• 복식
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• 제61권1호
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• pp.1-19
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• 2011

The purpose of this study is to pursue the way of human body expression for prospecting of future fashion illustration through research of the methods and meaning expressed in the works of 30 years by Antonio Lopez. The research was conducted by looking into the perception of the body between 1960s and 1980s, when Lopez worked actively, on the basis of the discourse, art and fashion for the femininity and studying the representation method and meaning of the body in his works. Lopez suggested an index of the ideal beauty of the times through the representation of the immature body like a child in the 60s, the glamorous body in the 70s and the exaggerated muscular body in the 80s by predicting the changes of the perception of femininity and ideal beauty. As the result of this research, it is found that Lopez employed the art form for the representation of the body in his works and presented the polysemous implications of the art form in the context of the body expression. In addition, he redefined sexuality by focusing on the code that confronted the conventional women's morals by changing the representation method of the women's pose, and depicted the other's image such as the colored races, departing from the ideal human body based on the white women. Lastly, he deconstructed the human body in various ways, thereby enlarging the concept of the human body in the existing fashion illustration.

• 한국실내디자인학회논문집
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• 제20호
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• pp.114-120
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• 1999

The study on architecture can be started with the aesthetic attitude which cognizes it as the art of the space. Architectural space as the subject of the aesthetical study, however, has been ignored such a long period though it should be centered of the whole architectural theory. Even it has not been dealt with independently but just only as a part of aesthetic or artistic field. Also it is true that academic approach to the architectural space as per the aesthetic cognition has not been done so satisfactorily. This study, therefore, aims at prescribing compositional scope from aesthetic cognition of architecture understanding the rational function, mechanic structure, and artistic beauty by man's subject standard of judgement as per the space, the special sphere of architecture. For the absolves, the architectural space in this study is not approached as the spatial art with the meaning of being included the arts general, but with the meaning of intrinsic peculiarity of architecture, based both in practicality of scientific concept and arts of the aesthetic notiov. In order words, the essence of architecture can be prescribed as the architectural realities as the functional, formal and symbolical space not simply the spatial art, and its real but aesthetic meaning can be cognized aesthetically.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.109-114
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• 2006

The world has become one united world so that it is worthless to divide it into two; the East and West. In the 20th century, eastern perspectives proliferated in western science involving theology, philosophy and psychotherapy. In this time of various trends of ideas emerged minimalism, artistic and cultural current seeking simplicity and conciseness. This current of idea appeared about the time of World War II in visual art, and then expanded to other fields like music, architecture, fashion and philosophy in diverse forms. Minimalism is also presented in interior space with extreme form of simplicity and detail, revealing parts of the space as delicate and pure style with emphasis on purity of the space itself. In this research, demonstrate clear features of eastern view of space appeared in minimalism of interior design mainly in America. The reason the scope of study is limited to America is that America is the origin of minimal art and has been hub of modern design since the 1930s. The research, first, finds out the origin and conceptual idea of minimalism and features of eastern view of space. Based on this understanding, further study has been carried to discover relation of minimalistic interior space to eastern view of space and to analyze eastern characteristic expressed in minimalistic space by examination of cases pertaining to commercial space.

• 복식
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• 제60권6호
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• pp.11-22
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• 2010

Purpose: The purpose of this study is to develop golf wear textile design, produce simulation and samples, and create original designs using geometric patterns. Significance: If modern people's trend to pursue well-being is be associated with healthy and active lifestyle and the design which combines a sport sense into artistic image appears in golf wear, it is a very significant effort to settle the role of sport as a mega trend. Contents: This study examined the general concept of geometric patterns and the situation and characteristics of women's golf wear. Finally, the design and simulation of gold wear textile were proposed. Study Instruments: For theoretical research, articles, books, literatures, and Internet materials published at home and abroad were reviewed and collected. For empirical research, a dot, a stripe(a line), a square, and an oval were selected and simulation was tested visually after the development of textile designs. Finally it was directly produced and golf wear design was developed. Photoshop CS 3 and Wacom intuos 3 were used as a general-purpose program and hardware respectively. DTP printing was used for sample work. Based on research results, geometric patterns range broadly and diversely from prehistoric remains and relics to contemporary art, design, architecture, and fashion. It is a unique formative element with value and attraction as the infinite object of inquiry beyond an area and the times. The combination of geometric patterns with art touch could complement the rigidity of design. It contributed to the perception of important role of art in the design area, namely, the importance of design containing artistry.

