• 천문학회보
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• 제46권1호
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• pp.47.2-47.2
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• 2021

Focusing on both small separations and baryonic acoustic oscillation scales, the cosmic evolution of the clustering properties of peak, void, wall, and filament-type critical points is measured using two-point correlation functions in ΛCDM dark matter simulations as a function of their relative rarity. A qualitative comparison to the corresponding theory for Gaussian random fields allows us to understand the following observed features: (i) the appearance of an exclusion zone at small separation, whose size depends both on rarity and signature (i.e. the number of negative eigenvalues) of the critical points involved; (ii) the amplification of the baryonic acoustic oscillation bump with rarity and its reversal for cross-correlations involving negatively biased critical points; (iii) the orientation-dependent small-separation divergence of the cross-correlations of peaks and filaments (respectively voids and walls) that reflects the relative loci of such points in the filament's (respectively wall's) eigenframe. The (cross-) correlations involving the most non-linear critical points (peaks, voids) display significant variation with redshift, while those involving less non-linear critical points seem mostly insensitive to redshift evolution, which should prove advantageous to model. The ratios of distances to the maxima of the peak-to-wall and peak-to-void over that of the peak-to-filament cross-correlation are ~2-√~2 and ~3-√~3WJ, respectively, which could be interpreted as the cosmic crystal being on average close to a cubic lattice. The insensitivity to redshift evolution suggests that the absolute and relative clustering of critical points could become a topologically robust alternative to standard clustering techniques when analysing upcoming surveys such as Euclid or Large Synoptic Survey Telescope (LSST).

• Coupled systems mechanics
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• 제13권4호
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• pp.277-291
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• 2024

The objective of this work is to study the effects of the modification of material properties on the vibration of the FGM beam using an integral shear strain model. In the present theory, the rotational displacement is replaced by an integral term in the displacement fields. The use of a shear correction factor is not necessary because our model gives a parabolic description of shear stress through the thickness while satisfying the conditions of zero shear stresses on the bottom and top surfaces of the beam. The FGM beam is assumed that the beam is a mixture of metal and ceramic, and that its properties change depending on the power functions of the thickness of the beam such as: linear, quadratic, cubic and inverse quadratic. By applying Hamilton's principle, general formulas were obtained to obtain the frequencies of the FGM beam. The effects of changing compositional characteristics of materials presented by volume fraction of FGM beams with simply supported edges on free vibration and some mode shapes are investigated.

• 한국자기학회지
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• 제18권1호
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• pp.39-42
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• 2008

[ $AB_2X_4$ ]((A, B)=Transition Metal, X=O, S, Se) 물질에서의 8면체 자리의 이온 거동과 4면체 자리 이온과의 상호작용에 대하여 많은 연구가 이루어지고 있다. 본 연구에서는 4면체 자리에 비자성 이온인 Zn 이온을 치환함에 따른 자기구조의 변화를 관측하여 8면체 자리의 자기구조를 분석하고자 하였다. Cr이온의 일부를 Fe로 치환한 $[Co_{0.9}Zn_{0.1}]_A[Cr_{1.98}{^{57}Fe_{0.02}}]_BO_4$의 닐온도($T_N$는 90K로 $CoCr_{1.98}{^{57}Fe_{0.02}}O_4$ 비하여 감소하였다. 4.2 K에서의 초미세자기장값의 분석결과, 초미세자기장값의 작은 차이를 보이는 잘 분리된 2-set 형태로 나타났으며, $CoCr_{1.98}{^{57}Fe_{0.02}}O_4$의 초미세자기장값은 488, 478 kOe 인데 반하여, $Co_{0.9}Zn_{0.1}Cr_{1.98}{^{57}Fe_{0.02}}O_4$의 초미세자기장값은 $B_1=486$, $B_2=468$ kOe으로 나타났다. Zn 이온의 치환에 따라서 초미세자기장값의 변화를 알 수 있었다. 이러한 결과로 인하여, Zn 이온이 x=0.1 치환된 물질의 경우, 스핀재정렬온도($T_S$)가 18K으로 감소함을 알 수 있다.

