• 한국실내디자인학회논문집
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• 제15권4호
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• pp.46-54
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• 2006

The present study examined Marcos Novak, a digital architect who has researched digital architecture and produced related works since the early 1990s. Starting from digital ideas originating from science and mathematics, he pursued 'trans architecture' based on the concept of 'architecture beyond the boundary of architecture' and 'architecture as invisible foundation.' His concept of 'trans architecture' is considered an important viewpoint in expressing the architecture of a diversified and hybridized age like today. The objective of this study was to understand the concepts of Allobio and Eversion, which are important digital terms forming the background of Novak's trans architecture, and to analyze architecture philosophy and architecture design concepts observed in his works through Novak's digital terminology centering on the concept of trans architecture pursued by him. Through this, we purposed to analyze the concept of architectural space, methods of form creation and the characteristics of trans architecture space, which were unique to Novak, the leader of digital architecture, and ultimately to provide basic materials on Novak. Novak's trans architecture represents digital architecture in the contemporary diversified and hybridized age, and his works involve various different digital elements and ideas, scientific paradigms, mathematic algorithms, 4 dimensional geometry, etc. In this sense, he is regarded as a prominent leading advocate of digital architecture.

• 대한건축학회논문집:계획계
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• 제35권10호
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• pp.91-102
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• 2019

Gwangbok is the best example of the dramatic changes after the 1970s in residential and urban planning as political power shifted from Kim Il-sung to his son. Kim Jong-il. Therefore, despite the limited available data on North Korea, we first attempted to accurately describe the design process used to develop Gwangbok. This study investigated the following aspects of North Korean urban planning by examining Gwangbok. First, we clarified Kim Jong-il's aesthetics, which had a key role in the Gwangbok design. We particularly analysed the ideas expressed in his literary writings. Second, we identified the major ideas of the North Korean architects and urban planners who implemented Kim Jong-il's interventions. Last, we reviewed the Soviet Union's influence on the discourse about North Korean residential and urban planning during the post-Khrushchev era. This analysis improves our understanding of the trends during the 1970s and 1980s in socialist residential construction, which was a relatively flexible and open prefabrication approach.

• Acta Via Serica
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• 제7권2호
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• pp.1-38
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• 2022

Many knotted carpets from western China and Central Asia from 700 BCE to 700 CE demonstrate strong resemblances to the Assyrian-Persian stone reliefs and Hellenistic-Romanmosaics. Egypt reveals the earliest samples in plain linen fiber and carpets with colorful designs in the mural paintings. The Egyptian wall decoration in faience shows the motifs of waterlily in two variations in the design, both of which appear in the Assyrian floor thresholds designs. The same waterlily or four-petal design in the Egyptian and Assyrian stonework also appear in the Pazyryk knotted carpet in the same manner. The Assyrian thresholds show a composition with a central area and borders in a square or rectangular overall design, which again parallels the Pazyryk carpet. The ideas of composition and motifs commonly seen in the Hellenistic and Roman mosaics appear in the carpets of Central Asia and western China. The similarities between the stone mosaic works and carpets demonstrate clearly that the remote places and peoples in ancient times learned from, and exchanged with, each other the ideas and artistic styles, and integrated to create some local artistic traditions, thanks to the roles the easy-to-carry textiles played throughout the Silk Road. The carpets played their roles: as practical material for daily use, and as carrier of cultural information through their designs.

• 디자인학연구
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• 제15권3호
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• pp.53-62
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• 2002

