• Proceedings of the Korea Society of Design Studies Conference
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• 2004.10a
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• pp.244-245
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• 2004

• Proceedings of the Korea Society of Design Studies Conference
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• 2001.10a
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• pp.58.1-58
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• 2001

• Archives of design research
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• v.18 no.2 s.60
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• pp.335-344
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• 2005

This paper aims to examine how the history of modern design has been described and what has been turned out to be shortcomings and limitations in its description. Traditionally, description of the history of modern design shows over generalization, which means that it suppresses or distorts various and individual designs, stressing on the mainstream of design history. Also it, focusing on some selected designs in hegemony, depicts their characteristics and relations too lineally, and regards a hero-centered history as universal or absolute one. As this tradition is generalized, we are ofter reminded of 'modern design' when touched by ‘design,’ and of colonial heroes and heroism when touched by ‘modern design.’ In this context, this paper will argue that we need to accept various design histories, keeping the subjective attitudes toward history.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.79-82
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• 1999

A study on methodology of Design history of the using crossmedia system, Accordingly the study is aimed at focusing the interior design history that readily appreciates and accommodetes the internet characteristics of various design, from this point of view it make it a purpose of this study to make basic design history through the using crossmedia system.

• Archives of design research
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• v.17 no.4
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• pp.347-352
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• 2004

The function of history is divided into two: justification and reflection. Justification confers causality on the consequences of history, and thereby putting emphasis on the inevitability of present. From the perspective of reflection, on the other hand, history is what is selected from several possibilities, and in this respect, present is not necessarily inevitable. The former is conservative; the latter, reformative. History, however, takes both of the functions. History reproduces a community by preserving memories of the community through a record, and leads to the evolution of a community through reflection. Emerged in the precess of industrialization, Korean design, despite its relatively short history, is witnessing a growing desire to prove its existence through history. While, it is also noteworthy that there is an increasing interest in looking at the history of Korean design from the perspective of reflection. I propose four propositions necessary to study of the history of Korean design. They are as follow; 1) History is interpretation; 2) The history of the institution should be overcome; 3) A simplifying progressive view of history should be restrained; 4) Foundation for study should be established.

• Archives of design research
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• v.17 no.4
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• pp.375-384
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• 2004

The general tendency of approach to Korean Design History has been focusing its primary interest on the grand story in relation to the problems of modernization in political, economical and social aspects of Korea. In the discourse of modernization, however, there are two sides immanent in the modernization: there is the formal, institutional and authoritative modernization developed inside the capitalistic mode of production and the informal, individual and cultural modernization manifested in the mode of everyday lives. Especially, despite the viewpoint of the latter being embossed as an alternative approach in various areas including the academic world of history since the collapse of socialism, the historical recognition of the phenomena of modern design by the Korean design historians is more like the 'history from the above' that exists at the level of the discourse outside the reality rather than the 'history from the below' that exists within the ordinary life. To grant a sense of balance in such frame of historical understanding, it requires the restructuring the design history of Korea through the cultural perspectives from having the representation of mundane lives realized by the voluntary design activity of the common people as research subjects. One of the methods to acquire an answer to such problem is decoding, in the manner of 'cultural history', the life-long domestic artifact made by Madame Yang, Gap Jo (currently 87 years of age) who is a model of typical Korean mother. Through the historical rumination on the traces of unpretentious lives of the people that has been buried under the grand narrative of the Korean Design History, a new era aimed for the historical prospect of Korean design as cultural history will be possible by excavating the petit yet multi-layered meaning of Korean designs.

• Structural Engineering and Mechanics
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• v.69 no.3
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• pp.293-306
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• 2019

In current seismic design codes, various elastic design acceleration spectra are defined considering different seismological and soil characteristics and are widely used tool for calculation of seismic loads acting on structures. Response spectrum analyses directly use the elastic design acceleration spectra whereas time history analyses use acceleration records of earthquakes whose acceleration spectra fit the design spectra of seismic codes. Due to the fact that obtaining coherent structural response quantities with the seismic design code considerations is a desired circumstance in dynamic analyses, the response spectra of earthquake records used in time history analyses had better fit to the design acceleration spectra of seismic codes. This paper evaluates structural response distributions of multi-story reinforced concrete frames obtained from nonlinear time history analyses which are performed by using the scaled earthquake records compatible with various elastic design spectra. Time domain scaling procedure is used while processing the response spectrum of real accelerograms to fit the design acceleration spectra. The elastic acceleration design spectra of Turkish Seismic Design Code 2007, Uniform Building Code 1997 and Eurocode 8 are considered as target spectra in the scaling procedure. Soil classes in different seismic codes are appropriately matched up with each other according to $V_{S30}$ values. The maximum roof displacements and the total base shears of considered frame structures are determined from nonlinear time history analyses using the scaled earthquake records and the results are presented by graphs and tables. Coherent structural response quantities reflecting the influence of elastic design spectra of various seismic codes are obtained.

• Proceedings of the Korea Society of Design Studies Conference
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• 2004.10a
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• pp.242-243
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• 2004

• Proceedings of the Korea Society of Design Studies Conference
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• 2004.10a
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• pp.248-249
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• 2004

• Korean Institute of Interior Design Journal
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• no.30
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• pp.17-27
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• 2002

The objective of this study is to evaluate the education contents and method related to Korean culture by comparing history courses in interior design programs of korea to those of three ether countries. For this research, curricula and syllabus of forty interior design programs in domestic and foreign universities have been analysed. The major findings from the survey are summarized as follows: 1. In terms of the tradition contents ratio in history course United States ranks first, Japan second, China third, and Korea last. In case of Korea, the ratio of credits alloted to tradition to total credits is very low and most of the credits are elective courses not requirement ones. 2. History courses of Korean universities are biased to Western styles. 3. In terms of the ratio of contents about neighbor foreign countries'culture in history courses is United States first, Japan second, China third, and Korea last. Therefore it is proved that net only history courses are devaluated, but also the endeavor to find Korean identity is insufficient in the Korean interior design theory education.