• 제목/요약/키워드: canon

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"금궤요략심전" 백합병(百合病) 조문에 대한 연구 (A Study on Baihe Disease(百合病) Texts in "The Esseence of the Synopsis of the Golden Chamber")

  • 이선란;이용범
    • 대한한의학원전학회지
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    • 제20권1호
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    • pp.1-10
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    • 2007
  • "The Essence of the Synopsis of the Golden Chamber" is an annotated book on the "Synopsis of the Golden Chamber" written by You-Yi(尤怡) of the Qing Dynasty (1729). Chapter 3 of this annotated book contains explanations of BaiheDisease(百合病). You-Yi(尤怡) maintained that the cause of Baihe-Disease(百合病) is a deficient-type fever(虛熱) induced by lung-fluid deficiency(肺陰不足). Generally, a higher fever led to a worse prognosis, and this disease was mainly treated by supplement methods(補法). In his pharmacological explanations, You-Yi(尤怡) often used the analogical inference of the five evolutive phases(五行歸類), and he frequently quoted "The Yellow Emperor's Canon of Internal Medicine(黃帝內經)" and "The Medical Secret of an Official(外臺秘要)" to explain the texts.

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Non-Pharmacological Treatments of Psoriasis in Persian Medicine a Narrative Review

  • Rasanan, Farshad Mohammadian;Kenari, Hoorieh Mohammadi;Ghassemi, Mohammadreza;Sabbagh, Ali Jabbari;Aliasl, Jale;Ghobadi, Ali
    • 대한약침학회지
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    • 제25권1호
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    • pp.1-6
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    • 2022
  • Psoriasis is a chronic disease that has no definitive cure. In this review study, the main sources of Persian Medicine (PM) such as the Canon of Medicine (by Avicenna) and Al-Havi (by Rhazes) were assessed to identify non-pharmacological treatments for psoriasis. Several treatments that are recommended for this disease include nutritional advice, lifestyle modifications, and manipulation therapy such as wet cupping (Hijamah), leech therapy, and phlebotomy (Fasd). These recommendations may help to prevent recurrence and be useful in improving psoriasis. The efficacy of PM recommendations to improve psoriasis should be evaluated in future studies.

("황제내경소문(黃帝內經素問)" 중(中) 사혈(瀉血)에 관한 연구(硏究) (A Study on the Blood-Letting Therapy in Elementary Questions)

