• 제목/요약/키워드: cultural transformation

검색결과 285건 처리시간 0.022초

후기구조주의 여성 신학과 기독교교육 (Poststructural Feminist Theology and Christian Education)

  • 주연수
    • 기독교교육논총
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    • 제65권
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    • pp.81-102
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    • 2021
  • 남성 중심적인 전통적 신학은 교회 내의 성차별과 불공정한 위계제도를 바로잡기보다는 오히려 정당화하는데 일조한 바 있다. 가부장적인 문화의 영향을 받은 기독교교육 역시 억압적인 체제를 유지하는 데 종종 남용되었다. 여성신학자 레베카 춉(Rebecca Chop)은 현대의 서구 문화가 자기애적(narcissistic)이고 자기준거적(self-referentiality)인 이기주의를 강화하면서, 강자의 편에 서서 사회에서 소외된 주변인들을 더욱 침묵하도록 종용해왔다고 주장한다. 춉에 따르면, 기독교의 역할과 본질, 그리고 선교의 핵심은 진리와 자유의 말씀을 통해 억눌리고 갇힌자들에게 해방의 복음을 선포하고 세상을 변혁하는 데 있다. 춉의 후기구조주의적 여성신학은 언어, 문화, 정치 내에 스며들어 있는 차별, 편견, 배타성을 비판적으로 성찰하여 사회-상징적(socio-symbolic) 질서(order)를 개혁하며, 이를 통해 궁극적으로 정의와 평등을 실현하는 사회변혁을 도모한다. 본 연구는 먼저 아시아-아메리칸(Asian-American) 부부와의 인터뷰를 개략적으로 소개하고, 그들과의 인터뷰 내용을 분석하여 사회에 편만한 차별적이고 억압적인 남성중심적 헤게모니를 살펴본다. 한 부부의 인터뷰를 통해 일반화된 사회이론을 제시할 수는 없지만, 이는 여성에 대한 편견과 배타성을 영속화시키는 잠재적 메세지와 헤게모니를 드러내는 좋은 예가 될 것이며, 이 사례를 통해 왜곡된 관계를 회복하고와 모든 인간의 존엄성을 존중하는 기독교교육의 역할을 성찰해 볼 수 있을 것이다. 필자는 해방적 변혁을 위한 기독교교육은 건설적인 개입을 통해 소외되고 억압된 자들의 의식화와 주관성을 회복하도록 돕고, 해방의 말씀선포를 통해 지금까지 배제되어왔던 주변인들이 사회 변혁을 위한 실천에 적극적으로 참여하도록 격려해야 한다고 주장한다.

문화예술교육에서 무용교육의 위치와 기능 (Position and function of dance education in arts and cultural education)

  • 황정옥
    • 공연문화연구
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    • 제36호
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    • pp.531-551
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    • 2018
  • 삶의 윤리적 과제가 짙어지고 있는 동시대에 문화예술교육과 무용이 추구하는 교육적 특질은 삶의 성찰을 위한 경험이다. 삶을 위한 예술로서 미적 경험이 일상의 영역에서 중요한 위치를 차지한 것이다. 무용교육은 문화예술교육 정책 등장과 맞물려 일반인들을 위한 교육으로 확산되었고 다양한 교육적 예술적 실험과 도전이 진행되고 있다. 그렇기에 오늘날 문화예술교육과 무용의 지향점이 어떤 관계 속에서 구성되고 있는지 그리고 문화예술교육 정책영역에서 무용교육은 어떤 모습으로 묘사될 수 있는지를 살펴볼 필요가 있다. 의제로서 공동체에 필요한 내용으로 제시되는 정책은 사회적 기능이 강화될 수밖에 없는 특성이 있다. 그리고 때로는 정책에서 추구하는 필요에 의해 교육내용으로 담겨지는 무용의 역할이 규정되기도 한다. 필요와 실행의 방식에 따라 각기 다른 방향으로 엮이며 무용은 단위사업 목표를 이끌 수 있는 역할로 제시되기도 하는 것이다. 문화예술교육 정책이 점차 더 다양한 대상으로, 전 생애를 주기로, 일상(생활문화)으로 방향성이 확장되고 있는 현재, 무용은 특정한 무용 형태와 형식으로, 개인의 자기표현을 위한 방법으로, 혹은 사회적 문제 해결과 예방을 위한 전략으로 실천되고 있다. 이와 같은 관계에서 무용의 가능성, 즉 문화예술교육 내에서의 범위와 역할을 살펴봄으로써 무용교육의 기능을 탐색하고자 한 본 연구는 개념적 접근을 시작으로 정책 현장에서 진행되고 있는 무용교육의 내용과 방법의 범위를 사업단위를 기준으로 탐색함으로써 오늘날 문화예술교육에서의 무용교육의 지형을 살펴보는데 의의가 있다.

