• 제목/요약/키워드: exhibition characteristics

검색결과 319건 처리시간 0.026초

유대인 뮤지엄 전시공간의 조형적 표현 특성에 관한 연구 (A Study on the Characteristics of the Design Expression in the Exhibition Spaces of the Jewish Museums)

  • 서수경
    • 한국실내디자인학회논문집
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    • 제22권6호
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    • pp.233-240
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    • 2013
  • Today, museums are designed with specific purposes with themes to raise issues based on themes, history, culture or other special focuses. Among many of these thematic museums, Jewish museums are built around the world in order to let the future generations know the history and dark past memory of the Jewish people. Accordingly, the aim and significance of this study are to analyze the characteristics of design expressions of the museum architecture of Jewish museums done by various architects to help visitors empathize the dark period of the Jews during the holocaust. This particular study will be focused on analyzing 7 museums under the theme of holocaust and Jewish people's life affected because of the tragic event. Spatial organization, exhibition space composition, exhibition techniques such as the exhibition storytelling or scenario and natural light distribution will be analyzed to find expressional characters of Jewish museum's design and how the design form strengthen the museum's purpose. To achieve the aim of the study, targets for the theoretical discussion and case analysis regarding the design approach are discussed in chapter 2, characteristics of the cases are analyzed and synthesized in chapter 3, and finally the conclusion in chapter 4. The study found, that distinctive characters of spatial expression have direct impact on visitor's understanding of the museum purpose and it helps viewers to empathize and to be educated about the situation. Well designed architectural form, spatial organization, choice of materials and colors as well as story telling techniques of the museum will solidify the meaning of the exhibitions inside. Results found in the study will be the guidance for future study on thematic museum planning.

주디스 클락의 패션 전시에 나타난 연출 특성 (A study on the characteristics of Judith Clark's fashion exhibitions)

  • 김지율;마진주
    • 복식문화연구
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    • 제27권4호
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    • pp.310-322
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    • 2019
  • Since the late 2000s, fashion exhibitions have expanded to encompass a variety of concepts and sizes, and the need for research on exhibition planning, installation, and direction, including curating, is emerging. In this context, basic research is deemed necessary to encourage more experimental and in-depth research into the planning and orientation of domestic fashion exhibitions. Accordingly, by analyzing the exhibitions of Judith Clark, a pioneering fashion curator, and fashion exhibition planner, the aim of this study is to examine the characteristics and directing points of her curation. This study proceeds as follows: first, the concept and type of fashion exhibition and curation are investigated. Second, the exhibition cases curated or produced and installed by Judith Clark are examined and analyzed. Finally, based on this analysis, the characteristics and directing points of her curation are identified. In exhibitions, Clark's directing style features use of a variety of objects, the diversification of the flow-path through space division, and collaborations with various fields or experts. Clark's curation points, based on such characteristics, are as follows: reproduction-oriented curation to capture the age of the time based on historical research; storytelling-based curation; and transboundary curation with multiple methods and open processes. This study is expected to serve as a foundation and precedent that will lead to further research on fashion exhibitions and implementation.

MICE 기획가의 전시컨벤션 개최지역 선택속성 중요도 및 만족도 분석 (A Study on the Importance and the Satisfaction of the Selection Attributes of the Exhibition and Convention Destination Sites for the MICE(Meeting, Incentive Tour, Convention, and Exhibition) Planners)

  • 김시중
    • 한국지역지리학회지
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    • 제11권5호
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    • pp.440-457
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    • 2005
  • 본 연구의 목적은 MICE 기획가를 대상으로 전시컨벤션 개최지역의 중요도 및 만족도를 분석함에 있었으며, 분석결과는 다음과 같다. 첫째, 선택속성의 중요도 분석 결과, '방음, 조명, 온도, AV시설' 및 '본 회의장 및 전시장 면적', '호텔객실 수용성' 등의 선택속성을 특히 중요시 하고 있다. 둘째, '[연구가설 1]MICE 기획가의 인구통계적 특성에 따라 지각하는 중요 전시컨벤션 개최지역 선택속성 요인 간에는 유의적인 차이가 있을 것이다.'에 대한 검증결과 5개 요인의 17개 속성과 4개의 인구통계적 특성 간에 유의적인 차이를 보였다. 셋째, '[연구가설 2]MICE 기획가의 기획 특성에 따라 지각하는 중요 전시컨벤션 개최지 선택속성 요인 간에는 유의적인 차이가 있을 것이다.'에 대한 검증결과, 3개 요인의 9개 선택속성과 4개의 기회특성 간에 유의적인 차이가 있었다. 넷째, 전시컨벤션 개최지의 재 선택의사에 대한 분석결과 '전시컨벤션 개최지 지역공간', '전시컨벤션 시설' 및 '전시컨벤션 이용비용' 요인의 순으로 영향이 미치고 있는 것으로 나타났다. 또한 다른 MICE 기획가에 가장 최근에 이용한 전시컨벤션 개최지역의 추천의사에 영향을 미치는 요인은 '전시컨벤션센터 시설', '전시컨벤션센터 이용비용' 및 '전시컨벤션 개최지 관광공간' 요인인 것으로 분석되었다.