  • 이준근
    • 대한한의정보학회지
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    • 제14권1호
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    • pp.19-42
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    • 2008
  • Blood-Letting Therapy is a rational and ecological medical treatment by which we can heal most of the diseases by removing the static blood which precipitates in the blood vessel and blocks the flowing of blood. And the static blood is the generic term for the injurious, bad, dead and precipitated blood which is blocked the capillary vessel. The Yellow Emperor's Canon of Internal Medicine says that "the patient is treated with drugs internally and stone acupuncture externally. "In the old texts, the blood-letting therapy is mentioned as blood-letting, network vessel pricking, bloodletting, pricking, and arousing pulses etc and it is noted down as the method of network vessel pricking in 'On the Application of Needles' of Spiritual Pivot. Nine-pricking therapy, twelve-pricking therapy and five-pricking therapy are recorded in the methods of network vessel pricking and among them, the method of squeezing blood after pricking the affected part is explained as the network vessel pricking. There are four methods of network vessel pricking, pricking, picking, cluster needling and scatter-pricking and they are fluidly applied to the various symptoms of diseases. In 'On Discriminative Treating for Patients of Different Regions' in Elementary Questions, Ki-baek emphasizes "most of the local people, there are black in skin and loose in striate, and their diseases are mostly of carbuncle kind. It is suitable to treat the disease with stone therapy to prick with stone, so the stone therapy is transmitted from the east. "And in 'On the Corresponding Relation Between the Eum and Yang of Man and All Things' in Elementary Questions, when the Emperor asked Ki-Back, he answered "sthenia means the sthenia of evil, and deficiency means the deficiency of healthy energy. When the blood is sthenic, the evil should be discharged by pricking when out letting the blood; deficiency of vital energy is the asthenia of channels and network vessels, so the energy should drain from the channel which is not deficient, to replenish. "And in this case we can use the methods of 'Breaking out the static bloods', 'driving out the static bloods', blood-letting'. With this we can infer that the blood-letting therapy is made use of the important medical treatments from the ancient times. Especially in referring to the principles of treatment in The Yellow Emperor's Canon of Internal Medicine, it mostly alluded to acupuncture therapies and only eleven times to medicinal treatments. This is to verify that the blood-letting therapy formed the foundation of the medical art. In Dong's Therapy of Acupuncture-Moxibustion and Bloodletting, Dong Kyeong-Chang gave emphasis on the points that there must be extravasated bloods without exception in the serious illnesses which is old, unnatural, accompanying acute pains and so we can revive our body‘s sprit by circulating 'gi' and static blood piled up in the network vessel, regulating the weakness and strength, and controling the disharmony of the internal organs. The blood-letting therapy has effect on the orifice in emergency, such as fore draining, freeing network vessels, harmonizing gi and blood, relieving pain, dispersing swelling and concretion, sedation, resolving toxin as well as strengthening the heart, relieving itching. So it has distinguished effect on all kinds of medical treatment to the modern people. But by the change of social customs and the confucianism of confucius - it is widely spread on the period of North and South Dynasties, 'Wi' and 'Jin' in china and the period of the Three States in korea - The blood-letting therapy which was regarded as the most important medicinal treatment withered rapidly. And Confucius accentuated the importance of our body and all its members, loyalty and filial piety and banned any damage of our body under no circumstances. As a result of it, the therapy of blood-letting had a rapid decrease and barely kept itself in existence in both countries. What is worse, at the period of Japanese colonial rule of korea and our nation's founding of early stage, it has been withered by the high-handed policy to change Oriental Medicine into modern medical science. So the therapy of blood-letting barely kept itself in existence in some Buddhist temples. Another case, it has handed down as a old-fashioned quick fix in folk remedies. But all kinds of the contamination of heavy metals and the misuses of antibiotics are widely spread nowadays, which increased diseases of adult people and incurable diseases as modern society unavoidably made its way into a highly industrial society. To make us more miserable, the western medical science - the antibiotics and surgical operation medical science - already reveals itself into a limit. The necessity of a new medical science which can give a security to the patients who are suffering from the diseases of adult people and the incurable diseases is especially come into the force nowadays. In view of the results after bibliographically studying on the blood-letting Therapy in Elementary Questions of the Yellow Emperor's Canon of Internal Medicine, the blood-letting therapy has acted for the important Oriental medicinal science and has been clarified the prominent effects on the diseases of adult people and the incurable diseases. So it is regarded as an appropriate thing that we lay out a determined theory of the blood-letting therapy and of course prevent the unwanted side effects from inappropriate medicinal treatments, and make full use of clinic by elevating the curative value and that we win back our self-respect of medical treatment which is dominated from the western medical science and ultimately contribute to national medical welfare.

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인공산성우(人工酸性雨)가 삼림토양(森林土壤)의 완충능(緩衝能)에 미치는 영향(影響) (Effects of Artificial Acid Precipitation on Forest Soil Buffer Capacities)

