• Proceedings of the Korean Printing Society Conference
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• 2000.04a
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• pp.17-24
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• 2000

The Joint Photographic Experts Group (JPEG) is a standara still-image compression technique, established by the International for Standardization (ISO) and International Telecommunication Standardization Sector (ITUT). The standard is intended to be utilized in the various kinds of color still imaging systems as a standard color image coding format. Because JPEG is a lossy compression, the decompressed image pixel values are nto the same as values before compression. Image of JPEG compression is often made to JPEG recompression at saving to apply JPEG compression of color image. In general, JPEG is a lossy compression and compression image is predicted to be varied image quality according to recompressed Q-factor. Various distortions of JPEG compression and JPEG recompression has been reported in previous paper. In this paper, we compress four difference color samples (photo image, gradient image, vector drawing image, text image) according to various Q-factor, and then compressed images are recompressed according to various Q-factor once again. As the results, we inspect variation of quality and file size of recompressed color image, and ensure the optimum recompression factor.

• International Journal of Internet, Broadcasting and Communication
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• v.16 no.2
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• pp.22-30
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• 2024

Image compression-decompression methods have become increasingly crucial in modern times, facilitating the transfer of high-quality images while minimizing file size and internet traffic. Historically, early image compression relied on rudimentary codecs, aiming to compress and decompress data with minimal loss of image quality. Recently, a novel compression framework leveraging colorization techniques has emerged. These methods, originally developed for infusing grayscale images with color, have found application in image compression, leading to colorization-based coding. Within this framework, the encoder plays a crucial role in automatically extracting representative pixels-referred to as color seeds-and transmitting them to the decoder. The decoder, utilizing colorization methods, reconstructs color information for the remaining pixels based on the transmitted data. In this paper, we propose a novel approach to image compression, wherein we decompose the compression task into grayscale image compression and colorization tasks. Unlike conventional colorization-based coding, our method focuses on the colorization process rather than the extraction of color seeds. Moreover, we employ the Denoising Diffusion Null-Space Model (DDNM) for colorization, ensuring high-quality color restoration and contributing to superior compression rates. Experimental results demonstrate that our method achieves higher-quality decompressed images compared to standard JPEG and JPEG2000 compression schemes, particularly in high compression rate scenarios.

• Journal of the Korean Graphic Arts Communication Society
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• v.18 no.2
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• pp.55-68
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• 2000

Joint photographic experts group (JPEG) is a standard still-image compression technique, established by the international organization for standardization (ISO) and international telecommunication standardization sector (ITUT). The standard is intended to be utilized in the various kinds of color still imaging systems as a standard color image coding format. Because JPEG is a lossy compression, the decompressed image pixel values are not the same as the value before compression. Various distortions of JPEG compression and JPEG recompression has been reported in various papers. The Image compressed by JPEG is often recompressed by same type compression method in JPEG. In general, JPEG is a lossy compression and the quality of compressed image is predicted that is varied in according to recompression Q-factor. In this paper, four difference color samples(photo image, gradient image, gradient image, vector drawing image, text image) were compressed in according to various Q-factor, and then the compressed images were recompressed according to various Q-factor once again. As the result, this paper evaluate the variation of image quality and file size in JPEG recompression and recommed the optimum recompression factor.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2009.01a
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• pp.80-84
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• 2009

This paper investigates the relationship between the compression ratio and the gamut area for a reconstructed image when using JPEG and JPEG2000. Eighteen color samples from the Macbeth ColorChecker are initially used to analyze the relationship between the compression ratio and the color bleeding phenomenon, i.e. the hue and chroma shifts in the a*b* color plane. In addition, twelve natural color images, divided into two groups depending on four color attributes, are also used to investigate the relationship between the compression ratio and the variation in the gamut area. For each image group, the gamut area for the reconstructed image shows an overall tendency to increase when increasing the compression ratio, similar to the experimental results with the Macbeth ColorChecker samples. However, with a high compression ratio, the gamut area decreases due to the mixture of adjacent colors, resulting in more grey.

• 한국정보디스플레이학회:학술대회논문집
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• 2009.10a
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• pp.1232-1235
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• 2009

Image compression techniques such as JPEG and MPEG induce losses of image quality. These losses are usually investigated on the spatial distortions from reconstructed images. Representative specifications are blocking artifacts, color bleeding and smearing. However, the compression techniques also influence the color information. The distortion of color information means distortion of gamut characteristics such as gamut size and unique color from the CIELAB values for each pixel in the reconstructed images. Accordingly, this paper introduces the investigation of the relationship between image compression and the gamut characteristics for reconstructed images using MPEG compression. The results show the consist variation of gamut, hue, and chroma due to MPEG compression.