• 한국자기학회지
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• 제9권4호
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• pp.177-183
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• 1999

Sol-gel법을 이용하여 초미세분말 CoFe1.9Bi0.1O4의 소결온도에 따른 결정학적 및 자기적 성질을 x-선 회절기와 M ssbauer 분광기, 진동시료 자화율 측정기(VSM)를 이용하여 연구하였다. X-선 회절실험과 M ssbauer 분광실험으로부터 523K 이상에서 소결한 분말이 cubic spinel 구조를 가지고 있음을 알 수 있었다. M ssbauer 분광실험으로부터 523, 723K와 823K에서 소결한 분말의 경우 실온에서 준강자성체와 초상자성으로 인한 상자성체의 성질을 동시에 가지고 있고, 923K 이상에서 소결한 분말은 준강자성체의 단일상이 형성됨을 알 수 있었다. 923K에서 소결한 분말의 경우 격자상수값은 8.398$\pm$0.005$\AA$이었고 실온에서 A, B자리 초미세 자기장값은 Hhf(A)=479kOe, Hhf(B)=502kOe이며, 이성질체 이동값의 결과, A,B 자리 모두 Fe3+를 나타냈다. 실온에서 소결온도에 따른 포화자화값은 소결온도가 증가할수록 증가하였으며 보자력은 923K에서 소결한 시료가 1368 Oe로 최대값을 가졌다. 1123K에서 소결한 분말의 경우 포화자화값은 실온에서 75 emu/g로 CoFe2O4의 포화자화값 76 emu/g와 큰 차이를 나타내지 않았다.

• 복식
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• 제50권7호
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• pp.75-96
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• 2000

Modern clothing is approached in the level of art, and it becomes the means of expressing individuality in modern society uniformed by the development of information society. In this modern society, modern men need the recovery of humanity and expectations of handcrafted skills for the succession of tradition culture. Prior to expressing individuality, we should examine our traditional culture and combine it with western culture. Quit started to be used for practical purpose such as life items, but it is expanded to the fields of art. Used in dress and its ornaments design, quilt is often applied to the addition of aesthetic factors or cubic material feelings by transforming its warming effect. Hereby, this study has a purpose to create high value added modern dross and its ornaments design by expressing the modern clothing is approached in the level of art, and it becomes the means of expressing individuality roe-dimensional characteristics of quilt, and applying the color combination and the surface of butterfly wings to dress and its ornaments design. The following are the results of this study. 1. The concept of quilt started for practical purposes, but it is expanded to decoration in modern times, and it is confirmed that quilt can be variously applied to handcrafted modern design. 2. Quilt removes the plane character of textile and it riches the three-dimensional material of dress and its ornaments. Applying these characteristics, the expression of transparent wings were possible with 3 transparent layers of textile. 3. The spledid color of butterfly wings are expressed by coloring oganza and felt, and the various colors of felt showed rich color gradation. 4. The form and pattern of butterfly wings are applied as modeling form and line, and the transformation. repetition and expansion of unit forms determined the form of quilting lines. By designing the characteristics of back wings for the composition line of clothing, the form characteristics of a motif could be emphasized. 5. By using felt, oganza, Damdam yarn and ostritch feathers in expressing butterfly wings, the warm material of Linbun is felt, and the tip hair of wings are expressed by croche techniques using Damdam yarn.

• 한국강구조학회 논문집
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• 제18권3호
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• pp.349-359
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• 2006

본 연구에서는 직교좌표계에 근거한 적층복합 I형 박벽보의 유한요소 해석을 위한 새로운 블록 강도행렬을 제안한다. 변위장은1차 전단변형을 고려한 보 이론을 사용하여 정의되었다. 축방향 변위는 Timoshenko 보이론과 수정된 Vlasov 박벽보 이론을 결합하여 투영단면의 면 변형과 면외 변형의 합으로 나타낸다. 유도된 강성행렬은 휨 전단변형과 뒴 비틂에 의한 영향을 고려한다. 본 유한요소 에서는 2절점, 3절점, 4절점의 세 가지 보요소를 제안하였다. 3절점과 4절점 보 요소는 적층복합 보의 휨 해석에 효과적이었다. 다른 연구자의 수치해석 결과와 비교 검토를 통하여 새로운 유한요소의 활용성과 정확성을 입증하였다.

• 한국지진공학회논문집
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• 제3권1호
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• pp.41-54
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• 1999

비대칭 박벽단면을 갖는 곡선보의 자유진동해석을 수행할 수 있는 유한요소 이론 및 엄밀해를 제시하기 위하여 가상일의 원리를 이용한 3차원 연속체의 운동방정식을 제시한다 박벽단면의 구속된 비틂효과를 고려하는 박벽 곡선보의 변위장을 도입하고 이를 연소체의 운동방정식에 대입하여 단면에 대해 적분함으로써 박벽 곡선보의 운동방정식을 유도한다. 단순지지되고 일축대칭단면을 갖는 박벽 곡선보의 면내 자유진동 모드에 대응하는엄밀해를 산정하였으며 곡선보를 유한요소로 분할하여 요소의 변위장을 요소 변위벡터에 관한 3차의 Hermitian 다항식으로 나타내고 이를 운동방정식에 대입함으로써 탄성강도행렬과 질량 행렬을 유도한다 또한 본 연구에서 얻어진 엄밀해와 곡선보요소를 이용한 유한요소 해석결과를 직선보요소 및 ABAQUS의 쉘요소를 이용하여 얻어진 결과와 비교 검토를 함으로써 본 연구의 타당성을 입증한다.

