• 한국멀티미디어학회논문지
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• 제23권6호
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• pp.765-771
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• 2020

To enable AI(artificial intelligence) to realize visual emotions, it attempts to create music centered on color, an element that causes emotions in paintings. Traditional image-based music production studies have a limitation in playing notes that are unrelated to the picture because of the absence of musical elements. In this paper, we propose a new algorithm to set the group of music through the average color of the picture, and to produce music after adding diatonic code progression and deleting sound using median value. And the results obtained through the proposed algorithm were analyzed.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2014년도 추계 종합학술대회 논문집
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• pp.325-326
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• 2014

With a history of over 100 years, animation is an art of film and television, and a diversified special form of art as well. Animation scene design is not just about scenic painting but also a time-space formative art that serves for film and television animation, presents story plots, unveils dramatic conflicts and depicts character personalities. Scene design requires both high creativity and artistry. Scene design shall cover the living places, social environment, natural environment and historical environment where the characters live. The use of color is an important part in animation creation. In terms of scene design, it plays a significant role in building up the scene atmosphere, promote the plot and enriching screen contents. Focused on Uproar in Heaven-a classic Chinese animation, this paper analyzes the traditional characteristics of Chinese animation scene color and discusses the application and development of color.

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2006년도 추계학술대회 논문집
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• pp.653-654
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• 2006

• 한국산학기술학회논문지
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• 제14권7호
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• pp.3454-3459
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• 2013

수묵 담채화는 먹과 채색을 동시에 사용하는 예술 양식을 의미한다. 이는 동양 미술의 전통적인 기법중의 하나로 널리 알려져 있으며, 영화 및 광고 포스터 및 카메라의 다양한 특수효과 표현 등에 널리 활용된다. 본 연구에서는 컴퓨터 그래픽스 및 영상처리 기법을 기반으로, 참조된 예제 이미지의 수묵담채화 특징이 반영된 결과영상 생성 알고리즘을 제안한다. 이를 위해 우리는 크게 두 가지 단계를 거친다. 첫 번째 단계는 채색 효과 표현단계이다. 우리는 예제 영상에 나타나는 재질감을 수치적으로 분석해 결과 영상에 반영할 수 있는 질감 전이 기법을 활용하였다. 두번째는 먹선 효과의 표현이다. 우리는 예제영상의 윤곽선에서 나타나는 명도 변화 값을 고려하여 먹선 효과를 표현하였다. 우리의 알고리즘은 선택된 참조 영상에 따라 다양한 느낌의 수묵 담채 스타일의 결과를 표현할 수 있으며, 이 기법은, 다양한 콘텐츠 생성 연구에 활용 가능하다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2006년도 춘계 종합학술대회 논문집
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• pp.259-264
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• 2006

기존 NPR(Non Photo-realistic Rendering)에 관련된 연구들에서 보여주는 결과 영상들은 그 모델이 예술적 표현 매체임에도 불구하고, 그 매체에 대한 정확한 분석과 미학적인 연구를 토대로 하기 보다는 지나치게 기술적인 측면에서 접근이 이루어졌기 때문에 구현하고자 한 매체의 실제 특성과 합리성에 어긋나는 경우가 종종 보이고 있다. 따라서 정확한 회화적 렌더링의 구현을 위한 알고리즘을 위해 예술 표현 매체에서 추출해야 할 특징들이 무엇인지 분석하여, 인간이 그림을 그리는 과정에서 나타나는 특징들을 충실하게 단계별로 알고리즘화 할 수 있도록 하는 것이 본 논문의 목적이다. 본 논문에서는 미술 사조 중에서 19세기 후반에 프랑스를 중심으로 일어난 인상주의를 모델로 하였다. 따라서 우선 유화의 일반적인 특징과 유화 작품들 중 인상주의 화풍에서 드러나는 특징들을 분석하였고, 이를 통해 나타난 여러 특징들 중에서 알고리즘화하기 위한 요소들을 추출하여 재정의하고, 그것들을 토대로 알고리즘화 하였다. 또한, 예술적 관점에서의 분석을 통해 나온 지금까지의 결과물들을 통해 NPR 연구에 있어 예술과 공학 분야의 협력적 연구의 타당성과 가능성을 강조하고자 한다.

• 박물관보존과학
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• 제28권
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• pp.109-136
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• 2022

본 연구에서는 조선 후기 기록화인 《평안감사향연도》 총 3점 중 <연광정연회도>를 분석하여 채색 재료를 규명했다. 포인트 위주의 분석으로 인해 발생 가능한 문제를 최소화하고자 우선 파장별 이미지를 촬영했다. 엑스선을 통해 먹, 금, 유·무기 안료를 분류했고, 적외선으로 먹과 구리계 안료를 파악했다. 초분광으로는 흑색, 청색, 녹색 재료 중에서 안료와 유기 염료를 구별해냈다. 색상별 선정 지점을 분석하여 백색(연백), 흑색(먹/쪽), 적색(연단+진사), 분홍색(염료), 자주색(염료), 갈색(산화철), 황색(석황/염료), 녹색(석록/석록+염료/쪽)과 청색(석청/연백+쪽/쪽), 자색(쪽+연지), 금색(금박) 등의 재료를 규명했다. 향후 파장별 라이브러리가 확보되면 더 효율적인 분석이 가능할 것으로 기대된다.