• Journal of the Korean Graphic Arts Communication Society
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• v.20 no.1
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• pp.146-158
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• 2002

JPEG is good for full color representation but is poor in quality of image because of the small size and the losing compression ways. GIF is a kind of format style made for image - transmission in Compuserve which is a method of PC communication in U. S. A and now is used in world wide web owing to the efficiency of file compression and transmission. But GIF only is used 256 colors, so the images in web has a poorer quality of colors effect to be compared with those of printed catalogues. Also there can be licence problems when the images is used for commercial uses because the possession is Compuserve. The PNG is a way that the total advantages of JPEG and GIF. PNG image file is a more skillful (bitmap display unit), shows a high quality image like TIFF image about, gives superior compression , a 10% to 30% represents full color, 256 color, gray like JPEG. GIF file which uses LZW compression file is a thing which pays licence, In other hands, PNG is free from licence and more skillful image processing method against image error, and it is possible to conserve the color information. Therefore, this treatise is about how various images which are utilized for commercial printings in web, can be made into PNG files about the compression file. And the representation of image by compared the G]U images with JPEG images as well as compression file and the representation of image the superiority of color representation. In addition, 1 check out how much ranges the PNG files are available for electronic publish printing.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.12 no.10
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• pp.5056-5078
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• 2018

In this work we propose a compression technique that makes use of linear and perceptually uniform CIE $La^*b^*$ color space in the JPEG image compression framework to improve its performance at lower bitrates. To generate quantization matrices suitable for the linear and perceptually uniform CIE $La^*b^*$ color space, a novel linear Contrast Sensitivity Function (CSF) is used. The compression performance in terms of Compression Ratio (CR) and Peak Signal to Noise Ratio (PSNR), is further improved by utilizing image dependent, variable and non-uniform image sub-blocks generated using a proposed histogram-based merging technique. Experimental results indicate that the proposed linear CSF based quantization technique yields, on an average, 8% increase in CR for the same reconstructed image quality in terms of PSNR as compared to the conventional YCbCr color space. The proposed scheme also outperforms JPEG in terms of CR by an average of 45.01% for the same reconstructed image quality.

• Journal of Broadcast Engineering
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• v.16 no.6
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• pp.962-968
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• 2011

The conventional lossless compression of color images is to apply a compression method to each of color components separately, without considering the channel correlation. There had been several methods that consider the channel correlation, but they were confined to the compression of satellite or aerial images only, and the performance of these algorithms to general photos is not satisfactory. This paper proposes a new lossless color image compression method that exploits the correlation between the color components. Specifically, asymmetric sampling is applied to transform an image into mosaic image and the rest, which are compressed separately. By using the information from the compressed mosaic image, the rest images are predicted for further reducing the information to be compressed. Experimental results show that the proposed method improves the compression performance by 35% over the conventional separate compression methods and 10% over the existing methods that exploit the channel correlation.

• ETRI Journal
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• v.25 no.3
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• pp.156-170
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• 2003

Gamut compression algorithms have traditionally been defined functionally and then tested with deductive methods, e.g., psychophysical experiments. Our study offers an alternative, an inductive method, in which observers judge image colors to represent the original images more accurately. We developed a computer-controlled interactive tool that modifies the color appearance of pictorial images displayed on a monitor. In experiments, observers used the tool to alter color pixels according to the region of color space to which they belonged. We created three different gamut compression algorithms based on the observer experimental data. Observer groups evaluated the performance of the newly-developed algorithms, existing gamut compression algorithms, and an image based on the average observers' results from experiments in this study. The study of gamut extension is unlike the study of gamut compression in that it mainly deals with the degree of image pleasantness as judged by observers. The results of the gamut extension experiments in this study not only make available worthwhile data but also suggest a methodology for using the observer experimental tool for future gamut extension research.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.21 no.7
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• pp.1624-1632
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• 1996

Wavelet transform is widely used for high compression ratio image compression. It requeires a large memory when it is implemented by a hardware. Therefore, it is efficient to divide the entire image into blocks. Because the wavelet transform for divided blocks causes losses, pixels of the adjacent blocks are used. In the case of color image compression, the image is decomposed into brightness and color components, and then color components are downsampled. When the wavelet transform is performed by using pixels of adjacentblocks, the number of necessary pixels are doubled due to downsampling of color components. In this paper, we propose an efficient block wavelet transform using variablefilter length for brightness and color components. By using the proposed method, the number of pixels of adjacent blocks is optimized. We show the degradation of image quality due to the reduction of filter length for color components is negligible through simulations.