  • 민일식;이수욱
    • 한국산림과학회지
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    • 제79권4호
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    • pp.376-387
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    • 1990
  • 대기오염(大氣汚染)과 산성우(酸性雨)가 삼림토양(森林土壤)의 완충능(緩衝能)에 미치는 영향(影響)을 규명하기 위하여 이동오염원지역(移動汚染源地域)으로 서울지역(地域), 고정오염원지역(固定汚染源地域)으로 울산(蔚山) 및 여천지역(麗川地域) 그리고 대조지역(對照地域)으로 강원도(江原道) 평창지격(平昌地域)에서 토양시료(土壤試料)를 채취하여 인공산성우(人工酸性雨)를 처리(處理)하고 조사분석(調査分析)한 결과(結果)를 고찰(考察)해 볼 때 다음과 같았다. pH 3.0-5.7 수준(水準)의 인공산성우(人工酸性雨)에 대하여 토양용탈용액(土壤溶脫溶液)波이 나타낸 용액(溶液) pH의 수준(水準)은 강원도지역(江原道地域)에서 pH 6.2-7.1이었고, 다음이 울산(蔚山)으로 pH 3.8-6.0, 여천(麗川)은 pH 4.0-5.4, 서울이 pH 4.0-5.5로 나타나므로써 산성우(酸性雨)에 대한 토양완충능(土壤緩衝能)은 강원도(江原道)가 가장 컸으며 서울이 가장 낮았다. 그러나 pH 2.0의 산성우처리(酸性雨處理)에서는 각 지역(地域)에서 모두 토양완충능(土壤緩衝能)이 급격히 낮아졌다. 인공산성우(人工酸性雨)의 처리(處理)에 대한 토양완충능(土壤緩衝能)은 강원도지역(江原道地域)의 경우 화강암(花崗岩) 지역(地域)과 석탄암지역간(石炭岩地域間)의 유의적(有意的)인 차이(差異)를 나타냈고 서울과 울산지역(蔚山地域)의 경우 pH 3.0-5.7의 산성우(酸性雨)에 대해서는 오염원(汚染源)으로부터 거리(距離)가 멀어 질수록 토양완충능(土壤緩衝能) 유의적(有意的)으로 증가(增加)하였다. 인공산성우처리(人工酸性雨處理)에 대한 토양완충능(土壤緩衝能)의 기작(機作)은 강원도지역(江原道地域)의 경우 양(陽)이온치환(置換)이었으며, 서울지역(地域)에서는 pH 3.0 이상(以上)의 산성우(酸性雨)에 대해서는 양(陽)이온치환(置換)이 완충작용(緩衝作用)을 주도(主導)하였으나 pH 2.0에서는 Aluminum 및 Silicate hydrolysis가 주도(主導) 하였다. 울산지역(蔚山地域)의 경우 pH 3.0 이상(以上)에서는 양(陽)이온치환(置換)이, pH 4.5 이하(以下)에서는 Aluminum hydrolysis가, 그리고 pH 3.0 이하(以下)에서는 Aluminum hydrolysis 및 Silicate hydrolysis가 주도(主導)하였다. 여천지역(麗川地域)에서는 pH 4.5에서 Silicate hydrolysis가, pH 4.5 이하(以下)에서는 Aluminum hydrolysis가 주도(主導)하였다.

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박세당의 『남화경주해산보(南華經註解刪補)』 저술 의의 구명(究明) - 주자와 박세당의 장자 인식 비교를 통해서 - (A Study on the Significance of Park Se-dang's Composition of the Namhwagyeong Joohaesanbo(南華經註解刪補))

  • 전현미
    • 한국철학논집
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    • 제42호
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    • pp.71-103
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    • 2014
  • 박세당(1629~1703)은 조선시대에 유일하게 "장자" 전편을 주석한 "남화경주해산보"를 저술하고, 말년에는 사문난적(斯文亂賊)으로 지탄받던 인물이다. 본 논문의 목적은 조선시대에 주류사상이던 주자학의 집대성자인 주자(1130~1200)와 박세당의 장자 인식의 비교를 통해 17세기 조선에서 "남화경주해산보" 저술이 가지는 의의를 구명(究明)하는 데 있다. 조선시대에는 주자학이 정통 교학으로서 부동의 위치를 차지하고 있었으므로 노장(老莊)을 비롯한 여타의 사상은 주자학과의 관계 속에서 논의되어야만 한다. 박세당의 장자 인식은 주자의 장자 인식에서 크게 벗어나지 않는다. "남화경주해산보" 저술은 주자의 장자 인식을 계승하여 적극적으로 심화시켰다고 할 수 있다. 이 때문에 노론 측에서 사문난적으로 비판할 때에도 "신주도덕경"과 "남화경주해산보"은 언급되지 않은 것이다. 그러나 또 다른 한편으로는 주자학에서 벗어나려는, 즉 탈주자학적 시도이다. 박세당은 장자가 유가와 대척점에 있다고 보지 않는다. "남화경주해산보"를 통해서 첫째, 장자가 세상에 대해 지대한 관심을 가지고 현실을 냉철하게 직시하였음을 강조하고, 둘째, 부자(父子)와 군신(君臣) 간의 인륜(人倫) 관계를 중시했음을 증명하여 유가사상과 상통점을 찾고, 셋째, 장자의 인성론(人性論)을 새롭게 조명하여 유가 인성론을 재정립하고, 넷째, 장자사상을 응용하여 분당(分黨)과 예송논쟁(禮訟論爭) 등 소모적인 정쟁(政爭)에서 벗어나려고 한다. 박세당이 "신주도덕경"과 "남화경주해산보"를 저술하지만, 이는 보유(補儒)의 일환이고 본령은 유학이다. 그가 탈피하고자 한 것은 주자학의 절대화였지 유학 자체는 아니다. 주자학이 정통 교학이자 지배 이념으로 절대화되고 교조화되던 17세기의 조선에서 박세당의 "남화경주해산보" 저술은 매우 혁신적인 시도로서, 박세당이 주자학에서 벗어나 탈주자학의 선구자로서 정통 주자학자들과 지향점을 달리하여 독자적이고 진보적인 학문 세계를 구축하였음을 보여준다.

