• 제목/요약/키워드: dyed material

검색결과 115건 처리시간 0.021초

비셀룰로오스 함량에 따른 케나프 섬유의 특성변화 (The Change of Kenaf Fiber Characteristics by the Contents of Noncellulosic Material)

  • 이혜자;한영숙;유혜자
    • 한국의류학회지
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    • 제30권11호
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    • pp.1581-1588
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    • 2006
  • The effects of removal of lignin or hemicellulose on the cottonizing and pulping characteristics of kenaf fiber were studied by comparing the conditions of non-cellulosic material contents, fiber lengths and dyeability. And the effects of lignin or hemicellulose on dyeability of the kenaf fiber using CI Direct Green 26 and CI Direct Red 81 were investigated. The results were as follows. The lignin contents decreased and the kenaf fiber became shorter and finer as the reaction time with sodium chlorite increased. The hemicellulose could be removed by treating sodium hydroxide solution to the fiber from which the lignin partly removed. The 80% of hemicellulose could be removed by 5% of sodium hydroxide solution in 5 minutes. But if lignin were not removed at all, hemicellulose could not be removed. The fiber lengths proper for apparel were obtained after treating sodium chlorite for 10-20 minutes and those for pulping were obtained after treating sodium chlorite for 40 minutes. The kenaf fibers from which lignin and hemicellulose partly removed were dyed with CI Direct Green 26 and CI Direct Red 81. Their dyeability increased as the removal rates of lignin increased. The ${\Delta}E$ values of kenaf fiber dyed with CI Direct Green 26 were lower than CI Direct Red 81.

A Study on Dyeing Properties and Color Research of Knitted Fabric and by Scoria

  • Chung, In-Hee
    • 패션비즈니스
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    • 제11권3호
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    • pp.79-86
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    • 2007
  • The purpose of this study is to understand the dyeing properties and color analysis of fabrics knitted with ramie, cotton, wool and acrylic by using scoria and to analyze whether the knitted fabrics can be used for industrialization by measuring color fastness after and before sliver-nano process. The following is the conclusions. Firstly, when ramie fabric regarding cotton, wool and acrylic was dyed at the temperature of $50^{\circ}C$ for fifteen minutes by using 10, 25, 50, 100g/ $\ell$ of scoria, dyeing absorption gradually increased up to 50g/ $\ell$, and over the point of 50g/ $\ell$ it showed slow increase. Secondly, regarding saturation, among ramie fabric, wool, cotton and acrylic, wool appears as the lowest brightness. Therefore, it can be dyed with bright color and the highest value. In terms of the value of chromaticity, wool also emerges as the lowest brightness. On the contrary, acrylic showed the lightest red as it had the value of the smallest b. Cotton takes the lightest yellow as the b value of the cotton showed the smallest. Thus, scoria dyestuff is a material that showed strong red and yellow on knitted fabric mixed with wool that is the biggest a. b value. Thirdly, in terms of dyeing fastness, sunlight fastness did not show noticeable differences before and after silver-nano processes, but in terms of washing and friction fastness, the material processed by silver-nano indicated that all knitted fabrics are over 4-5 point. which means silver-nano process can be effective for the industrial applications. As mentioned above, as a result of dyeing knitted fabrics with scoria, this study found a possibility of dyeing in the fabric materials, and if there is deeper dyeing experiments, fastness experiments and speculations, it might be possible to be a big issue just like loess and charcoal.