• 복식
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• 제50권3호
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• pp.31-42
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• 2000

This study investigated the history of whakwan (crown, 화관(花冠)) and classified the types of whakwan accordint to its structure. Whakwan seemed to originate from the custome of sticking flowers in the hair which was the reflection of human desire of pursuing the beauty . The whakwan fist appeared in the Oriental painting during the Tang period and became fashionable is Song. It is not clear when whakwan was introduced into Korea, but is assumed to be greatly influenced by the Song whakwan. The Korean record on whakwan showed on whakwan showed fro the fist time in the reign of Kimg Sejong and whakwan was used for the costume of a dancing boy. Through the present type of whakwan appeared only one in the painting of the reign of King Seonjo, there are a number of whakwans in the lattern part of the Chosun dynasty, Now there exist three types of whakwan in Korea. The first type is similar to that of Chokduri in decoration . But it was made of paper, had the double structures of inner and outer part and was decorated by Yangkwan's vertical lines of gilt paper. The second type is the whakwan made of artifical flowers with various color cords and was widely used in Geesung and Pyungyang regions. Finally, though the third type is similar to Sabangkwan, its outside was decorated gaudilly iby Dangchae (colorful painting ) and it was assumed that dancing bodys put it on their head for various banquets. Out of these three types, the first is most representative , Black was the popularly used color for the first type and this type was used either for brides on wedding ceremonies or for shamans or palace dancers. The second type was widely used in Gaesung and Pyungyang regions. But the differences in the shape of whakwan of the two regions showed the regional characteristics of traditional costumes in Korea. The third type was most likely to be used in the dance for palace banquets, but it is necessary to further investigate whether shamans actually wore this type of whakwan.

• 한국의류학회지
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• 제33권9호
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• pp.1430-1440
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• 2009

This study is on the abstract expressionist techniques among the art activities variously expressed in modern fashion. Its significance lies in making fashion artistic through the combination of fashion and art in contributing to the development of creative fashion culture. In terms of method, documents are used to characterize the concept of abstract expressionism, the works of representative artists, and the panting techniques in relation to modem art based on existing literature. Fashion-related anthology, domestic, and foreign fashion magazines were used to analyze the abstract expressionism applied to modern fashion since 2000. According to the findings, the abstract expressionism applied to modern fashion showed artistic expressions with the abstract beauty by chance, using only the images or techniques similar to those in abstract expressionism. Expressionist works had abstract and dynamic images, as they were given a third dimension through the process of being worn on the human body. Second, details or decorative factors were excluded to ensure the maximum space for expression, modem images were displayed using the simple forms such as silhouettes (spacious or dense) and the beauty of harmony was shown that had beauty emphasized by the expression effects of textile design, the division of space, and the composition of colors. Third, the action painting techniques in modern fashion were used for textile designs printed on the surface of clothes, and the dynamic character of the design was shown by the duplication and juxtaposition of stains created by chance. The color field abstract techniques were shown through printing, texture, and dying, in addition the intense and pure abstract images were displayed by treating clothes like large screens.

• 패션비즈니스
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• 제17권2호
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• pp.95-116
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• 2013

The purpose of this study is to link traditional patterns to man's fashion goods design. Of all the traditional patterns, the bat pattern was chosen for use during the development of a man's fashion goods design as like as neck-tie, pocketchief and scarf. This study is based upon document searches, including research papers. Thought these searches, it investigates the form of traditional bat patterns, tessellation which can be found easily in the Islamic culture as well as in tile and carpet patterns and a modern painting by Gustav Klimt(1862-1918). Based on this investigation, the study attempt to modernize the bat pattern and apply the neck-tie, pocketchief and scarf. The design procedure includes three sub-processes: selection, arrangement and color-scheme. In conclusion, six designs of man's fashion goods were created by using one of Korea's traditional patterns - the bat pattern. Therefore, this study offer invaluable suggestions for multifaced research on how to come up with design concepts which apply Korea's traditional patterns to Man's fashion goods design.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2009년도 추계학술대회
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• pp.185-186
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• 2009

본 논문에서는 유치원 학생들이 그린 그림을 대상으로 색채 조화를 설명하기 위한 과정을 설명한다. 먼저 그림들을 벡터 이미지로 변환하여 각각의 색들을 배치한다. 다음으로 색채 조화에 입각한 각각의 색들을 덧칠해봄으로서 색채의 조화 및 부조화를 알 수 있다. 본 논문은 미술 교육을 받는 학생들에게 색채를 어떻게 배치해야 하는지에 대한 전반적인 교육을 제공한다.