• 제목/요약/키워드: classic

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통과 의례 종류에 따른 식 공간 이미지 스타일 선호도 조사 - 대학생 대상으로 - (A Survey on Public Preference for Image Styles of Dining Space Depending on Types of Passage Rites in Korea - Focused on University Students -)

  • 김미자;박금순
    • 한국식생활문화학회지
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    • 제25권6호
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    • pp.719-724
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    • 2010
  • The purpose of this study was to survey public preferences for dining space image styles depending on the types of passage rites in Korea and to determine potential differences in public preferences for dining space image styles depending on the types of passage rites in terms of various general characteristics such as gender, age, family type, and preference for the image and color styles of the dining space. As a result, this study determined the following: According to a public preference survey of dining space image styles depending on the type of passage rites, our respondents showed the highest preference for casual images (27.1%) at a party for a 100-day-old baby. Additionally, our respondents showed the highest preference for casual images (27.4%) when celebrating a baby's first birthday but showed the highest preference for romantic images (35.8%) when celebrating a baby girl's first birthday. Our respondents showed the highest preference for casual images (21.4%) for graduation ceremonies. Our respondents showed the highest preference for classic images (21.7%) at coming-of-age ceremonies for new adult men, but also showed highest preference for elegant images (26.2%) at coming-of-age ceremonies for new adult women. Moreover, the respondents showed highest preference for classic images (41.0%) at traditional wedding ceremonies but elegant images (24.1%) at modern wedding ceremonies. In contrast, the respondents showed highest preference for classic images (31.3%) for a 60th birthday party. The highest preference for classic images (28.9%) was found for a diamond wedding ceremony. Respondents showed highest preference for classic images (30.4%) for a funeral ceremony Finally, our respondents showed highest preference for classic images (32.5%) at memorial services (religious ceremonies).

장서각 소장 『국풍』에 나타나는 물명 고찰 (Consideration of the name of a thing appearing in the Jangseogak Archives "Gugpung(국풍)")

  • 이현주
    • 동양고전연구
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    • 제69호
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    • pp.325-347
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    • 2017
  • 본고에서는 "국풍"에 나타나는 물명의 특징을 살펴보기 위해서 이 보다 앞서 17세기 초에 간행된 "시경언해"의 물명과 비교하는 작업을 수행하였다. 본고에서는 "시경언해"와 "국풍"의 물명이 다르게 나타나는 이유를 "두 문헌의 편찬목적의 차이"와 "국어사적 변화의 반영"이라는 두 가지 측면에서 검토하였다. "시경언해"는 식물이나 동물의 총칭어나 일상생활에서 쉽게 접할 수 있는 동식물명에 대해서는 고유어 물명을 제시하지 않았지만, "국풍"에서는 이에 대해서도 고유어 물명을 제시하였다. '(麥), 모(茅), 도(稻), 서(黍), 샹(桑)'에 대해 고유어 물명 '보리, ?, 벼, 기쟝, ?'이라는 고유어 물명을 제시하였고, 동물명의 경우에도 '안(?), 어(魚), 호(狐), 셔(鼠), 고(羔), 고양(羔羊)'에 대해 '기럭이, 고기, 여이, ?, 염소, 염소와 양'과 같은 고유어 물명을 제시하였다. 본고에서는 그 이유를 "국풍"의 편찬 목적에서 찾았다. "국풍"은 여성교육을 위해 만들어진 책이다. "국풍"은 그 내용 뿐만 아니라, 내용 안에 포함된 한자를 익히는 것을 목적으로 하기 때문에 "시경언해"와 달리 대부분의 물명 한자에 대해 고유어 물명을 제시하였다. "국풍"과 "시경언해"의 고유어 물명은 서로 일치하는 어휘들도 보이지만, 다르게 나타나는 경우도 다수 발견되었다. 이들은 "시경언해"가 간행된 17세기 초와 "국풍"이 필사된 19세기 초의 국어사적 변화를 반영하는 경우가 많았다. "시경언해"의 '(荇)'-말암, 도악이, 번(?)-, (柏)-, 뎌(?)-열, 뎌(樗)-개듕나무, 구(?)-염규, 창경(倉庚)-아리새'에 대해 "국풍"에 나타나는 '믈나믈, ?, 삼, 가?나무, 부초, '는 19세 초의 현실언어를 반영한 것이다.

