• 기술혁신학회지
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• 제1권1호
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• pp.83-95
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• 1998

Although an academic journal has had an important role in the diffusion of knowledge and the confirmation of knowledge advancement, it has revealed several difficulties : long processing time for publishing, uni - directional communication, closed review process etc. But an electronic journal (E-Journal) can solve these problems and add several new advantages such as the multimedia expression of documents, and pre and post publication review. Moreover, it should be noted that an E-Journal is not an alternative medium which simply replaces an existing journal, but a new paradigm for scholarly communication. Although this paper reviews several issues related to E-Journal, the introduction of the concept of universal service and informal document style for flexible communication are noticeable. For effective diffusion of E-Journal, information infrastructures such as high - speed telecommunication networks and digital libraries are urgently needed. Government subsidy as in Great Britain is necessary for E-Journal publishing.

• 대한전기학회:학술대회논문집
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• 대한전기학회 2005년도 제36회 하계학술대회 논문집 A
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• pp.3-5
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• 2005

With the paradigm changes of electric power industry, such as deregulation, CO2 Trade, TBT so on, new requirements of power market force to develope fusion power technology. Korea power industry, which is much dependent on international trade, needs to build stretegic infrastructure to meet the energy shortage and digital society era. This Paper suggests the mid-long term target to build power industry infrastructure to adapt the new paradigm of power world.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2010년도 춘계학술대회
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• pp.351-354
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• 2010

미디어 패러다임의 변화에 따라 변화되는 정보디자인의 영역과 가치 관계를 고찰 해 보고자 하였다. 그리고 정보디자인에서 나타나는 일러스트레이션에 대한 정리와 함께 디지털 미디어에서 나타나는 일러스트레이션의 확장된 표현을 통한 정보 전달은 사용자와의 커뮤니케이션을 어떻게 확장시킬 수 있는지 알아보고자 한다. 본 논문에서 일러스트레이션은 정보의 효율적인 소통방법으로 계속적으로 발전하고 있으며 이것을 새로운 시각으로 바라보고 좀 더 확장된 개념으로 정의해 나가는데 의의를 가진다.

• Journal of Contemporary Eastern Asia
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• 제19권2호
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• pp.169-178
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• 2020

Thomas L. Friedman's "Our New Historic Divide: B.C. and A.C. ― The World Before Corona and the World After" column is becoming the talk of the times. Whoever talks about the post-Corona world mentions "BC/AC" as a new concept. However, people seem to be overusing the term "BC/AC" while overlooking the specific context that Friedman emphasized. So, taking into account the cultural differences and contexts of the East and the West highlighted in Friedman's column, we devised the "BC/AC" ten-paradigm hypothesis. We hope these ten cultural shifts will be the first step in examining the post-Corona world.

• Journal of Public Diplomacy
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• 제1권1호
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• pp.5-35
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• 2021

Where government communication in the early 20^th century fell under the umbrella term, "propaganda," the post-WWII era saw a paradigm fracture into public affairs for domestic audiences, public diplomacy for foreign audiences, and psychological operations for hostile audiences. The continued diffusion of the Internet, however, has blurred such distinctions, mending this fractured paradigm. Based on in-depth interviews, this study typologizes government communication to contextualize how various tactics functions within the 21^st century digital media ecology, through an "Information Intervention" taxonomy. In an age where state-sponsored disinformation and computational propaganda are tantamount threats, this paper elucidates the field's fundamental concepts by articulating who communicates with what audience, in what manner, with what intent, and with what desired outcomes.

• 한국가구학회지
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• 제21권4호
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• pp.326-337
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• 2010

The invention and development of digital computer networks since the post-modern culture and creating new ideas, and in nearly all areas since the industrial revolution has had the greatest impact. A new paradigm for the 21st century, the Internet and ubiquitous, and mobile devices are being created by the new culture is being created. Rapidly being replaced by digital and analog, and 'Digilog' fusion concept has appeared. In addition, the development of computer cyberspace culture, art, design and structure are changing. In the field of furniture design, changing design processes and innovative design philosophy that change is now occurring. These symptoms experienced at the same time, almost every country on Earth is a phenomenon. Since the 20th century, computer network design based on the relationship between digital and cyber culture espoused by philosophers studied society and organic modernism and organic design of digital-based differences are confirmed through the case. Using digital technology, modeling case study of a furniture designer in cyber space and the creation of human capabilities and the fusion of computing power will be studied in modern furniture design.

