• 복식문화연구
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• 제7권5호
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• pp.46-55
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• 1999

This research, as a study of the documentary records, examined the process of men\`s wear development year by year, looking into the newspapers which show objectively social phenomena in those days. The outcomes therefrom were classified according to the important factors of dress and ornaments\` modeling i. e. style, color, pattern, material, ornamentation method. And then, the process of men\`s wear transition was analyzed based on the aforesaid examination with its classification. The above analyses revealed that a transition of a dress and ornaments closely correlates with a social and cultural change and also meant that the dress and ornaments symbolizes the social phenomena in those days. Thanks to the holding of Seoul Olympic Games in 1988, Korean society had tremendously grown with rapid changes in its politics, economy and culture. Also, men\`s wear type became innovative, breaking from the existing orthodox one due to the transition of men\`s viewpoints on value and their lives\` style.

• International Journal of Advanced Culture Technology
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• 제12권1호
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• pp.158-168
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• 2024

With Wenhai big data SaaS cloud platform.2.0, this study analyzed data of 135 news reports relating to Chinese city Chongqing from Yonhap News Agency and ten South Korean mainstream newspapers from May 1^st, 2018 to September 30^th, 2022. Under the framework of Frame Theory, this research conducted data mining and analysis on how Korean mainstream media shaped city image of Chongqing, what kind of city images were shaped from dimensions of politics, economy, society, culture & sports as well as tourism and whether they are consistent with those in Chinese media. At the last part, discussions and suggestions was made.

• 한국수학사학회지
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• 제24권1호
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• pp.45-61
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• 2011

교육의 출발점이 되는 고대 그리스의 철학과 사상을 탐색하기 위해, 헬레니즘 문명의 기초가 되는 가장 강력한 폴리스, 스파르타와 아테네의 정치체제와 문화, 교육의 제도를 중심으로, 특히 유아교육과 여성교육에 주목하면서 오늘날 우리나라의 유아교육을 조명한다. 나아가 그리스의 것을 모방한 것으로 알려진 로마의 철학과 사상을 살피면서 그 들의 유아교육은 그리스의 것과 또 우리의 유아교육과 어떻게 다른지 비교하면서 우리에게 주는 시사점을 찾고자 한다.

• 수완나부미
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• 제5권2호
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• pp.101-126
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• 2013

The place where models of Indonesian templed and sculpture remain in best condition is in central Java. Central Java was a center of culture from the 8th century to the 9th century. After the mid-10th century, a dynasty moved from central Java to eastern Java, because of frequent volcanic explosions and illness. Eastern Java became the center of politics and culture until the 16th century, when Islamic culture gained superiority. The classical temples of Indonesia before the rise of Islam are called 'Candi', which we can divide into the western Java period (?~8th century), the central Java period (8th~10th century), the eastern Java period (10th~16th century).

• 동남아시아연구
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• 제21권1호
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• pp.137-184
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• 2011

This article is aimed at understanding the political narratives represented in the National Museum of Indonesia. Starting initially as a colonial museum, the National Museum of Indonesia functioned as a useful tool for the Dutch colonial force to fuel its imaginations of the colonial territory and the people within it. The Dutch used the cultural display to advertize its benevolent colonial rule. All the while, the museum also inevitably reflected orientalism on the people and the culture of the colony. The republic of Indonesia inherited the colonial museum's practices and its display patterns. The business surrounding the museum also played a key role in the newly-born nation-state laying out a future for its redefined territory and people. Thus, what the colonial force imagined for the colonial territory through the study of museum displays was rather directly transferred to the republic without serious consideration of the decolonization process. Four main characteristics have been seen in the museum displays. The first is an emphasis on the glorious Hindu-Buddha history, from which numerous temples, statues, and jewelry have been found. Secondly, the Islamic period, which spanned between the Hindu-Buddha times to the colonial era, has almost completely been eliminated from the display. Third, the colonial era has been depicted as the time of Europe's exportation of scientific tools and adaption of sophisticated living patterns. Fourth, the images of ethnic groups were represented as being stagnant without reflecting any challenges and responses that these groups had faced throughout history. Looking at these display patterns, it can be concluded that all the dynamic internal developments and anti-colonial resistance that took place during the Islamic and Colonial Era have simply not been represented in the museum display. These display patterns do not reflect the real history or culture of the archipelago. Two considerations are thought to have influenced the neglecting of social realities in the display. The first of which is the Dutch's and Republic's apprehension over the possible political upheaval by the Islamic forces. Yet, more fundamentally, cultural displays themselves are distinct from historical education in that the former pays more attention to business ideas with an aim to attract tourists rather than to project objective historical knowledge. Thus, in cultural displays, objects which work to stimulate fantasies and spur curiosity on archipelagic culture tend to be selected and emphasized. In this process, historical objectivity is sometimes considered less vital. Cultural displays are set up to create more appealing narratives for viewers. Therefore, if a narrative loses its luster, it will be replaced by another flashy and newly-resurrected memory. This fact reveals that museums, as transmitters of historical knowledge, have a certain degree of limitation in playing their role.

• Journal of Information Processing Systems
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• 제16권6호
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• pp.1231-1237
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• 2020

In recent years, future information and communication technology (ICT) has influenced and changed our lives. Without various ICT-based applications, we would have difficulty in securely storing, efficiently processing, and conveniently communicating information. In the future, ICT will play a very important role in the convergence of computing, communication, and all other computational sciences and application. ICT will also influence various fields including communication, science, engineering, industry, business, law, politics, culture, and medicine. In this paper, we investigate the latest algorithms, processes, and services in future fields.