천연염색 한지직물을 활용한 문화상품 제작 (I) (Making Cultural Products Using Natural Dyed Hanji-Fabric (I))

  • 정진순
    • 문화기술의 융합
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    • 제5권4호
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    • pp.23-27
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    • 2019
  • 우리나라는 오천 년 역사를 이어오는 동안 우수한 문화자산을 축적해 왔으면서도 문화를 상품화하는 일을 소홀히 하였다. 그 결과 세계인이 인정하는 기술이 있으면서도 세계에 내놓을 만한 훌륭한 문화상품이 없다. 따라서 전통문화 속의 독특한 소재를 활용하여 현대적인 감각으로 재 디자인하여 상품화하는 것이 필요하다. 천연염색에 의한 직물은 채도가 낮으므로 특별한 배색조화를 하지 않아도 잘 어울리며, 자연스럽고 편안한 느낌을 준다. 따라서 천연염색으로 얻어진 직물들은 문화상품 개발을 위하여 매우 적절한 소재라고 생각된다. 또한 한지는 질기고 중후하며 우아한 느낌을 지니고 있어서 그 자체로 예술의 한 분야를 구축할 수 있는 우수한 소재라고 할 수 있다. 본 연구에서는 세계적으로 뛰어난 한지를 소재로 한 한지직물을 활용하여, 쪽, 홍화, 황벽, 그리고 자근으로 천연 염색하였다. 그 염색 직물을 활용하여 두 대의 양산과 카드 지갑의 문화상품을 만들어 제시하였다.

닥지의 의류소재 활용을 위한 줌치기법의 후처리 (After-treatment of Jumchi Technique for using Dakji as Clothing Material)

  • 김정주;장정대
    • 한국의류산업학회지
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    • 제6권2호
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    • pp.245-248
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    • 2004
  • This study examied ned physical properties and surface characteristics of papers post-processed by Jumchi technique and stainability of extract from Amur Cork-Tree to use Dakji as clothing material. Then, it found the following results. After-treatment by Amorphophalus konjac K. Koch and persimmon juice showed stronger tensile strength and tearing strength than untreated samples and the drape stiffness was substantially increased. After-treatment by persimmon juice generated dyeing effects as well as excellent tensile strength and tearing strength all samples were generally dyed well by Amur Cork-Tree, While the untreated samples did not show any significant effects in dyeing for more than 5 minutes. It was found that after-treatment substantially contributed on concentration of dyeing as dyeing amounts of post-processed samples were gradually increased as time increased. After-treated sample with agar did not show any significant differences from untreated sample. Accordingly, it has to be studied further.

천연염료의 산업화에 관한 연구-양파껍질을 이용한 황색계열 염색- (A Study on the industrialization of a natural dye-Dyeing yellowish colours with onion skin-)

  • 노은희
    • 디자인학연구
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    • 제20권
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    • pp.211-217
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    • 1997
  • 천연염색은 인공염료로 인한 환경오염으로부터 자연을 보호하고, 천연 염색된 섬유는 해충으로 인한 인체의 피해를 막아주어 의복, 침구 류로 개발 가능하며, 또한 색상도 중간계열이 많아 자연스런 이미지를 연출 할 수 있다. 본 연구는 값싸고, 쉽게 구할 수 있는 천연염색 재료를 다양한 색상으로 개발 할 수 있어 고부가가치를 지닌 제품 생산으로 유휴농지의 활용과 함께 농가의 수익을 올릴 수 있다. 전라남도 무안 지방에서 대량으로 생산되는 양파껍질을 다양한 섬유에 염색하여 노랑 색에서 연갈색, 회색계열까지 여러 가지의 색상이 추출된다. 이렇게 염색된 섬유의 세탁, 마찰, 물, 땀, 일광 견뢰 도 측정을 통해 실험하였더니 그 결과 견뢰 도가 전체적으로 우수하여 천연 산업 염색재료로서의 가능성을 발견하였다.

