• 건축역사연구
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• 제12권4호
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• pp.49-62
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• 2003

Vesely explains, the main source of our confusion and nihilism comes most probably from the ambiguous relationship between modem architecture, technology and aesthetics. Also, to overcome such crucial problems, many theorists recently emphasize to take part in cultural civilization and to preserve creative genes of great culture that is based on our interpretation of 'ethical and mythical nucleus of mankind,' rather than in technical modernization that constitutes a sort of subtle destruction of mytho-ethical nucleus of a society. They for architecture also strongly stress on a mythopoetic imagination and an ontological construction of building, which could make a form symbolic and mythical rather than mathematical and aesthetic representation. On this point, 'myth' becomes a vital idea for constructing and construing architectural form and space. And it is also one of the essential concepts to understand both the motive power of cultural continuation of place and the meaning of architecture. Nevertheless, its meaning and the citation of word in architectural essay are still obscure. It might be because the original concept of myth not only has been lain in the matter of philosophical contemplation. Thus, the intention of the research is focused on lightening the meaning of myth in architectural term. Especially, it is, first, concentrated on interpreting philosopher Ernst Cassirer's reflections which were written in order to emphasize the importance of 'mythical consciousness' for the world's cultural civilization. And, the second, it will continue to interpret the myth as a sign within the semiotic concept of Charles Sanders Peirce, and further to emphasis the significance of mythic signs for the continuance of artistic and cultural idea including architecture. The contents of the paper is not that of architectural planning and design methodology, rather architectural philosophy and epistemology. Nevertheless, in regard to architecture, the research will, against today's un-discriminated use of symbolic motifs and instrumental representation of form, suggest a concrete architectural and aesthetic theory of myth and sign, especially of the relationship between the idea of semiology and the function of cultural continuity.

• 건축역사연구
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• 제11권4호
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• pp.99-115
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• 2002

Centered on Durand and Le Corbusier, this study analyses the changing status of the grid and axis in modern architecture. In the Renaissance, the taxis grid operated as a contour grid, defining the elements and space of the building as part of closed harmonized world. In his Pre'cis des lec., ons d'architecture, Durand provides the most explicit demonstration of a new modem grid in which its lines function as spatial and structural axes. In principle these axes are coordinates for the placements of a priori elements but in Beaux-Arts practice, as Durand himself acknowledged, they involve a simultaneous process in which the spatial axis sets up the basic parti and the structural axis is developed into the building's poche'. As a coordinate, Durand's grid provides a place for the 'subject' to enter the architectural process. At the same time, it is the object of the subject's gaze, the dense site of the subject's transformative actions. Though Le Corbusier is noted for his frequent attacks on the academic system, his architecture should be seen within the continuity of the classical tradition. He redefines the Beaux-Arts axis as a moving and seeing observer, and continues the discipline of the plan, the essential discipline of the Beaux-Arts system. In his dialectics, an intellectual scheme which extends to his commentators, the intention and will of the subject must come in tune with the objective material form of the building. Like Durand, Le Corbusier's axis provides the medium for the subject to enter. Unlike the Beaux-Arts system, however, Le Corbusier's mobile subject no longer has a holistic view of the building previously provided by the central axis. If there is a parti for Le Corbusier, it consists of the domino grid as a potential, but nonetheless, tangible form. In comparison with the Beaux-Arts structural grid, his gaze no longer lingers on their lines because they no longer constitute a formal process tied to the development of a thick articulated structure. Le Corbusier's grid constitutes a 'loose' form, one that breaks down the hierarchical nature of the Beaux-Arts system.

• Maxillofacial Plastic and Reconstructive Surgery
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• 제39권
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• pp.12.1-12.5
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• 2017

Background: Rehabilitation of normal function and form is essential in cleft lip repair. In 2005, Dr. David M. Fisher introduced an innovative method, named "an anatomical subunit approximation technique" in unilateral cleft lip repair. According to this method, circumferential incision along the columella on cleft side of the medial flap is continued to the planned top of the Cupid's bow in straight manner, which runs parallel to the unaffected philtral ridge. Usually, small inlet incision is needed to lengthen the medial flap. On lateral flap, small triangle just above the cutaneous roll is used to prevent unesthetic shortening of upper lip. This allows better continuity of the Cupid's bow and ideal distribution of tension. Case presentation: As a modification to original method, orbicularis oris muscle overlapping suture is applied to make the elevated philtral ridge. Concomitant primary rhinoplasty also results in good esthetic outcome with symmetric nostrils and correction of alar web. As satisfactory results were obtained in three incomplete and one complete unilateral cleft lip patients, indicating Fisher's method can be useful in cleft lip surgery with functional and esthetic outcome. Conclusions: Clinically applied Fisher's method in unilateral cleft lip patients proved the effectiveness in improving the esthetic results with good symmetry. This method also applied with primary rhinoplasty.

