• 한국실내디자인학회논문집
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• 제19권1호
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• pp.148-157
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• 2010

The purpose of this study is to identify characteristic of Swedish modern furniture design through design works made by 8 prominent Swedish furniture designers during the 20th century. The study was completed through literature reviews and searching for web-sites of Swedish distinguished furniture companies. 8 furniture designers, eg. Erik Gunnar Asprund, Carl Malmsten, Josef Frank, John Kandell, Mats Theselius, Bruno Mathsson, $\AA$ke Axelsson and Yngve Extr$\ddot{o}$m were selected to identify the characteristics of Swedish modern furniture design. The results are as follows: 1) they pursuit simple and functional design beyond time. 2) they pursuit functionalism modified with Swedish traditional craftsmanship. 3) natural wood is considered as the most beloved material for the furniture together with other natural materials such as hemp, leather and cane. 5) easy maintenance and durability of the furniture are considered as important factors to make it last long. 6) ecological concept is fulfilled to meet environmental legislation.

• 한국의류학회지
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• 제45권1호
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• pp.136-154
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• 2021

'Slow fashion' has become a hot issue in the fashion world as fast fashion has caused environmental and ethical problems. This study synthesized the characteristics of slow fashion from preceding studies and organized them into four characteristics (craftsmanship, nature-friendly attitude, localism, and pursuit of exclusive value). This study compared designers, John Alexander Skelton and Geoffrey B. Small with four characteristics. First, both designers sought craftsmanship based on tailoring, but Skelton focused on the eco-friendliness of materials, and Small emphasized the development of high-quality fabrics. Second, we found a nature-friendly attitude in both designers, but unlike Skelton, which maintains nature-friendliness in the process of clothing production, Small showed this characteristic through presentations. Third, both designers revealed localism through their affection for the fabrics and culture of each country. Moreover, Small extended its meaning to respect minority tastes. Finally, both designers pursued exclusive values through collections under the themes of class problem, and gender conflicts. However, Skelton melted these topics into British culture and revealed them indirectly versus Small who showed sensitive topics directly in the collections. This study will provide the foundation for analyzing designers through the characteristics of slow fashion, and suggests directions that slow fashion designers should move towards.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 1999년도 추계 학술발표대회 논문집
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• pp.92-93
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• 1999

컴퓨터와 급속도로 발전하고 있는 인터넷 환경속에서 일어나고 있는 디지탈 혁명은 사회, 경제 환경 전반에 걸쳐 많은 변화를 이미 가져 왔고 앞으로도 계속적인 빠른 변화가 예상되고 있다. 편집 디자인 분야 역시 새로운 환경 속에서 매체의 다양화와 변화를 통해 그 영역이 확장되었고 새로운 실험들이 활발하게 일어나고 있다.(중략)

• International Journal of Costume and Fashion
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• 제12권1호
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• pp.83-95
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• 2012

This study aims to develop the 21st century eco design-based fashion products by examining Taller Flora products and presenting eco design approaches. Eco design terms were examined based on literature, and Taller Flora products were explored based on literature and websites. The following research issues were discussed. First, eco design terms are totally handled, thus defining the eco design. Second, eco design-oriented Taller Flora products are examined to explore design approaches. Eco design aims to conserve and heal the global environment with focus on a greater understanding of and interest in nature. As such, eco design is based on a new modern concept of aestheticism that seeks to minimize environmental damage caused by the three processes of production and distribution use and disposal, to take social and moral responsibilities for such activities, and to avoid hurting the environment. Taller Flora brands seek to produce products by keeping close ties with indigenous communities in various nations, and by emphasizing and embracing indigenous people's craftsmanship spirit and creativity Indigenous people use eco-friendly materials and produce products with craftsmanship spirit, and their cooperation by linking different cooperative networks is a good model for strengthening fair trade networks. These addresses the problem of expanding design work through traditional crafting. Therefore, the features of Taller Flora brands presented a new method to approach the eco fashion. The research findings are expected to help develop the eco design of fashion products.

