• 건축역사연구
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• 제22권5호
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• pp.47-64
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• 2013

The purpose of this paper is to examine the foundation and subsequent reconstruction years of Unsoo-sa Daeoong-jeon in Busan, especially based on the five records of this building. Moreover, this paper aims to analyze the possibility of the architectural type changes by comparison with nearby Buddhist buildings. The results of this study are summarized as follows. First, Unsoo-sa Daeoong-jeon was built in 1655. Afterward, it had been repaired through five times, but most members of it's wood-framework were found to had been prepared and constructed in 1655. Second, such as the gongpo type, roof type, module system, intercolumnar distance and proportion of intercolumnar distance and column-height, the architectural type of this building is similar to nearby Sinhung-sa Daekwang-jeon. This was because the identical monk-craftsmen carried out the many constructions of nearby temples with their architectural skills at the same period. Third, in particular, the style and created-time of the front gongpos are different from those of the rear gongpos. That is why the front gongpos were replaced when Unsoo-sa Daeoong-jeon was reconstructed in 1771.

• 건축역사연구
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• 제26권3호
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• pp.7-18
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• 2017

This research focuses on the cadastre and cartographic tradition regarding the representation of Rome that had lasted until the middle of 18th Century. Since the early period of Roman Republic until the early 18th Century, map was considered as a effective medium to record the status of urban facts and also a manifestation of changing perception of reality. These facts allow to diagnose social and conventional changes that had occurred in the field of representation techniques and methodologies derived from diverse intention and objective in elaboration of each map. Cartography also has affinity to architectural drawing as many categories of individuals are involved, clients, researchers, craftsmen, publisher and collectors. Fundamental task of documenting the contemporary physical reality was given to the map, however, as architects had practiced through the drawings, cartographers also reconstruct in subjective way specific buildings and urban aspects according to various needs and demands. As such, philology and imagination play important role as two constitute extreme poles in the evolution of the cadastre. Through analysis of paradigmatic examples in the genealogy of cartography of Rome, it was possible to understand the changing episteme that testify the mentality and custom in the field of visual representation.

• 한국의류산업학회지
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• 제4권4호
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• pp.347-357
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• 2002

In 1536, two Piedmontese merchants set up workshops in Lyons, and Henri IV encourged further development later in the 16th century. The development of Lyons as a centre of the silk weaving industry was helped by the perfection of drawloom weaving technique there in 1605 by Claude Dangon. In the 17th century, the French silk industry could finally compete with the dominance of the Italian silk trade. The French silk industry was promoted in the mid-17th century under Louis XIV's minister Colbert. In 1667, he published an ordinance creating La Grande Fabrique, a corporation for craftsmen within the silk industry, and Lyons became the undisputed French silk capital. Under Louis X IV, France was becoming the dominant force in Europe in matters of fashion and style. The major innovation of weaving was the Jacquard head attachment, which provided a mechanical means of raising warp threads by a series of punched cards. The are nouveau style did not have much impact on French silk design at the end of the century. Silk manufacturers began to collaborate with haute-couture designers such as the House of Worth. This collaboration with the burgeoning Paris haute-couture industry continued into the 20th century and safeguarded the future production of silk textiles in France.

• The International Journal of Costume Culture
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• 제13권1호
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• pp.1-4
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• 2010

The hand printed cottons of India are historically world-renowned for their rich fast colours, elaborate designs, and matchless quality. Until the discovery of synthetic dyestuffs in the latter part of the nineteenth century, the unsurpassed master dyers of cotton were the craftsmen of India-birthplace of cultivated cotton. The Indian printers and dyers monopolised this arcane art of permeating cotton cloth with richly hued, colour-fast designs, and the fruits of their labour proved hugely influential in international trade and the development of modern textile technologies. This paper focuses on a lesser-known body of hand printed cottons, traditionally produced in rural Rajasthan for everyday use by the local pastoral communities. Drawing on extensive research carried out with the region's Chhipa community of hereditary cloth printers, the complex and multiple applications of mordant, dye and resist are illustrated. Often taking months to complete, the enduring popularity of these labour-intensive hand printed cottons is then discussed, particularly in the light of the hugesocial importance borne by cloth in Rajasthan. Cloth and clothing are widely recognised as indicators of social status, gender, rank, and individual and group affiliations. In addition, cloth and clothing have been established as indicators of social, economic, political and technological change. The paper concludes by drawing attention to the recent influx of machine-printed polyester textiles, often replicating the designs or colours of the traditional locally produced cottons. Thus women of the region, whilst using these modern synthetic textiles as part of newer ways of expressing their identity, also visibly retain the values associated with hand printed cottons and traditional dress codes.

• 펄프종이기술
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• 제41권3호
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• pp.42-48
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• 2009

The various kinds of Hanji were manufactured by a few craftsmen at several provinces in Korea. It is very difficult to distinguish each others by its name so-called, Hanji, traditional Hanji, improved Hanji, mechanical Hanji and so on because the manufacturing process, raw materials and characteristics of Hanji are very different from each others. In this research, the functional properties of Hanji depending on the manufacturing process were evaluated and compared each others. The properties of Hanji was greatly changed according to grammage, lye and dochim. The higher the grammage resulted in the lower the pore size and the air permeability. Hanji made by NaOH and CaO showed relatively high brightness than that made by traditional lye(Yuokgae). Hanji treated with dochim can absorb high frequency(2,000 Hz) sound more effectively.