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현대 도예 예술 전시 공간 디자인의 특성 연구: 경덕진 도자기 대학교 미술관을 중심으로 (A Study of the Characteristics of Contemporary Ceramic Art Exhibition Space design: Taking the Jingdezhen Ceramic University Art Museum as an Example)

  • 청동;양건석
    • 산업융합연구
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    • 제22권1호
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    • pp.41-54
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    • 2024
  • 현대 도예 예술은 새로운 예술 형식으로서 그에 상응하는 도자기 전시 방법이 요구되는데 전시 공간의 디자인과 전시 방식을 어떻게 활용하여 관객들에게 현대 도예작품의 시각 경험과 다양한 정보를 전달할 것인가에 대한 문제는 전시공간 디자인에서의 일차적인 주요 문제라 할 수 있다. 따라서 본 연구는 현대 도예 예술 전시 공간 디자인의 특성에 초점을 맞추고 있는데 이는 현대 도예작품 전시 공간 디자인에 관한 연구가 부족한 문제점을 해결하고 현대 도예 작품에서 최고의 전시효과를 달성하는 것을 목표로 진행한다. 첫째, 선행 연구의 내용을 요약하고 후속 연구를 위한 이론 근거를 제시하였다. 둘째, 경덕진 도자기 대학교 미술관에서 개최한 <도자기의 정신> 2021 경덕진 국제 도예 예술 비엔날레 현장과 전시자료, 그리고 전시공간자료 등과 관련하여 현장답사를 진행한 후, 인간공학 관점에서 공간의 전체적인 배치와 전시공간의 형태 등을 고찰하고 분석하여 경덕진 도자기 대학교 미술관의 전시공간의 전체적인 배치의 과학적 통일성과 전시공간의 형태적 디자인의 유연성과 지속가능성을 도출하였다. 본 연구에서 얻은 이론 지식은 현대 도예 예술 전시공간의 디자인을 위한 이론 지침에 도움을 줄 수 있어 중요한 실천적 가치를 가진다. 실내 공공 공간 디자인 실천을 위한 지침 제공은 중요한 실용적 의의가 있으며 더 나아가 중국 및 세계 현대 도예 예술 전시공간 디자인의 발전에 도움을 줄 수 있다.

유아교육 박람회에서 데이터마이닝 기법을 이용한 전시 관람 행동 패턴 분석 (The Behavior Analysis of Exhibition Visitors using Data Mining Technique at the KIDS & EDU EXPO for Children)

  • 정민규;김혜경;최일영;이경전;김재경
    • 지능정보연구
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    • 제17권2호
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    • pp.77-96
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    • 2011
  • 전시회는 전시업체가 새로운 상품이나 서비스를 관람객에게 알리기 위해 개최되는 것으로 효과적인 마케팅 수단으로 중요한 역할을 수행한다. 이처럼 전시회의 중요성이 점점 커짐에 따라, 국내 전시 산업은 많은 양적 성장을 이뤄왔다. 그러나, 양적 성장에 비해 전시 산업의 질적 성장은 이에 미치지 못하는 실정이다. 따라서 전시회의 질정 성장을 이루기 위해서는 관람객의 행동 패턴을 이해하여 관람객들의 전시 관람 수준과 만족도를 높일 필요성이 있다. 본 연구에서는 관람객들의 전시 관람 행동 패턴을 분석하기 위해 다음과 같은 연구 프레임워크를 사용한다. 첫 번째 단계는 본 연구의 방법론을 적용하기 적합한 전시회를 선정하는 단계이다. 두 번째 단계는 관찰 조사 방법을 수행하는 단계이다. 마지막 세 번째 단계는 수집된 자료들을 분석하는 단계이다. 분석 단계에서는 부스들의 개별 특성을 파악하였고, 더 나아가 관람객들의 전시 관람 행동 패턴을 분석하기 위해 데이터마이닝 기법을 사용하였다. 본 연구의 결과는 전시 기획자에게 유용한 정보를 제공할 뿐만 아니라 참관객들이 원하는 정보를 원하는 방식으로 제공하는 개인화서비스를 가능하게 하여 궁극적으로 전시회 관람의 질과 만족도를 크게 향상시킬 수 있을 것이라고 기대한다.

