• 한국의상디자인학회지
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• 제25권4호
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• pp.59-76
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• 2023

The COVID-19 pandemic has brought about environmental severity and new social, economic, and cultural changes. Conscious fashion, which is oriented to sustainable and valuable consumption, has become a trend to consume products produced using eco-friendly and ethical processes, from the selection of the product materials to the manufacturing process. The purpose of this study is to identify the concepts and characteristics of conscious fashion and zero waste, and to explore design trends of zero wastein the new normal era of conscious fashion through the analysis of various cases. The research method is a literature review on conscious fashion based on relevant professional and academic books and articles, designer collections, and campaigns from 2010 to the present, when conscious fashion as eco-friendliness and sustainable fashion became a trend. The concept and characteristics of conscious fashion were examined them in terms of environmental, ethical, social, and cultural aspects and the concept and characteristics of zero waste through previous studies and case analysis. Through this, the trends of zero-waste design in conscious fashion were categorized into: first, an eco-friendly design orientation that utilizes reuse and reduce methods of clothing and fabric; second, a variable design orientation that practices zero waste designs by using diversity of patterns through deconstruction, disassembly, and various cutting methods. Third, long-term circulation of design through the recycling of resources by second-hand trade, the utilization of stock clothing, resale, and availability of eco-friendly materials through the development of new technologies. As an active practice for the sustainable fashion industry expands, it is expected that continuous research will be conducted as a future core value to realize the possibility of long-term circular zero-waste design through social responsibility and conscious recycling, reuse, and reproduction.

• Fisheries and Aquatic Sciences
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• 제23권6호
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• pp.15.1-15.14
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• 2020

Background: Large rivers are ecological treasures with high human value, but most have experienced decades of degradation from industrial and municipal sewage, row-crop agricultural practices, and hydrologic alteration. We reviewed published analyses of long-term fish diversity publications from three intensively managed large river ecosystems to demonstrate the conservation potential of large river ecosystems. Results: We show how the incorporation of recent advances in river concepts will allow a better understanding of river ecosystem functioning and conservation. Lastly, we focus on the Wabash River ecosystem based on high conservation value and provide a list of actions to maintain and support the ecosystem. In the Wabash River, there were originally 66 species of freshwater mussels, but now only 30 species with reproducing populations remain. Although there were multiple stressors over the last century, the largest change in Wabash River fish biodiversity was associated with rapid increases in municipal nutrient loading and invasive bigheaded carps. Conclusions: Like similarly neglected large river systems worldwide, the Wabash River has a surprising amount of ecological resilience and recovery. For instance, of the 151 native fish species found in the 1800s, only three species have experienced local extinctions, making the modern assemblage more intact than many comparable rivers in the Mississippi River basin. However, not all the changes are positive or support the idea of recovery. Primary production underpins the productivity of these ecosystems, and the Wabash River phytoplankton assemblages shifted from high-quality green algae in the 1970s to lower less nutritional blue-green algae as nutrient and invasive species have recently increased. Our recommendations for the Wabash River and other altered rivers include the restoration of natural hydrology for the mainstem and tributaries, nutrient reductions, mechanisms to restore historical hydrologic patterns, additional sediment controls, and improved local hydraulics.

• 한국실내디자인학회논문집
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• 제18권6호
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• pp.44-51
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• 2009

Various and complex cultural phenomena have led to many changes in the space. The concept of unconsciousness, among others, and experimental expression technique and the concepts from surrealism that rather attaches great importance to contingency than intentional attempt have been employed in the space. The abstract expression as expressional characteristics of surrealism makes the space ambiguous through the concept of automatism using the approach of indeterminism and double image expression, and represents the space providing diversity through the dualism. In contrast, objective expression, which was based on depaysement, generates the tension and expresses the dramatic situation in such a way and manner which are intentional, distorted transformed, together with heterogenous meanings aligned through the reversal appeared in the techniques of collage and paranoiac-critical method. However if such space accommodating the expressional characteristics of surrealism is approached as superficial concept in analyzing the human's inner consciousness and imaginary society, expression of the ultimate concept contained in the expressional characteristics of surrealism can hardly be achieved. Hence, the spatial analysis from the semiotic approach, instead of unilateral method aimed to convey the meaning only, which creates the signification, was adopted. The study, as effective approach to the space accommodating the expressional characteristics of surrealism, was intended systematically evaluate the concreteness of understanding and generation of meaning through the semiotic method. Greimas' semiotic square analysis to the space plays the important role in generating the spatial meaning, as well as is needed for objective analysis of the importance of various characteristics and methodology which the space contains through the expressional characteristics of surrealism.