오행침법(五行鍼法)의 정립(定立)과정에 대한 사적(史的)연구 (A Clinical Study on the Formation of Ohaeng-Acupuncture)

  • 신동훈;김재홍;조명래
    • Journal of Acupuncture Research
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    • 제19권4호
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    • pp.124-131
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    • 2002
  • Objective : The purpose of this study is to research for the formation of Ohaeng-acupuncture. Methods : I refered to ${\ll}$Classic on Difficulty${\gg}$ (難經), ${\ll}$Ling Shu${\gg}$ (靈樞), ${\ll}$Zhen Jiu Ju Ying${\gg}$ (針灸聚英), ${\ll}$Yi Xue Ru Men${\gg}$ (醫學入門) and annotations were excerpted and record that notied the Ohaeng-acupuncture. Results : The results obtained as follows. 1. ${\ll}$Ling Shu${\gg}$ "Sheng Ze Xie Zhi, Xu Ze Bu Zhi"(盛則瀉之, 虛則補之) united with "Ying Sui Bu Xie"(迎隨補瀉), developed the principle of "Qu Xue" in ${\ll}$Classic on Difficulty${\gg}$. 2. ${\ll}$Classic on Difficulty${\gg}$ explained the interdependent relations, interrestraining relations, the relations of subjugation and reverse restriction in illness condition between the five viscera according to the theory of generation, restriction, subjugation and reverse restriction in five elements. ${\ll}$Classic on Difficulty${\gg}$ united five shu points (五兪穴) with five elements. 3. Zi jing Bu xie according to Xiang Sheng theory is develped from ${\ll}$Classic on Difficulty${\gg}$ "Xu Ze Bu Qu Mu, Shi Ze Xie Qi Zi"(虛則補其母 實則瀉其子) to ${\ll}$Classic on Difficulty${\gg}$ , ${\ll}$Zhen Jiu Ju Ying${\gg}$. 4. Ta jing Bu xie according to Xiang Sheng theory is develped from ${\ll}$Tu Zhu Nan Jing${\gg}$ to ${\ll}$Yi Xue Ru Men${\gg}$. 5. The principle of treatment according to Zi-Ta jing Bu xie based Xiang Ke is develped from ${\ll}$The seventy fifth Difficulty Classic on Difficulty${\gg}$ to Sa Am Do In(舍岩道人).

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$\ll$소문.영추(素問.靈樞)$\gg$에 나타난 현훈(眩暈)에 대한 연구(硏究) (A Study on the Dizziness of Huangdi's Internal Classic $\ll$黃帝內經$\gg$)

