• 기록학연구
• /
• 제7호
• /
• pp.75-105
• /
• 2003

Russian State Historical Archive (Rossiiskii gosudarstvennyi istoricheskii arkhiv - RGIA) received its present name in June 1992, and before 1961 was known as TsGIA. RGIA holds the major records of high-level and central state and administrative institutions and agencies of tsarist Russia from the eighteenth century to 1910s (except the records of the Army, Navy, and the Ministry of Foreign Affairs), as well as fonds of social organizations, institutions, and individuals of prerevolutionary Russia. The main goal of this article is to assist understanding russian principle on arrangement and classification archives with its historical development focusing on one of the biggest historical archive in Russia. The primary set of historical records in RGIA remain arranged in 3-steps classification system: fond (collection) -- opis' (inventory) -- delo (file). In this general survey of RGIA author offers detailed information on the collection of archives and the system for classification of its huge amounts of primary sources in connection with influence upon historical studies. Despite the general economic crisis Russian archives are struggling to keep their doors open for public research and are exerting their energies in present electronic information to scholars and other researchers from throughout the world. The result, however, is not rewarded enough, considering the effort involved.

• 한국수학교육학회지시리즈D:수학교육연구
• /
• 제22권2호
• /
• pp.99-121
• /
• 2019

This article looks back and also looks forward at the values aspect of school mathematics teaching and learning. Looking back, it draws on existing academic knowledge to explain why the values construct has been regarded in recent writings as a conative variable, that is, associated with willingness and motivation. The discussion highlights the tripartite model of the human mind which was first conceptualised in the eighteenth century, emphasising the intertwined and mutually enabling processes of cognition, affect, and conation. The article also discusses what we already know about the nature of values, which suggests that values are both consistent and malleable. The trend in mathematics educational research into values over the last three decades or so is outlined. These allow for an updated definition of values in mathematics education to be offered in this article. Considering the categories of values that might be found in mathematics classrooms, an argument is also made for more attention to be paid to general educational values. After all, the potential of the values construct in mathematics education research extends beyond student understanding of and performance in mathematics, to realising an ethical mathematics education which is important for thriveability in the Fourth Industrial Revolution. Looking ahead, then, this article outlines a 4-step values development approach for implementation in the classroom, involving Justifying, Essaying, Declaring, and Identifying. With an acronym of JEDI, this novel approach has been informed by the theories of 'saying is believing', self-persuasion, insufficient justification, and abstract construals.

• 영미문화
• /
• 제10권2호
• /
• pp.209-230
• /
• 2010

This paper reads Tristram Shandy around the issue of hobbyhorse, Sterne's main contribution to novelistic techniques as well as his insightful understanding of the modern condition. First, Sterne represents his characters according to the principle of hobbyhorse, declaring "I will draw my uncle Toby's character from his HOBBY-HORSE." Gradually distancing himself from the Juvenalian satiric mode as well as Henry Fielding's grand narrative and Samuel Richardson's psychological realism, as is seen in the early episode of Yorick's death, Sterne suggests that the best way to represent his characters lies in describing their hobbyhorses. Sterne's foregrounding of hobbyhorse is linked with his embrace of madness as part of the modern identity. He accepts that hobbyhorse-riding, a quirky and mad habit of mind or behavior, is indispensable for some people, like Uncle Toby, to survive and get along with their otherwise unbearable lives. Uncle Toby's hobbyhorse of waging mock battles in the bowling green saves him from the perplexing real world of language and sexuality, while the fictionality of his hobbyhorsical world is exposed by Widow Wadman. Since a hobbyhorse is by definition a world of private pleasure and eccentricity, sentimentalism comes along to bridge the two virtually incommensurable hobbyhorsical world in place of linguistic communication. Yet if Tristram Shandy fully stages sentimentalism, a cardinal part of hobbyhorse riding, it also offers an awareness of it, which is a significant development in the cult of sentimentalism in the eighteenth century. Tristram Shandy performs a version of sentimental journey where each character rides his hobbyhorse and the reader is invited to ride his/her own hobbyhorse.