• 디자인학연구
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• 제16권1호
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• pp.127-136
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• 2003

세계는 점차적으로 각 나라에 대한 정체성, 각 단체에 대한 정체성, 개인에 대한 정체성을 추구하고 있으며, 그 정체성이 타문화 또는 타 단체와 차별되는 특징을 갖는 고유 디자인을 요구하고 있다. 또한 캐릭터를 비롯한 만화, 애니메이션, CF등 캐릭터 관련 산업들이 곳곳에서 대두되면서 개개인의 개성을 부각시킬 수 있는 마스코트 개념의 캐릭터 개발이 요구되었다. 이러한 개인의 정체성을 표현한 캐릭터를 포함한 캐릭터 관련 상품 시장을 'Individual Character" 산업이라 명하고, 본 연구는 위 산업을 위한 차별적 특징을 갖는 디자인으로 한국적 소재를 사용하여 마스코트 또는 수호천사 개념으로 "Individual Character"를 개발하였다. 본 연구는 이를 개발하기 위해, 한국의 전통 주술 문양을 분석하고, 캐릭터 산업 및 국내외 전통 문양 소재의 캐릭터 조사를 통해 12지를 소재로 한 캐릭터를 하나의 인격을 갖는 형태로서 line art 캐릭터, 오방색 2D 캐릭터, 글자 '||'&'||' 그림 3D 캐릭터, 3가지 형태로 개발하였다. 이 3타입의 캐릭터들은 유형별 전략을 모색한 후 각각 캘린더, 도자기, 금속, Animation Source, 생활 용품, 악세사리 등 각종 상품에 적용 개발하였다. 상품 적용은 line art, 2D, 3D 타입에 대한 상품 적용을 목적으로 Re-design을 하여 적용하였으며, 금속, 지류, web, 도자 등 각 소재별 표현제약을 고려하여 각 상품을 유형별로 개발하였다. 본 연구는 이를 통해 전통주술 문양을 소재로 한 "Individual Character"가 한국적 디자인 창출을 통한 문화적 정체성과 독창성을 발굴할 수 있었으며, 캐릭터 산업에 "Individual Character"라는 개념을 새롭게 적용하여, 한 가지 소재로 다원화된 캐릭터를 개발하며, 소비자 대상에 따른 각종 상품에 적용을 시도하였다.

• 한국가구학회지
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• 제27권1호
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• pp.49-58
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• 2016

In modern society, designers started feeling moral and social responsibility in the aspect of environment as a position of suggesting something new. Rather than creating another waste to make something innovative, the concept of Upcycling which is about adding design or utilization to the existing recyclable materials to raise their value to products or art works has started settling down. Among them, there have been various researches on the use of offcut waste to be dumped. Such use of waste can be found in Jogakbo (patchwork), one of our traditional boudoir crafts. This could be connected to the concept of the modern Upcycling in the aspect of giving new values to the wasted pieces of fabric through needlework. Therefore, this study suggested Stitch work as new Upcycling furniture by seeking for the common connections between Upcycling and traditional Jogakbo, and then reinterpreting them in the same viewpoint. It was an opportunity not only to rediscover 'the esthetics of waste' by changing the awareness of 'behavior of dumping', but also to reinterpret or reconsider the tradition. Based on this, it is expected to continuously have new attempts to use offcut waste for eco-friendly design in the future, and also to have opportunities to seek for new directions of Upcycling to rediscover new values through the revaluation of valuelessness.