• 한국의류산업학회지
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• 제23권4호
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• pp.439-447
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• 2021

The purpose of this study is to examine the evolution of precious metal and gem stores, and to derive the characteristics of this period from the government, industry, and consumers. Correspondingly, the contents of daily newspaper articles during this period were analyzed using Naver's news library search engine. The historical development process is as follows. Before the Korean War, precious metal jewelers operated in Jongno, Namdaemun, and Chungmuro, dealing with gold, silver, and platinum. Large stores not only sold jewelry and watches, but also functioned as craftsmen and watch repairers. After the war, a shopping district for precious metals and jewelry was formed around Midopa Department Store. By 1963, the number of jewelry stores in Seoul increased to about 130 and to about 280 by 1966. The characteristics of the government, industry, and consumers are as follows. The government continued to implement a policy to regulate the precious metal and jewelry industry. Despite challenges, the industry exhibited the potential for foreign currency acquisition and growth through domestic amethyst. Consumers could access information regarding precious metal jewelry in daily newspapers. In the late 1960s, various types of jewelry were distributed in line with an increase in income levels.

• 건축역사연구
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• 제30권4호
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• pp.79-90
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• 2021

Since its construction in the late 14th century, Hanyangdoseong had been carried out three major repairs and reconstructions during the 500 years of the Joseon Dynasty. In addition to the large-scale construction, small-scale construction continued until King Gojong era. In particular, in the 18th century, systematic construction management was implemented by the craftsmen and the military participated in the renovation of Hanyangdoseong in earnest, and the construction methods also developed rapidly. In the early 18th century, new construction techniques were attempted in various sections of the reconstruction work, and gradually became a common technology for repairing Hanyangdoseong in the late 18th century. The purpose of this study is to examine the characteristics and period of changes in the 18th century's construction technique, when the rapid development of Hanyangdoseong took place. To this end, the excavation results related to Hanyangdoseong, the remaining city wall, and the inscribed stones were used to identify and demonstrate the characteristics and change of the construction method.

• The Journal of Asian Finance, Economics and Business
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• 제9권7호
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• pp.219-229
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• 2022

This study aims to analyze the economies of scale of the cottage industry for coconut sugar production in Banyumas, Indonesia. This study applies a survey method to coconut sugar craftsmen. Data analysis was performed by regression analysis based on the Cobb-Douglas production function approach. The findings indicated that decreasing returns to scale was a problem for the domestic production of coconut sugar. These findings show that the production of coconut sugar is not very productive. Labor and financial capital inputs have a significant positive share but the resulting increase in output is less proportional than the increase in the two inputs. Social capital, experience, and education do not affect industrial performance. To increase input productivity and production efficiency, it is necessary to apply more effective production techniques and technologies to produce quality products so that the selling price can be higher. Additionally, it is required to enhance the sap's quality through its extraction methods and the regrowth of high-yielding coconut tree varieties. From the institutional aspect, the development of this industry requires stronger partnerships with related parties such as local governments, exporting companies, cooperatives, and universities through research and development.

• 환경생물
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• 제39권4호
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• pp.515-522
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• 2021

Jeotgal is a salty and fermented traditional Korean fish sauce. Unlike most other previous studies that investigated samples purchased from retail markets, this study focused on samples of jeotgal with traceable history to Yeonggwang, a timehonored fishing village in Korea. Three jeotgal samples, which were made from small yellow croakers, largehead hairtail, and miscellaneous fish, were selected based on information obtained from interviews with local craftsmen and literature reviews. Bacterial community profiles of the three jeotgal samples were investigated to identify indicator (and potentially core) bacteria for jeotgal ripening. The 16S rRNA gene-based metagenomic analysis revealed that the dominant phyla and classes, (Gammaproteobacteria, Betaproteobacteria, Bacilli, and Clostridia) of the three different jeotgal were identical, albeit with different composition ratios. Diversification was evident beginning at the order level. Interestingly, each dominant order was mainly comprised of single members even at the genus level. The dominant genera included Halomonas, Tetragenococcus, Halanaerobium, Pseudomonas, Massilia, and Lentibacillus. This observed genus-level heterogeneity suggests that there are diverse bacterial signatures in jeotgal and that these can be used as indicators for jeotgal ripening and/or as starters to increase its sensory quality and functionality.

• 한국도서관정보학회지
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• 제39권3호
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• pp.457-477
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• 2008

본 연구는 전통(傳統) 제묵법(製墨法)의 부원(復元)을 위한 묵(墨)의 제조법(製造法)에 관하여 고구(考究)한 것으로, 그 주요 내용(內容)은 다음과 같다. (1) 묵(墨)은 탄분(炭粉)(그을음)과 아교(阿膠)를 섞어서 고체(固體)로 제조한 묵괴(墨塊)로 송연묵(松烟墨)과 유연묵(油煙墨)으로 구분된다. (2) 송연묵(松烟墨)은 소나무를 태운 탄분(炭粉)에, 유연묵(油煙墨)은 식물성이나 동물성 및 광물성의 기름을 태운 탄분(炭粉)에 아교를 섞어서 고체로 굳힌 묵(墨)이다. (3) 우리나라 전통(傳統)의 제묵법(製墨法)은 여러 문헌기록(文獻記錄)으로 전래되고 있으며 오늘날 전통(傳統)의 제묵법(製墨法)은 단절(斷絶)되어 더 이상 계승(繼承)되지 않고 있으나, 현대에 들어서 관심있는 묵장(墨匠)들에 의해 전통적(傳統的)인 제묵법(製墨法)이 부원(復元)되고 있다.