• 영미문화
• /
• 제17권2호
• /
• pp.89-109
• /
• 2017

This study focuses upon the fact that Wordsworth has a great interest in the epistemological understanding of nature. It denies that his early poems, such as An Evening Walk and Descriptive Sketches, only represent the subtleties of nature, according to the picturesque mode of the eighteenth century, without any other consideration about human mind. It tries to trace his effort to deal with the relationship between nature and mind, which is committed to the apprehension of Wordsworth's experience which shapes much of his later work. Prior to Wordsworth, or in his earlier days, both the picturesque description and the descriptive poetry tend to be two-dimensional. Staying away from the cold rules of painting and overcoming passivity, he prefers to contemplate nature through his emotions and tries to come close to the sublime sense. Therefore, his poetic strategy is to show that his poetic description of nature goes beyond the limits which these picturesque rules and colors impose. His readers get the feeling of how desperate he become trying to choose the suitable poetic language to express the relationship between nature and mind. He also has an interest in developing a character, Dorothy, to match what he thinks and to mediate what he intends to describe through his epistemological understanding of nature.

• 영어영문학
• /
• 제64권1호
• /
• pp.117-133
• /
• 2018

This article examines Laurence Sterne's Sentimental Journey in the context of eighteenth-century British travel literature. While literary critics generally read Sterne's work as a sentimental novel, contemporary readers initially interpreted the text as a travel narrative. It is my argument that travel writing, particularly the motion entailed in travelling, plays a significant role in Sterne's critical examination of sympathy and its cultural function during this period. By narrating in great detail his narrator Yorick's mobility and the effects it has on his sentimental encounters, Sterne illustrates how sympathy is not only difficult to activate and therefore requires added stimulation in the form of motion, but also does not necessarily result in charitable actions, a moral failure that is dramatized by the literal distance Yorick maintains from the objects of his sympathy. Calling to mind the figurative distance that constitutes an integral part of Adam Smith's formulation of sympathy in The Theory of Moral Sentiments, the distance Yorick establishes through his travels indicates sympathy's failure to bridge the emotional and socioeconomic distance between individuals, thereby highlighting sympathy's limitations as a moral instrument. I argue that by using Yorick's repeated acts of sympathy to explore the problems of sentimentalism, Sterne both draws from and innovates the tradition of employing imaginary voyages to engage in philosophical inquiries.

• 영어영문학
• /
• 제58권6호
• /
• pp.1103-1117
• /
• 2012

This paper focuses on eighteenth-century English pastor, poet, and hymnist, Isaac Watts (1674-1748), a significant yet neglected nonconformist dissenter, who defines a public religion and transforms poetry as a new literary political genre. During England's post-Revolutionary religio-political turmoil, Watts's poem, "The Hurry of the Spirits, in a Fever and Nervous Disorders" (1734), deliberately engages in a methodical refusal to settle upon a single system of images or terms for describing or referring to the speaker's identity or situation. Watts's, literal and metaphoric, refusal to identify with one religio-political approach to nonconformist dissent has been the very point of criticism that not only undermines the poet's monumental work on hymns but also the lasting impact that the poet had upon England's national consciousness. This study, therefore, questions why the poet refuses to choose one ideal path in his pursuit for religious freedom and, further, analyzes how the hymn writer defends his demotic aesthetics. This paper investigates Watts's comprehensive and detailed formulation of what a secularized "social religion" should entail and, further, explores its beneficial role in the pursuit for society's peace. In contrast to Milton's apocalyptic vengeance, Watts's nonconformist goal seeks to balance and locate authority in the individual with the ancient ideal of a "sacred order" that is represented in "The Hurry of the Spirits" through the means of poetic imagination.

• 한국지하수토양환경학회:학술대회논문집
• /
• 한국지하수토양환경학회 1997년도 추계 국제학술심포지움 논문집
• /
• pp.3-31
• /
• 1997

