• 한국의상디자인학회지
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• 제6권3호
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• pp.9-18
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• 2004

This study focuses on the medieval Mongol costume called YosunOja. This dress consists of a blouse and a skirt, and some lines on the waist part. The purpose of the study is to analyse the structural characteristics of this costume, especially on the medieval remains from the tomb Mingshui in the district of Neimenggu. It can be analysed that this costume has three structural characteristics, which are the functional structure, sumptuous one, and the idea of Buddhism. The functional structure consists of the style with a blouse and a skirt, which gives enough surplus for the movement, the back-slash for the ease of the riding, and the dart in the front line which eliminates unnecessary surplus. The sumptuous structure is the many lines of the waist which show the maximization of the decoration, the extraordinary long sleeves, and the use of the expensive gold brocade which shows the wealth of the dresser. And also, the cutting of the fabric into the numerous segment may mean the medieval Mongols believed in Buddhism.

• 한국의류학회지
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• 제16권2호
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• pp.189-195
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• 1992

Buddhism as one of alien thoughts has been developed conflicting and fusing with Korean Cultural bases. From these fusion process Korean Kasa (i.e, sacerdotal robe for Buddhist monk) also came into possession of different features from original Kasa which Buddhist Command- ment regulates or Kasa of South Asia which is the birthplace of Buddhism. 1. Original kasa was Pamsukula (i.e., a shabby, abandoned, muddy cloth), which did not permit special ornament or luxurious materal. However, we can find splendid colors, letters and embroideries in Korean Kasa. 2. These phenomenon originated from Three Treasures Faith, that is to say, the faith for three treasures, such as Buddha, Buddhist Commandment and Buddhist monk, which was formed by the fusion of Buddhism and conventional Shamanism. 3. Such letters as 천(Heaven), 왕(God). 영(om) stand for what shaped Guardian Deities protecting buddhist Sanctum. 4. The rmbroideries of three-legged bird, such as rabbit and toad, which symbolyze 일(sun) and 월(moon) stand for what shaped conventional divinities. 5. After Kasa possessing originally practical significance, such as Kasa Charity, was penetrated into Korea, it became the object of faith, possessing symbolical significance in addition.

• 한국산학기술학회논문지
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• 제10권7호
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• pp.1673-1679
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• 2009

본 연구는 유아시기에 정서적 성향에 영향을 미치는 좌우뇌의 균형적 발달이 가능한가를 보기위하여 2008 3월부터 2008년 11월까지 Y 유치원 원아50명(실험군 25명, 대조군 25명)의 뇌파를 검사하여 뉴로피드백 훈련 전과 훈련 후의 좌우 뇌 균형 정도 차이를 보고자 하였다. 훈련 전과 후의 좌우뇌 정도는 시계열 선형 분석을 통하여 비교하였으며, 연구검증 결과 뉴로피드백 훈련을 적용한 원아들에서 좌우뇌 균형 지수에서 유의미한 차이를 보였다. 이 결과는 전전두엽 뉴로피드백 훈련이 유아들의 좌우뇌 균형을 높여 주었으며 정서적 성향에 긍정적인 영향을 미쳤다고 본다.

• 비교문화연구
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• 제25권
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• pp.159-183
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• 2011

This study is for the understanding of the role of fortunetelling and the "Scripture of Fortunetelling(占察經)" through the relationship between the manners and customs of Koreans and the Buddhist Scripture dealing with the fortunetelling. It is meaningful to understand how it is related with Buddhism. As a result, I perceived that Koreans have lived with fortunetelling and that the role of fortunetelling in from private person to the country. I saw there were four big roles; to clean the uncertainty of the future to fulfill the expectations, to confirm the justice of what he or she did, to cure, and to choice. Looking into "Memorabilia of the Three Kingdoms(三國遺事)", I see that the Scripture of Fortunetelling and the ceremony of fortunetelling was popular and those great monks such as Wongwang, Wonhyo, Jinpyo and Jihye presided these ceremonies. The structure of the "Scripture of Fortunetelling(占察經)" has the hierarchy of Fortunetelling, Penance, Practice, Awakening, and Salvation of the world. So fortunetelling motivated every stage of practice. The role of fortunetelling in "Scripture of Fortunetelling(占察經)" is to intermediate. For this purpose it divided the attitude for the fortunetelling into two categories; for the urgent real life and just for enjoying. But they seriously dealt with both results. They used the fortunetelling in order to accomplish the ultimate purpose of Buddhism. So the fortunetelling is a mean of propagation of Buddhism and a intermediary of awakening and salvation.

