• International Journal of Advanced Culture Technology
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• v.11 no.4
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• pp.352-357
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• 2023

This study focuses on the art style research of the 3D Animation <Spider-Man: Across the Spider-Verse>, exploring the film's innovation in art design. The article first analyzes how the movie skillfully blends American comics, watercolor painting style, Pollock drip painting, and ink painting, among other artistic techniques, to present a unique visual experience for the audience. By specifically dissecting the character design and scene composition in the movie, it explores the specific application of these art styles and their methods in digital image production. Ultimately, the paper emphasizes the contribution of <Spider-Man: Across the Spider-Verse> to 3D Animated cinema, particularly its innovation in the field of art design, as well as its inspiration and possibilities for the diversity of art styles in animated films. Overall, this study aims to provide in-depth academic insight into the field of animated film art design and to promote its development and innovation.

• Journal of the Korean Data and Information Science Society
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• v.27 no.2
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• pp.305-314
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• 2016

In this study, an analysis is performed for comparing the fractal dimension of Jackson Pollock's art works with that of Korean Infomel art works. In order to test the hypothesis that Jackson Pollock's fractal dimension is different from Korean Informel's, data is collected for the fractal dimensions of 30 Jackson Pollock's and 45 Korean Informel art works. The results show that Korean Informel's fractal dimension is larger than Jackson Pollock's. This might be interpreted that the pattern (in finer scale) of Korean Informel art works is closer to planes, rather than lines or points, compared to that of Jackson Pollock's.