• 한국통신학회논문지
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• 제31권12C호
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• pp.1184-1193
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• 2006

영상 보간은 영상 처리 분야에서 전통적으로 많이 연구되어 왔고 널리 사용되고 있다. 그에 따라 다양한 보간 능력과 계산 복잡도를 갖는 보간법들이 많이 시도되고 있다. 이 논문에서는 기존의 선형 보간법을 위한 새로운 거리 가중치 개념과 보간되는 값의 상하, 좌우 지역적 패턴을 고려하여 반영하는 적응적 선형 보간법(New Adaptive Linear Interpolation : NAL Interpolation)을 제안한다. 새로운 거리 가중치는 기존의 거리에 선형적으로 비례하는 가중치의 개념에서 벗어나 가까운 화소에 더욱 더 영향을 많이 받는 특성을 이용하여 거리 가중치를 2차, 3차 다항식으로 개선한 것이다. 또한 NAL 보간법은 보간되는 화소의 상하, 좌우 패턴을 고려하는 선형 보간법으로 MF(magnification factor)의 변화에 따라 보다 선명한 이미지를 쉽게 얻기 위해서 보간하기 전 MF에 따라 패턴을 반영하는 정도를 결정하는 패턴 가중치를 이용한다. 실험 결과에서 제안된 보간법은 계산 복잡도 면에서 기존의 bicubic 보간법 보다 훨씬 간단할 뿐만 아니라 더 좋은 PSNR(peak signal-to-noise ratio)를 갖고 보다 선명한 화질의 영상으로 보간하였다.

• 복식
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• 제24권
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• pp.143-155
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• 1995

Unlike pure art such as painting and sculpture, dressmaking , a field of special plastic art, is characterized by its physical and functional nature. Having an inseparable relation with form, it is a field of art expressiion the human innersense of beauty in correlation with other various fields of art. In this respect, I think it should be necessary for us to study the forms of art from the past in order to study the forms of art from the past in order to study the correlations and mutual influencies between forms of pure art and dressmaking and to understand modern dressmaking from the standpoint of art. In this context, this study is an attempt to analze how the form and characteristics of OP ART , which represents the trends of the 1960's is embodied in modern dresses. The results are as follows : Fist , the expression of OP ART in dresses have visual effects harmonizing with bodily movements and , also, expanded the range and dynamics of expression which resulted from the introduction of visual phenomena in a fresh new sense by not limiting itself to the suggestion of patterns of OP ART. Second, OP ART paintings expressed the mobility and rhythimicity of a body in a limited space in a two-dimensional plane way of expression . When a dress is worn, however, it expands such mobility and rhythmicity in a cubic , three-dimensional way, maximizing the effects of , and boldly expression, OP ART, it can also create a new silhuette and ability of formation by seeking an open expression of OP ART rather than an expression of OP ART it self , due to the infinite possibility and unpredictability by the dynamics of movements and the elements principle of designs. Third , by applying the patterns of OP ART to dresses, we can obtain special visual effects of design, cover up the body's weak points, and create a desired three -dimensional sense by highlighting the beauty of the body's curved lines. Although modern dresses and OP ART are different genres of art, both have something in common in their pusuits. Since there is a infinite possibility in OP ART, there should be continuous attempts to combine dresses and art satisfying the sense of the times, which will lead dressmaking to a higher-dimensional dressmaking plastic art.

• Journal of Mechanical Science and Technology
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• 제20권5호
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• pp.710-716
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• 2006

Micro-PIV system with a high speed CCD camera is used to measure the flow field near the advancing meniscus of a water slug in microchannels. Image shifting technique combined with meniscus detecting technique is proposed to measure the relative velocity of the liquid near the meniscus in a moving reference frame. The proposed method is applied to an advancing front of a slug in microchannels with rectangular cross section. In the case of hydrophilic channel, strong flow from the center to the side wall along the meniscus occurs, while in the case of the hydrophobic channel, the fluid flows in the opposite direction. Further, the velocity near the side wall is higher than the center region velocity, exhibiting the characteristics of a strong shear-driven flow. This phenomenon is explained to be due to the existence of small gaps between the slug and the channel wall at each capillary corner so that the gas flows through the gaps inducing high shear on the slug surface. Simulation of the shape of a static droplet inside a cubic cell obtained by using the Surface Evolver program is supportive of the existence of the gap at the rectangular capillary corners. The flow fields in the circular capillary, in which no such gap exists, are also measured. The results show that a similar flow pattern to that of the hydrophilic rectangular capillary (i.e., center-to-wall flow) is always exhibited regardless of the wettability of the channel wall, which is also indicative of the validity of the above-mentioned assertion.