• 영어영문학
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• 제64권1호
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• pp.25-37
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• 2018

The turning point is one of the more evocative concepts in the critic's arsenal, as it is equally suited to the evaluation and analysis of a given moment in one's day as to those of a historical event. But how does one recognize a turning point? As we find ourselves always "in the middest," both spatially and temporally, we inhabit sites that may be points at which many things may be seen to turn. Indeed, it is usually only possible to identify a turning point, as it were, from a distance, from the remove of space and time which allows for a sense of recognition, based in part on original context and in part of perceived effects. In this article, Robert T. Tally Jr. argues that the apprehension and interpretation of a turning point involves a fundamentally critical activity. Examining three models by which to understand the concept of the turning point-the swerve, the trope, and peripety (or the dialectical reversal)-Tally demonstrates how each represents a different way of seeing the turning point and its effects. Thus, the swerve is associated with a point of departure for a critical project; the trope is connected to continuous and sustained critical activity in the moment, and peripety enables a retrospective vision that, in turn, inform future research. Tally argues for the significance of the turning point in literary and cultural theory, and concludes that the identification, analysis, and interpretation of turning points is crucial to the project of criticism today.

• 한국사회복지학
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• 제66권2호
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• pp.127-157
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• 2014

이 연구는 여성결혼이민자의 한국사회 정착과 결혼생활 적응을 돕기 위해 실시되고 있는 다문화가족 지원사업의 이용이 실제로 이 여성들의 긍정적 변화를 도와 부부갈등인식 감소와 결혼의 안녕 및 희망에 기여하는지를 조사하였다. 이를 위해 문화상대주의와 강점 관점에 기반 한 지원사업을 수행해 온 전국의 36개 기관들을 통해 수집된 여성결혼이민자 558명의 설문조사 자료가 이용되었다. 구조방정 식모형 분석결과, 예측대로, 지원사업 이용기간, 서비스 이용 빈도 및 이용서비스의 수로 측정된 지원사업 이용은 여성결혼이민자들이 보고한 긍정적 변화와 정적으로 연관되었고, 그런 변화는 이어서 부부갈등인식과 부적인 관계를 보였으며 결혼만족과 결혼안정으로 측정된 결혼의 안녕 및 희망에 정적인 기여를 하였다. 또 긍정적 변화는 결혼의 안녕을 저해하는 부부갈등인식을 낮추어 결혼안녕을 강화하고, 이어 결혼안녕은 희망에 기여하여 이러한 간접경로로 희망을 도왔다. 이 변인들 간의 관계구조는 국내거주기간 및 한국어 능력이 지원사업 이용과 긍정적 변화에 미치는 효과를 통제했을 때 지지되었지만, 아울러 지원사업 이용이 부부갈등에 미치는 직접효과가 정적으로 유의하게 나타났다. 이 결과들은 다문화가족지원사업의 이용이 여성결혼이민자의 긍정적 변화를 도와 희망을 키우며 성공적인 결혼 생활을 촉진할 수 있지만 한편으로 부부갈등을 야기할 수 있는 요소들을 내포하고 있음을 시사하였다. 따라서 지원사업 이용의 순기능을 강화하면서 부부갈등을 초래할 수 있는 역기능적 요소들에 대처할 수 있는 구체적인 방안들이 끝으로 논의되었다.

• 보존과학연구
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• 통권29호
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• pp.149-162
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• 2008

Because stone cultural heritages in Korea are mostly situated outdoors without any notable protection, there are severe damages from physical, chemical and biological weathering. And this in turn causes deformation and structural damage. To counteract this problem and increase durability, various kinds of conservation materials are used in the conservation and restoration treatment. However, there are not many practical and technological experiments on this subject. Accordingly this research is for analysis of effect for treatment to make use a resin of the ethyl silicate for the granite in Mt. Nam of Gyeongju. It takes a long time to confirm the test result regarding durability and side effects of the conservatives after treatment. So we built up an artificial environment through freezing and melting test, and evaluated the conservation materials. As a result of this experiment, porosity and absorptivity was increased in accordance with processing of freezing and melting test. But other things such as elastic wave speed, elastic modulus, uniaxial compressive strength and tensile strength was decreased. It will make a plan to form a method of research systematically for mechanism and element of weathering and to elicit a correlation among experiment of artificial weathering and practical natural weathering from next research.