• 한국철학논집
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• 제27호
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• pp.469-496
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• 2009

愚潭先生于理学, 以≪四七辨证≫贡献最大, 由此知名｡ 其诗咏作品, 传世甚少｡ 学者迄今鲜有论述｡ 那么愚潭之于诗学, 其才情如何, 即成疑问｡ 自宋周濂溪至朱晦庵以来, 理学诸儒多能吟咏, 故有"濂洛风雅"一派｡ 愚潭之诗與其理学著作, 究竟具有何种关联, 亦成疑问｡ 愚潭终身不仕, 儒书之外, 又谙熟佛典與仙道, 又性好游观, 凡此种种, 就外表而言, 则似介于儒学與佛,道之间, 那么愚潭先生之立身, 究竟为儒家, 为佛道, 亦颇有探讨价值｡ 其一生学养所归, 是否醇儒, 仍须辨明｡

• 대순사상논총
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• 제20권
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• pp.67-94
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• 2009

Kang Jeung-san whose real name is Kang Il-soon was a Korean born thinker who thought himself as Shangti(上帝). It is told that he made a Great Tour(大巡) upon this world. His thought was affected by Asian traditional philosophy such as Confucianism, Buddhism and Daoism. He founded a religious body, called Jeung-san-Gyo which could be formed a syncretism of East Asian traditional thoughts. We have to survey Asian traditional thoughts in order to understand Kang Jeung-san's religious thinking. According to the Great Tour Scripture(大巡典經), he have read Confucian moral books, holy Sutra of Buddha and the books of Daoism. In the field of Confucianism, he stressed upon the Book of Changes (Zou-yi; 周易). And for Buddhism, he showed great concern on a monk, Jin-mook(震黙) who lived 15th century in Chosun Dynasty. Jeung-san Shangti followed Daoistic way when he performed religious ritual. In case of performance, he was compared as a great Shaman who wanted to save the world. And the most typical ritual was called public business of Heaven and Earth(天地公事). He showed a great scale while he was touring the world in space. The most important thing, however, is to overcome the localization which seems still prevailing doctrine of the Jeung-san thought. For this, the followers of Jeung-san-Gyo should study world philosophy and accept the modernity so as to broaden Jeung-san thought to the rest of the world.

• Acta Via Serica
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• 제8권2호
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• pp.125-154
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• 2023

Historically, commerce was a significant factor in the proliferation and development of Buddhism, which is especially manifest in the cult of the bodhisattva Avalokiteśvara. Iconographic and textual evidence testifies that maritime trade on the Indian Ocean played a fundamental role in the formation of Avalokiteśvara worship. The sea was also a major conduit through which elements of the Avalokiteśvara faith were transmitted from India through China to Korea and Japan, the easternmost ends of the Silk Road. These elements include Avalokiteśvara's role as a maritime savior, oceanic symbolism, and the concept of the bodhisattva's worldly abode, Potalaka. Cultic sites dedicated to maritime safety were established at important transport hubs in East Asia. Due to China's strategic location on the Silk Road, as well as its cultural influence, the most important cultic sites were founded in China, first on the Shandong Peninsula, then in the southern Jiangnan region, in present-day Zhejiang Province. Especially notable is the role that Korean seafarers played in this process by assisting monks in search of the Dharma, establishing temples, and transmitting religious beliefs across the ocean. The present study focuses on the role that maritime figures played in the cultural exchanges between Korea, China, and Japan examined through Avalokiteśvara faith. By this, it aims to demonstrate how Korean seafarers inherited and continued the traditional relationship between commerce and Buddhism, while extending the Maritime Silk Road to the "East Asian Mediterranean."