'연구 업무 전담제'를 통해 살펴보는 국립현대미술관 전시 기획의 새로운 패러다임 (New Paradigm in exhibition organization at the National Museum of Contemporary Art)

  • 최은주
    • 미술이론과 현장
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    • 제3호
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    • pp.67-84
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    • 2005
  • Since the evaluation of its intellectual activities and abilities is done by curator's capabilities, planning exhibition is very important as the final result achieved by their own knowledge, information, and research. ARPA(Advanced Research Project on Arts) is suggested as the system which enables curators responding simultaneously to the society in the times, based on its special characteristics. If this system settles well, which means that the curators at NMCA(National Museum of Contemporary Art, Korea) play their roles as the professionals in each of their fields, the goal of consolidating the status of museum as the representative national museum, and building up competent department of curators, will be achieved at the same time. To clarify above, the curators set up the various assignments of research about the types of arts such as painting, Korean painting, sculpture, installation, new-media, design, craft, photogarphy, architecture, etc. And they establish the art objects classified by the regions, such as the Northern American, Southern American, European, Asian, and other Third World countries. They elaborate art objects more on the history, the work, the artist, and the issue of contemporary art. Furthermore, when the curators devote deeper study to those research subjects, they can have the opportunities to design an exhibition upon the research. Today, the museum of art is 'The Place for Communication and Encounter', it is regarded important to share the aesthetical, creative values with current artists, and to understand mutually with the spectators. It is needed to improve the curator's work, in order to meet the demands of the times and even to advance. Because the form of 'exhibition' is the tool that reveals the identity NMCA aiming at, the motivation, the development, and the realization should be leaded by the curators, who are the mainstream of the museum. ARPA is a system for identifying the exhibition like mentioned above. The main purpose of this system is to produce synergy effect, having the researching, collecting work in liaison with planning exhibition. ARPA will be able to improve the quality of exhibition through the way of developing the exhibition, passing through the stable process in the long run. So far, I have referred to a new paradigm of the exhibition design at NMCA via ARPA. Yet, there still remain missions in reality, such as analyzing the previous exhibition and reshuffling personnel and system, which should be done. When these matters settled, these plans would be suggested practically. At this point, it is the most significant that NMCA is attempting to let others aware of the importance of exhibition planning based on research. when the ARPA and exhibition planning is conjoined together successfully, the competent exhibition will be achieved, which can offer a meaningful exhibition to the art world, strengthen infra structure thru exchanging with public museum in the region, and eventually, establish a network with museum in foreign countries.

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리차드 마이어와 쿠마 켄고의 전시공간에 나타나는 빛의 표현 특징에 관한 연구 (A Study on the Lighting Characteristics Appeared Exhibition Space by Richard Meier and Kuma Kengo's Work)

  • 고광용;김문덕
    • 한국실내디자인학회논문집
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    • 제26권1호
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    • pp.91-100
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    • 2017
  • This study aims to comparatively analyze the characteristics of light expression shown in the exhibition spaces of architects Richard Meier and Kuma Kengo, who constructed the element of invisible light into visible forms within space, using diverse techniques and components. As for the methodology therefor, it was attempted to conduct theoretical consideration of light, to experience the spaces of light by producing diverse spaces with architectural space components, that is, space, form, material, structure, and color, and to find out what space characteristics are perceived by perceivers from the interaction of the components. As for the research scope, this study intended to identify the concepts and characteristics of light and compare light in spaces, focusing on works of Richard Meier who constructed functional and mechanical spaces based on Le Corbusier's architectural language in the West and works of Kuma Kengo who claimed regionalism architecture in the East. In particular, this study intended to comparatively analyze the methods of using materials according to the filtering of light that appears different between the two architects in case that light enters into their exhibition spaces, and the effects of light production that arise from the differences, thereby pointing out the characteristics of diverse light expressions within the spaces of modern architecture. On this, this study investigated methodological differences of the two architects, who are based on East and West thoughts, in expressing light in spaces in various forms through brightness and darkness, light transmission and shadows appearing according to the nature of light, and color and materials. It is hoped that this study will provide an opportunity for promoting better understanding about other architectural cultures as well as understanding the characteristics of light in exhibition spaces.