  • 탁명림;강나루;고우신;윤화정
    • 한방안이비인후피부과학회지
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    • 제24권1호
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    • pp.142-170
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    • 2011
  • Objective : The purpose of this study is to investigate dizziness of Plain Questions $\ll$素問$\gg$ and Miraculous Pivot $\ll$靈樞$\gg$. Methods : We conducted a study on the original text paragraphs of Internal Classic $\ll$內經$\gg$ containing the dizziness and analysis of Yang, Ma, Zhang, Wang etc. We drew a parallel between dizziness from Internal Classic $\ll$內經$\gg$and matching diagnoses from western medicine. Results : The results were as follows. 1. Dizziness in Ok Ki Jin Jiang Ron <玉機眞藏論> and Pyo Bon Byeong Jeon Ron <標本病傳論> had relation to liver and was similar to dizziness caused by tension, hypertension, anemia and cerebrovascular accident etc. in western medicine. 2. Dizziness in Ja Yeol<刺熱>, O Sa<五邪> and Hai Ron<海論> had relation to kidney and was similar to dizziness caused by aging and peripheral vertigo concurrent with tinnitus and difficulty in hearing in western medicine. 3. Dizziness in O Sa<五邪> had relation to heart(pericardium) and was similar to dizziness caused by cardiac output loss and psychogenic dizziness in western medicine. 4. In Internal Classic $\ll$內經$\gg$ the main etiology of dizziness was infirmity(虛), which were Qi(氣) of the upper portion of the body being insufficient(上氣不足), blood depletion(血枯), deficiency of marrow-reservoir(髓海不足) etc. 5. In Dae Hok Ron<大惑論> etiology and pathogenesis of dizziness were mentioned and dizziness was similar to dizziness caused by eye disorder, psychogenic dizziness and central dizziness in western medicine. 6. In Internal Classic $\ll$內經$\gg$ the meridian of acupuncture points which was used much for dizziness was Bladder Meridian. Aqupunture points used in treatment of dizziness were Ch'onju(天柱), Kollyun(崑崙), Taejo, Chok-t'ongkok(足通谷) etc. Conclusion : We found out etiology, pathogenesis, treatments of dizziness in Internal Classic $\ll$內經$\gg$. Further we compared with western medicine to develop better understanding of dizziness.

고전소설 수업 비평 : "이야기꾼"으로서의 교사에 대한 주목 (Classic novel class criticism: teacher as a storyteller)

  • 박수진
    • 고전문학과교육
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    • 제33호
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    • pp.45-82
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    • 2016
  • 수업은 교사와 학생의 교육적 만남을 매개(媒介)하는 학교 교육의 핵심적인 현상으로, 교과교육 연구의 중요한 대상이다. 교실 수업은 학교 교육에 기대하는 많은 것을 함축하고 있는 장면이기 때문에, 이러한 교실 수업현상이나 교사의 수업 행위를 깊이 있게 이해하고 해석할 수 있는 이론이자 방법으로서 수업 비평은 긴요하다. 이에 본 연구는 고전문학교육 연구의 지평을 수업 현상에 대한 실제적이고 경험적인 연구로 확장해 나가기 위한 시도로 고전소설 수업에 대한 수업 비평을 실시하였다. 본 연구에서 수업 비평의 텍스트로 삼은 고전소설 수업은 교과서의 작품에 대한 분석적 독해를 주로 하는 전형적인 고전소설 수업이었다. 그럼에도 교사는 고전소설에 대한 학생들의 막연한 거부감을 공감으로 전환시키면서, 작품을 감상하고 내면화할 수 있도록 이끌어 나가는 모습을 보였다. 자칫훈고주석에 치우칠 수밖에 없는 고전소설 수업에서 학생들의 공감과 반응이 들려올 수 있었던 데에는 작품에 대한 교사의 안목과 경험, 문학교육적 지식과 방법 등이 작품을 읽어 나가는 수업 전반에 투영되었기 때문이다. 특히 비교적 많은 시간을 할애하며 교사가 직접 작품의 서사를 구연(口演)해 나간 것은 고전소설 수업으로서의 그 가치와 의미를 여실히 드러낸 것으로 볼 수 있다. 이러한 수업 비평의 관점에 터해, 다기(多岐)한 장면으로 펼쳐지는 고전소설 수업의 실제 사례를 수집하고, 그 의미를 읽어내려는 시도가 거듭되어야 한다. 수업 비평과 같은, 수업 현상을 기반으로 하는 연구를 통해 고전문학교육에 대한 새로운 성찰과 발견이 가능해질 것이다.