순천 담양지역의 현대한옥 구성에 관한 조사연구 (A Study on the Composition of a Modern Hanok in Sunchon & Damyang Areas)

  • 김미선;손승광
    • 한국주거학회논문집
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    • 제26권2호
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    • pp.47-56
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    • 2015
  • Traditional Hanok in modern society, depending on the improvement of economic and cultural level is evolving as a modern Hanok. An ideal of traditional Hanok and convenience of a modern housing does not match rather conflicting. This study deals the transformation of a new Hanok, which are build in Jeollanam-do province sponsored by local government from 2007. The subjects was selected 34 cases from Sunchon and Damyang which are build sponsored by Jeollanam-do local government from 2009 to 2011. The report is a design drawing of a Hanok, architectural survey of the Hanok research using questionnaires and interviews with the client or a resident, was confirmed by a visit to check and verify for each Hanok houses. Outside shape classification of Hanok were classified as straight, L type, and the interior space was analyzed by focusing on the living room, dining room, kitchen configuration consisting of housing space in public life. This study and the type of Hanok round out the framework from the perspective of residence' demands and realize new Hanok investigated and the evolution of the process is meaningful to find a Hanok.

컨버전스 트렌드에 의한 패션 디자인 (Convergence in Fashion Design)

  • 고현진
    • 복식
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    • 제56권7호
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    • pp.148-162
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    • 2006
  • The purpose of this study is to examine the concept of convergence which is one of the trendy issues as a new digital paradigm of Integrative thinking in 21st century, to analyze the plastic feature and internal meaning of convergence expressed in fashion design, and to grasp the cultural symbolism through this aesthetic analysis. Because there have been considerable discussions on convergence, centering on industrial product area associated with media, I will proceed my study on the basis of them. For this, the documentary study and practical case study have been executed. This study will be helpful to find a direction of future fashion design trend. Convergence in digital stage can be defined as a phenomenon which different functions of product move towards one direction for greater efficiency, and not only as a technical integration between functions of product, but also an extension of area. Convergence can be classified by their use as (1) convergence for convenient daily life (2) convergence with intelligent scientific technology (3) convergence for entertainment on the basis of sensual experience. The plasticity of convergence designs feature as a open dynamic structure which potentiate transformation and their internal meaning can be inquired such qualities as integrative multiplicity, efficiency, mobility, intelligence. Specially convergence fashion design has protection qualify resulting from wearability on body. Ultimately convergence fashion design as a future digital paradigm can be thought as both eco-friendly design and human-centered design from positive technology-based viewpoint, because it is easy to transform according to our environment, convenient to reserve, and efficient to enhance spatial usibility.