• 한국의류학회지
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• 제34권3호
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• pp.492-507
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• 2010

The eco-design in modem fashion is mixed with a well-being trend that combines functionality and ethics with technology to suggest a new fashion style for the $21^{st}$ century. This study analyzes the colors of the eco-design in the current fashion trends and identifies the eco-friendly color images that suggest directions for eco-design. The results of this study are as follows. First, the eco-design is an ethical design concept of the ecological value. It can be classified into the functional efficiency in the multi-functionality the sustainability, the recycling capability, the trends for health and craftsmanship, according to various suggestions by eco-design related theorists. Second, the eco-colors shown in the fashion trend follow the order of YR, R, Y, N, and B, with the order of the pale, grayish, light grayish and dull tones. Third, the hue trends of eco-colors each eco-type are focused on R, YR, and Y. With regards to the tones, the functional efficiency, the multi-functional capability, and the sustainability are shown in the neutral tone, while the recycling capability is shown in the grayish tone and the trends pursuing health and craftsmanship are shown in the pale tone.

• 한국가구학회지
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• 제20권5호
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• pp.517-532
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• 2009

This study was carried out to review the characteristics of the Swedish modern furniture design and the works of Bruno Mathsson, who is appreciated as one of the most important furniture designers in the history of modern Swedish design. First, the authors examined how the Swedish designers set the value of warm, graceful humanity, practical simplicity, and the traditional craftsmanship in their furniture design with modernist ideology. Second, by examining the range of Bruno Mathsson's works from the 1930s to the 1980s, the authors searched for how these works show the realized models of the ideals of Swedish modern furniture. In this, this article explains that Mathsson's works and the modern Swedish furniture could have been regarded and beloved as being innovative and modern for more than 50 years for their friendliness to human body by the ergonomic structure and to human feeling by the quality of natural materials and finishes. In addition, their consistent effort to adopt traditional craftsmanship into functionalist ideals of modern design shows how these furniture designs could have keep the lasting quality in the life of people in different time frames.

• 한국전통조경학회지
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• 제36권2호
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• pp.54-60
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• 2018

'디테일의 거장'이라고 불리는 이탈리아 디자이너 카를로 스카르파(Carlo Scarpa)는 당시 시대적 조류였던 모더니즘의 한계를 넘어 지역성과 역사성이 담긴 감성적이고 시적인 정원을 창조한 예술가로 평가받는다. 본 연구는 스카르파 정원작품 속 디테일의 표현기법, 재료사용, 상징성을 분석함으로써 그의 디자인 철학 및 접근방법, 현대 정원설계에 있어서의 시사점을 도출하고자 하였다. 문헌고찰 및 현장조사 방법을 통해 베니스 및 인근지역에 위치한 스카르파 정원 및 공원의 디테일을 분석한 결과는 다음과 같다. 첫째, 스카르파는 재료의 물성에 대한 깊은 이해를 바탕으로 다양한 재료의 병치, 대비, 혼합을 통해 전통과 현대가 조화된 풍부하고 흥미로운 정원공간을 연출하였다. 둘째, 재료의 연결과 병치에 있어서도 유리세공과 같은 수공예적인 기법이나 덧대기 등의 텍스타일 디자인 방법을 적용하여 섬세하고 세련된 정원 디테일을 구성하였다. 셋째, 지그라트 모티브나 기하학 등 자신만의 독특한 조형언어를 통해 단조롭고 삭막해 보일 수 있는 모더니즘 정원에 풍부하고 화려한 장식성을 부여하였으며, 물, 지형, 식재 등의 자연적 소재들을 통해 장소, 역사, 문화, 인간의 삶을 상징적으로 표현하였다. 공예가적인 장인정신을 바탕으로 섬세한 재료이용과 디테일을 통해 서술적이고 시적인 정원을 설계한 스카르파의 모더니즘 정원은 오늘날 전통재료 및 문화의 현대적 재해석 방법에 있어 많은 시사점을 준다.