본 논문은 인터랙션 디자인의 컨셉 설정단계에서 분석적이고 수량적인 측면에서의 접근만으로는, 인터랙션 디자인에서 요구되는 인간과 도구나 기기 사이의 적합하고, 올바른 관계의 설정을 위한 새롭고 창의적인 컨셉을 발상하기 부족하기에, 이를 보완하기 위해서 여러 학문 영역에서의 '관계'에 대한 다양한 관점의 고찰을 통하여, 그 접근 가능성을 탐구하는 연구이다. 연구의 내용으로는 먼저, 인터랙션 디자인에 대해서 고찰하며, 프로세스 상에서 이용되고 있는 방법론들을 통해 기존 학문에서의 접근 현황을 파악한다. 그 다음, 여러 학문 분야에서의 '관계'에 대한 연구를 알아봄으로써, 다양한 관점의 관계에 대해 접근한다. 이를, 인터랙션 디자인의 입장에서 여러 학문 분야의 다양한 관점을 수용하기 위해서, '객체'와 '관계성' 두 가지 요소로 나누어 관계의 개념을 설명하며, 이 두 가지 요소에 의한 설명을 바탕으로 하여, 인터랙션 디자인에서의 '관계'의 관점들을 '특성에 의한 분류', '영역에 의한 분류', '규모 및 수에 의한 분류'로 나누어 볼 수 있다. 이와 같은 분류를 통해서 인터랙션 디자인에서의 객체간의 존재하는 많은 관계에 대해서 접근할 수 있을 것이다.

• 한국과학교육학회지
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• 제19권4호
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• pp.674-683
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• 1999

본 연구의 목적은 문제를 스스로 진술하고 방법 및 해를 스스로 찾는 자유 탐구와 문제와 방법이 모두 주어진 안내된 탐구의 경우, 학생들의 변인 판별 및 통제에 대한 생각을 과학자와 비교하기 위한 것이다. 연구 대상은 서울 소재 중학교 1학년이다. 자유 탐구의 경우 3개 반에서 과학 성적이 상위 1/3 이내에 드는 학생들을 연구 대상으로, 연구자가 개발한 설문지를 이용하여 변인 판별과 실험 설계를 통한 변인 통제를 조사하였다. 안내된 탐구에서는 반 전체를 그 대상으로 하였다. 안내된 탐구의 경우 3반 모든 학생을 대상으로 하여, 대상 학생들에게 교과서 실험 제목과 과정을 제시하고 변인을 판별하도록 하였다. 안내된 탐구의 경우, 제시된 실험에서 제시된 문제의 변인이 두 개 임에도 불구하고, 문제와 관련된 변인을 하나 이상 판별한 학생들이 매우 적었다. 자유 탐구의 경우, 판별한 변인의 수는 2-3개로 증가하였으나 실험 설계를 통하여 학생들의 변인 통제를 조사한 결과, 독립 변인과 종속변인을 혼동하거나, 오개념으로 적절하게 판별하지 못하며, 공변화시키는 모습을 보였다. 이러한 결과로부터 학생들의 변인 판별 및 통제에 대한 2가지 수준을 판별하고, 이를 과학자들의 생각과 비교하였다.

• 대한가정학회지
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• 제38권11호
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• pp.165-179
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• 2000

Korean population patters has become so called aged society by this July through the aged composed over 7% in whole population. It is worldly concern how can increase elderly people’s life satisfaction by providing homelike elderly housing facilities. The purpose of this study was to investigate the meaning of home, how to express the homelike characteristics into physical design and identify their housing satisfaction. The results were discussed and design ideas were suggested.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제21권1호
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• pp.47-56
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• 2015

Purpose : As the number of the transportation poor has increased, the application of Universal Design on urban railway station has recently been focused. However, the current criteria used in domestic areas did not show the characteristic of facilities within urban railway station. Therefore, this study aims to explore the detailed criteria in applying ideas from Universal Design to sanitary facilities, especially toilets within railway station. Method : This study explores the criteria by evaluating findings from previous studies. First, the current situation of sanitary facilities in railway station is assessed. Then, the detailed criteria applicable to railway station toilets are concluded, by reviewing types of transportation poor and principles of Universal Design. Result : Findings from this study are as follows. First, the current criteria applied to railway station toilets lack ideas of Universal Design, so the better criteria applicable to sanitary facilities in railway station are necessary. Second, standard criteria used in domestic areas with newly additional criteria suggest that sanitary facilities should be established according to those criteria. Taken together, the better sanitary facilities should be provided to railway users through the application of Universal Design to railway station toilets. Implication : For the future users in railway station toilets, the additional research on types of diverse space and other sanitary facilities within railway station should have been continued.

