• 셀메드
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• 제9권1호
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• pp.4.1-4.2
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• 2019

The aims of this article is to argue that the effect of catharsis through satire and humor in Korean music, Saseolnanongga. This song is a cheerful song of four beats and the representative rap music of Korean traditional music. This song is a folk song that reveals satire and humor such as curse to the person who left me and compassion and self-absorption. The lyrics harmonize with cheerful rhythm and create laughter and the lyrics of the song itself alone cause music therapy. The contents of the lyrics of the song are already refreshing. It means that you will be able to satisfy your surrogacy through the explicit lyrics. In this way, author thinks emotional expression through singing lyrics is an alternative solution. There has been a cathartic element in many twentieth-century approaches to psychological healing. The author thinks developmental criticism leads society to health, and satirical criticism reflects and heals individuals through catharsis.

• 인간행동과 음악연구
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• 제20권1호
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• pp.1-19
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• 2023

본 연구는 카타르시스 경험에 기여한 음악의 역할 및 특성을 살펴보고자 하였다. 이를 위해 음악을 통해 특정한 감정을 분출하거나 완화한 경험이 있는 일반 성인 12명을 대상으로 하여, 음악 내 카타르시스 경험을 탐구한 경험적 현상학적 연구를 수행하였다. 자료수집과 분석에는 현상학적 환원, 태도변경, 문헌 해석, 해석학적 순환 등이 활용되었다. 연구결과 총 3개의 범주, 5개의 주제모음 및 11개의 주제가 도출되었다. 첫 번째 범주인 '음악을 통한 지금-여기'는 '심미적 경험', '음악적 참신함의 확장' 2개의 주제모음으로 구성되었으며, 두 번째 범주인 '음악을 통한 내면의 접촉'은 '내재된 정서 재경험' 1개의 주제모음, 세 번째 범주인 '음악경험에의 몰입'은 '감정의 분출 및 심화', '내적 역동' 2개의 주제모음으로 구성되었다. 논의에서는 도출한 결과를 중심으로 음악의 카타르시스적 특성에 대해 세 가지로 설명하였는데, 첫째, 음악의 심미성과 참신함이 참여자들을 음악경험에 온전히 머무르게 하였고, 둘째, 음악과 관련된 기억 및 미해결된 감정이 내재된 정서 재경험을 유도하였으며, 셋째, 음악의 구성요소별 특성이 감정의 분출, 심화, 내적 역동을 촉진하였다는 점이다. 본 연구는 일반 성인의 카타르시스 경험에 기여한 음악의 특성에 대해 질적으로 접근한 연구라는 점에 그 의의가 있다.

• 셀메드
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• 제8권2호
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• pp.10.1-10.2
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• 2018

The aims of this article is to examine that Daegeum Sanjo Rhythm (DSR) compare with Jinyang-jangdan and Jajinmori-jangdan on music therapy. Daegeum has the largest range of notes in wind instruments through Korean music. Jangdan is the essential element of rhythm in Korean music. Just as human body sound and resonant with their rhyme and meters, jangdan has its own rhythms of physical structures and sequence and repeat. Jinyang-jangdan, which is close to western minor code, expresses heartbreaking grief and great mourning feeling, so it makes one feel the catharsis through that rhythm. Jinyang-jangdan of daegeum music may be slow, but it can be sublimated into grim music for human. So, people overcome the sadness through grim music. On the other hand, jajinmori-jangdan gives charm and gaiety to people and to everything. So, it is exciting that it's often performed in festival and parade. Rhythmical music is a tool to improve the well-being of humanity and increase our life choices. Therefore, music therapy surely needs both influences of daegeum sanjo music regardless of the rhythm. Because, daegeum sanjo music is nature-friendly music of the rhythm.

• 셀메드
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• 제7권1호
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• pp.5.1-5.3
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• 2017

The purpose of this article is to show that satire through Sugungga is beneficial for the mental health of people. Dong-jin Park is one of the greatest singers of Han Ak (Korean music, 韓樂). He is an authentic singing master through long-term training, which explains why his cheerful voice will certainly allow us to become unburdened. The story of Pansori Sugungga is akin to that of David and Goliath, the art of battling giants but a Korean version. Satire is a technique found in Pansori, Korean epic songs which use humor as a cover for more serious social criticism. Koreans have believed that outbursts of sentiment through satire are good for their mental health. For a long time, these singers have entertained Koreans with political satire and indirect counter-drives. Pansori Sugungga's keen wit and satire have earned the love of Koreans. Koreans want vivid descriptions and surprising turns that end with catharsis through Sugungga and are therefore thrilled with Sugungga. Therefore, Sugungga in Han Ak (Korean music, 韓樂) is a good means of music therapy for better mental health.