전통 운문(雲紋)을 모티브로 한 셔츠디자인 연구 (A Study of the Shirt Design Applied with Traditional Cloud Pattern)

  • 김선영
    • 한국의류학회지
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    • 제36권5호
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    • pp.573-582
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    • 2012
  • This work is to develop a T-shirt by adopting a unique cloud pattern (a good auspicious sign as design material) from traditional native Korean patterns for application to various cultural products and textile design cloth patterns; subsequently, a T-shirt design was processed based on this. As a research method, computer design programs Adobe Illustrator CS3 and Adobe Photoshop CS3 were used along with a literature examination as part of motive for design development and pattern realization. Three basic motives were selected as a new formative image in this work, utilizing graphical elements such as abridgement and simplicity of pattern, where flower-shaped cloud pattern, uprising cloud pattern, and 卍-shaped or swastika-shaped pattern of traditional cloud patterns were selected. Each motive diverged into two motives via the shape transformation and the application of different colors. The newly developed basic motive was further processed into a combination of one-time repeat pattern, stripe pattern, and application pattern with mixed cloud motives (that were previously developed), which altogether turned out to be 36 pieces of textile design. In addition, with newly developed motive designs and textile designs, a total of 12 shirt designs for 4 pieces were developed for these three each. The shirt design was developed into a shirt blouse, sleeveless T-shirt, half-sleeve T-shirt, and sports T-shirt among others in order to fit various uses and purposes.

라빌레뜨 이후 현대건축에서 나타난 폴리 프로젝트 사례 연구 (A Study on the Cases of Folly Project in the Contemporary Architecture After Parc de la Villette)

  • 강효정
    • 한국실내디자인학회논문집
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    • 제23권3호
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    • pp.144-152
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    • 2014
  • This study evaluated how folly is experimented in the contemporary architecture after 30 years when Bernard Tchumi first introduced it to the public by the modern transformation as a garden ornament. First, folly project has been carried out based on the general concept of energizing dwindling cities. However, it has changed to the direction of adding specific programs. Also, along urban regeneration that does not change deterioration of previous structures, Folly changed in the emphasis on readjust existing structure. Second, by having different designers presenting their own follies during the Osaka Expo, folly now has part on visual exhibition element. This has similarity with public art project, yet it could more actively intervene for urban regeneration compared to conventional environment sculpture. Third, folly is experimented as the event-installation art combined form of architecture and art where people could experience the space and enjoy art. Fourth, folly enabled the landscaping of architecture and expanding city planning. Recently Gwangju Folly invited various arts, social, and cultural professionals to converge city design with architecture, landscaping, and other diverse genres.

취학전(就學前) 아동(兒童)의 식사행동(食事行動)에 관한 연구(硏究) (A Study on Dietary Pattern of Pre-school Children)

  • 임현숙
    • Journal of Nutrition and Health
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    • 제10권4호
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    • pp.19-23
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    • 1977
  • It is said that a mode of dietary behavior changes together with socioeconomic and cultural transformation. Formation of dietary habit of pre-school children influences upon direction of this changes, specially. So, this study was planned to analyst the dietary pattern of pre-school children. A survey was carried out for 3 days of 28 pre-school children with a mean age of 4 years and 3 months. Each child's matter wrote dietary pattern and kinds of food as staple, subsidiary and snack. The results showed that; (1) the average meal frequency a day was 3.1 and interval between meal was 5.1 hours (for breakfast to lunch & lunch to supper) and 12.6 hours (for supper to breakfast), (2) there were 27 different kinds of foods as staple and cereal products consumed the most among those, and 82 different kinds of foods as subsidiary and KIMCHI products were eaten the most rating, (3) the average snack frequency a day was 5.0. There were 76 different kinds of foods as snack, among them cold drink was the best. The present observation suggested that pre-school children had a tendency to take meat regularly, but snack very irregularly, and kinds of foods taken as staple, subsidiary and snack didn't keep the nutritional balance. Parent's concern about dietary behavior of their children is demanded more than ever.