고전식물명 '회(檜)'에 관한 고찰 (An Observation of the Classic Plant Name 'Hwe(檜)')

  • 공광성
    • 헤리티지:역사와 과학
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    • 제49권4호
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    • pp.96-113
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    • 2016
  • 이 글에서 논하고자 하는 고전식물명 '회(檜)'에 관한 고찰은 고문헌을 통한 민속식물연구에 있어 우선하여 진행되어야 하는 부분이라고 판단된다. 고문헌 속에는 식물의 특징 이용방법 분포 등 다양한 정보가 산재해 있다. 하지만 이러한 정보를 활용하기 위해서는 먼저 고전식물명에 대한 검토가 이루어져야 한다. 식물명에 대한 충분한 검증이 있고 난 뒤에야 비로소 그 식물에 대한 정보를 활용할 수 있기 때문이다. '회'의 경우 우리나라에서는 여러 가지 의미로 해석되고 있는데, 대체로 전나무 노송 편백 등 세 가지 뜻으로 사용되고 있다. 하지만 이러한 해석은 어떤 기준을 통한 것인지 알 수가 없다. 특히 고전 번역에서 '회'는 번역자의 임의로 풀이하고 있어 이 자료를 그대로 인용할 경우 또다시 오류를 낳게 한다. 따라서 고전식물명이 나오는 항목은 다시 검토해야 하는 상황이다. 식물명으로서 '회'가 어떤 이유에서 다양하게 해석되며, 어떤 기준으로 해석해야 올바른가. 이러한 의문을 가지고 본 연구를 진행하게 되었다. 그리고 '회'의 해석에 대한 가이드라인을 설정함으로써 고전식물명의 바른 해석과 이를 통한 식물에 대한 정보를 정확하게 확보하고자 하는 것에 본 연구의 의의를 둔다.

의부전록(醫部全錄)과 동의보감(東醫寶鑑)에 제시된 한의학적 요통(腰痛) 분류(分類)에 대한 소고(小考) (Syndrome Differentiation of Low Back Pain Presented in Uibujeonrok and Donguibogam in Korean Medicine)

  • 임한솔;남동현
    • 대한한의진단학회지
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    • 제19권3호
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    • pp.173-184
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    • 2015
  • Objectives The purpose of this study is to understand formation courses of the ten types of LBP (十種腰痛) in Korean medicine through reviewing classic literatures. Methods We summarized sentences describing syndrome differentiation of LBP directly in Uibujeonrok (醫部全錄) and Donguibogam (東醫寶鑑), and then organized similarities and differences among diagnostic factors described in the classic literatures. Results In most of the classics LBP was classified according to the cause but the causes varied depending on the classic literatures. Cheonkeumbang (千金方) tried to suggest a reasonable classification of LBP in a relatively early age. In Dangyesimbeop (丹溪心法) the causes of LBP were divided into 6 factors; qi movement stagnation (氣鬱), dampness-heat (濕熱), kidney deficiency (腎虛), static blood (瘀血), sprain (挫閃) and phlegm accumulation (積痰). It had a lot of influence on the classic literatures published later. Donguibogam was also influenced by the Dangyesimbeop and the ten types of LBP in Donguibogam was similar to the information on the classification shown in Uihakipmun (醫學入門) and Uijongpildok (醫宗必讀). Conclusions We verified universality of the ten types of LBP; kidney deficiency, phlegm-retained fluid (痰飮), food accumulation (食積), sprain, static blood, wind (風), cold (寒), dampness (濕), dampness-heat and qi (氣).

춘.하 여성 재킷용 소재의 구조적 특성이 감성이미지와 소비자 선호에 미치는 영향: 오프라인과 온라인의 비교를 중심으로 (The Effects of the Structural Characteristics of Women's Jacket Fabrics for Spring.Summer on the Sensibility Image and Consumer Preference: The Comparison of Offline and Online)

