• Proceedings of the Korean Information Science Society Conference
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• 2001.04b
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• pp.526-528
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• 2001

기존의 얼굴표정 인식연구의 대부분은 얼굴영상에서 사전정보 획득과, 인식이 각각 별개로 수행되어, 전자의 결과가 후자를 보장하지 못하거나, 데이터와 계산 양의 과다, 그리고 인지과정이 사람과 다르다는 등의 문제가 있다. 이에 대해 하우스도르프 거리 매칭을 적용, 표정인식을 시도한다. 이는 전체적인 유사도를 측정하는 방법으로서 전체이론(Holistic theory)에 기반하여, '사람의 인지과정'을 따른다. 그러나 축소된 데이터를 사용하므로, 이 방법의 인식결과가 부족할 경우, 영상워핑을 적용하여 Brennan과 Carton이 제안한 캐리커쳐 효과를 이용한다. 이는 영상을 적절히 변형, 표정의 특징을 과장하고 잡영을 제거하여, 인식하기 쉬운, 분명한 표정을 생성하는 방법이다. 위 과정을 통해, 사람의 인지과정을 모사하고, 최소한의 데이터로써 사전정보 획득과정이 생략된, 입력영상으로부터 직접 표정을 인식하는 방법을 제안한다.

• Cartoon and Animation Studies
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• s.15
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• pp.151-164
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• 2009

The discussion on folk painting (minwha) has been continued till recent in various ways. MinWha is applied by painting artists and also utilized as a basic material of design. These are the attempts approved by the viewpoint of the 'Korean beauty'. In saying so, minwha symbolizes for typical types of Korean painting, and is articulated as an aspect of forgotten spirit. However, despite the fact of Minwha's frequent application, and its evident originality, it remains only the thread of the existence. Although minwha has a lot of commonalities and similarities with the characteristics of cartooning, a decisive attempt of cartooning is hardly shown through. Therefore, this paper is aim to classify creative paintings by the distinctive features of minwha, such as exaggeration and abridgment, sarcasm and current affair aspect, common technique of art drawing, caricatured element, expression of an ideal world, various techniques from artist's different comprehension, etcetera and to make opportunity to constructively apply these features in cartoons. The types of minwha are mostly classified by the contents of the painting. However, since the purpose of this thesis is to find caricatured aspects in minwha, it will be largely classified by the elements of animal, plant, human, insect species, finny tribe, feathered tribe, and nature phenomenon. This classification takes advantage of accessibility to understand the characterization of the object, and leads to take a positive approach.