• 비교문화연구
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• 제26권
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• pp.405-444
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• 2012

This paper is based on the view that film should be conceived as a form of cultural practice whose meaning is always in the process of being produced within diverse socio-cultural contexts and aims to examine the ways in which the meaning of Korean film is (re)mediated or received in diverse cultural contexts outside the country. In this paper, we employ two theoretical grounds. Firstly, it positions itself in line with the audience studies within the field of cultural studies where the audience is conceived as active agents who produce the meaning of a popular culture text. The recruitment of the theoretical propositions from the audience studies enables recognition of the significance of the reception in film practice which recently seems to be oriented on production and distribution. Secondly, we conceive transnationality of film as that which is being produced in the process of transaction between the film and the audience, that is to say, transnationality is a form of discourse that emerges upon cultural interaction. The empirical work involves examination of a set of reviews of four films--Chihwaseon, Oldboy, Thirt, Poety--that have been published in daily newspapers and some popular film magazines in the U. S., the U. K. and France. Through the analysis of the film reviews, we identify four interpretive schemes or rather discourses recruited via which the Korean films are approached and understood: auteurism, formalism, universal themes, emotional response. We propose that these four kinds of discourse provide a common ground for the audience from different cultural backgrounds to understand Korean film. Furthermore, we also suggest that transnationality of Korean cinema needs to be reconsidered in terms of the reception as the audience from different socio-cultural backgrounds should be understood as active agents who are capable of engaging in Korean cultural texts such as film in their own way producing various meanings and these are also constituent of the meaning of the cultural texts.

• 공학논문집
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• 제8권1호
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• pp.13-22
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• 2006

문화재 등록은 소유주에게 피해만 입히는 행위인가? 문화재의 보존은 경제적 가치가 없는 일인가? 보존과 개발은 반드시 갈등구조 속에서 존재할 수 밖에 없는가? 상호보완관계에서 풀 수는 없는 것인가? 이러한 관점에서 보존과 개발이 첨예하게 대립하고 있는 등록문화재를 중심으로 그에 대한 경제적 해결방안을 살펴보고자 한 이 논문은 1) 등록문화재를 환경조형물로 인정하는 방안과 2) 등록문화재의 랜드마크적 기능을 인정하여 이로 인하여 얻는 이익금의 일부를 보상받는 방안 3) 건축법에서의 높이제한에 대한 완화규정 적용 4) 건축법에서의 건폐율과 용적율 완화규정 적용하는 방안 등을 제안하고 있다. 우리가 근대건축을 보존하고 가치를 부여하는 것은 과거의 향수를 달래기 위한 감상적인 접근이 아니라 현재 우리의 삶을 풍요롭게 만들 수 있는 기반이며, 앞으로 새로운 삶을 충족시킬 수 있는 수준 높은 새로운 건축을 위한 창조적 행위이다.

• 수산경영론집
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• 제47권3호
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• pp.35-52
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• 2016

This paper analyzed economic feasibility of aquacultural construction which of large-scale. The results of the economic analysis, cage cultural and water recycling cultural by post-water treatment were analyzed that NPV is 2,083,685 thousand won and -14,105,896 thousand won and B/C ratio is 0.590 and 0.855, respectively. These were shown economic infeasibility. But, running water culture by pre-water treatment(small scale) and running water culture by pre-water treatment(large scale) were analyzed that the one is 5,555,747 thousand won and 15,048,589 thousand won and the other is 1,154 and 1,1221, respectively. these were shown economic feasibility. In addition, measurement of B/C ratio through a sensitivity analysis on running water cultural by pre-water treatment(small scale) and running water cultural by pre-water treatment(large scale) is economic feasibility in all cases. However, these were analyzed when the selling price was falling to 20 percent, it has shown economic infeasibility and when the selling price rises to 20 percent, water recycling culture by post-water treatment has economic feasibility. The significance of the study analyzed a sensibility as well as economic feasibility by methods and scales. It is expected that used as basic materials when constructing and operating of land aquaculture in order to minimize the damage from natural disasters.