  • 김희숙;최종명;나미희
    • 대한가정학회지
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    • 제49권1호
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    • pp.121-133
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    • 2011
  • This research was designed to compare the subjective evaluation of texture image and preference between offline and online by structural characteristics of women' jacket fabrics for spring and summer. 78 participants evaluated the sensibility image and preference of various fabrics. The data were analysed by factor analysis, t-test, Pearson's productive correlation, regression, and multi dimensional scale. The results were as follows: Sensibility image factors of women' jacket fabrics were 'classic' 'sophisticated' 'natural' 'characteristic' and 'practical'. Between offline and online, sensibility images showed no differences. In sensibility images, 'classic'-'sophisticated', 'natural'-'practical', and 'practical'-'characteristic' images showed significant correlation. By analyzing the contribution of fabric structure on sensibility images, density affected on the 'classic' image offline and online. By the results of regression analysis, thickness, density and weave affected on the tactile preference. In sensibility images, 'classic', 'sophisticated' 'characteristic' images were the influencing factor. 'Sophisticated', 'natural', 'characteristic' and 'practical' images affected on the purchase preference.

패션 이미지어(語)의 연상 어휘 분석을 통한 디자인 발상차원에 관한 연구 -클래식, 아방가르드 이미지어를 중심으로- (A Study on the Dimension of Design Idea through the Analysis of Words that Remind of Fashion Image Words -Focusing on Classic and Avant-garde Imaged Language-)

  • 김윤경
    • 한국의류학회지
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    • 제44권3호
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    • pp.413-426
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    • 2020
  • This study researches the association between associative vocabulary and fashion image language in order to extract ideas that can be used as basic data for design ideas. Classic - avant-garde imaged language were chosen as theme words and each 70 questionnaires per a final image word were used for analysis. We obtained the following results by researching keywords that explained classic image words through a word cloud technique. It was found to have high central representation in the order of suit, classical, basic, music, Chanel, black and traditional. The core key words explaining avant-garde image language were found to have a central representation in the order of : peculiar, huge, Comme des Garçons, artistic, creative, deconstruction and individuality. We extracted the necessary idea dimensions needed for design ideas through associative network graph analysis. In the case of classical image language, it was named as the Mannish Item, Music, Modern Color, and the Traditional Classicality dimensions. In the case of avant-garde image language, it was named as the Key Image, Artistic Aura, Key Design and Designers dimensions.

HPLC를 이용한 축산식품중 잔류 설폰아미드제의 동시분석법 연구 (A study on simultaneous determination of residual sulfonamides in livestock productions by high performance liquid chromatography)

  • 황래홍;김영수;윤은선;김기근;이규학
    • 한국동물위생학회지
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    • 제18권3호
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    • pp.13-28
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    • 1995
  • This study was carried out to explore the most sensitive and useful method for simultaneous determination of five sulfa drugs(sulfamethazine, sulfamerazine, sulfamonomethoxine, sulfadimethoxine, sulfaquinoxaline) in livestock productions(pork muscle, bovine muscle, chicken muscle, milk ) by HPLC with UV detector and reverse phase column. The results obtained were as follows:1. For mobile phase acetonitrile-0.01M ammonium acetate (23:77) showed more applicable sensitivity and retention times than acetonitrile-1% acetic acid(23:77). Thus acetonitrile-0.01M ammonium acetate(23:77) selected and applied to the modification test, from which it was found pH 6.75 was the most adequate. 2. Optimal wavelength of UV for SMT(sulfamethazine), SMR(sulfamerazine), SMM(sulfamonomethoxine), SD(sulfadimethoxine), and SQ(sulfaquinoxaline) were 266, 266, 265, 269 and 250nm, respectively, and that for simultaneous application it was 263nm. 3. The average recovery rate by extractant(chloroform, dichloromethane, chlorform+dich-loromethane) in the classic method was not significantly different(p>0.05) but that by chloroform higher than the others. Thus chloroform was found to be adequate as extractant in this classic method. 4. The average recovery rate was 86.5% by the MSPD(matrix solid phase disperse) method, which was significantly higher than that by the classic method(p<0.05). Also the recovery rates by method were significantly different(p<0.05) in accordance with sample and type of drug. The MSPD method was much superior to classic method on clean-up.

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