• 한국정보과학회논문지:소프트웨어및응용
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• 제31권11호
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• pp.1543-1550
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• 2004

영상 열을 이용한 3차원 구조 복원 기법은 기하학 기반의 전통적인 3차원 모델링 기법의 대안으로 복잡한 대규모 장면을 쉽고 빠르게 모델링 할 수 있는 효과적인 수단이다. 이러한 모델은 모션을 통한 구조 복원기법을 통해 주로 얻어진다. 그러나 모션을 통한 구조복원 기법은 매우 복잡한 기하학 구조와 현란한 컬러를 포함한 물체의 경우, 적용하기에 어려움이 있다. 이러한 어려움을 해결하기 위해, 본 논문에서는 움직이는 평면거울 기반의 새로운 물체 복원 기법을 제안한다. 본 기법은 장면에 포함된 기하구조의 암묵적인 단서를 이용하는 대신 장면 속에 기하학적 단서 즉, 거울의 위치 정보를 강제로 삽입하여 가상 카메라의 위치 정보를 추출한다 구해진 가상 카메라의 위치 정보를 통해 장면의 복잡도에 무관한 3차원 기하 구조를 복원할 수 있다. 이를 위해 먼저 복원하고자 하는 장면을 포함한 평면거울의 영상 열을 포착한다. 다음으로 거울의 위치 정보를 이용하여 가상 카메라의 내, 외부 파라미터를 추정한다. 구해진 카메라 파라미터는 거울의 위치 정보 추출 시 발생하는 에러를 포함하고 있기 때문에 영상 열에 존재하는 코너점들의 대응관계를 이용하여 재 보정한다 마지막으로 구해진 가상 카메라의 내부 및 외부 파라미터 정보를 통해 3차원의 구조를 복원한다 본 논문에서 제안한 알고리즘을 다양한 영상을 통해 실험한 결과 신뢰할만한 구조 복원이 가능하였다.

• 미술이론과 현장
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• 제6호
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• pp.101-121
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• 2008

An artist, Oh Yun(1946~86)'s theory of people's art during his final period is summed up in his essay 'Expansion of Artistic Imagination and World' (1985). Emphasizing the mystic and traditional characteristics of Oh Yun's artistic oeuvre during his final period, some critics focus on Oh Yun's experience of medical treatment and shamanistic custom at Jin Do island, and his belief in Jeung San Do, the dao of Jeung-san, the Ruler of the Universe. However, they forget the practical intention and implication of his theory of art during his final period, which aimed to overcome the contradiction of revelation itself. Oh Yun's essay criticized the loss of artistic imagination and the ignorance of traditional culture that resulted from the elevation of science to a religion, and insisted that the stereotyped idealism, scientism and elitism in art should be overcome in order to recover the full reality in realism and to continue traditional cultures. The essay is comprised of 18 paragraphs. Oh Yun criticized monochromatic art, conceptual art, hyper-realistic art, objet d'art, and neo-dadaist art, saying that they were simply mechanical forms of modern art derived from scientism and a fetishistic lens culture. In addition, he criticized naturalism in art, which had continued as a tendency in the development of western art, for the same reason. He pointed out that even the world of realism had been diminished by elite stereotypes and diagrams. He declared the need to overcome the imitation of shells or stereotyped propaganda, and recover full realism, which seems to have started with a reflective examination of current problems in 'Reality and Utterance', in which he participated. Especially, he thought that universality and the extension of full realism could be achieved by building on the views of traditional cultures, which is meaningful. This logic is same as the theory of epic theatre that Bertolt Brecht(1898~1956) has developed under the ancient Greek masque and Pieter Bruegel the Elder(1525~69)'s story-like picture style. The universality of realism and the extension of acquisition to include incantation art, rather than move toward incantation art, is what Oh Yun intended to propose in 'Artistic Imagination'. This attitude is same as Bertoh Brecht's aesthetic viewpoint in the 1930s. But regrettably, Oh Yun's style wording, which seems covert and far-sighted, is often misunderstood as 'mysticism'. In the flow of people's art in the 1980s, Oh Yun was a traditionalist in a narrow sense, and an realist in a broad sense. However, his critical mind, which comprehends tradition and reality, was attempting to expand universality and extend full realism, and this attempt found many sympathizers and had an influence on the next generation of people's artists, such as "Levee" which is field-centered, to which we should pay attention. This means that while their works thought about 'tradition', we should be careful not to connect them with 'aesthetic conservatism' or 'classical art'. This is the why the meaning of Oh Yun's theory of art during his final period should be closely examined again.