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John Galliano 작품에 표현된 웃음의 미학 (The Comic Expression depicted on John Galliano's Works)

  • 장애란
    • 복식
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    • 제56권3호
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    • pp.129-142
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    • 2006
  • The historicism and romanticism of John Galliano's designs are rivaled only by the spectacular and theatrical nature of his fashion shows; romantic silhouette, the complexity of the cut and, of course, the painstaking attention to historical detail. Galliano's approach is very much that of a British designer in that he absorbs wildly diverging historical and cultural elements to invent new hybridizations of the contemporary. Galliano started his career as part of the wildly uninhibited avant-garde London design scene. His designs were twisted and artfully torn, weired and also beautiful. The purpose of this study is to investigate the Comic Expression depicted on John Galliano's works by borrowing the Comic. The Comic or the Comedy is a kind of art form that signifies exciting effects, and so, is a means of raising a laugh. The similar concepts of the Comic already were depicted by means of transformation and distortion of form, satire, fantastic pastiche and reversion of substances on Cubism, Dada, Surrealism, Pop Art and Postmodernism. Therefore, John Galliano selected the quixotic expressional methods to seek for having playful fun. The aesthetics of the Comic is the beauty based on quantitative or qualitative contradiction between expectations and realizations. That is, the Comic is characterized by getting rid of stress through laugh with clarifying a subject of contradiction. This study found that John Galliano's designs are expressed the quixotic comic on Historical image, Exotic image and Primitive image to make a complaint against the social evils.

의복에서의 탈구조적 공간과 가시성에 대한 연구 -후세인 칼라얀의 디자인을 중심으로- (A Study on Deconstructured Space and Visibility in Clothes - Regarding Hussein Chalayan′s Design-)

  • 김혜영
    • 복식
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    • 제50권4호
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    • pp.5-20
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    • 2000
  • Through his geometric design, the Cyprus born fashion designer Hussein Chalayan raises intriguing questions about the very fact of wearing clothes. By purposefully displacing the function of each part of the clothing, such as neck line, hem line, seam, sleeve, etc., Chalayan transforms the meaning of the body that wears clothes. of the human subject as a sovereign possessor of the clothing and the visibility related to fashion. This transformation is achieved by distorting the spaces of his clothing in an unorthodox way. This thesis argues that the significance of such a practice can not be properly understood without relation to the current debate on deconstructionism under way in humanities. Instead of immediately negating the modern frame of Ideas and practices, deconstructionism asks what the assumptions for the modern regime of truth is. In this process, things that lead human beings to sovereign master of knowledge and truth such as reason, subject, body and vision are questioned. In the same context, Chalayan's design not only forces us to rethink the very function of dividing inside and outside by the clothing but also the meaning of boundary operating in numerous sites of modern life. As the human subject is not something pre-given but constructed according to the cultural representation, to which the clothing belongs, fashion can be evaluated to be an active ingredient of constructing the subject. Therefore, Hussein Chalayan's design is at the cross road between the modern and the postmodern regime of fashion.

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Professional Security Management and Investigation for the New Competitive Advantage

  • Button, Mark;Lee, Ju-Lak;Kim, Hak-Kyong
    • International Journal of Contents
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    • 제7권3호
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    • pp.71-81
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    • 2011
  • This paper is mainly associated with setting out an agenda for the transformation of security by creating a new framework for a security system, which can maximise its effectiveness. Noticeably, this research shows empirically that crimes are getting a major cost to organisations, which if reduced by security and investigations could reap substantial rewards to the finances of an organisation. However, the problem is that the delivery of security is frequently delegated to personnel (e.g. security guards) with limited training, inadequate education, and no real commitment to professionalism - 'sub-prime' security, finally causing security failures. Therefore, if security can be enhanced to reduce the crime cost, this will produce financial benefits to business, and consequently could produce a competitive advantage. For this, the paper basically draws upon Luke's theoretical framework for deconstructing 'power' into three dimensions. Using this three-dimensional approach, the paper further sets out a model of how security can be enhanced, utilising a new Security Risk Management (SRM) model, and how can this SRM model create competitive advantage in business. Finally, this paper ends with the six strategies needed to enhance the quality of security: refiguring as SRM, Professional Staff, Accurate Measurement, Prevention, Cultural Change, and Metrics.