• 천문학논총
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• 제38권3호
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• pp.99-110
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• 2023

In this study, complaints from visitors in the science museum satisfaction survey were categorized into four primary factors and ten sub-factors. This categorization aimed to provide recommendations for enhancing the Geochang Wolseong Space Creative Science Museum as an illustrative case study. Futhermore, the study examimed the relative importance of each factor by surveying 90 science museum visitors. The following results are obtained. Firstly, it was evident that the Geochang Wolseong Space Creative Science Museum requires urgent improvement. Certainly, in the primary factors, issues related to the utilization environment emerged as the most significant sources of dissatisfaction, while in the sub-factors, the adequacy of fees was identified as the most prominent concern. Secondly, through the result of the IPA (Importance-Performance Analysis) of the complaint factors, four primary issues were identified as top priorities for consideration: fare adequacy, lack of convenient facilities, in sufficient publicity, and a lack of distinctiveness compared to similar facilities. Lastly, when analyzing the relationship between complaints and overall satisfaction, factors related to human service, environment, and educational content had negative effects. In contrast, factors associated with science museum operation exhibited a different trend, suggestinga structural impact relationship with the overall impact of complaints.

• 말소리와 음성과학
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• 제16권1호
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• pp.1-9
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• 2024

This study investigated the variation in the intonation of Seoul Korean interjection ani across different meanings ("no" and "really?") and speech levels (Intimate and Polite) using data from Korean Intonation Corpus (KICo). The investigation was conducted in two stages. First, IP-final tones in the dataset were categorized according to the K-ToBI convention (Jun, 2000). While significant relationships were observed between the meaning of ani and its IP-final tones, substantial overlap between groups was notable. Second, the F0 characteristics of the final syllable of ani were analyzed to elucidate the apparent many-to-many relationships between intonation and meaning/speech level. Results indicated that these seemingly overlapping relationships could be significantly distinguished. Overall, this study advocates for a deeper analysis of phonetic intonation beyond ToBI-based categorical labels. By examining the F0 characteristics of the IP-final syllable, previously unclear connections between meaning/speech level and intonation become more comprehensible. Although ToBI remains a valuable tool and framework for studying intonation, it is imperative to explore beyond these categories to grasp the "distinctiveness" of intonation, thereby enriching our understanding of prosody.

• 패션비즈니스
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• 제28권2호
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• pp.64-75
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• 2024

Clothing is a powerful medium that reflects the environment, situation, and trends of the times. It has been an important subject of semiotic analysis, particularly in East Asia. While Korea, China, Japan, and Mongolia are geographically close, they have each developed unique characteristics in their clothing. These characteristics continue to evolve over time. The purpose of this paper is to explore the modern fashion design characteristics of these four East Asian countries by using the Greimas symbol square. To achieve this, the paper follows a research method consisting of several steps. First, it considers previous studies on the topic. Second, it analyzes fashion collections from Paris, Milan, New York, and London, as well as the Seoul and Cruise collections, from 2013 to 2024. Third, it compares costumes and modern fashion designs of brands known for their East Asian influences. Finally, it applies the framework of the Greimas symbol square to analyze the main elements of dress culture in these four countries and their significance in modern fashion collections. The findings of this study reveal that East Asian costume culture can be summarized into four distinct characteristics in modern fashion. Korea is characterized by "moderation," China by "exaggeration," Japan by "distinctiveness," and Mongolia by "symbolism."

• Fisheries and Aquatic Sciences
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• 제27권1호
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• pp.48-55
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• 2024

The study assessed the utility of mitochondrial DNA for identifying a deceased rorqual discovered off the western coast of India. Both the COI and Cytb genes exhibited remarkable 99-100% similarity with the GenBank sequence of Balaenoptera musculus through a global BLAST search, confirming their affiliation with this species. Inter-species genetic distances for COI and Cytb genes ranged from 6.75% to 9.80% and 7.37% to 10.96% respectively, compared with other Balaenopteridae species. The Bayesian phylogenies constructed based on both COI and Cytb genes demonstrated clear and separate clustering for all Balaenopteridae species, further reaffirming their distinctiveness, while concurrently revealing a cohesive clustering pattern of the generated sequences within the B. musculus clade. Beyond species confirmation, this study provides valuable insights into the presence of live and deceased B. musculus individuals within Indian marine ecosystems. This information holds significant potential for guiding conservation efforts aimed at safeguarding Important Marine Mammal Areas (IMMAs) in India over the long term.