모더니즘 미술비평에 있어서 '자율성' (Autonomy)의 문제 (A Matter of Autonomy in Art Criticism on Modernism)

  • 최광진
    • 조형예술학연구
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    • 제3권
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    • pp.87-144
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    • 2001
  • This study looks into historical genealogy of autonomy in art criticism on modernism and presents the view of the judgment and correction about that. A matter of autonomy in art appeared in the attempt to totally reconsider and upset the theory of 'Mimesis' or 'Representation' which was the basis of traditional aesthetic theory. In the traditional theory of representation, they assumed primary image exists first and then tried to obtain visual similarity to it through art works. However, in the theory of autonomy in modernism, they maintained the reduction to pure form' or medium', regarding what art works represents and how similar to primary image are not the true essence of art. In the early 20th century, C. Bell laid the foundation stone of the theory of Formalism', providing that a matter of autonomy is significant form', which is the combination of lines and colors Aesthetic autonomy theory came to a climax by C. Greenberg, who systemized art criticism on modernism in the middle 20th century. According to his theory, the pursuit of the essence of form resulted in the specificity of medium' and flatness. They thought that the autonomy of art would be achieved by eliminating outward social factors from art works. This theory ended by Minimalism preventing the instructive function of art work and only emphasizing its material property. Since the middle 20th century, the autonomy theory was confronted with the limit and intense attack because it resulted in this fixed canon and materialism, so they began laying emphasis on those extrinsic factors around art works such as human life, society, history, and so on. This study focuses on arguing and complementing the limit of autonomy such as the adhesive and fixed canon, and then defining the more dynamic area of it. For this, first, I introduced the view of T. J. Clark and T. Crow who criticized the aesthetic autonomy theory. They denied the transcendental structure of form, and found form only in the association with substantial life and society. And they insisted the dynamism of form by emphasizing form as a result of negation insisted by avant-garde. Second, I researched the view of A. C, Danto and M. Fried, who complemented the traditional autonomy theory. They made autonomy emerge from the fixation of form like flatness through connecting essentialism with historical view. In conclusion, I insist that autonomic position of art make it possible to connect or mediate between material form and human or social elements. Therefore, autonomy should not be reduced to the axis of form or that of society but make interaction between two heterogeneous axes.

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3D C.G. 애니메이션에 반영된 문화적 이데올로기 - <슈렉>을 중심으로 (A study on the cultural ideology of narrative in 3D C.G. Animation )