• 비교문화연구
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• 제39권
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• pp.83-95
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• 2015

Every country has a dark history in the process of transition to a modern state. Many countries have until the 21st century, especially in East Asia, colonialism, has experienced conflict influenced, racial discrimination, the trauma of such massacre. Such a dark history in many countries are also still in progress. Dark History of China, which maintains the proletarian dictatorship is the 'Cultural Revolution(Wenhua da Geming)'. 'Cultural Revolution' is neither the outer aspect of the ideological struggle, but in fact it was not even class struggle ideology and class struggle. Put an end to the feudal intellectuals in China in the course of the tragedy stood and lead to build a new China suffered the humiliation of being betrayed from state power. Chinese writers after the 'Cultural Revolution' ended, was created in the process of creation reflects the tragedy of the 'Cultural Revolution' in the country(national memory) is suffering from the pain and suffering the same growth process as it saw this novel growth experienced in the personal growth process. "Road leaving at 18 years" of WiHua has ruled out the pain of growing national attention wholly to personal growth and pain. Such "Road leaving at 18 years" in the sense suggests the possibility of a typical growth story in China Contemporary Literature.

• 비교문화연구
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• 제29권
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• pp.201-232
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• 2012

In the world history in the rein of totalitarianism cultural project of government had been activated, and consequently of it official culture had been organized. But at the same time on the other side of it people('narod'), who didn't have cultural means for active expression of own opinion on the reality, had expressed world-view and judgement informally in everyday language. In the literature of autocracy, subjected to censorship, had been expressed and fixed mythically idealized image of sovereign and his works. But in the folklore the image of ruler had been created by liberal fantasy of people. This article examined russian literature and folklore texts of 18 century, when russian people suffered from rapid and dramatic changes, caused by Peter I. Although russian literature of 18 century had gone over to the new literary regime, it still accepted political mechanism as dominant of age, and consequently in the literary texts of this century Peter I was represented as ideal person and great monarch. But various images in folklore texts show that people's opinion on ruler and his activities couldn't be controlled. In other worlds, diverse images of Peter I in folklore texts reflect clear and plain historical consciousness of people. This analysis reveals not only difference between mechanism of idealization of government and historical consciousness of people, but also meaning of cultural memory as indicator of historical reality.

• 한국지역지리학회지
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• 제12권3호
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• pp.364-381
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• 2006

경북 문화산업은 문화산업기반이 미약하여 소규모 영세업체 중심의 상품화 초기단계에 머무르고 있을 뿐만 아니라 저부가가치 부문인 제작이 중심이 되고 있다. 또한 기업간 네트워크의 미약으로 혁신네트워크 및 혁신환경이 활성화되지 못하고 있다. 따라서 경북 문화산업체는 산업화 기반 구축(물리적 인프라)과 함께 지식 및 정보의 활발한 교류의 장(場)을 필요로 하고 있다. 다양한 문화적 산업적 환경을 가진 여러 지역으로 이루어져 있는 경북의 실정에 맞게 각 지역의 장점을 살리는 방향에서 분산화된 집적 형태의 경북문화산업클러스터를 구축한다. 그리고 경북내 소규모 문화산업집적지 및 지원센터를 네트워킹할 수 있는 문화산업클러스터 허브기관(문화산업지원 전담기관)을 설립하여 문화산업체가 필요로 하는 리얼서비스를 제공하고, 산학연관 네트워크를 온라인과 오프라인 상에서 구축 강화함으로써 지식 및 정보의 장을 제공한다. 또한, 경북문화산업은 제작업체 중심의 지역내 외주관계가 뚜렷하므로 제작업체를 중심으로 콘텐츠창작, 홍보 마케팅, 유통 배급 등 연관업체들을 아우르면서, 한편으로는 구미 IT산업클러스터, 대구문화산업클러스터 등과 연계함으로써 가치사슬을 업그레이딩해나간다.