• 한국가구학회지
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• 제28권4호
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• pp.332-339
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• 2017

Today, our indoor space requires a user-centered considering design that satisfies even human sensitivity. The word 'sensitivity' is being frequently used in the design market recently and this means that consumers are becoming more sensitive. For this reason, the characteristics of Toyo Ito's architecture, which are innocent due to its natural structure and materials, are suggested as a sensitive lighting stand design which can relieve users' stress from daily life and bring a psychological stability. As such, sensitivity lighting can create a lighting environment that considers consumers in various spaces along with the development of new scientific technologies and develop in a new direction of aesthetical beauty and eco-friendly area. In this study, a natural and sensitive lighting stand is suggested where a variety of digital art techniques of LED are applied based on formative characteristics of relationship, one of Toyo Ito's architectural concept factors. Such sensitivity lighting designs can not only realize a type-free design but also suggest a creation of the atmosphere which is close to nature.

• 패션비즈니스
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• 제12권3호
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• pp.16-30
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• 2008

The purpose of this study is to inquire into the necessity and problem of the study on beauty aesthetics, and the direction and method of its study theoretically by applying the concept of aesthetics to the beauty art as an attempt to build up aesthetic concepts of beauty art. As results of inquiry, the study on beauty aesthetics is essential for the adaptation to demands for the creativity of beauty art. As for problem of study on beauty aesthetics, it is necessary to conduct an aggregate study at various angles since the aesthetic value of beauty art (hairstyle) is realized by interaction of the social cultural value or practical value and pure artistic value, and the unique cosmetic beauty of any era or nation group individual is created on the basis of hair designers and individual spirit, emotion and taste, etc. and its perceptual aesthetic enjoyment is accomplished variously. As for the direction and method of study on beauty aesthetics, the quest with abstract speculative self-examination into the beauty having its subjective meaning must be accomplished. This thesis would like to contribute to the building up of beauty industry field as beauty arts based on the aesthetics by successive coming forward of personnel for beauty who combine the aesthetic abilities meeting the diversified requirements of modern society and by improving the recognition of persons recognizing the beauty industry field as a technical field only.

• 한국콘텐츠학회논문지
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• 제19권5호
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• pp.562-571
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• 2019

예술과 미디어 기술을 융합한 새로운 장르의 공연콘텐츠 시장의 확장은 전통적인 무대미술 표현범위의 한계를 넘어 창의적인 시공간적 표현을 자유롭게 하며 공연예술분야 내 블루오션으로 성장하고 있다. 이러한 시대적 변화와 요구에 따른 공연예술 산업 발전에 이바지할 예술 기술 융합 콘텐츠 제작이 가능한 융합 인재 수요가 급증하고 있다. 이에 따라 대학의 무대미술 전공 관련학과에서는 기존의 미술교육 외 시대에 상응하는 무대영상 및 다양한 미디어 매체 기술(가상현실. 홀로그램, 인터렉티브 모션센서)등을 공연예술 분야 시각화 과정에 접목시키는 역량제고를 위한 교과목 개발이 시급하다고 판단했다. 본 논문은 최근 10년간 미디어기술 융합공연 사례분석을 통하여 구체적인 기술융합 무대미술 전공 교과목 개발에 관하여 연구하고자 한다. 무대미술과 미디어 기술 융합교육 시도는 기존의 전통적인 무대미술 개념을 기반으로 작품성과 더불어 창조적인 시각적 표현의 한계를 뛰어넘는 융합인재 양성의 초석이 될 것이다.

• 한국의류학회지
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• 제42권5호
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• pp.809-822
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• 2018

Fashion brands communicate with consumers through the use of fashion films that are effective in the delivery of the image. This is because digital media (such as fashion films) are popular and accessible as well as effective in attracting people's attention. The reasons why fashion films have become a new fashion media among many others is becuase they are based on an existing platform. This study will examine offline platforms of fashion film: flagship store, fashion exhibition, and fashion show. The offline platform of a fashion film is a physical space where a fashion film can be exhibited and viewed as a medium that can effectively convey fashion film to consumers. As a research method, the concept of an offline platform of fashion film is established based on a literature review of fashion films and platform that is followed by an empirical case study. The study results show that the offline platform of a fashion film is in the progress of turning into an autotelic space where the consumption of such culture as cinema and theater has become possible.