  • 고은영
    • 만화애니메이션 연구
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    • 통권6호
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    • pp.7-22
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    • 2002
  • Animation constitutes the core of the media industry, which in turn lies at the center of the cultural industry. It is considered one of the industries where South Korea has the competitive edge over other countries. With the pool of customers getting wider, the genre of animation has become more and more diverse, forming a great market for it. Aware of this trend, this study focused on animation as a part of the pop culture, and on providing corresponding various viewpoints for future cultural studies. This researcher measured the practicality and persuasiveness of this study through Shreck, a three-dimensional C.G. animation which is acclaimed for its success in dismantling the old grammar of animation movies that represent the anti-Disney ideas. This researcher felt it imperative to heed the unique language of Shreck, which contains discourses on various cultural ideologies such as paradoxical structure that pits entertainment that is shown through dismantling of the canon, feminism and antifeminism against each other. This study analyzed the entertaining element of the animation genre by means of the Semiotics of Keith Moxey, thereby attempting to establish a legitimate social status of the genre, whose artfulness has been depreciated in the art society. In chapter II, this researcher examines the chronological development of three-dimensional C.G. animation that has shown a rapid advancement. Chapter III defines the cultural ideology of Shreck by exploring basic theories and texts employed in analysis of art works. This study started with the assumption that defines, from the viewpoint of symbology, the animation text as an aggregate of discourses on entertainment, and competitive and paradoxical ideologies. Then, this researcher analyzed the text and the generation process of meanings in Shreck. Consequently, this study has come to the following conclusions: First, Shreck induces changes of concepts about the canon by means of distorting and reversing the existing animation movies, which seems to reflect in the contemporary tendency of seeking new interpretations of entertainment. Second, Shreck shows up the cognitive changes of our age as to feminism by competing feminism against antifeminism. Although Shreck serves as a venue of competition between the two opposing ideas, it stops short of brushing off women as outsiders in society. Rather, it represents the resistance to the male chauvinism existing in the structures of animation and culture. As shown in the text analysis, Shreck presents an advent of a new ideology critical of the previous animation films. In addition, it reflects in the struggle between the pro-feminism on the part of the viewers and the anti-feminism that lies in the social and culture structure. This study, however, is limited in its scope and selection of subject. First, although this researcher has stressed the importance of understanding the animation as part of the pop culture and conducting researches within the historic paradigm, this study fails to provide an in-depth insight in the impacts that the changes in the C.G. industry and the systematic conditions may have on the three-dimensional C.G. animation genre. Furthermore, this study runs the risk of being understood as pro-American due to its selection of Shreck as its research subject.

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공예라는 전통과 캐논의 성립: 고미술과 미술공예 (The Invention of Tradition and Canon in Korean Crafts: Antiques and Art Craft)

  • 노유니아
    • 헤리티지:역사와 과학
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    • 제53권3호
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    • pp.128-141
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    • 2020
  • 이 논문은 조선총독부의 고적조사와 일련의 사업을 통해 한국에 미술공예 개념이 수용된 과정과 그 과정에서 성립된 공예의 전통과 캐논에 대해 고찰한 글이다. 「고적 및 유물 보존규칙」과 「조선보물·고적·명승·천연기념물 보존령」의 제정을 통해 법률상으로 제시된 공예는, 조형물을 만들어낸 정교하고 뛰어난 기술, 더 나아가 회화, 조각과 같은 미술의 한 장르를 의미했다. 이왕가박물관과 총독부박물관은 미술공예라는 용어를 대중에 확산시키는 역할을 했고, 여기에 전시된 공예는 과거의 전통을 시각적으로 구체화하였다. 이와 같이 공예라는 용어는 고미술을 가리킬 때 빈번히 사용되었고, 구체적으로는 법률상의 보물로 지정되거나 박물관에 전시되어 지키고 보존해야 할 전통이 되었다. 공예의 전통과 캐논이 성립되자 당대에 제작되는 공예에 큰 영향력을 행사했다. 이 일련의 과정에는 일본의 문화 정책과 제국적 취향이 절대적으로 작용했다. 일반적으로 근대기에 성립된 공예 개념은 산업으로서의 공예와 미술로서의 공예, 두 가지로 구분되어 왔으나, 미술로서의 공예라는 개념 안에도 여러 층위가 존재했다. 캐논이 된 고미술은 동시대 제작의 준거가 되었으며, 실제로는 동시대에 제작되던 공예의 양상도 모두 같지 않았다. 이제까지 일괄적으로 논의되던 미술공예 개념을 세분화하는 작업이 공예에 있어서 '만들어진 전통'과 근대기 공예계의 양상을 정확히 파악하기 위한 기초가 될 것으로 기대한다.