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마이크로캡슐에 의한 폴리에스테르 직물의 천연염색에 관한 연구(II) - 황금을 중심으로 - (Natural Dyeing of Polyester Fabric with Microcapsules(II) - Scutellaria baicalensis -)

  • 민경혜
    • 한국의류산업학회지
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    • 제10권6호
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    • pp.1045-1050
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    • 2008
  • Developing of high technology, productivity of the fiber product has being rapidly increased and also various kinds of advanced treatment process lead consumer's needs to more high functional, clean and healthy goods. Moreover, increasing in the concern of eco-friendly material and processing, it has been getting popular that the dyeing method like as using natural dyes is more eco-friendly and natural-friendly treatment process. The method, used in this study, adhesion by binding with micro-capsulized natural material to fabric has low change in quality by external influence and high ability in spray effect by broken capsule which comes to pressure and friction when it dressed. Also it has wide application from natural fiber to synthetic fiber. The purpose of this study is development of multi-functional synthetic material with micro-capsulized Scutellaria baicalensis on PET. Moreover, it was driven by comparison of colormetric properties and fastness between regular dip-dyeing method and binding with micro-capsulized material method. Dye ability was arranged mostly low exhaustion but the PET treated by micro-capsule was more or less better than the dip-dyeing PET. Through the SEM(Scanning Electron Microscope) of PET treated by micro-capsule, it has good residence of capsules even after 5 or 10 times washing. Wash and light fastness was arranged some different grade by each condition but mostly high achievement and the micro-capsulized PET was more improved than regular dip-dyed PET.

피혁봉재에 있어서 부직포 접착심지의 접착방법에 관한 연구 (A Study on the Adhesive Condition of the Nonwoven Fabrics in Sewing of the Leather)

  • 김영자
    • 한국의류학회지
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    • 제5권2호
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    • pp.35-40
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    • 1981
  • This study aims at finding appropriate adhesive conditions with special regard the material of 'fusible padding cloth inter ling' was frequently used for leather. As for leather material, pig suede, sheep suede were selected and drum dyed, cow split, napa have also been used. Mixed spinning non-woven fabric (polyester $50\%$, nylon $50\%$) were used as for padding cloth. Experimental appearance has been observed under the following adhesive conditions: Temperature of press were devided four levers; $120^{\circ}C$, $130^{\circ}C$, $140^{\circ}C$, $150^{\circ}C$, respectively. Adhesive time has been limited 5, 10, 15 second each. And the pressure has been conditioned as $0.2kg/cm^2$ continuously. After all this experiment, it was discovered that the material which had long contact with low temperature conditions has similar adhesive power to material that has short contact with high temperature conditions. There is a great difference according to the leather's dying process, the finishing method of the cloth, and the part of leather surface. The best condition for suede are $140^{\circ}C$, $150^{\circ}C$, at 10 seconds. and for D/D, NAPA, $130^{\circ}C$, at 10 seconds. Although the conditions of $150^{\circ}C$, at 15 seconds was possible for split, the process time can be shortened according to the increase of temperature.

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A Comparative Study of Indigo Dyes and Dyeing in 19th Century Korea and England

  • Kim, Soon-Young
    • 한국의류학회지
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    • 제34권12호
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    • pp.1933-1946
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    • 2010
  • This paper is a comparative analysis of the $19^{th}$ century practice of indigo dyes and dyeing in Korea and England. From over hundreds species of indigo plants in the world, it was dyer's knotweed and woad that were cultivated in Korea; however, the only indigo plant grown in England was woad. Indigo dye was produced in the form of damp indigo sediment (jeon) in Korea; however, imported indigo (as a main dye) and couched woad (as an additional dye) were indigo dyes used in England. There existed three kinds of indigo vats, the ice vat, ash-water vat, and indigo sediment (jeon) vat, in Korea. The fresh leaves of indigo were used for both the ice vat and ash-water vat. The ice vat was very convenient for preparation, but had a weakness in the inability to produce a very deep shade of blue. The ash-water vat and indigo sediment (jeon) vat were in use for producing a very deep shade of blue. The indigo sediment Goon) vat was employed presumably only by professional dyers. The indigo vat practiced in England was categorized into two types; one was woad-indigo vat, and the other was an indigo powder vat prepared by using imported indigo rock. There was a tendency to adopt different kinds of indigo vats according to the material to be dyed. The woad-indigo vat was employed for the dyeing of wool. A few of chemical vats with imported indigo were adopted, especially for the dyeing of cotton. Indigo dyers in 19th century Korea were differentiated from the rest of the dyers. They managed the growing of indigo plants as well as the production of indigo sediment (jeon). Woad dyers in 19th century England handled woolen cloth as well as worsted and woolen yarn in general. However, they sometimes dyed silk skein as well. They produced several colors such as black, blue, slates, grays, by using both woad and imported indigo.