• 복식
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• 제60권9호
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• pp.41-57
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• 2010

Yunnan, where twenty-six minor ethnics live, is located in Southwest part of China. They have preserved and developed their folk costume, artcraft, music and dance in their peculiar way with natural and cultural surroundings. So, Yunnan is known as a living folk museum. It's worth examining how climate and circumstances change has affected certain differences of dress shape in same ethnic. Research into costumes of minor ethnics can contribute to the study of origin of the trousers, as this group of people have well succeeded the basic form of trousers through their cultural history and everyday life. This study, at first, investigates geographical surroundings of each minor ethnic group, and figures out the style of all trousers by measuring the each size, then compares design color pattern and fabric. The origin of trousers examined by formative characteristics has been classified and comparatively studied. The study materials are twenty-three trousers selected from in Yunnan Folk Museum as well as other relevant literature records. This study suggests that one can examine the type of human culture through the forms of costume which reflects folk custom geography economy etc. This, in turn, can be used as a basic information for other studies, and in particular, for the study of origin and structure of the trousers.

• 미생물학회지
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• 제23권4호
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• pp.252-258
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• 1985

Aspergillus niger var. macrosporus, Aspergillus fumigatus, Penicillium notatum 및 Penicillium spinulosum의 곰팡이를 배양 온도 및 배양 기간을 달리하여 배양하고 이들 곰팡이가 생산한 지질량과 지질의 지방산 조성을 분석하였다. 이들 곰팡이에 의해 생성된 최대 지질량은 Aspergillus niger var. macrosporus가 17.8%. Aspergillus fumigatus가 31 %. Penicillium notatum이 12.6% 그리고 Pen. spinulosum이 17.5%였다. 이들 균주가 생산한 지질의 주요 지방산은 palmitic acid, stearic acid, oleic acid, linoleic acid였으며 Asp. niger var. macrosporus와 Asp. fumigatus는 전체 배양 기간 동안 oleic acid의 함량이 가장 높았으나 P. nota turn과 P. spinulosum은 linoleic acid의 함량이 가장 높았다. 그리고 지질의 불포화도는 Penicillium속이 Aspergillus속보다 높았다. 한편 지방산 조성은 배양온도에 따라 변화를 보였으나 대부분 일정한 경향을 나타내지 않았는데 Aspergillus fumigatus와 Penicillium notatum에서 저온 일수록 linoleic acid와 불포화도가 높아졌다.

• 영미문화
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• 제9권1호
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• pp.91-112
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• 2009

Referring to John Irving's 2001 published fiction The Fourth Hand, the publisher commented, "It seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, it is as realistic and emotionally moving as any of Mr. Irving's previous novels." In his early six novels, John Irving shows the world suffused with grief and deception. But his novels finally turn out also as a comic and robust novel. The writer's success in achieving this thick description of the contradictory modern world is largely due to his development of the idea of the flawed hero. Despite loss, sadness and abandonment, Irving's heroes maintain classical heroic traits such as intelligence, tenderness, protectiveness, strength, bravery, sense of humor, independence, attractiveness. In this article, I tried to emphasize these graces potent in Irving's heroes as the most attractive and influential device for the writer's consistent popularity among the general public. The cinematization of his four fictions attest to audience's sympathy toward rewarding vulnerability and truthful exaggeration in the depiction of Irving's heroes. By taking full responsibility for their own fate despite having the flaws, Irving's protagonists still appeal to many readers as heroes resilient in a modern chaotic world without losing their graces.

• 영미문화
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• 제18권4호
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• pp.1-31
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• 2018

It is needless to say that America's indiscriminate artillery and chemical attacks have worsened the conditions of Vietnam's tropical rain forests, causing war-torn combat troops and civilians to suffer more from the participation and aftermath of the Vietnam war. Around two decades after the Vietnam War, American and Vietnamese writers dealing with the destruction of the human and nature of the Vietnam War and the following traumatic experience commonly report the horrors of inhumane warfare, but some differences among them appear in the reception of the ecocide consciousness. For American writers who had been involuntarily involved or who had stayed in the back area as interpreters and counter-intelligence force, the Vietnam War was often a kind of exotic "addicted adventure" which their American hometown could not provide. But apart from overcoming postwar post-traumatic stress by writing of healing which was shared with American war writers, Vietnamese writers have been able to overcome the scars of war as the communal memorial, which Jonathan Shay emphasized as the necessary comforting ritual by community members showing the sign of honor and care. On the other hand, American war writers were on the side of "separate peace," as Jeong stressed, and the Vietnam War to them was more racist like the case of "body count." Nevertheless, it is fortunate that the hideous experience of war could turn them all into the creativity pool, just as the 5,000 square mile of bomb creators have been used as the postwar fish ponds.