시력검사거리에 따른 원거리 시력검사 신뢰성 평가 (The Evaluation of Reliability for Exam Distance of Visual Acuity)

  • 전영윤;최현수;박성종;이석주
    • 한국안광학회지
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    • 제19권1호
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    • pp.17-22
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    • 2014
  • 목적: 시력검사거리에 따른 원거리 시력검사의 신뢰성을 평가하고자 하였다. 방법: 5 m 거리에서 교정시력이 1.0 이상이 되었던 성인 39명(78안)을 대상으로 하였다. 각각의 검사거리(5 m, 4 m, 그리고 3 m)에서 대상자의 교정굴절력을 측정하였다. 시시력표는 자동 챠트(LCD-700, Hyeseong Optic. Co., Korea)를, 타각적 굴절검사는 검영기(Beta 200, Heine, Germany)와 자동굴절검사기(RK-5, Canon, Japan)를 사용하였다. 조절력검사는 (-)렌즈 부가법으로, 조절래그 검사는 근거리 격자시표를 사용하였다. 결과: 구면교정굴절력은 5 m에 비하여 3 m에서 평균 $0.10{\pm}0.38$ D 감소하였고 난시도는 $0.05{\pm}0.10$ D 감소하였으며, 난시축은 우좌안이 귀방향으로 각각 $2.64{\pm}18.75$ 도, $11.43{\pm}48.55$ 도 회전하였다. 교정굴절력의 변동과 난시도의 변동은 최대교정굴절력과의 약한 음의 상관관계를 보였다(r=-0.31, r=-0.29). 결론: 검사거리에 따라 구면교정굴절력과 난시도는 5 m에 비하여 3 m에서 감소하며, 난시축은 귀방향으로 회전하는 경향이 있기 때문에, 안경원에서 원거리 시력검사를 위한 검사거리는 5 m로 개선되어져야 할 것이다.

침구소난요지(鍼灸素難要旨)에 대한 연구(硏究) (A study on zhenjiusunanyaozhi(鍼灸素難要旨))

  • 심철웅;김재중;김장생;이시형
    • 대한한의정보학회지
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    • 제17권2호
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    • pp.130-287
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    • 2011
  • "zhenjiusunanyaozhi(鍼灸素難要旨)" is composed of three volumes and published in 1529 by Gao Wu(高武). Gao Wu(高武) is skillful in astronomy, the art of war and the law as well as a medical practitioner in Ming Dynasty. The books he wrote "zhenjiujuying(鍼灸聚英)", "zhizhi(直指)", "douzhenzhengzong(痘疹正宗)", "shexuezhinan(射學指南)", "zhenjiujieyao(鍼灸節要)". "zhenjiusunanyaozhi鍼灸素難要旨" is written by classifying the origin of acupuncture and moxibustion. In other words, it is edited by classifying the contents related to acupuncture and moxibustion out of the ancient Chinese medical book "yellow emperor's canon of medicine and yellow emperor eighty-one difficult" in which are composed of 3 volumes as follows, Volume 1 says the main diseases on "the nine acupuncture needles figure" (九針圖), "the reinforcing and reducing the meridian" (補瀉), "the needle depth" (針刺深淺), "the five shu points - metal, wood, water, fire, earth" (正,滎,輸,經,合) based on 18 chapters in terms of acupuncture in "yellow emperor eighty-one Difficult "難經"", in which it quotes the annotation of "the difficulty by the original meaning "難經本義"" written by Hua Shou(滑壽) in Yuan Dynasty. Volume 2 is composed of 2 parts. Part 1 says the method of treatment on 36 Chapters, the method of acupuncture use in the Linshu "靈樞" and the Suwen "素問" such as "the rule of acupuncture use" (用針方宜), "the nine-pin method" (九針式) and "the nine-pin to only use the time appropriate to consider nature of Heaven, Earth and person" (九針應天地人時以起用) etc., Part 2 says "the five difficult acupuncture(五亂刺)", "the rise and fall of energy and blood(氣血盛衰)". "the pain tolerance(耐痛)" and ect., in which are in terms of method of treatment collected the original texts of 59 chapters on acupuncture to each disease and of 8 chapters on moxibustion in the Linshu "靈樞" and the Suwen "素問". Volume 3 includes 10 chapters in which consist of "the stabbing to disease in 12 meridians (十二經病刺)", "the eight extra meridian disease (寄經八脈病)", "the twelve meridians(十二經脈)", "the fifteen collaterals (十五絡脈), the twelve meridian muscles (十二經筋)", "the acupoint (孔穴)" and etc. This is the book edited comprehensively by classifying the contents on the theory of acupuncture and moxibustion and the circulations of meridians in "yellow emperor's canon of medicine and yellow emperor eighty-one difficult" and there is no case story in particular except his comments in person. This study is for the purpose of helping researching and developing acupuncture and moxibustion and applying their clinical training.

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