• 한국음향학회지
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• 제14권2호
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• pp.101-112
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• 1995

본 논문에서는 패턴 매칭 방법에 근거하여 인식 단위가 음소인 음소 기반 인식 시스템을 구성하였다. 선택한 신경망 구조는 생물학적 신경망인 코호넨(T. Kohonen)의 SOFM(Self-Organizing Feature Map)으로 패턴 매칭 과정 중 클러스터러(clusterer)로 사용하였다. SOFM 신경망은 신호 공간에 대해서 최적의 국소(局所) 해부적 사상(local topographical mapping)에 의한 자기 조직화 과정을 수행하며, 그 결과 인식 문제에 있어서 상당히 높은 정확도를 나타낸다. 따라서 SOFM 신경망은 음소 인식에도 효과적으로 응용될 수 있다. 또한 음소 인식 시스템의 성능 향상을 위해 K-means클러스터링 알고리즘이 결합된 학습 알고리즘을 제안하였다. 제안된 음소 인식 시스템의 성능을 평가하기 위해 먼저, 인식 대상음소는 모음군 17개, 자음의 경우 파열음9개, 마찰음 3개, 파찰음 3개, 유음 및 비음 4개, 음소의 성질이 다른 종성 7개의 음소군으로 모두 43개의 음소를 대상으로 실험하였으며, 각 음소군에 대한 특징 지도를 구성하여 레이블러(labeler)의 기능을 수행하게 하였다. 화자 종속 인식 실험 결과 $87.2\%$의 인식률을 보였으며 제안한 학습법의 빠른 수렴성과 인식률 향상을 확인하였다.

• 식물조직배양학회지
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• 제24권4호
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• pp.239-256
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• 1997

Plants belonging to the category of 2n apomixis or agamospermy form embryos and seeds without the processes of normal meiosis and syngamy. Seeds produced in this way have identical genotype of their maternal parent. Three different types of agamospermy are recognized: diplospory, apospory, and adventitious (adventive) embryony. $F_1$ hybrid cultivars cannot be used as seed sources in the next ($F_2$) generation because this generation would be extremely variable as a result of genetic segregation. Hybrid vigor is also reduced in the $F_2$ generation. Therefore, parental stocks for hybrid seed production need to be maintained and cross must be continuously repeated. Agamospermic 2n apomixis would make it possible to fix the genotype of a superior variety so that clonal seeds faithfully representing that genotype could be continuously and cheaply produced independent of pollination. That is, $F_1$ hybrid seeds could be produced for many generations without loss of vigor or genotype alteration. Production of apomictic $F_1$ hybrid seed would be simplified because line isolation would not be necessary to produce seed or to maintain parental lines, and the use of male-sterile lines could be avoided. Overall, apomixis would enable a significant reduction in hybrid seed production costs. Additionally, the production of clonal seed is not only important for seed propagated crops, but also for the propagation of heterozygous fruit trees and timbers. Clonal seed would help avoid costly and time-consuming vegetative propagating methods that are currently used to ensure the large-scale production of these plants. Apomixis is scattered throughout the plant kingdom, but few important agricultural crops possess this trait Therefore, most research to date has centered on introgressing the trait of apomixis into agricultural crops such as wheat, maize, and some forage grasses from wild distant relatives by traditional cross breeding. The classical breeding approach, however is slow and often impeded by many breeding barriers. These problems could be surmounted by taking mutagenesis or molecular approach. Arabidopsis thaliana is a tiny sexually reproducing plant and is convenient in constructing and screening in molecular researches. Male-sterile mutants of Arabidopsis are particularly suitable genetic background for mutagenesis and screening for apomictic mutants. Molecular approaches towards isolating the genes controlling the apomictic process are feasible. Direct isolation of genes conferring apomixis development would greatly facilitate the transfer of this trait to wide variety of crops. Such studies are now in progress.

• 대한의용생체공학회:학술대회논문집
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• 대한의용생체공학회 1997년도 추계학술대회
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• pp.357-360
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• 1997