• 사상체질의학회지
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• 제18권1호
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• pp.30-40
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• 2006

1. Objectives The present study purposed to examine the contents and the principles of music therapy according to Oriental medicine theories in order to prove that music therapy is not a new research area but its principle is found in the long tradition of Oriental medicine. 2. Methods We investigate the possibility of music therapy based on Oriental medicine theories and examine the meanings of music therapy from the viewpoint of Oriental medicine. 3. Conclusions and discussions (1) The principles of music therapy are the principle of homogeneity, catharsis and balance. (2) When one’s mind changes, there are naturally occurred sounds, which are called Oseong (五聲: the oriental five voices exhalation, laughing, singing, wailing and groaning), and the notes defined by arranging the Oseong according to the principle of Ohaeng (五行: the oriental five phases wood, fire, earth, metal, water) are Oheum (五音: the oriental five musical notes Gakeum, Chieum, Gungeum, Sangeum and Wooeum.). If Eum (musical notes) is classified into Ohaeng, it can be divided into Gakeum, Chieum, Gungeum, Sangeum and Wooeum. (3) Change of Sinji (神志: consciousness) induces change of Gigi (氣機: function of Gi), which can change the character of voices. Oseong controls the functions of Ojang (五臟: the oriental five viscera) by ruling one’s Jeongji (情志: emotion). It can reduce the damage of the viscera caused by excessive vent of emotion resulted from unconscious expression of Oseong - Hoseong (呼聲: exhalation), Soseong (笑聲: laughing), Gaseong (歌聲: singing), Gokseong (哭聲: wailing) and Sinseong (呻聲: groaning). (4) Yijeongseungjeong (以情勝情: Control emotion with emotion) therapies, which suppresses an emotion by stimulating another, include Noseungsabeop (怒勝思法: Control anxiety with anger), Heeseungbibeop (喜勝悲法: Control sorrow with joyfulness), (思勝恐法: Control fear with anxiety), Biseungnobeop (悲勝愁法: Control anger with sorrow) and Gongseungheebeop (恐勝喜法: Control joyfulness with fear). (5) Seongeum (聲音: voices and musical notes) can be applied to a stimulation method that not only harmonizes the rhythm of living organs but also controls the occurrence of diseases caused by mutual Pyeonseongpyeonsoi (偏盛偏衰: relative preponderance and weakness) through direct induction of the strength and weakness of Gi function of the oriental five viscera in a human body according to the individual character. Sounds preferred by the patient, the material of an instrument selected by the patient, the character of rhythm and music expressed by the patient and the sound or voice uttered frequently by the patient can be considered in diagnosis and treatments for the patient’s body and mind.

• 대한간호학회지
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• 제29권6호
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• pp.1273-1283
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• 1999

This study was done to explore the effects of dance therapy on pulmonary and cognitive functions in the elderly. The design of this study was a non-equivalent pre-post test experiment. The subjects consisted of elderly persons living in a facility located in Kyoungi-Do. Fifty eight subjects had normal cognition, sensory function and resting blood pressure. They underwent tests of pulmonary and cognitive function as baseline data before dance therapy, and at 6th week and at the end of 12nd week after following dance therapy. Twenty seven elderly persons were assigned to the experimental group and participated with the dance therapy. This therapy was based on the Marian Chace's dance therapy and Korean traditional dance with music. The dance therapy consisted of 50 minutes session, 3 times a week for 12 weeks. One session consisted of warming-up, expression, catharsis, sharing and closing stage. the intensity of the dance therapy was at the 40% of age-adjusted maximum heart rates. Data were analyzed with mean, standard deviation, Chi-square test, unpaired t-test, repeated measures ANOVA, and Bonferroni multiple regression using SAS program. The results were as follows : 1. Pulmonary function(forced expiratory volume at one second and forced vital capacity) of the experimental subjects significantly increased over time more than that of the control subjects. 2. The experimental group had significantly higher score for pulmonary function than the control group at the 12nd week after dance therapy. 3. Cognitive function of the experimental subjects significantly increased over time more than that of the control subjects. 4. The experimental group had significantly higher score for cognitive function than the control group at the 6th week and 12nd week after dance therapy. The findings showed the dance therapy could be effective in improving the pulmonary and cognitive function of the elderly.