Water has always played a significant role in the lives of people. In urbanised Rome, with its million people. sophisticated supply systems developed and then fled with the empire. only to be rediscovered later But it was the industrial Revolution commencing in the eighteenth century that ushered in major paradigm shifts In use and altitudes towards water. Rapid and concentrated urbanisation brought problems of expanded demands for drinking supplies, waste management and disease. The strategy of using water from local streams, springs and village wells collapsed under the onslaughts of rising urban demands and pollution due to poor waste disposal practices. Expanding travel (railways. and steamships) aided the spread of disease. In England. public health crises peaks, related to water-borne typhoid and the three major cholera outbreaks occurred in the late eighteenth and early nineteenth century respectively. Technological, engineering and institutional responses were successful in solving the public health problem. it is generally accepted that the putting of water into pipe networks both for a clean drinking supply, as well as using it as a transport medium for removal of human and other wastes, played a significant role in towering death rates due to waterborne diseases such as cholera and typhoid towards the end of the nineteenth century. Today, similar principles apply. A recent World Bank report Indicates that there can be upto 76％ reduction in illness when major water and sanitation improvements occur in developing countries. Water management, technology and thinking in Australia were relatively stable in the twentieth century up to the mid to late 1970s. Groundwater sources were investigated and developed for towns and agriculture. Dams were built, and pipe networks extended both for supply and waste water management. The management paradigms in Australia were essentially extensions of European strategies with the minor adaptions due to climate and hydrogeology. During the 1970s and 1980s in Australia, it was realised increasingly that a knowledge of groundwater and hydrogeological processes were critical to pollution prevention, the development of sound waste management and the problems of salinity. Many millions of dollars have been both saved and generated as a consequence. This is especially in relation to domestic waste management and the disposal of aluminium refinery waste in New South Wales. Major institutional changes in public sector water management are occurring in Australia. Upheveals and change have now reached ail states in Australia with various approaches being followed. Market thinking, corporatisation, privatisation, internationalisation, downsizing and environmental pressures are all playing their role in this paradigm shift. One casualty of this turmoil is the progressive erosion of the public sector skillbase and this may become a serious issue should a public health crisis occur such as a water borne disease. Such crises have arisen over recent times. A complete rethink of the urban water cycle is going on right now in Australia both at the State and Federal level. We are on the threshold of significant change in how we use and manage water, both as a supply and a waste transporter in Urban environments especially. Substantial replacement of the pipe system will be needed in 25 to 30 years time and this will cost billions of dollars. The competition for water between imgation needs and environmental requirements in Australia and overseas will continue to be an issue in rural areas. This will be especially heightened by the rising demand for irrigation produced food as the world's population grows. Rapid urbanisation and industrialisation in the emerging S.E Asian countries are currently producing considerable demands for water management skills and Infrastructure development. This trend e expected to grow. There are also severe water shortages in the Middle East to such an extent that wars may be fought over water issues. Environmental public health crises and shortages will help drive the trends.

• 복식
• /
• 제56권1호
• /
• pp.13-31
• /
• 2006

This study will explore Rococo chinoiserie not only as a prominent style of the decorative arts in general, but also as an important factor that influenced $18^{th}$ century fashions in dress. Two premises support the conclusion of this study. One is that the chinoiserie is truly a hybrid, a totally new style resulting from the mixture of various traditional elements from the East and the West, with little regard for the authentic nature of the original styles. The other is that the geographical scope for defining the chinoiserie influence in the Rococo fashion can be expanded beyond its lexical meaning; the style eventually encompassed visual cues from various Eastern cultures including China, India and Turkey. Regardless of the specific origins, the oriental influences for Rococo fashion can be categorized into two types. The first type is a complete appropriation of structural elements of Eastern clothing, such as pagoda hats, pagoda sleeves, turbans decorated with plumes or fur-trimmed open robes and then combining them with Western dress. These exotic and fancy dress ensembles were worn as masquerades, theatrical costumes or portraits. One extraordinary example is the banyan, a man's dressing gown, which also had a place in everyday life, not just as special costume. Although the banyan became more tailored as time passed, the traditional shape of this Eastern garment was accepted unaltered in the beginning of the $18^{th}$ century. The second type of influence shows in the use of eastern textiles, especially silks, which were made into women's dress. It did not matter to the fashionable lady if her dress was made of the silk produced in China or a European copy of the Chinese original, as long as it satisfied her taste. It is difficult to detect the signs of exotic style from a glance in this type of chinoiserie dresses since it was more ambiguous and conservative adaptation of the oriental influence in Rococo dress styles than the first type. In this study, various oriental influences appearing in $18^{th}$ century Rococo fashions can be defined as part of the chinoiserie style based upon the suggested premises. No matter what the origin of these oriental fashions was, this hybrid of the East and West made one of great impacts on the most frivolous and splendid period of western fashion history.

