• Science of Emotion and Sensibility
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• v.18 no.1
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• pp.67-78
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• 2015

This study investigated whether people experience a correspondence between color hue-tone and the main characters' emotions in the 2012 British musical drama film, Les $Mis\grave{e}rables$ through three practical experiments. Six screen images, which represent the characters' different emotions (Parrot's six primary types including love, joy, surprise, anger, sadness, and fear) were selected. For each screen image, participants were asked to judge the degree of the character's dominant emotions evoked from 17 varied screen images, which consisted of original chromatic and achromatized images as well as 15 color-filtered images (5 hues X 3 tones of the IRI color system). These tasks revealed that a chromatic color scheme is more effective to deliver the characters' positive emotions (i.e. love and joy) than an achromatic one. In addition, they proved that the hue and tone dimensions partially influence the relationships between the character emotions and colors.

• Archives of design research
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• v.19 no.3 s.65
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• pp.155-166
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• 2006

Color selection plays a vitally important role in creating impressions of individuals or companies. This is largely because colors have sensibility aspects, which relate, in part, to images and, in part, to associations. Based on theories of color harmony and sensibility ergonomics, we have developed quantitative and systematic metrics for color images. In this paper, we suggest a color coordinate system that supports color analysis and color harmony functions using color images, which can be captured by corresponding adjectival words. We focus on a prototype system for graphical logo design to exemplify our concepts. The system can be applied to a wide variety of design domains.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.11 no.1
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• pp.570-595
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• 2017

Robust and perceptually-adaptive image watermarking algorithms have mainly targeted gray-scale images either at the modeling or embedding levels despite the widespread availability of color images. Only few of the existing algorithms are specifically designed for color images where color correlation and perception are constructively exploited. In this paper, a new perceptual and high-capacity color image watermarking solution is proposed based on the extension of Tsui et al. algorithm. The $CIEL^*a^*b^*$ space and the spatio-chromatic Fourier transform (SCFT) are combined along with a perceptual model to hide watermarks in color images where the embedding process reconciles between the conflicting requirements of digital watermarking. The perceptual model, based on an emerging color image model, exploits the non-uniform just-noticeable color difference (NUJNCD) thresholds of the $CIEL^*a^*b^*$ space. Also, spread-spectrum techniques and semi-random low-density parity check codes (SR-LDPC) are used to boost the watermark robustness and capacity. Unlike, existing color-based models, the data hiding capacity of our scheme relies on a game-theoretic model where upper bounds for watermark embedding are derived. Finally, the proposed watermarking solution outperforms existing color-based watermarking schemes in terms of robustness to standard image/color attacks, hiding capacity and imperceptibility.

• Proceedings of the IEEK Conference
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• 2003.11a
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• pp.541-544
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• 2003

This paper proposes a new color feature and a corresponding distance measure for content-based retrieval of design images such as trade marks, pattens, logos, textile images, and icons. Simulation results with textile images show that the proposed method outperforms the traditional color-based retrieval methods which was originally proposed fer content-based retrieval of natural images.

• Proceedings of the IEEK Conference
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• 2001.06e
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• pp.73-76
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• 2001

A segmentation is a prior processing for medical image analysis and 3D reconstruction. This Paper provides the method to segment 3D Visible Human color images. Firstly, the reference images that have a initial curve are segmented using Balloon and the results are propagated to the adjacent images. In the propagation processing, the result of the adjacent slice is modified by Edge-limited SRG Finally, the 3D Balloon improves the segmentation results of each 2D slice. the proposed method's performance was verified through the experiments to segment thigh muscles of Visible Human color images.

• Journal of the Korean Society of Costume
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• v.54 no.6
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• pp.25-40
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• 2004

The rainbow has been considered as a perfect representative of color harmony in nature. In this study rainbow's colors include seven spectral colors and changeable colors according to observational angle. This study performed a bibliographical inquiry into rainbow colors and the survey research for classification of rainbow color images in fashion design. First, a bibliographical inquiry includes the definition of rainbow colors, physical formation principles of the rainbow, and its aesthetical attributes and symbolism. Second, this survey classifies rainbow color images in fashion design. The results of this study are as follows: 1. The rainbow was the religious and symbolic object before 17th century, and after that period, the rainbow became an aesthetical object. The main symbolic meanings are similar in eastern and western culture: temporary bridge between two world, divine nature, hope/beauty/richness, war/ death/flood/drought. 2. This survey shows that 6 main factors of rainbow color images in fashion design are 'vigorous', 'colorful'. 'fairy', 'fresh', 'mysterious', 'brilliant'. Rainbow color image in fashion design shows past and futuristic image at the same time. The purpose of this study is to systematized the images theoretical bases which are applied to color expression and of rainbow colors and to find out the development about rainbow theme by designers.

• The Journal of the Korea Contents Association
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• v.15 no.9
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• pp.11-20
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• 2015

Digital watermarking provides electronic means for proving the copyrights of distributed digital media copies. Research on digital watermarking for images is recently directed toward that for color images extensively used in real life, based on the substantial results in digital watermarking for gray-scale images. Color images have multiple channels, each of which corresponds to a gray-scale image. While there are some watermarking techniques for color images that just apply those for gray-scale images to one channel of the color images, the correlation characteristics between the channels are not considered in them. This paper proposes a zero-watermarking technique that makes keys via combining an image dependent watermark, created through comparing two channels of the color image and copyright watermark scrambled. Due to zero-watermarking, it does not change anything of cover(host) images. Watermark images are robust against some common attacks such as sharpening, blurring, JPEG lossy compression, scaling, and cropping.

• Journal of Broadcast Engineering
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• v.20 no.5
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• pp.770-773
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• 2015

The contrast of the intensity components of color images usually needs to be improved in order to enhance the visual quality of color images. However, pure color regions can be saturated due to the excessive enhancement of that color. In this paper, a new method for enhancing the visual quality of color images using saturation components in the HSI color space is proposed, and the same enhancement technique in the YCbCr color space is proposed. Computer simulations show that the proposed method provides improved visual quality compared to the conventional methods.

• Journal of Information Processing Systems
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• v.10 no.4
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• pp.589-601
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• 2014

The performance of edge detection often relies on its ability to correctly determine the dissimilarities of connected pixels. For grayscale images, the dissimilarity of two pixels is estimated by a scalar difference of their intensities and for color images, this is done by using the vector difference (color distance) of the three-color components. The Euclidean distance in the RGB color space typically measures a color distance. However, the RGB space is not suitable for edge detection since its color components do not coincide with the information human perception uses to separate objects from backgrounds. In this paper, we propose a novel method for color edge detection by taking advantage of the HSV color space and the Mahalanobis distance. The HSV space models colors in a manner similar to human perception. The Mahalanobis distance independently considers the hue, saturation, and lightness and gives them different degrees of contribution for the measurement of color distances. Therefore, our method is robust against the change of lightness as compared to previous approaches. Furthermore, we will introduce a noise-resistant technique for determining image gradients. Various experiments on simulated and real-world images show that our approach outperforms several existing methods, especially when the images vary in lightness or are corrupted by noise.

• Science of Emotion and Sensibility
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• v.10 no.4
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• pp.631-637
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• 2007

This research focuses on similarity evaluation of images according to tones of images. Color space of images were converted RGB color space into HSI color space. The information entropy criteria has been taken for evaluating similarity of images for digital library. The similarity was then calculated by combining correlation coefficients and information entropy. Those two values are further analyzed with a relation to human sensibility.