• Journal of the Korean Institute of Rural Architecture
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• v.12 no.2
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• pp.39-48
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• 2010

This study is to analyze the space plan and design charateristic of the Gungiip(宮家) built on near the 1770 in Namyangju. It has been called Gungjip since it was constructed from the timber and by carpenters sent of the government. It has a great scientic value because it is the best house constructed by carpenters of the royal palace. It help to know prototype of their excellent design skill. that is skill of work upon of colum, curvatere of ridge in roof, trust the eaves. This paper shows that this house has a different scale and form from other houses. In addition, Anchae was built with the aim of making the most use of sunlight and securing its best convenience. Sarangchae aims at serving as a cultural space for its neighbor. The house seems to reflect the carpenter' architectural viewpoints, and its building style shows its contempory people's life style. In conclusion, we can say that the techenial charateristics of its design result from the correlectin of colum(Ki-Sot-Um and An-Sol-Lim), curvatere of ridge in roof(Ma-Ru-Gock), and trust the eaves(Ang-Goak and An-Hu-Ri).

• Journal of architectural history
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• v.25 no.6
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• pp.61-72
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• 2016

This study is about the structure and transition of orthogonal design of palace architectures in Joseon Dynasty. The results are as follows. First, Changdeokgung and Changgyeonggung Palaces' corridors, and their architectures seen in the Court Documentary Paintings have early Joseon style in the corner-connections. Their roof shape in the corner is gable roof. Generally, gable roof has direction. Besides, it is easy to extend gable sides. Second, Corridor of Gyeongbokgung Palace has hipped and gable roofs with corner eaves. It was popular during the late Joseon Dynasty. On the other hand, it is impossible to extend any sides of those roofs since they have roof faces in their four sides. Instead, they have completeness. That's why their aesthetic appeal exhibits more pleasing than gable roofs. Third, corner-connections of palace architecture shows evidences and traces of the transition from gable roofs meeting at right angle in the early Joseon to hipped and gable roofs meeting at right angle with corner eaves in the late Joseon. Also, the corner-connections with corner eaves were usually used even in the attached architectures.

• Steel and Composite Structures
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• v.3 no.6
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• pp.451-474
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• 2003

Details are given of a cold-formed steel portal framing system that uses simple bolted moment-connections for both the eaves and apex joints. However, such joints function as semi-rigid and, as a result, the design of the proposed system will be dominated by serviceability requirements. While serviceability is a mandatory design requirement, actual deflection limits for portal frames are not prescribed in many of the national standards. In this paper, a review of the design constraints that have an effect on deflection limits is discussed, and rational values appropriate for use with cold-formed steel portal frames are recommended. Adopting these deflection limits, it is shown through a design example how a cold-formed steel portal frame having semi-rigid eaves and apex joints can be a feasible alternative to rigid-jointed frames in appropriate circumstances.

• Proceedings of the Korean Institute of Building Construction Conference
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• 2014.05a
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• pp.186-187
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• 2014

The principal government building of Kyungsanbuk-do was designed to show korean traditional architecture with tile-roofed house to reflect the image of Kyungsangbuk-do as the province of traditional culture. The roof of korean traditional architecture is the most importanat part that distinguishes the design character of a building and is important to determine degree of completion. As this is so, in the design phase, we reviewes the design documents about the proportional and slope of the roof, durability and sizes of component material and the structure of eaves. In the construction phase, it was required to cooperated with specialists of traditional architecture for realization of traditional beauty of the buildings as designed.

• Journal of architectural history
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• v.18 no.3
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• pp.45-59
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• 2009

This thesis mainly deals with what is th Gurodae, recorded of the YeonggeonUigwe and the SanleungUigwe. Gurodae makes diverse appearance In Uigwes.(久老代, 仇老代, 求路代, 仇老臺, 仇露臺, 求露臺, 仇累臺, 九累臺) It seems that Gurdae was an architectural member used on the roof. Especially that was a member of the eaves. Gurodae looks like a Pyeonggodae, located on the end of the rafters. But it differs in the shape compare to that of Pyeonggodae, Gurodae has the shape of combined members, Pyeonggoaed and Chakgo. Chakgo is a member covering the spae, between two Buyeons So Gurodae has the shape of prominence and depression. The result obtained by surveying the Uigwes is the Gurodae is the Gurodae used until 1789. After the publication of HyeonlyungwonUigwe in 1789, that member was no longer existed on the other Uigwes. In 1794, the making Hwaseong fortress, Gurodae divieed into two members, Chopyeonggodae and Chakgo. Since then Chopyeonggodae and Chakgo never combined again.

• Proceedings of the Acoustical Society of Korea Conference
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• 1994.06a
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• pp.791-795
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• 1994

In this paper, the echo phenomena of Yingying Pagoda(ancient Chinese architecture), which may be resulted from interferences of reflection and diffraction by the pagoda eaves when pulse sound source is at some suitable positions, are investigated by an 1:2 scale model. There are valleys in frequency spectrum due to the interferences. On the other hand, taking eaves as wedges approximately, numerical spectral estimates are obtained from the closed-form impulse solution for diffraction of pulse point-source radiation by an infinite rigid wedge. The results of the numerical computations are similar to those of the model experiments. The study is a helpful guide to reconstruction or maintenance of this kind of ancient buildings.