• 한국가구학회지
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• 제23권2호
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• pp.110-121
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• 2012

With people's recent increasing interest in good design products, wood and metal products have gained great popularity. However, it was believed that it would be necessary to have a transformation to the manufacturing method based on digital data and equipments from existing analog-based manufacturing method, in order to meet consumers' demand. This study was aimed to seek for the possibility of mass-producing wood and metal products through the research on the type, usage and development conditions of digital data and the methods of utilizing digital equipments. As for research methods, the study analyzed the concepts and types of digital data through various internet and literature reviews and suggested perpetual calendar products as the final outcome of design development using computer data. Through this, the study summarized and organized actual design development processes by stage to provide basic data that could become the foundation of research on the design of wood and metal products using digital data. Through the outcome of this project, the following effects could be expected by developing wood and metal products through digital data. First, its accurate and precise process would help mass-produce complex forms of products and reduce their defective rate. Second, the compatible production of various types of digital equipments would lead to a cost reduction. Third, the diversity of design could be pursued by overcoming technical limitations. In order to satisfy the above expectation effects, such as realization of developing and producing various wood and metal products, there should be designers' creative experimental spirits, their active information exchange and cooperation with the companies concerned.

• 대한지리학회지
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• 제33권spc호
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• pp.677-684
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• 1998

'문화'라는 용어는 생활양식(그림 1), 해석체계(그림 2), 제 4의 구조(그림 3), 세련된 취향(그림 4), 지식과 예술의 상부구조(그림 5), 생물학적 지지 구조(그림 6), 도는 인간의 모든 조건들(그림 7) 등으로 정의될 수 있다. 문화라는 용어를 어떻게 정의하든 각각의 정의에는 이와 연관된 '환'에 대한 정의가 전제되어 있다. 어떠한 정의를 채택하는가 하는 것은 각각의 정의를 토대로 하는 관점이나 연구주제의 정당화에 중요한 역할을 한다. 그러나 이렇듯 다양한 정의 가운데 하나가 최선이라는 것을 입증하거나 다른 정의가 부적절하다는 것을 증명하는 것은 불가능해 보인다. 따라서 도시문화지리학 분야에 있어서 '문화'나 '환경'이라는 개념이 각각 '이것이어야 한다'라고 주장하기 보다는 각각 다루는 주제나 연구자의 관점에 따라 다양한 개념이 유용할 수 있다고 인정하는 태도를 가지는 게 필요하다.

• 대한건축학회논문집:계획계
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• 제35권3호
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• pp.79-90
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• 2019

There are more and more citizens suffering from severe fatigue, and they wish to escape from it and spend their leisure time for healing. As a result, buildings and complexes are being constructed nationwide with healing as their theme. Particularly, they tend to build facilities with concepts like a spa, beauty, healing, meditation, nature, or forest healing. The purpose of this study is to examine the concept of healing environment and the nationwide tendencies of building facilities with healing as their theme and also investigate the planning characteristics of complexes and architecture with three representative complexes as examples. Complexes intended for healing have immersion into nature being freed from one's routine as their concept. When planning the flow of human traffic within the complexes, they try to obtain the autonomy of choice as well as the diversity of space and experiential factors in order to provide opportunities for experiencing nature. In the complexes selected for a case study here, they have planned the factors of physical environment that are associated with one another based on architectural education programs using red clay, programs specializing poetry, and healing programs using food. Typically, this is centered around outdoor experiential space, indoor meditation and education space, or fitness space. Also, it is characterized by the planning of physical environment and the complex operation of programs. Particularly, public space is divided into communal space, resting space, and health and treatment space, and health/resting space is mainly intended for health and exercise, for example, fitness, spas, or jjimjilbang (Korean dry saunas). Also, it is characterized by the planning of pitched roofs harmonized with nature and also facade planning that can positively adopt the factors of natural environment.

• 수완나부미
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• 제15권2호
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• pp.91-129
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• 2023

This paper reports the findings of a multimodal study conducted on 10 travel blog posts about Vietnam by seven British professional travel bloggers. The study takes a sociolinguistic view to tourism by seeing travel blogs as a source for linguistic and other semiotic materials while considering language as situated practice for the social construction of fundamental categories such as "human," "society," and "nation." It borrows concepts from Halliday's Systemic Functional Linguistics for interpersonal metafunction to develop an analytical framework to study how the co-occurrence of text and still images in these travel blog posts formulated the portrayal of Vietnam as a tourism destination and indicated the main sociolinguistic features of the blogs. The analysis of appreciation values and interactive qualities encoded in evaluative adjectives and still images show that Vietnam is generally portrayed as a country of identity and diversity. It provides tourists with positive experiences in terms of places of interest, food and local lifestyles and is cost-competitive. Strangerhood and authenticity are two outstanding sociolinguistic features exhibited in these travel blog posts. The findings of this study also underline the co-contribution of the linguistic sign, in this case evaluative adjectives, and the visual sign, in this case still images, as interpersonal meaning-making resources. To portray Vietnam, still images served as integral elements to evidence the credibility of verbal narrations. To unveil sociolinguistic characteristics of travel blogs, still images supported the linguistic realizations of authenticity and strangerhood on the posts, and in some case delivered an even stronger message than words. Not only does the study present a source of feedback from international travelers to tourism practice in Vietnam, but it also provides insights into multimodal analysis of tourism discourse which remains an under-researched area in Vietnam.