• 한국엔터테인먼트산업학회논문지
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• 제14권5호
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• pp.15-26
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• 2020

지역 경제 성장의 핵심 요인인 지역 특산품은 해당 지역 특유의 영감과 감성을 창출할 수 있는 제품 및 서비스를 의미한다. 지역 특산품에 대한 관심이 높아지고 있음에도 불구하고 여전히 학문적으로는 지역 특산품의 성장 비결에 대한 노하우 분석의 필요성이 존재하고 있다. 기존 선행 연구가 지역 특산품의 브랜드 및 관광 효과를 분석했지만 지역 경제 차원에서 지역 특산품의 수준을 향상시킬 수 있는 기타 방안 및 특산품 사업가들의 의식 정립에 대한 필요성이 요구되기 때문이다. 본 연구는 이를 감안, 경주빵과 찰보리빵을 대상으로 지역 특산품 발전 및 지속 성장을 논의할 수 있는 학문적 시사점을 제공하고 지역 특산품을 육성할 수 있는 실무적 교훈을 함께 제안하기 위해 연구를 진행하였다. 이를 위해 경주에서 가장 전통 있는 제빵 브랜드인 고도 경주빵과 고도 찰보리빵을 대상으로 깊이 있는 사례연구를 진행하였다. 그리고 사례연구를 통해 지역 제빵의 지속 성장을 위해서 지역 특산품을 만드는 사업가의 장인정신 및 기업가정신이 가장 중요한 성장 요인임을 제안하였다. 본 연구는 이 과정에서 지역 특산품 사업가들의 기업가적 의지와 장인정신의 핵심 동력으로 가업승계가 어떤 역할을 하는지 핵심적으로 이를 고찰하였다.

• 패션비즈니스
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• 제8권3호
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• pp.20-33
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• 2004

The creative energy of the Korean women who pursued spiritual artistic practices under the limited situation of male-dominated confucian society in the Chosun Dynasty(AD 1392 - AD 1910) constituted the background for the development of Gubang Craft. Gubang Craft represented their artistic abilities, moral and family values, and the pursuit of self-esteem. Especially embroidery successfully showed four main elements of Gubang Craft such as embellishment, diversity, femininity, and craftsmanship. This paper is designed to explore how the traditional elements of embroidery works are restored and have influence on the modern Korean fiber art.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제10권8호
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• pp.3925-3942
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• 2016

Like natural climate change on the planet earth, the climate in software development environments is also changing (fast). Like the natural weather, the software environment is also disruptive. As the climate experts alert and suggest taking necessary measures to overcome certain challenges to make this earth a safer and comfortable living place, likewise this article also alerts the relevant stakeholders of software craftsmanship about the dynamic challenges that traditional Software Engineering (SE) with purely "Engineering mind-set" is not capable to respond. Hence, some new thoughts to overcome such challenges are shared. Fundamentally, based on the historical evidences, this article presents the authors' observation about continuous shift from traditional "Engineering-based" software development approaches to disruptive approaches - "Vibrant Softology". The authors see the cause of this shift as disruptive transformational force, which is so powerful that it is uncontrollably diminishing the "Engineering-based" approach from software development environments. The authors align it with climate change analogy. Based on this analogy, the authors feel the need to theoretically re-coin the notion of SE to some new term; perhaps Vibrant/Dynamic Softology (VS or DS). Hence, the authors suggest "a new (disruptive and dynamic) way of thinking is required to develop software". It is worth mentioning that the purpose of article and this new theory is not to disparage the notion of software engineering altogether, rather the aim is to highlight the importance of transformation from SE to its next level (perhaps VS/DS) due to the emerging needs in the software craftsmanship environment.