• 보존과학회지
• /
• 제32권1호
• /
• pp.89-100
• /
• 2016

18세기 제작된 유언호 초상화에 대한 비파괴분석 통해 채색에 사용된 안료의 종류와 채색기법을 추정하였으며, 이를 바탕으로 18세기의 초상화 11점과의 채색특성을 비교해보았다. 유언호 초상에 사용된 안료는 백색에 연백, 황색에 염료, 적색에 진사, 연단, 적색염료, 녹색에 석록, 청색에 석청, 갈색에 적색산화철, 갈색염료, 자주색에 청색과 분홍색의 염료 등을 사용하였다. 11점의 초상화와 채색 안료를 비교한 결과 18세기 초상화에 사용된 안료는 시기별로 큰 차이를 보이지 않았으며, 동일 화첩에 수록된 초상화일지라도 안료의 사용은 초상화마다 개별적으로 나타났다. 채색기법에서는 유언호 초상 이후의 초상에서 얼굴에 진사를 사용하지 않고 산화철만 사용하였으며, 의복의 배채에 녹색 안료 대신 염료를 사용하였다. 본 연구를 통해 18세기 전반에 걸쳐 제작된 초상화의 채색 특성을 확인할 수 있었다. 이번 연구결과가 조선 후기 초상화의 채색기법 연구에 기초자료로 활용되기를 기대해 본다.

• 헤리티지:역사와 과학
• /
• 제55권2호
• /
• pp.146-165
• /
• 2022

이 연구는 2021년 경북 유형문화재 <상주 전식 조복 및 공예품 일괄>로 지정된 유물 중 전식(全湜, 1563~1642)의 조복 구성물인 3점(의·상·대대)의 유물을 17~18세기 5건(신경유, 권우, 화산군 이연, 밀창군 이직, 이익정)의 출토 조복 구성물과 문헌자료를 비교하면서 유물의 조형적 특징과 제도와의 차이점을 밝히고자 함에 목적을 두었다. 전식의 조복 구성물 3점은 색상을 확인할 수 있는 최고(最古)의 조복 유물이라는 점에서 사료적 가치가 크다. 붉은 색 능직물로 제작한 상의(上衣)는 아쉽게도 가선이 소실된 상태이지만 흔적이 남아 있는 부분에 대해 기록이나 초상화 등의 자료에 근거하여 흑색 가선[黑緣]을 추측할 수 있었다. 그리고 흑선과 바탕 옷감 사이에 끼우는 흰 장식선은 아직 사용되지 않았음을 확인하였다. 하상(下裳)은 전3폭 후4폭 중 전3폭과 후1폭만 남은 상태이다. 그러나 후4폭의 형태를 유추할 수는 있었다. 주름 흔적으로 볼 때 허리 부분에만 주름을 잡았음을 알 수 있었다. 18세기의 밀창군, 이익정 묘 조복 상은 허리말기에 간격을 두고 연결되어 있으나 신경유, 권우, 화산군 이연 묘 조복 상 등 17세기 조복 상은 전상 아래로 후상이 겹쳐 연결되어 있는 것으로 볼 때 전식의 조복 상 역시 전상 아래에 5cm 전후로 후상을 겹쳐 연결하였을 것으로 추정할 수 있었다. 화산군 이연(李渷, 1647~1702) 이후 흑선과 바탕과의 사이에 백색 장식선을 끼운 뒤 허리부분에서 밑단까지 주름을 잡은 형태였다. 대대는(大帶)는 '경(冂)' 모양인데 소색(素色)의 주(紬)에 녹색 문사(紋紗) 선을 둘러 긴 띠를 만든 후 모서리를 접어 요(腰)와 신(紳)을 만들었다. 18세기 밀창군과 이익정, 정휘량의 조복본 초상화에서 볼 수 있는 대대의 색상과 일치하였다. 18세기 초 화산군 이연 묘 대대 이후는 요와 신 부분을 따로 재단하여 이은 형태였으나 전식의 대대를 포함한 17세기 신경유 묘, 권우 묘의 대대는 긴 띠를 접어 요와 신을 만들었음을 알 수 있었다. 그리고 허리에 매기 위해 양 끝에 가는 끈을 달았다. 전식의 조복 유물은 색상이나 형태면에서 17세기 조복제도를 구체적으로 반영한 것으로 평가할 수 있으며 『국조오례의 서례』·『경국대전』조복제도의간략하거나부정확한기록을보완해주는사료로서의중요한가치를지니고있다고하겠다.