• 한국실내디자인학회논문집
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• 제13권4호
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• pp.188-195
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• 2004

The evolutions of human mental capability and technology opened a new era called "Digital Space." Moreover, Digital Space as technology is already accelerating the process of "self-expansion." The expansion, on the foundation of its conceptual and morphological variety, acquired the potential to furnish various types of spatiotemporal experience. This phenomenon, as a necessary consequence of focusing on the resulting value of the human-space relation which came next to its ontological value, requests the value of the space design as an attempt of various phenomenal experience in the relation of technology, human, and space to be educationally established. From a typological point of view, no true creation exists in any form of design. It is practically impossible to design in the void without any restrictions, and all design is based on preceding examples. This is because production of artificial is based on the universal principles or structure residing in history, namely, typology. Considering Digital Space from technological and cultural standpoints, it can obviously be called a new type of space, and beyond that, it becomes a new type of a methodological tool of design. Thus, the purpose of this study is to systematize the paradigm of the space design in the digital era by studying the concept of space in Digital Space from the standpoints of history and context, that is typology, and in accordance with it, classify the phases of the space design that is led digitally.at is led digitally.

• Journal of information and communication convergence engineering
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• 제8권5호
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• pp.595-601
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• 2010

The strategy through visual sense is one of the ways that subject builds the outside world and communicates. The visual sense seems higher level of dependence than the other senses and contributes to intercommunication. For this reason, the desire of image dates back to primitive art and visual image(visual media and visual culture) has dialectically developed in the history of mankind. Visual subject, based on perspective of Renaissance, was moved from God to human beings. Andre Bazin's 'la genese automatique' through technical art has epochally changed the paradigm of visual art and visual culture. From primitive art to photo and film, the image, based on visual sense, has reflected human wish, appealed visual desire and led to evolution of image. In the late 20 century, without dialectical evolution of technology and culture, rapidly progressive digital image has changed social and cultural implication over rational strategy of production and distribution and it strengthened authority of image through visual approach of endless desire. The goal of this study is to analyze the value change of digital image developing a new Renaissance through production, reading, communication, and implication of evolution due to digitalized image, which has evolved as object and tool of desire.

• 통상정보연구
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• 제10권3호
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• pp.291-313
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• 2008

As digital economy has dramatically evolved, new intellectual property rights protection has emerged as a pivotal issue which companies need to actively restxnid to. At the new digital era, the possession of new intellectual property rights determines the company values, and thus the protection of new intellectual property rights is getting more importance in the dimension of global competitiveness. The paper analyzes the changing aspect of digital economy and e-commerce paradigm, and explores the protection plan of new intellectual property rights focusing on e-commerce and digital goods transaction so that it can help the companies to strengthen their global competitiveness. After various case studies, we can find out that even though the companies have difficulty in settling out the strategies and policy due to the radical change of cycle in internet-centered digital economy, companies need to establish the systemic strategic plan to protect the new intellectual property rights stage by stage. Also, appropriate legal, institutional basis to protect the new intellectual property rights should be rearranged. The unsloved problems which relates with the protection of new intellectual property rights will be left for next research project.

• 디지털콘텐츠학회 논문지
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• 제7권1호
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• pp.1-8
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• 2006

테크놀러지의 발전에 따른 대중매체의 발달은 다양한 콘텐츠의 개발을 활발하게 하고 있다. 그 중 음악콘텐츠는 이제 문화콘텐츠 전반으로 그 역할이 확대되어 그 시장 또한 빠른 속도로 성장하고 있다. 음악시장이 음반중심에서 디지털 음원시장으로 변화하면서 디지털 사운드콘텐츠의 창작, 유통, 마케팅의 방법이 달라지고 있으며 이렇듯 음악 산업 환경이 역동적으로 변화하며 음악산업 패러다임 변화를 요구하기에 이르렀다. 본 연구에서는 이러한 시대적 변화에 따른 국가적 정책과 지완 법률의 개정, 국민적 인식 둥 음악 산업을 발전시키기 위해 진행되고 있는 사항들을 고찰하고 앞으로의 나아갈 방향을 제시하고자 하는데 의의가 있다.