• 대순사상논총
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• 제40집
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• pp.303-336
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• 2022

'타자'는 주체의 권리 개념이 등장한 근대 서구 사상 이후 철학적으로 주요한 개념이다. 타자에 대한 여러 정의와 논의가 있었다. 본고에서는 '타자'를 정의 짓기보다는 '타자와의 관계 맺기'를 중심으로 바라보고자 한다. 특히 에마뉘엘 레비나스의 논의를 중심으로 '타자성과 윤리'에 주목하고자 한다. 레비나스는 타자에 대한 윤리적 책임을 강조하는데 이는 다문화 사회에 도래한 현 사회에서 소통의 패러다임으로 적용할 수 있다는 것에 의미가 있기 때문이다. '다름'에 대하여 경계-짓기보다는 타자의 다양성을 인정하고 공존을 도모하는 자세가 필요하다. 이때의 '공존'은 중심부로 포섭하여 중심부의 확대를 가져오는 형태가 아니라 탈중심을 통해 서로 연합되는 것이어야 한다. 본고에서는 서사에 재현되는 타자와의 공존의 양상을 분석하여 그 가능성을 밝히고자 한다. 서사란 인간의 근원적 욕망이자 경험을 구성하는 인지적 과정이다. 인간은 서사에 자신을 스스로 투사하고 이해하려 한다. 서사에 나타나는 타자성을 분석하여 타인에 대한 공존의 가능성을 살펴볼 수 있을 것이다. 이에 본고는 기예르모 델 토로의 을 텍스트로 하여 작품 내 캐릭터의 형상화 방식과 관계 맺기의 스토리텔링을 분석함으로써 공존의 가능성과 방향을 제언하고자 하였다.

• 한국의류산업학회지
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• 제25권5호
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• pp.578-592
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• 2023

This study identified and evaluated by deriving and categorizing concepts related to the user experience of metaverse fashion shows using grounded theory, which is a qualitative research method. Based on experiential marketing theory, in-depth interviews were conducted for 14 days with 14 males and females in their 20s and 30s. The research results and contents are as follows: The causal condition was the purpose of using metaverse fashion shows, and the action/interaction strategy caused by such a case was found to be establishing a system for metaverse fashion shows and promoting a positive brand image. The results included content evaluation of satisfaction, normal, or dissatisfaction. The contextual condition was a change in the form of consumption that emphasized experience, while the interventional condition was psychological distance. Based on this, the core category was defined as "consumption patterns that emphasized the purpose of use and experience affects the metaverse fashion shows and psychological distance appeared as a user experience evaluation through the establishment of a system of metaverse fashion shows and the promotion of a positive brand image". User types were classified as active or passive. Active users have the autonomy to select content according to their individual preferences, and accordingly, their experience preference tends to change. In contrast, passive users' preference for the technical quality of content is relatively low, but they have a high concentration of content diversity and audio-visual interest elements.

• 한국조경학회지
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• 제37권6호
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• pp.66-72
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• 2010

서울시가 추진해온 대규모 공원 조성 사업의 일환으로 강북지역의 생활권 공원조성을 위하여 드림랜드 부지를 거대한 녹지의 숲과 공원이 어우러진 공간으로 계획하였다. 공간 구성기법으로 채움보다는 비움의 미학을 통하여 불확실한 도시의 변화에 대응하기 위한 잠재성을 부여하였고, 경관구성을 위하여 전통적인 서울의 산악경관 요소를 도입하고 차경하여 조망축을 형성하였는데, 유려하게 펼쳐진 한폭의 산수화 같은 한 그루의 나무, 하늘과 바람, 그리고 물과 흙의 심상이 표현되고 있다. 이것은 도시화의 계획에 배제되어 왔던 자연을 중요한 고려의 대상으로 삼음으로서, 서구도시의 건축적 랜드마크와는 차별화된 우리의 산과 구릉지 모습으로 도시경관의 지배적 랜드마크를 만드는 것이다. 그러므로 본 연구는 전통의 경관개념과 한국적 공간의 유형에서 추출한 시설배치 기법과 요소를 설계에 적용하여 기존의 도시가로와 마당과 같은 공원의 공간이 전통적 위계를 가지도록 하였으며, 도시의 확장된 오픈 필드(open field)를 통하여 공간경험의 다양성과 잠재성을 추구하여 북서울꿈의숲을 설계하였다.