thin tabby were found. And twill damask made with twill, Sa and Ra with the leno weave, and satin damask made with the satin weave were also found. Also the two Jeogoris and three Jogakbos were found, the one Jeogori was made with Hwan. The Buddhist articles in the Vairochana Buddha of Haeinsa have been preserved well and its colors have remained virtually the same from the time of its original placement. Therefore these articles are very important in understanding the textile characteristics, weaving techniques, dying techniques as well as traditional colors.

• 복식
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• 제22권
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• pp.61-70
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• 1994

the purpose of study is to grasp the actual state of the textiles of Kojosun, Booyeo and Kogooryeo, by examining and studying about the excavated article of the textile of the Booyeo Age which was being gamered in the Research Institute of Study of antiquities of Civilization of gilimsung without being analyzed and examined after being excavated at September in 1990 and 1993, the textile of Kojosun Age wich was excavated and examined at East and North Gilimsung in China and the textile excavated and examined at the Kogooryeo grave at jiban China. 1. The kinds of textiles of Booye Age are warp kum plin weave silk plain weave bang gong Sa, and drawn and dyed textile, It is deemed that the real state of keum, Jeung and Hwi in the old literature of Sam guk Ji was grasped. 2. It emerges that more detailed wool than the wool fabric of China area of the same age was manufactured as the textile of Kojosun Age. hemp cloth corresponds to 12 Seung, in converting into fabric width of 50cm. 3. Keum was examined and reported as the textile of Kogooryeo Age and the real state of Woonkeum of Kogooryeo Age was grasped through "Wang ja moon keum" of Keumjang of mural of South and North I room of the grave that the same keum was excavated. The real state of dyed textile of hemp was grasped as the red hemp cloth was examined. Moreover the real state of development of advanced technique to weave with machine appeared by the grasp of inclination of loom with reed of Kogooryeo.Kogooryeo.

• 한국염색가공학회지
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• 제12권3호
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• pp.159-165
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• 2000

This study surveys the fabric mechanical properties according to the weaving design & finishing conditions of wool fabrics for quality control in the process. For this purpose, 8 kinds of Twill groups and 3 kinds of Plain groups weave fabrics, totally 428 woven fabrics are prepared with change of the yarn count, density and finishing method. Fabric thickness, bending rigidity, extensibility, shear rigidity, formability of the fabrics were measured and discussed with weaving design & finishing conditions.

• 한국염색가공학회지
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• 제10권5호
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• pp.1-12
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• 1998

This study surveys the mechanical properties such as bending and shear properties to the weight reduction rate of PET fabrics. For this purpose, 12 kinds of satin and 18 kinds of plain weave fabrics are prepared with change of the physical properties of weft yarn(T.P.M., density, and denier) The weight reduction rate was 0％, 12％, 25％, and 30％. Bending rigidity and hysteresis, shear rigidity and hysteresis were measured and discussed with theoretical values in relation with weft twist, yarn linear density, weft fabric density and weave structures.

• 한국의류학회지
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• 제22권7호
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• pp.816-825
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• 1998

This study surveys the thermal property and air permeability to the weight reduction rate of PET fabrics. For this purpose, 12 kinds of satin and 18 kinds of plain weave fabrics are prepared with change of the physical properties such as weft yarn count, t.p.m. and density. The weight reduction rate was 0%, 12%, 25% and 30%. The warm/cool feeling(Qmax), thermal insulating value(T.I.V.) and thermal conductivity(K) were measured by KES-F7 System and discussed in relation with the weight reduction rate, weft yarn linear density, t.p.m., weft density of fabric and weave structure.

• 제어로봇시스템학회:학술대회논문집
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• 제어로봇시스템학회 2001년도 ICCAS
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• pp.35.1-35
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• 2001

The aim of our study is to automatically analyze how textile is woven which has complicated structure, such as textile with multi-layer structure. For this purpose, we propose a method to reconstruct a textile structure of a textile is visualized. Then, the anteroposterior sections of the same yarn on the cross sectional images is associated each other by superimposing them. Therefore, by this method, 3-D information of each yarn is obtained and the 3-D shape of each yarn is independently expressed. In this research, a 3-D reconstruction of a plain weave fabric is performed.

• 패션비즈니스
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• 제10권6호
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• pp.9-15
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• 2006

Colors of textile products or fashionable clothing play one of the most important roles. From the point of visual cues, the realism of an image is the result of a good interaction of local light scattering or transmittance model applied. A 3-dimensional CAD software was used to construct a solid plain fabric model. In order to simulate a union fabric with different warp and filling colors, rendering was performed on the fabric model. It was demonstrated that the iridescent effect, pearl effect, or superficial color change effect of the union fabric during wearer's movement could be explained using the fabric models at inclined fabric positions during viewer's observation.