• International Journal of Human Ecology
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• 제12권1호
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• pp.101-113
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• 2011

This research aims to enrich the field of decorative designs for the T-shirts of youth clothes. Youth T-shirts have been chosen because they are essential apparel and one of the most important casualwear. T-shirts are probably the number one item sold across the world. Every tourist shop has many of them, worldwide. The decorative ideas have been inspired from some symbols of Coptic arts. This incorporates the cultural power of Coptic art as a vital starting point for new design ideas and development of products. However, the purpose of this research is to make our youth know something about the Coptic arts of Egypt, as a part of their history, and on the other hand for tourists as well. Youth are very suitable tools for spreading our new ideas where they are energetic and full of life. In this work, twenty-one designs are presented inspired from ten Coptic symbols. Five designs have been implemented in three different ways of printing and embroidery, i.e. there are fifteen models have been formed. An opinion poll has been occurred for two groups of youth, one is younger and the other is older, hence T-test has been applied. It is clarified that our designs are approved by the younger group than the older one. The results of this work can offer some good reasons for further investigations on the fashionable decorated designs for youth and tourists as well; in addition to the decoration education development.

• 한국콘텐츠학회논문지
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• 제22권3호
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• pp.309-321
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• 2022

최근 코로나 바이러스 감염증(COVID19)의 확산으로 다양한 분야에서 대면으로 이루어지던 일상에 대한 변화가 요구되면서 빠른속도로 다양한 활동이 비대면 방식으로 전환되거나 새로운 비대면 활동 방법을 검토하고 있다. 하지만 기존 대면 방식의 활동을 단순히 디지털 기술을 이용해 비대면화하는데 한계가 존재하며 이는 역설적으로 그간 디지털을 중심으로 해결책을 제시해온 UX 디자인 분야에서 두드러지게 나타나고 있으며 협업을 강조하는 UX 디자인 특성에 기인한다. 특히 UX 디자인 분야에서 이해관계자의 의견을 수집하고 아이디어를 도출하는 등 생산적 활동 방법인 워크숍 활동에서 소통과 협업 측면에서 원활한 진행이 어려울 것으로 보인다. 이러한 필요성에 따라 UX 디자인 분야에서 워크숍 활동을 특징을 파악하고 워크숍 활동의 주요 행동에 대해 효과적으로 비대면 전환할 수 있는 방안을 제시하고자 한다. 그 과정에서 닐슨노먼그룹이 정의한 UX 디자인 분야의 워크숍 활동 유형 중 아이디어 생산 및 발산과 수렴 활동이 활발하게 일어나는 디자인 워크숍 유형을 대상으로 하여 표준 프로세스를 도출하였다. 표준 프로세스에 워크숍 활동을 촉진할 수 있는 방법론과 소통 및 디자인 활동 협업을 위한 비대면 서비스를 조합하여 비대면 워크숍 활동을 구성하는 프레임워크를 개발하고 다양한 워크숍 유형에 대응하여 비대면화를 위한 적용 가능성과 효용성을 확인 하였다. 본 연구 결과를 바탕으로 UX 디자인 워크숍 활동에 대해 효율적인 비대면 전환과 워크숍 활동을 통한 이해관계자들의 협업 측면에서 활용을 기대한다.

• 복식문화연구
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• 제28권4호
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• pp.429-445
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• 2020

The purpose of this study is to provide ideas for the development of bag design by analyzing the expression types and aesthetic formativeness of modern bag design using tassels and fringe given the newtro trend pursuing analog sensitivity in modern society. The methods and scope of this study are as follows. First, the related literature and internet data were reviewed in order to examine the expression types and characteristics of the bags of the West and East. Next, the definition and characteristics of tassel and fringe decoration in terms of the history of clothing were analyzed. Finally, the expression types and aesthetic formativeness of tassels and fringe were derived through the analysis of modern bag design shown in the fashion collections since 2010. The bags decorated with the tassels and fringe bring a variety of visual effects depending on the attachment position, direction and material composition, concentrating the gaze and radiating original style. In this study, the expression of tassels and fringe in modern bag design was classified into three types: surface decoration, shape variability, and object combination. Next, the aesthetic formativeness of modern bag design using tassels and fringe as decorative elements appeared through the mixture of heterogeneous materials and playfulness through imagination, exaggeration through extension of length and volume, and retro characteristics through reinterpretation of tradition. This study is expected to contribute to creative ideas of modern bag design which requires a global sense, which has been used in various cultures for a long time.