• Journal of Bio-Environment Control
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• v.28 no.4
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• pp.388-395
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• 2019

The purpose of this study is to suggest structural model and analyze design factors for the development of small greenhouse standardization model. The average dimensions of small greenhouse desired by urban farmers were 3.3m in width, 1.9m in eaves height, 2.7m in ridge height, 5.7m in length. The cladding materials for small greenhouse were preferred to glass, PC board and plastic film, framework to aluminum alloy and steel, and heating method in electrical energy. In addition, it was analyzed that small greenhouses need to develop structural model by dividing them into entry-level type and high-level type. The roof type that was used for entry-level type was arch shape, framework was steel pipe, cladding material was plastic film. On the other hand, high-level type was used in even span or dutch light type, framework with square hollow steel, cladding materials with glass or PC board. In consideration of these findings and practicality, this study developed four types of small greenhouses. The width, eaves height, ridges height, and length of the small greenhouses of even span type, which were covered with 5mm thick glass and 6mm thick PC board were 3m, 2.2m, 2.9m, and 6m, respectively. The small greenhouse of dutch light type covered with 5mm thick glass was designed with 3.8m in with, 2.2m in eaves height, 2.9m in ridges height, and 6m in length. The width, eaves height, ridges height, and length of the arch shape small greenhouse covered with a 0.15mm PO film were 3m, 1.5m, 2.8m, and 6m, respectively.

• Journal of the Korean Institute of Rural Architecture
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• v.14 no.4
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• pp.135-142
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• 2012

This study is aimed to investigate the dimension feature of the plane about the economic type farming village Korean-style house progressed in the Chonnam province and Longitudinal feature and tries to reveal this feature through the comparing analysis with the traditional house positioned in the Chonnam province. This result is as follows. First, the main feature in plane is the setting up the column interval in front when comparing the house of Happy Village and traditional house. In case house of the Happy Village, after firstly fixed the limited scales, sizes are determined, this is due to control the set up in the post interval in this in range. Second, in the case of the traditional houses, 0.68 ratio of the building height about the side length and 0.19 ratio of the eaves extrusion about the side length are consistent ratio about dimensions. However, there is no consistent ratio or fixed law, the various dimensions show up in case of the house of Happy Village. It will be inevitable that space of the post increases for the convenience of life of the modern people. However, it has to sublate and to disregard as the identity of the morphological shown up in the Korean-style house the more various construction standards will need to be presented.

• Korean Institute of Interior Design Journal
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• no.6
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• pp.15-20
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• 1995

In this paper, a strategy for utilizing the Korean tradi-tional spaces and interior design elements in inner space in order to express Korean-style interior design has been studied. Characteristics of Korean tradition was gathered from literatures in two categories; space and el-ements. Space again has been studied in detail in the area of split, continuity, hierarchy, elasticity, dynamics. And study of elements includes floor, wall, ceiling, dan-chung, lattice, laytiles on a roof, rafter, extended eaves, the line of eaves. 30 Korean restaurants were selected, analysed and compared with literature review. Based on the compari-son, a strategy for proper expression and utilization of Korean tradition is suggested. In the process of compari-son, current status of implementation and problems were found. Traditional elements are used in about 50% of Korean restaurants located in hotels, and 25% of those located in department stores. With the survey and other professional's opinions, an implementation plan is suggest-ed as follows; 1. Succession design method of tradition should use main-ly amelioration method and use copy and partly abstraction method. 2. Expression of tradition has to include all of space, ele-ments, and decoration. In space structure, Korean tra-dition space structure must be applied. 3. In order to design with feeling of Korean tradition, various different Korean elements have to be used. 4. In order to express high quality design, high-quality elements has to be used.

• Journal of the Korean Institute of Rural Architecture
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• v.10 no.3
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• pp.59-66
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• 2008

This study was performed to ascertain how HyangGyos based on national ideology were built in Jeju Island and what their detailed styles are. In Jeju-HyangGyo, unique architectural characteristics are shown as they have been built in an island independent from the mainland. Also up-down system was well reflected in detailed architectural styles. The main temple of Jeju-HyangGyo was built in the type of one-Chulmok(a subsidiary material of Gongpo and a piece of wood to support the eaves) of which ancon supports a purline from the center of a pillar and two-Ikgong(a piece of wood engraved to put on an ancon), but in the case of the lecture hall, its Gongpo(a piece of wood to support the eaves) was inferior in quality. In the case of Jeju abutments were used in main temples and fire walls were mostly used. In particular, their abutments are difficult to be observed in HyangGyo in the mainland. It is presumed that the abutment and the fire wall used in Jeju Island might be the best solution to protect structures from rain and moisture. To sum up, local characteristics and traditional rules were thoroughly reflected in Jeju-HyangGyos built in Jeju Island from the aspect of arrangement and detailed style. In conclusion, it is significant that architectural styles, not to mention the other aspects of Jeju culture, were suitably adapted to Jeju Island.