For medical students and doctors, knowledge of the 3-dimensional (3D) structure of the heart is very important in diagnosis and treatment of the heart diseases. 2-dimensional (2D) tools (e.g. anatomy book) or classical 3D tools (e.g. plastic model) are not sufficient or understanding the complex structures of the heart. Moreover, it is not always guaranteed to dissect the heart of cadaver when it is necessary. To overcome this problem, virtual dissection systems of the heart have been developed. But these systems are not satisfactory since they are made of radiographs; they are not true 3D images; they can not be used to dissect freely; or they can only be operated on the workstation. It is also necessary to make the dissection systems incorporating the various races and tribes because of the organ's difference according to race and tribe. This study was intended to make the 3D image of the heart from a Korean cadaver, and to establish a virtual dissection system of the heart with a personal computer. The procedures or manufacturing this system were as follows. 1. The heart from a Korean adult cadaver was embedded with gelatin solution, and serially cross-sectioned at 1mm-thickness on a meat slicer. Pictures or 153 cross-sectioned specimens were inputted into the computer using a digital camera ($756{\times}504$ resolution, true color). 2. The alignment system was established by means of the language of IDL, and applied to align 2D images of the heart. In each of 2D images, closed curves lining clean and dirty blood pathways were drawn manually on the CorelDRAW program. 3. Using the language of IDL, the 3D image and the virtual dissection system of the heart were constructed. The virtual dissection system of the heart allowed or ree rotation, any-directional sectioning, and selected visualization of the heart's structure. This system is expected to become more advanced, and to be used widely through Internet or CD-title as an educational tool for medical students and doctors.

• 한국분말야금학회:학술대회논문집
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• 한국분말야금학회 1999년도 춘계학술대회 및 발표대회 강연 및 발표논문 초록집
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• pp.5-5
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• 1999

The Principal deficiency of the existing notion about the sintering-mixtures consists in the fact that almost no attention is focused on the Phenomenon of alloy formation during sintering, its connection with dimensional changes of powder bodies, and no correct ideas on the driving force for the sintering process in the stage of establishing chemical equilibrium in a system are available as well. Another disadvantage of the classical sintering theory is an erroneous conception on the dissolution mechanism of solid in liquid. The two-particle model widely used in the literature to describe the sintering phenomenon in solid state disregards the nature of the neighbouring surrounding particles, the presence of pores between them, and the rise of so called arch effect. In this presentation, new basic scientific principles of the driving forces for the sintering process of a two-component powder body, of a diffusion mechanism of the interaction between solid and liquid phases, of stresses and deformation arising in the diffusion zone have been developed. The major driving force for sintering the mixture from components capable of forming solid solutions and intermetallic compounds is attributed to the alloy formation rather than the reduction of the free surface area until the chemical equilibrium is achieved in a system. The lecture considers a multiparticle model of the mixed powder-body and the nature of its volume changes during solid-state and liquid-phase sintering. It explains the discovered S-and V-type concentration dependencies of the change in the compact volume during solid-state sintering. It is supposed in the literature that the dissolution of solid in liquid is realised due to the removal of atoms from the surface of the solid phase into the melt and then their diffusicn transfer from the solid-liquid interface into the bulk of liquid. It has been shown in our experimental studies that the mechanism of the interaction between two components, one of them being liquid, consist in diffusion of the solvent atoms from the liquid into the solid phase until the concentration of solid solutions or an intermetallic compound in the surface layer enables them to pass into the liquid by means of melting. The lecture discusses peculimities of liquid phase formation in systems with intermediate compounds and the role of the liquid phase in bringing about the exothermic effect. At the frist stage of liquid phase sintering the diffusion of atoms from the melt into the solid causes the powder body to grow. At the second stage the diminution of particles in size as a result of their dissolution in the liquid draws their centres closer to each other and makes the compact to shrink Analytical equations were derived to describe quantitatively the porosity and volume changes of compacts as a result of alloy formation during liquid phase sinteIing. Selection criteria for an additive, its concentration and the temperature regime of sintering to control the density the structure of sintered alloys are given.

• 정보처리학회논문지B
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• 제18B권1호
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• pp.29-38
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• 2011

계획 문제 명세로부터 영역-독립적인 휴리스틱을 유도해내기 위해서는 주어진 계획문제에 대한 간략화와 간략화된 계획문제에 대한 해 도출 과정이 요구된다. 본 논문에서는 초기 상태의 불확실성과 비결정적 동작 효과를 모두 포함한 조건부 계획문제를 풀기 위한 새로운 융합 계획그래프와 이것을 이용한 GD 휴리스틱 계산법을 소개한다. 융합 계획그래프는 고전적 계획 문제 풀이를 위한 휴리스틱 계산에 이용되는 간략화된 계획그래프를 조건부 계획문제에 적용할 수 있도록 확장한 자료구조이다. 융합 계획그래프에서는 감지 동작과 비결정적 동작들을 포함한 조건부 계획 문제에 대한 휴리스틱을 얻기 위해, 전통적인 삭제 간략화외에도 감지 동작과 비결정적 동작들에 대한 효과-융합 간략화를 추가로 이용한다. 융합 계획 그래프의 전향 확장과 병행적으로 진행되는 GD 휴리스틱 계산에서는 목표조건들 간의 상호 의존성을 분석하여 전체 목표 집합에 대한 최소 도달비용을 추정할 때 불필요한 중복성을 배제한다. 따라서 GD 휴리스틱은 기존의 겹침 휴리스틱보다 더 적은 계산시간 을 요구하면서도, 최대 휴리스틱이나 합산 휴리스틱보다 더 높은 정보력을 가진다는 장점이 있다. 본 논문에서는 GD 휴리스틱의 정확성과 탐색 효율성을 확인하기 위한 실험적 분석에 대해 설명한다.