• 한국버섯학회지
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• 제9권4호
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• pp.180-185
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• 2011

버섯 생산 후 발생되는 부산물인 새송이버섯 수확 후 배지로부터 surfactin을 생성하는 4종의 균주를 분리하였으며 이 중 곰팡이 독소를 생성하는 A. flavus와 A. ochraceous에 대한 항균활성이 우수한 균주를 최종 선발하여 YJ07로 명명하였다. Bacillus ID kit와 VITEK 2 system를 이용하여 분리균 YJ07의 생리적 생화학적 특성을 조사한 결과 분리균은 B. subtilis, B. amyloliquefaciens와 유사한 생리적 생화학적 특성을 나타내었으며 16S rDNA 염기서열 분석을 통한 계통학적 유연관계에서도 B. amyloliquefaciens와 99.5%의 상동성을 나타내었다. 이와 같은 결과를 종합하여 분리균 YJ07은 B. amyloliquefaciens YJ07로 동정되었으며 분리균 YJ07이 생성하는 항균물질은 TLC와 HPLC 분석에서 reference 물질로 사용한 srfactin과 유사한 특성을 나타내었다.

• 생명과학회지
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• 제21권10호
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• pp.1481-1486
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• 2011

버섯 생산 후 발생되는 부산물인 팽이버섯 수확 후 배지로부터 7종의 고온성 균주를 분리하였으며 이 중 곰팡이독소를 생성하는 Asp. flavus와 Asp. ochraceous에 대한 항균활성이 높으면서 xylanase와 cellulase 생성능이 우수한 균주를 최종 선발하여 UJ03으로 명명하였다. Bacillus ID kit와 VITEK 2 system를 이용하여 분리균 UJ03의 생리적 생화학적 특성을 조사한 결과 분리균 UJ03은 Bacillus 속과 유사한 특징을 나타내었으며 16S rDNA 염기서열 분석 결과에서는 B. amyloliquefaciens와 98.9%의 상동성을 나타내었다. 이와 같은 결과를 종합하여 분리균 UJ03은 Bacillus sp. UJ03으로 동정되었으며 분리균 UJ03이 생성하는 항균물질은 TLC와 HPLC 분석에서 Bacillus 속 균주가 생성하는 펩타이드성 항균물질인 iturin A와 유사한 특성을 나타내었다.

• 복식문화연구
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• 제23권4호
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• pp.554-568
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• 2015

Technological change leads to a value shift in human society. Various cultural experiences through the digital paradigm influence the expression of fashion. This article considers fashion film as a new form for presenting fashion and explores the distinctiveness of expression in digital fashion film. For the methodology, a literature review was conducted to examine the concepts and features of digital fashion film and metareality. Empirical research was also performed by drawing from Nick Knight's digital films, "Sans Couture", "#asif", and "The Elegant Universe" and by specifically analyzing the classification of the themes, visuals, and auditory expression. The results are as follows. The proliferation of fashion film has accelerated in the internet environment. New media in the digital era allows images to become more realistic and variable through immaterial conversion. Metareality is the notion of a reality beyond existence. A metarealistic image maintains the metaphysical nature of an object and transcends empirical appearance. It possesses immaterial, transboundary, and multidimensional features, and the image is realized by digital technology. The expression analysis identifies the metareality expressed in contemporary fashion film appearing as atypical forms, irrational combinations, and the playfulness of motion. It shows a positive attitude, transcending the immaterial limit of reality toward fashion. This study indicates how fashion as products challenges the metaphysical transformation in the digital era. The exploration of metareality in digital fashion film promotes a wider perspective and understanding of the concept of fashion.