군소 추출색소를 이용한 견직물의 염색성에 관한 연구 (A Study on the Dyeing of Silk Fabrics Treated with Aplysia kurodai Extract)

  • 김현미;김상범;장애란
    • 한국생활과학회지
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    • 제21권4호
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    • pp.791-803
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    • 2012
  • This study intends to identify applicability of natural dye extracted from Aplysia kurodai, aiming to standardization of Aplysia kurodai natural dyeing through scientific validation by analyzing characteristics of pigment elements to review dyeability, colorfastness and antibacterial activity. Such material as silk fabrics that is animal fiber were used for this purpose, and derived following summarized results. UV/VIS spectrum analysis on the pigment of Aplysia kurodai that was extracted from purple gland showed that maximum absorbtion was near 540 nm. The silk fabric optimal dyeing can be achieved at a temperature of $55^{\circ}C$ with a colorant concentration of 5%. Dyed at $55^{\circ}C$ with interval of 10~90 minutes for identifying dye uptake over time to observed slow increase of dye uptake over time, and equilibrium occurred at 50 minutes. For dye uptake according to pH, while dye uptake was superior in acidity, it decreased rapidly in a base after pH 7. For color changes according to pH variation, it was reddish purple in acidity and was purplish red in a base. For color changes according to mordanting method, more clear color change had been obtained when process with aluminium pre-mordanting than non-mordanting and post-mordanting. The colorfastness to light, perspiration and washing was 1, 4~5, and 3~4 ratings respectively. The silk fabric dyed with Aplysia kurodai demonstrated excellent antimicrobial activity to Staphylococcus aureus and Klebsiella pneumoniae. The Aplysia kurodai can be used as a new colorant for the natural dyeing of silk.

The Terminology of Silks in Texts of the Roman Empire: Qualities, Origins, Products, and Uses

  • HILDEBRANDT, Berit
    • Acta Via Serica
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    • 제6권2호
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    • pp.117-140
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    • 2021
  • At the beginning of the Roman imperial period, moralizing authors criticized a material from the East that quickly gained popularity among the elites: silk. During Late Antiquity, the trade, production, and use of purple-dyed silks increasingly became the privilege of the emperors. While literature, court poetry, and laws give insights into the discourses surrounding silk, they are rather unspecific concerning silk qualities. This contribution analyzes the scattered descriptions of silks in Greek and Latin texts in a diachronic perspective, with a focus on the 1st cent. BCE to the 4th cent. CE, paying particular attention to the terminology, products, origins, and qualities of silk. The aim is to build a framework for comparisons with archaeological silk finds and other textile terminologies along the Silk Roads. Here, the silk finds from the oasis city of Palmyra/Tadmor in modern-day Syria, dating from the 1st cent. BCE to the 2nd cent. CE, will be used as a case study for the early imperial period. Taking these silk finds as a comparison, it will be shown that Greek and Latin terminology does not match the variety of silks known in the Mediterranean. Rather, linguistic differentiations focus on the forms in which silk reached the Mediterranean, as skeins, yarns, and fabrics, as well as on the different kinds of silks that were produced in the West, namely pure silk and half-silken fabrics, checkered "scutlata" damasks, purple-dyed, and gold-embellished silks. In contrast, silks from the East were subsumed under the term for "silks from the silk people" or simply "silks". Moreover, ancient authors do not use the terms in the same way. These findings show the limitations of Western silk terminology and the importance of combining archaeological and written sources.