• 대순사상논총
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• 제25_2집
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• pp.177-213
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• 2015

We live in two giant pendulum in called 'science' and 'religion'. But science and religion are contained in disparate information with each other, Those two is not easy to achieve convergence. But if you accept the ontological scheme of Great Chain of Being(存在의 大連鎖) in the Perennial philosophy(永遠의 哲學), Debate between religion and science is meaningless 'Great Nest of Being(存在의 대둥지, Great Chain of Being)' is similar to the multiple concentric circles, there are different dimension that the each top level to subsume surrounding the lower level. For example, upper zone 'Mysticism(神秘主義)' includes but transcends(or transcends but includes.) the sub-region theology, psychology, biology and physics. The Perennial philosophy is the great spiritual teachers of the world, philosophers and thinkers have adopted a common worldview, a religious views. Philosophers of the perennial philosophy seem to match the cross-cultural almost unanimous about the general level of the 'Great Nest of Being' for the past 3,000 years. The perennial philosophy made the conclusion that God exists in the world. Several types of view of God existing religions in the world have 'Monotheism(一神論)', 'Pantheism(汎神論)' and 'Panentheism (汎在神論)'. Although traditionally the God of the philosophers is the classical Theism, theological trends of today it is moving in the direction of Panentheism. Panentheism see that god is immanent and transcendent. also Daesoon Thoughts is the position of the Panentheism. so this paper points out the fact that the view of God of the perennial philosophy is precisely consistent with the view of God of Daesoon Thoughts. Wilber says 'envelopment [transcend and include]'. The word translates as 'powol(包越)' in Korean. 'Powol(包越)' means that all the developmental evolution is to surround the sub-region developed into the higher realms. View of the God in the perennial philosophy is 'powol theism(包越的 有神論)'. but 'powol immanent God(包越的 內在神論)' rather than building regulations as 'powol theism(包越的 有神論)'. It would have to be a more accurate representation of it. Because in the existing 'theism(有神論)' the god and humans are thought to exist apart. However, Daesoon Thoughts are deemed to also recognize another universal laws. also Sangje(上帝, the Supreme God) is recognized as a cosmic existence that transcends the laws. This point, as the characteristics of the Daesoon Thoughts, In other religions can not be found. Therefore, More specifically represent(More accurately represent), Sangje of the Daesoon Thoughts can be described as 'powol theism' or 'transcendental and included deism(包越的 理神論)'. Importantly, The idea of God can be captured directly by the discipline. In this sense, In terms of the other religions have no discipline law, the practice [discipline] of the Daesoon Thoughts required in the present age. It has the absoluteness.

• 대한치과보철학회지
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• 제46권5호
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• pp.443-454
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• 2008