• 비교문화연구
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• 제36권
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• pp.61-95
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• 2014

At the turn of the century in which European colonialism was reaching its zenith and modernization was gathering speed, public museums were institutionalized. This paper looks into the part these European modern museums played in territorializing academic disciplines like anthropology and art history. The museums to deal with are the British Museum and the National Gallery in London, Mus?e du Louvre in Paris, and Museumsinsel in Berlin. Rather than in-depth detailed analysis of each museum, the aim is to explore the ways in which these museological institutions interacting with modern disciplines in the wider colonial context objectified other cultures and formulated a framework of the world through classification and comparison of material things, on the basis of the judgement of their artistic values. This exploration is also to rethink theoretical positions and perspectives on the museum in Korea. It is remarkable in Europe that such academic fields as history, art history, anthropology and cultural studies look for new possibilities of museology in conjunction with the recent proliferation of studies on the museum as a medium to construct and deconstruct knowledge. Meanwhile, the mammoth European museums which are often considered a stronghold of museology advocate the 'universal museum' themselves, quite the modern idea but in a revised rendering. Under these circumstances, this paper seeks to shed light on the definition of the museum as an arena in which scholarly discourses about art, culture and history can be created and contested, on the effectiveness of the museum as a communication medium in a postcolonial era, and on the need to pay trans-disciplinary attention to the museum in its broadest sense.

• 영미문화
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• 제14권2호
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• pp.77-96
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• 2014

As the cyberspace several decades ago created a cyber fiction fever, the augmented reality as the future of imagination can generate another kind of literary genre and new social ambiance where books tend to come to life more realistically. This newly created "smart fiction," "smart movies," and "smart environment" will be full of fun, hopes and conveniences. But addiction to smart kinds will create unwanted dangerous plethora like ghost-like avatars, wild animals and Farid due to the limitations of human control over hi-technology. If so, the adventures we plan to take will turn fantasy into horror in no time. Instead of loving new scientific things blindly, the emphasis hereafter must be put rather on the potentially negative aftermaths of the new innovative technology. Some viewers after watching the film Avatar are still suffering from the syndrome called "avatar blues," a homesick for Pandora. After their experiencing of the experimental 3D effects in books and media, audience and readers are required to actively deal with the increased lack of the darker cave which the comparatively unsatisfactory present can never fill with fixity and limit. Like the prevention against the addictive online game or the manual of 3D television or 3D printer, the extreme off-limits and safety zone for this virtually and expendably subverting technology must be seriously reviewed by community before using and adopting it. Also, these technologically expanded and augmented environments must be prudently criticized by the in-depth study of literature just as cyber space begun by Gibson's cyber fiction and its criticism.

• 영미문화
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• 제13권1호
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• pp.1-28
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• 2013

Edward Abbey is regarded as one of the most influential ecological or nature writers. He celebrates the American Southwestern desert, argues for wilderness preservation, and advocates politically-oriented environmental activism to defend wilderness. He, however, does not classify himself as a nature writer, but rather places himself in the tradition of a kind of autography. His books show his fascination with the delicate harmony of the desert, and at the same time his personal journey over the desert. That is, eco-centered, he keeps his journey into the heart of the desert. He finds the desert harsh, brutal, fatal, and most of all, indifferent. The desert reveals simplicity and mystery, silence and revelation, and emptiness and fulfillment. This mythical and paradoxical essence of the desert draws him into the place and inspires redemptive humility and beauty, which, in turn, peel off his old ego or self. During his journey, Abbey tries to immerge himself with the desert yet remains intact and individual. The desert serves for him as the bedrock which sustains him and offers an opportunity to gain a new whole perspective. Like a pocket hunter in the desert whom he characterizes himself, he sticks to the desert to dig out ground for his existence and survival. Pulling the energy and force of the desert into his soul, Abbey is free, or compelled to contemplate what is beyond the human. His experience in and of the desert leads to a discovery of self and initiates selfhood.