조선박람회 출품주택의 건축계획 특성에 관한 연구 - 일본의 박람회 출품주택과 관계를 중심으로 - (A study on Architectural Characteristics of Exhibited Houses at the Choseon Exhibition(1929) - Focused on the Relationship of Exhibited Houses in Japan -)

  • 정순영
    • 건축역사연구
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    • 제17권2호
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    • pp.7-25
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    • 2008
  • This study aims to clarify the architectural characteristics of three houses of Choseon Exhibition. Exposition/exhibitions were thought to be a model for the world. It shows the real status of the development, and thinking with visions at that times; therefore, exhibited house models would be a good source for what to be considered for the ideal houses of that times. Through the study, we could find out as belows. 1. The houses exhibited conserved the sitting-on-floor living style, otherwise the most proposals for house improvement suggested a chair-and-table style because of its hygienic quality and integration of the life at home and at work(school, too). 2. The spacial scheme for-family prior over for-guest was emphasized, but models at the exhibition were structured with Japanese traditional spacial program, such as Jashiki(座敷), Kyakunoma(客の間) or Tsuginoma(次の間), which were all Tatami-floored. 3. Through this exhibition, it is clarified that the architectural society in colonial Korea also tried to improve the modern housings, not only direct reception of the developed proposals. These houses was planned with the acceptance of the locality, such like Ondol, a floor heating facility which the Japanese engineer improve the efficiency. 4. Also these exhibited houses became a start to recognize a house as a product, and spurred on commercialization. As the result, we could find out that these exhibited houses accepted the modern housing proposals selectively, and that even if the exhibitions shows the advance in usual these houses were planned with the very conservative notions.

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어트랙션의 요소를 적용한 테마파크형 뮤지엄의 유형분석 - 국내.외의 테마박물관을 중심으로 - (Typological Approach of the Theme Park-Style Museum to the Application of Attraction Elements - Focused on Specialized Museums Inside and Outside of Korea -)

  • 권순관
    • 한국실내디자인학회논문집
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    • 제16권2호
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    • pp.172-180
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    • 2007
  • Today, games, movies and amusements are the occupation of museums. This study will investigate the current trend of the theme park-style museum, the alternative space of the 21th centuty. Theme parks have moved beyond the concept of park, and they have application in commercial space, medical space, educational space and other areas, even exhibition space in an advanced country. This study researches into the characteristics of the theme park and museum, and how the style of the theme park-style museum is created. Its aim is to analyze the character of theme Park-style museum through case study with a focus on style. The theme park-style museum is an exhibition space with an emphasis on the characteristics of a theme park. The style of a theme park-style museum can be divided into ride-type, food-type, character-type and landscape-type attractions. Attractions are an important element of theme park-style museum. We recognize the new paradigm of museum in the theme park-style museum, but need to propose a method that will apply attraction elements to an exhibition space. The theme park-style museum will continually evolve with new attractions, and it is recommended that museums plan today for these changes.

레퍼토리 그리드 발전 수법을 적용한 건축물 외관 디자인 평가에 관한 연구 - 소규모 전시 건축물을 중심으로 - (A Study on the Evaluation of Building Exterior Design Applied to Repertory Grid Developmental Method - Focused on Small Exhibition Buildings -)

  • 윤갑근;정사희;이종영
    • 한국실내디자인학회논문집
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    • 제26호
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    • pp.26-34
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    • 2001
  • The problems with the small exhibition buildings such a small gallery and art center recently constructed did not make the characteristics of the place specifying and did not form a big flow in the line of urban connection. Also it was deficient in the image like a cultural space because of the commercial aspects of the individual buildings. According to this view, this study is to evaluate the exteriors of the small exhibition buildings that the public prefers on the psychological side as a design theory and then, it is to present the direction of desirable form constitution hereafter. In the design of the small exhibition buildings exterior that the public must prefers, the principles and techniques of constitution that operate are the most initiative as follows. As for the principles of unity in the constitution of the small exhibition buildings exterior that the public prefers, Eigen Value is 7.573 and the explanatory force takes 21.637% at the top and it plays a leading role. In the comparison of the appearance, it shows that it is a factor with the largest specific gravity. The next factors were grouped in good order: the balance, ornamental technique, change, shipping technique, rhythm, harmony, symbolic technique, area technique and adding technique. As a result, in the design of the small exhibition buildings exterior, the architects have to constitute the principles of balance, change, rhythm and harmony by most of the unity and the symbolic technique and form technique by most of the ornamental techniques harmoniously and have to give Identity like exhibition buildings.

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