• 공연문화연구
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• 제37호
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• pp.5-31
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• 2018

고성오광대 제1과장 문둥북춤은 양반의 자손으로서 조상들의 죄업으로 문둥병에 걸려 고통으로 괴로워하다 신명을 통해 극복한다는 내용을 대사 없이 춤으로만 표현한다. 고성오광대 문둥북춤의 문화재 지정 이후 현재까지 변화양상을 살펴본 결과 시간이 지남에 따라 문둥북춤의 춤사위가 더 많아지고 동작이 구체화된 것을 확인할 수 있었다. 1965년 문둥북춤 춤사위부터 2000년 문둥북춤까지 춤사위가 5개에서 20개로 확장되고 이전보다 구체화된 것을 확인할 수 있었다. 또한 문둥북춤에서 사용하는 소도구 북의 표현하는 방식이 65년의 경우 북을 치고 어르는 춤사위만 있었다면, 1988년의 경우 현재와 같이 북과 북채를 무대에 두고 등장하고 춤사위도 14개로 늘어난 것을 확인할 수 있었다. 2000년 문둥북춤의 경우 문둥이가 북을 잡고 난 이후부터 신명나게 춤을 추며 자진모리장단으로 발전되는 형태는 이전보다 춤사위가 더 다양해지고 이야기 구조를 좀 더 명확하게 표현하는데 사용된 것을 알 수 있었다. 마지막으로 고성오광대의 대표적인 춤사위 배김새가 1965년엔 보이지 않고 1969년엔 한 방향으로만 배김사위를 하는데 1988년과 2000년 문둥북춤에서 보여지는 배김사위는 좌우로 대칭하여 한 번씩 연행해 현재의 배김사위와 같은 것을 알 수 있었다.

• 대한간호학회지
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• 제29권2호
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• pp.429-444
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• 1999

This study was performed to explore the effects of a dance therapy on physical and psychological characteristics in the elderly. The design of this study was a non-equivalent pre-post test experiment. The subjects consisted of elderly persons living in a facility located in Suweon and Bucheon. Fifty eight subjects, aged between 65 and 93 years who had normal cognition, sensory function, balance, and resting blood pressure. They underwent tests of balance, flexibility, muscle strength, depression, and anxiety as baseline data before dance therapy, and at 6th week and at the end of the 12nd week after following dance therapy. Twenty seven elderly persons were assigned to the experimental group and participated with the dance therapy between April and July, 1998. The dance therapy was developed by the author with the help of a dance therapist and a physiatrist. This therapy was based on the Marian Chace's dance therapy and Korean traditional dance with music. The dance therapy consists of 50 minutes session, 3 times a week for 12 weeks. One session was consisted of warming-up, expression, catharsis, sharing, and closing stage. The intensity of the dance therapy was at the 40 % of age-adjusted maximum heart rates. Data were analysed with mead standard deviation, Chi-square test, unpaired t-test, repeated measures ANOVA, and Bonferroni multiple regression using SAS program. 1. The results related to the physical characteristics were as follows : 1) The balance (standing on one leg, walking on the balancing bar), flexibility and muscle strength (knee extensor, knee flexor, ankle plantarflexor and dorsiflexor) of the experimental subjects significantly increased over time mere than that of the control subjects. 2) The experimental group had significantly higher score for balance, flexibility, muscle strength of knee extensor, and knee flexor than the control group at the 12nd week after dance therapy. 3) The experimental group had significantly higher score for muscle strength of ankle dorsiflexor and plantarflexor than the control group at the 6th week and the 12nd week after dance therapy. 2. The results related to psychological characteristics were as follows : 1) Scores of Geriatric Depression Scale, Hamilton Depression Rating Scale, and Zung's Self-rating Anxiety Scale of the experimental group were significantly decreased over time more than that of the control group. 2) The experimental group had significantly lower score for depression than the control group at the 12nd week after dance therapy. 3) The experimental group had significantly lower score for anxiety than the control group at the 6th week and the 12nd week after dance therapy. The findings showed that the dance therapy could be effective in improving the balances, flexibility, and muscle strength of lower limb, and effective in decreasing the depression and anxiety of the elderly. Additional merits of the dance therapy would be inexpensiveness, easy accessibility, and increasing interpersonal relationship. It can be suggested that the dance therapy is effective in the health promotion of the elderly.