• 동양고전연구
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• 제57호
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• pp.359-382
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• 2014

본 논문은 책문(策文)의 정치적 활용성을 타진해 보고자 하는 일종의 시론(試論)이다. 이를 위한 구체적인 논의는 이가환(李家煥)(1742-1801)이 정조에게 제출한 답안인 "소하대기미앙궁론(蕭何大起未央宮論)"을 분석 대상으로 삼아 진행하고자 한다. 책문은 오직 글을 짓는 솜씨만으로 좋은 성적을 기대할 수는 없다. 책문의 주제는 정치 경제 사회 문화 역사 등 다양한 분야에 걸쳐 있기 때문에 해당 분야에 대한 식견이 없다면 결코 좋은 성적을 거둘 수가 없었다. 따라서 책문을 출제하는 데에는 군왕이 신하들의 글 솜씨와 함께 여러 분야에 대한 식견을 시험하기 위한 목적이 함께 들어 있다고 할 수 있다. 본 논문에서는 이 가운데 책문의 정치적 활용성에 중심을 두고 정조가 "소하가 미앙궁을 크게 지은 일"을 책제로 출제한 배경과 이에 대한 이가환의 답안 "소하대기미앙궁론"이 높은 평가를 받을 수 있었던 이유를 분석하고자 한다. 이는 군왕이 직접 출제하는 책문(策問)에 군왕의 관심사가 자연스럽게 반영되기 마련이며, 군왕의 관심사 역시 당대의 정세로부터 자유로울 수는 없다는 사실을 전제로 한다. 따라서 책제에 대한 답변 역시 논리와 수사 등 문장 내적인 성취와 함께, 군왕의 출제 의도에 어느 정도 부합하는지가 더욱 중요한 부분이 될 수 있다. 그런 측면에서 볼 때, 이가환의 "소하대기미앙궁론"은 다른 시기의 작품들과는 차별되는 관점이 들어 있다고 할 수 있다. 다른 시기에도 소하의 미앙궁 건설에 대해서는 여러 방향에서의 가치 판단이 있어왔는데, 이가환은 기존의 논의와 상당히 다른 층위에서 접근을 시도했기 때문이다. 그리고 이 배경에는 정조의 출제 의도를 정확하게 읽어낸 이가환의 안목이 자리를 잡고 있다고 할 수 있다.

• 복식
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• 제62권5호
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• pp.108-124
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• 2012

The purpose of this study is to examine the political and social statements through fashion design, by comparing with more activated statements in the general design area. To achieve this, the documentary study and practical case study have been executed. First of all, the meaning of design politics was defined and the cases of design practice of political and social statements were reviewed and classified historically. Traditionally, designs have been inextricably linked with political authorities and ideologies. As propaganda, it has been used for power authority to seize power and maintain dominance. On the contrary, they could be an instrument to resist and criticize against contemporary power authority and dominant. Next, the political and social statements were traced historically through fashion design on the basis of the two previously reviewed categories. And then, comparing political and social statements between design and fashion design, the contents and ways of their expressions were similar. In design, there were more various ways when the designers were leading collective behavior, but in fashion design, there were more leading voices of socio-political organizations and resistant counter culture groups. Now, new trends are rising constantly where individual designers' creations express many different socio-political beliefs. This study which inquires designers' political and social involvement will be helpful in making people rethink the social role of fashion design and encouraging conscious fashion design activism.

• 영어영문학
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• 제64권4호
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• pp.585-600
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• 2018

Over the last three decades, the field of American Studies has increasingly paid attention to transnational approaches in an effort to diversify and expand the field's concerns beyond the narrow sense of the nation-state in today's globalizing world. Yet, the mediation of the transnational requires a careful analysis of the nation that is still in transit. In this context, this essay examines Herman Melville's novel Moby-Dick (1851) as a case study that vividly shows how reading American literature and culture through transnationalism not only offers new interpretations of canonical texts, but also helps us to better understand the historical roots and cultural contexts of contemporary issues such as global labor and migration, US citizenship and racial justice. To address the complexity of the text's circulation and reproduction, coupled with US national ideology and cultural conditions, I first turn to the canonization of Melville's Moby-Dick during the Cold War era as a national project and then explore the possibilities of transnational readings by focusing on the politics of race and global capitalism in the nineteenth century whaling industry. In doing so, I argue that critical transnationalism allows readers to keep questioning about their own understanding of race, nation, and cultural identity while remaining attentive to the destructive force of US imperialism and global capitalism in the twenty-first century.

• 한국언론정보학보
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• 제29권
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• pp.73-110
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• 2005

본 연구는 정치, 경제, 문화의 영역에서 급속도로 진행되어 온 지구화가 결과한 국제정치의 탈중심화 현상과 이를 상징하는 국제정치경제에서의 민간부문의 영향력 증대 현상을 글로벌 미디어 거버넌스와 관련하여 논의하는데 그 주요한 목적이 있다. 먼저 본 논문은 글로벌 거버넌스에서 민간부문의 영향력 강화 현상을 이론적으로 설명하고자 일군의 국제정치학자들이 제기한 사적권위라는 개념의 소개를 통해 어떻게 민간부문의 거버넌스 기능이 국가에 의해 행사되는 공적권위와 같이 정당한 것으로 인식될 수 있는지를 검토한다. 사적권위 개념의 등장은 국제정치에서 민간부문이 국가에 종속된 것으로서의 부차적 지위에서 벗어나 국가에 버금가는 거버넌스의 주체로 부상하고 있음을 보여주는 중요한 증거라고 할 수 있다. 이 같은 이론적 논의에 기반하여 본 논문은 민간부문의 영향력 강화로 특징져지는 국제정치의 탈중심화가 글로벌 미디어 거버넌스의 영역에서는 어떠한 형태로 나타나고 있으며, 그것의 함의는 무엇인지에 대해 시론적으로 논의한다.