도재 수복물 제작을 위해 자연치아의 색조를 분석하는 방법으로는 색견본 (shade guide)을 이용하는 시각적인 방법과 기계를 이용하는 방법이 있다. 그중 통상적인 육안 관찰을 통해 색조를 선택하는 것은 임상에서 가장 많이 이용되고 있는 방법이기는 하나 주관적이며 일관되지 않은 결과로 신뢰성의 문제가 제기되었으며 자연치의 색조는 매우 다양하여 같은 치아라 할지라도 부위별로 다양한 색조를 가지기 때문에 단순히 shade tab을 이용한 색조 비교만으로는 정확한 치아의 색조 특성을 나타내는 것이 불가능한 것으로 알려져 있다. 한편 지속적인 기술발달로 computer color matching system, 치과용 비색계, 분광 측정기 등의 기계를 이용한 치아 색조 측정 방법이 이의 대안으로 제시되고 있다. 기계를 이용한 방법은 색조 선택에 있어 객관적이며, 재현성이 있는 정확한 정보를 술자에게 제공한다. 이에 본 연구에서는 광원, 개인, 술자의 숙련도에 따라 육안과 기계를 통한 관찰 시 치아 색조 선택의 정확성을 확인하기 위한 실험을 시행하였다. 첫 번째 실험에서는 치과대학병원 전공의인 1명의 검사자가 10명의 피검자를 오전, 정오, 오후 각 3번의 측정을 통해 시간대별 자연광하에 육안, 기계 측정의 색조 선택 정확성을 분석하였다. 두 번째 실험에서는 5명의 치과대학병원 전공의와 5명의 치과대 학생, 총 10명의 검사자가 10명의 피검자를 정오에 육안, 기계 관찰을 통해 개인차에 따른 정확성을 실험하였다. 세 번째 실험에서는 두 번째 실험의 결과를 5명의 치과대학 전공의, 5명의 치과대학생 군으로 나누어 숙련도에 따른 육안, 기계 색조 선택의 정확성을 분석하였다. 실험 결과, 첫 번째 실험에서는 기계 측정 결과가 육안 측정보다 통계적으로 유의한 차이를 보이며 (P < .05) 색조 선택의 정확성을 나타내었고, 두 번째 실험에서 역시 기계 측정시 개개인의 육안 측정에 의한 색조 선택 값에 비해 재현성 및 정확성이 높았으며 통계적으로 유의한 차이를 보였다 (P < .05). 세 번째 실험에서 이전 실험의 결과를 숙련자, 비숙련자 군으로 나누어 분석한 결과 군 내 기계 측정값이 육안 관찰값보다 숙련도에 상관없이 정확도가 높으며 통계적으로 유의한 차이를 보였다 (P < .05). 하지만 군 간 육안, 기계 측정값을 비교 시 통계적으로 유의한 차이를 보이지 않아 치아 색조를 육안, 기계 측정할 때 술자의 숙련도가 큰 영향을 미치지 않음을 알 수 있었다. 따라서 기계를 이용하는 치아 색조 측정 방법이 색견본을 이용하는 시각적인 방법에 비해 더 정확하기는 하지만 어느 정도의 측색 오류를 고려해야하며 수복물 제작 시 정확한 재현과 효과적인 정보 전달을 위해 시각적인 방법과의 병행이 필요할 것으로 사료된다.

• 미술이론과 현장
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• 제13호
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• pp.73-95
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• 2012

In terms of element and process, art today has already been fully systemized, yet tends to become even more systemized. All phases of creation and exhibition, appreciation and education, promotion and marketing are planned, adjusted, and decided within the order of a globalized, networked system. Each phase is executed, depending on the system of management and control and diverse means corresponding to the system. From the step of education, artists are guided to determine their styles and not be motivated by their desire to become star artists or running counter to mainstream tendency and fashion. In the process of planning an exhibition, the level of artist awareness is considered more significant than work quality. It is impossible to avoid such systems and institutions today. No one can escape or be freed from the influence of such system. This discussion addresses a serious distortion in the selection system as part of the system connotatively called "art museum system," especially to evaluate artistic achievement and aesthetic quality. Called "studio system" or "art star system," the system distinguishes successful minority from failed absolute majority and justifies the results, deciding discriminative compensations. The discussion begins from work by Hunter Jonakin and Dan Perjovschi. The key point of this discussion is not their art worlds but the shared truth referred by the two as the collusive "art market" and "art star system." Through works based on their experiences, the two artists refer to these systems which restrict and confine them. Jonakin's Jeff Koons Must Die! is avideo game conveying a critical comment on authoritative operation of the museum system and star system. In this work, participants, whether viewer or artist, are destined to lose: the game is unwinnable. Players take the role of a person locked in a museum where artist Jeff Koons' retrospective is held. The player can either look around and quietly observe the works, which causes a game-over, or he can blow the classical paintings to pieces and cause the artist Koons to come out and reprimand the player, also resulting in a game-over. Like Jonakin, Dan Perjovschi's some drawings also focuses on the status of the artist shrunken by the system. Most artists are ruined in a process of competition to survive within the museum system. As John Burger properly pointed out, out of the art systems today, public collections (art museums) and private collections have become "something unbearable." The system justifies the selection system of art stars and its frame of reference, disregarding the problem of producing numerable victims in its process. What should be underlined above all else is that the present selection system seriously shrinks art's creative function and its function of generating meaning. In this situation, art might fall to the level of entertainment, accessible to more people and compromising with popularity. This discussion is based on assumption and consciousness on the matter that this situation might cause catastrophic results for not only explicit victims of the system but also winners, or ones defined as winners. The system of art is probably possible only by desire or distortion stemmed from such desire. The system can be flourished only under the economic system of avarice: quantitatively expanding economy, abundant style, resort economy in Venice and Miami, and luxurious shopping malls with up-to-date facilities. The catastrophe here is ongoing, not a sudden emergence, and dynamic, leading the system itself to a devastating end.