• 한국전통조경학회지
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• 제35권4호
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• pp.110-125
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• 2017

1962년 문화재를 보존하여 이를 활용함으로써 국민의 문화수준향상을 도모하기 위하여 제정된 문화재보호법은 2000년 지정문화재를 대상으로 하는 대상적 범위의 극복을 위해 문화재 현상변경 허가제도를 도입, 이후 허가 절차 및 대상 등의 보완을 위해 역사문화환경 보존지역내 건축행위 등에 관한 허용기준 작성 지침 제정(2006), 국가지정문화재 주변 경미한 현상변경 행위 고시(2008) 등 지속적인 개선노력을 해오고 있다. 그럼에도 불구하고, 2007년 이후 감소세를 보이던 개별 현상변경 허가처리 건수는 2010년부터 다시 증가, 2014년에는 총 1554건이 접수되었고, 그 중 약 29%가 불허 또는 심의 중에 있는 것으로 확인, 문화재 주변 지역주민들의 주민 불편사항이 계속 제기되고 있다. 이에 본 연구는 최근 5년간(2010~2014) 문화재위원회 가운데 현상변경 관련 분야 5개 분과위원회(건축/사적/천기/근대/중민)의 허가 처리현황 전체 7,403건에 대한 통합DB를 구축, 그 가운데 역사문화환경 보존지역에서 이루어진 4,364건을 대상으로 심층분석을 실시하여 신청유형과 행위 유형 특성을 분석하고, 분석결과 유형화 및 시사점 도출을 통해 현상변경 허가대상을 규정하는 역사문화환경 보존지역 내 경미한 건축행위 등에 관한 기준과 문화재위원회 운영 지침의 개선방안을 검토하였다. 이를 통해, 단기적으로는 관련 행정처리기준의 보완과 더불어 시 군 구 위임사무범위 등의 제도개선방안 기초자료를 확보하는 한편, 역사문화환경 보존지역 내 건축행위 등의 허가제도 개선을 통한 행정효율성 제고 및 허가심의에 필요한 사회경제적 지출 최소화로 국민불편 경감효과를 기대한다.

• 디자인학연구
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• 제19권3호
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• pp.45-58
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• 2006

Design policy in Korea has been dealt as one of the industrial policies in economic policies, and it can be classified as government driven. A problem derived from this is that previous design policies have only pursued creating material values, and have overlooked the emotional values of design, such as creating cultural identity of Korea and cultural independence through it. Therefore, a new mindset of 'Cultural Era of Design' and a new role of 'Designers as Producers of Culture' must be in the strategy and system for supporting the design in Korea. This study can be divided into three major parts. First part compares and examines current design policies of Korea to seek more suitable design policies. Second part suggests a new direction for design policy by analyzing the ideas and cases of such policies. Third part surveys designers and people in related fields to collect opinions about design policies in Korea to propose directions for new design policies and ways to evaluate them. The object of this process is to find out how they, in the center of design and cultural industries, see and follow the policies. It will aid the narrowing of perceptual gap between them and the developers of policies.

• Journal of Multimedia Information System
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• 제7권1호
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• pp.25-32
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• 2020

This paper proposes a mobile augmented reality mashup for cultural heritage sites such as natural monuments. Several benefits of mobile augmented reality solutions are ideal for preserving and protecting cultural heritage sites. By presenting mobile augmented reality mashup scenarios and mobile mashup framework, we introduce how user-generated multimedia contents can be added. We present two scenarios of Mashup Viewer and Mashup Maker. In Mashup Viewer mode, visitors can create new AR contents using mashup tools for memo, Twitter, images and statistical graphs. In Mashup Maker mode, other visitors also can view the user-generated multimedia AR contents using QR codes as access points. To show feasibility of our approach in mobile platforms, we compare several detection algorithms on PC and mobile platform and report on deployment of our approach in a natural monument museum. With our proposed mashup tools, visitors to the cultural heritage sites can enjoy default AR contents provided by the site administrators and also participate as active content producers and consumers.

• 가족자원경영과 정책
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• 제19권3호
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• pp.1-16
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• 2015

The purpose of this study was to synthesize the results of studies on the effects of multi-cultural education program for Korean children. Using the author's own selection criteria, 17 studies were finally selected and 31 effect sizes were calculated from these studies and used for meta analysis. The overall effect size for all studies on the random effect model was .802, and it was positive and high. Given the heterogeneity among the effect size, subgroup analysis was conducted. According to the analysis, effect sizes significantly differed depending on program goal, concerned multi-cultural higher than others. Result also showed that the high scored effect sizes were the general family, pre-school age children group, and the program were 11-20 children group in size, and 11~20 times in frequency of education.