• Proceedings of the Costume Culture Conference
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• 2000.09a
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• pp.35-35
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• 2000

• Proceedings of the Costume Culture Conference
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• 2000.09a
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• pp.44-45
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• 2000

• Proceedings of the Costume Culture Conference
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• 2003.02a
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• pp.10-11
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• 2003

• The Research Journal of the Costume Culture
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• v.5 no.3
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• pp.129-141
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• 1997

This study analyzes the factors of the pleasure principle through female costume in the paintings of Renoir, based on the Freud theory. The factors of the pleasure principle pursuing the desire-satisfaction are described as follows ; narcissism, exhibitionism, extension of the bodily self, the emphasis of erogenous zone, and muscle-erotism.

• The Research Journal of the Costume Culture
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• v.5 no.1
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• pp.1-10
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• 1997

The purpose of this study was to identify and to examine costume terminologies in Samkuksaki(三國史記). yo ban(　　) and mal-yo(襪　) were examined. It appeared that yo (　) was the band of woman's skirt and ban (　) was woman's sash worn over skirt. malyo (襪　) were the leggings worn by women in Silla period.

• The Research Journal of the Costume Culture
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• v.2 no.2
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• pp.445-460
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• 1994

This paper analyzes Empire style costume based on the fashion theory of Lauer and Lauer. We classify fashion into tow categories, a personal identities, the social competition and sexual competition, he economic factor as a functional factor, and the reflective thing of zeitgeist, eroticism as a dynamic factor. These factors can be visualized from fashion design, textiles, ornaments expressed in the paintings.

• The Research Journal of the Costume Culture
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• v.2 no.1
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• pp.105-121
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• 1994

The purpose of this study was to investigate clothing socialization in Korean fairy tales by the socialization theory. Clothing socialization analyzed of seven categories-norm, role, self-identity, morality, institution, social class and social change, From the costume in the Korean fairy tales, clothing socialization can be visualized.

• The Research Journal of the Costume Culture
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• v.7 no.5
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• pp.19-32
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• 1999

This paper examines Haniwa costume in the Goboon period of Japan. The results are as follows. 1. Haniwa costume consisted of two pieces, the upper one and the lower one. Man wore Jacket and Pants, woman wore Jacket and Skirt ; besides, they wore several ornaments such as hats, necklaces, earings, bracelets. 2. When it was introduced, two-piece costume signified, symbolically, the authority of the chieftain and his near men wore it. 3. Before it was introduced, their proper costume had been the same kind of costume as Whoengpok-costume and Gwandu-costume, which was the primitive costume in the South countries. That costume was fit both for the hot and wet nature of Japan and for the working lower-class, so it was continuously worn by the lower-class after two-piece costume had been introduced. 4. In the Goboon period of Japan, a unified government with the class ruling was established for the first time. Thus, this social order was reflected in costume as a whole, and costume had such class-oriented features.

• The Research Journal of the Costume Culture
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• v.18 no.1
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• pp.44-63
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• 2010

The purpose of this study was to examine the process to manufacture costume design of main female characters of TV historical drama and suggest the costume, which is developed with contemporary taste. As study methods, the literature study using books and theses concerning costume, fine art, culture and history were used for theoretical background and the empirical study method manufacturing actual costume on the basis of literature and relic were used for dress manufacture. The study results were as follows. The costume was decided by researching historical investigation material on the basis of synopsis, grasping director's basic intention, setting design direction, preparing design map of each character, selecting style, detail, fabric and color, manufacturing sample and performing camera test. The design concept of was Modern & Chic & Clean, short & fitted chogori, chima with wide & abundant cocoon silhouette, clean & bright colors and 100% silk fabric. For the design discrimination of royal semi-formal costume, color was used to symbolize character and pattern was used to symbolize social status. In addition, detail change was adopted depending on the body shape of actor and there was almost no design discrimination in silhouette and fabric. Petticoat of the west, modernization of transitional pattern and change of detail were adopted as design elements to add contemporary taste.

• The Research Journal of the Costume Culture
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• v.2 no.2
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• pp.189-201
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• 1994

This study is an analysis of the costume terminologies of Silla nine costume terminologies were compared with other languages. The results of this study revealed that the costume terminologies of Sill were related to Semitic language group such s Hebrew, Aramaic, Arabic, and Assyrian as well as Persian, Turkish, Mongolic, Manchu, Gyliak and so on. The results of the analysis of this study imply that he people Silla had cultural contacts with the people of the Middle Est Asia and Near East Asia as well as their neibouring people such as Mongolians, Manchurians and Giyaks.