• 복식
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• 제50권
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• pp.85-96
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• 2000

The study is aimed to analyse social and cultural background and to compare the changes of the cosmetic culture in Korea and the western countries accompanied by the developemnt os the cosmetic industry in the 20th century. The cosmetic culture of Korea has kept on changing adopting the new western style make up, These changes were very closely related with the current sociocultural environments and the developments of the cosmetic industry. The analysis and comparison of Korean cosmetic culture and that of Western countries can be summarized as following: Fistly the cosmetic culture of korea came out after Korean War through the improt of western movies. Secondly at the beginning of accommodation of the western concept of beauty the standards of beauty were confused with that of traditional make up. Thirdly in terms of the history of costumes in the western cosmetic culture the trend was feminine and curve lineal style in the 1910s straight and young style in the 1920s Young elegant curve lineal style and straight-line style replaced among themselves in every 10 years and the cycle became more rapid after the 1970s and there were diversity in the cosmetic culture affected by the postmodernism Fourthly the cosmetic culture of :total fashion" was taken into consideration. Fifthly the cosmetic culture of "total fashion" was taken into consideration. fifthly the make up of Korean and that of western countries are not only a way to express of aesthetic desire for beauty but sanitary management and it is a kind of an expansion of value for management for an inner self. Now is the time to refuse the attitude of accommodation of the western cosmetic culture without any consideration. We need to rediscover our traditional cosmetic culture and cultural distinctiveness and try to mix them with the western cosmetic culture in order to develop our own peculiar style which will be able to Korean design remain in the international stage and grow further.d grow further.

• 한국정보전자통신기술학회논문지
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• 제4권3호
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• pp.174-181
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• 2011

본 논문에서는 적외선 위성영상과 광학 위성영상을 위한 정합방법을 제안하였다. 적외선 영상은 물체에서 방사하는 열에너지를 측정한 것으로, 광학 영상과는 다른 정보를 보여주는 장점으로 많은 분야에 응용된다. 하지만 적외선 영상은 대비가 광학 영상에 비해 낮아, 영상 정합을 위한 특징점 추출 및 매칭을 하기가 어렵다. 이를 극복하기 위해, Modifed SIFT(Scale Invariant Feature Transform)를 사용하여 특징점을 추출 및 매칭하였다. 또한 특징점의 상대적 변별력을 증가시키기 위해, 영상을 블록화해서 Modified SIFT와 RANSAC (RANdom SAample Concensus)을 적용하였다. 마지막으로 오매칭이 있는 블록의 특징점을 제거하기 위해, 각 블록에서 추출된 특징점을 원 영상의 좌표계로 통합해 RANSAC을 다시 한 번 적용하였다. 실험에 사용된 적외선 영상의 파장대역은 3~5um이며, 실험결과 제안된 방법은 적외선과 광학 영상정합에 강인한 성능을 보였다.

• 한국실내디자인학회논문집
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• 제26권2호
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• pp.83-91
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• 2017

This study was conducted by the awareness that although interior spaces using the techniques and characteristics of assemblage are excellent means to reveal distinctiveness and identity with preeminent originality which are different from other spaces, there are few domestic studies and literatures on them. The results analyzed by preceding studies and cases on the characteristics of expression of assemblage which appear in the interior spaces of commercial areas can be summarized as follows; First, assemblage expresses identity of spaces with symbols capable of multiple interpretations through the method of integration and repetition of the materials used. Second, it strongly reminds visitors of memories on spaces by producing odd and unfamiliar scenes with such designs as installation art. Third, when it uses ordinary materials, it adds combination, integration, transformation or colors to the materials for extraordinary traits. Fourth, it pursues sustainability through recycling or upcycling by using wastes or natural materials. Fifth, in order to express materials to fit the purposes of spaces, it formulates outcomes with intentional plans. To sum up above analysis results, expressions of assemblage which appear in modern commercial spaces are characterized by expression of symbols with multiple meanings, purse formativeness which fit the purposes and meanings of spaces, play the role of reminding memories on places by producing extraordinary spaces with strangeness and unfamiliarity such as installation art and sometimes show sustainability by using recyclable materials. The results of this study are expected to be utilized as reference materials which suggest directions of approach to interior spaces through assemblage techniques and materials which can be used in various design terms by domestic designers.