• 보건교육건강증진학회지
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• 제7권1호
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• pp.10-26
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• 1990

In Korean education, the health contents are scattered in various course subjects throughtout the primary and junior high school curriculum. So it is very difficult to provide systematic health education. The purpose of this study was to provide a guide for health education using health topic areas and major concepts that represent the scope of material that should be covered in health instruction. The steps used in selecting these health topic areas and major concepts were as follows: 1. A review of the literature related to health and health education was done to develop the rationale underlying this study. 2. Health topic areas basic to the growth and development characteristics of children, to human needs and to societal needs for healthful living were indentified. 3. The major concepts for each health topic area based on health sciences and children's growth and development levels were selected. 4. The major concepts selected were organized in sequence to guide health education from grade one to grade nine. The results of this study were as follows: 1. The identification of eleven health topic areas essential for health education. These include: personal habits and health healthy growth and development nutrition and health prevention of disease and disorders drugs and health mental health family life and health sex education accident prevention consumer health community health 2. The identification of the major concepts(generalizations) for each health topic area: 33 major concepts were identified as a guide in determining the health content of health education programs. These are 1) body cleaniness, 2) health of the sensory organs, 3) dental health, 4) exercise and rest, 5) growth and development, 6) body structure and function, 7) developmental tasks, 8) balanced nutrition, 9) eating habits, 10) food preparation and food storage, 11) sources of disease and disorders, 12) disease preventive behavior, 13) care during illness, 14) drug use and misuse, 15) drug addiction, 16) emotional responses, 17) human relationship, 18) self concept, 19) social adjustment, 20) health habits of the family, 21) interdependence of family members, 22) origin of life, 23) characteristics of man and woman, 24) sexual instinct, 25) safety behavior, 26) emergency measures, 27) criteria for selection of health products, 28) proper use of health information, 29) utilization of health and medical services, 30) environmental conservation, 31) environmental pollution, 32) population control, 33) function of public health services. 3. The organization of the concepts(generalizations) in sequence and for continuity in health instruction at the primary and junior high school level.

• 디자인학연구
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• 제15권3호
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• pp.15-28
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• 2002

본 연구는 한국의 문화정체성을 표현하는 대표적 이미지어들을 도출함으로써 디자인 분야에서 활용할 수 있는 한국의 정서와 이미지를 구체적인 어휘로 제시하는데 목적이 있다. 연구 방법으로는 1990년대에 발표된 복식과 건축 디자인 논문 중에서 한국의 이미지를 현대적 의미로 재해석한 논문을 중심으로, 디자인 요소, 디자인 원리, 추상성, 표현성 그리고 기능성의 요인과 관련된 이미지어를 유형별로 범주화하여 분석하였다. 복식과 건축디자인 분야를 대상으로 한국의 이미지에 대한 공통성과 차별성을 규명한 결과, 이제까지 보편적으로 인식되어오던 한국의 이미지와 함께 새로운 측면도 발견할 수 있었다. 즉, 이제까지 한국의 문화 정체성을 나타낸다고 인식되어온 무채색, 소박함, 한과 비애, 간접적 표현 등을 나타내는 이미지 외에도 화려한 색채, 고귀함, 즐거움 등과 같은 적극적이고 능동적인 표현도 한국의 문화정체성을 나타내는데 중요한 비중을 차지하고 있음을 알 수 있었다. 또한 건축디자인에서는 복식디자인보다 기능적이고 합리적인 이미지가 도출되었다.

• 한국정보과학회논문지:시스템및이론
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• 제33권4호
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• pp.242-255
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• 2006

최근에, 휴대용 컴퓨터와 모바일 장치(Smart Phone, PDA, MP3 Player 등)의 보급 증가로 인하여 모바일 환경에서의 전력 관리 기술의 필요성은 매우 증가하고 있다. 왜냐하면, 전력 관리 기술은 모바일 장치에서 가장 중요한 요소 중 하나이기 때문이다. 한편, 하드 디스크는 가격에 비하여 용량이 크고 속도가 빠르며 최근에는 모바일 장치에서 사용하기에 충분하게 작게 만들 수도 있으므로 모바일 기기에 사용하기 적당하나, 모바일 장치에 사용하기에는 소모 전력이 너무 크다는 단점이 있다. 이러한 이유들로 인하여 본 논문에서는 디스크에 저장된 연속적인 멀티미디어 자료를 실시간으로 재생하는데 소모되는 전력을 최소화하기 위한 방법을 제안하고 평가하였다. 모바일 장치에서 소모되는 전력을 엄격히 제한하는 것은 모바일 장치들의 하드웨어와 소프트웨어 디자인에 지대한 영향을 준다. 실시간 멀티미디어 재생이 기존의 텍스트 서비스와 다른 점은 디스크가 저장된 데이타 블록을 연속적으로 공급한다는 것이다. 이것은 디스크 드라이브가 멀티미디어 데이타 전체를 재생할 동안 활성화 상태를 유지해야 하게 하므로, 전력 관리 측면에서는 매우 큰 부담으로 작용한다. 전형적인 모바일 디스크 드라이브의 전력 관리 기능은 디스크가 대기 상태에 있을 때의 과도한 입출력 요청으로 인하여 멀티미디어 재생의 품질 측면에서는 부정적인 영향을 준다. 따라서, 본 논문에서는 디스크 드라이브의 전력 소모 형태를 세밀히 분석하고, 저장된 멀티미디어 데이타를 보다 효율적으로 전력을 덜 사용해 재생할 수 있는 알고리즘을 개발하였다. 이 알고리즘은 읽어야 할 데이타 블록의 수와 활성화/대기 상태의 길이를 계산한다. 이로써 본 논문에서 제안한 알고리즘은 모바일 디스크 드라이브에 저장된 데이타 블록의 연속적인 재생을 보장하는 최적의 스케줄링을 한다. 기존에 공개된 MPEG 재생기에 본 알고리즘을 적용한 멀티미디어 재생기를 만들었다. 이 재생기는 전체 재생동안 활성화 상태를 유지하는 경우와 비교하여 60%의 전력 소모량을 절약하였고, 전력 관리 모듈이 있는 디스크 드라이브에서 재생할 경우에 기존외 재생기와 비교하여 38%의 전력 소모량을 절약하였다.