• 대순사상과 동아시아종교
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• 제3권2호
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• pp.55-70
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• 2024

This study presents and examines various ethical theories that could offer potential solutions to the issue of discrimination against non-human animals in contemporary society, and traces its implications for Korean religions. The article focuses on two normative ethical theories - virtue ethics and the ethics of care - and through an analysis of existing research, argues that both theories may serve as foundational principles guiding our behavior, not only in our interactions with other humans but also in our treatment of non-human animals. Furthermore, the examples presented in this study demonstrate that similar ethical theories have already been adopted as frameworks for human behavior towards other living beings within two religious traditions, Buddhism and Daesoon Jinrihoe. In both belief systems, animals are acknowledged as integral components of the world in which we live. Additionally, both religions endorse the idea that the well-being of non-human animals and our attitudes toward them can also have a direct impact on our present lives, as well as on our future existence. Consequently, promoting morally upright conduct towards other living creatures should be viewed as a necessary measure, beneficial not only for the animals themselves but also for the collective well-being of humanity.

• 한국산학기술학회논문지
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• 제18권8호
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• pp.285-293
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• 2017

본 연구의 목적은 다면적 인성검사(MMPI-2)의 임상척도와 뇌기능지수 중 자기조절지수와의 관련성을 알아보고자 하는데 있다. 연구는 상담센터에 내원한 20세 이상의 성인 남녀 중 자원한 41명을 대상으로 진행하였다. 자기보고식 검사지인 다면적 인성검사(MMPI-2)를 이용해 검사를 진행했으며, 2채널 뇌파측정기를 이용해 Fp1,과 Fp2에서 뇌파를 측정하였다. 연구결과는 다면적 인성검사(MMPI-2)의 임상척도인 척도2(D)와 자기조절지수 중 휴식 즉, 알파파와 음의 상관을 보였으며, 다면적 인성검사(MMPI-2) 척도3(Hy)은 집중력 즉, 저베타파와 양의 상관성을 보였고, 척도 7(Pt)은 휴식과 음의 상관성을 보였다. 상담현장에서 다면적 인성검사(MMPI-2)와 SQR을 상호 보완하여 사용할 수 있다는데 본 연구의 의의가 있다. 이러한 결과는 세 가지 시사점을 갖는 것으로 해석 가능하다. 첫째, 우울한 정서를 가진 사람들은 타인의 시선과 평가에 민감하여 대인관계를 맺을 시 많은 에너지를 사용하게 되어 휴식이 유지되지 못하기 때문에 피로도가 상승할 수 있다. 둘째, 지나치게 타인의 관심을 얻으려고 하고 쾌활한 모습을 지닌 사람들은 활동력이 높을 것으로 여겨진다. 셋째, 불안과 긴장 상태로 스트레스가 높아진 사람들은 쉽게 지치고 짜증과 불쾌감이 상승할 수 있다는 것을 시사한다.

• 조형예술학연구
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• 제13권1호
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• pp.61-86
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• 2008

불교와 불교미술은 인도에서 발원하였지만, 그것들은 각 나라에 전파되면서 국제적인 환경을 만들어 냈다. 불교는 각 나라에 일종의 꾸러미의 형식으로 전파되었다. 예를 들면 불경, 불상과 불화의 도상과 양식, 건축과 그 기법, 복잡한 의식, 승려나 여승이 기거하는 사찰에서 건축적 요소와 그 기법들이 함께 소개되었다 불교의 시작은 인도의 아쇼카 왕조시기(reign of King Asoka)로 거슬러 올라가지만, 이후 각 나라의 정치적, 지적, 예술적, 종교적, 사회적, 자연적 환경, 지리적, 지질적 환경에 맞게 전개됐다. 불교미술은 토착화하면서 그 지역민을 닮은 상이 만들어 졌고, 또 지역마다 독특한 특색을 나타내면서 발전하기 시작했다. 스투파(stupa)와 차이챠 홀(chaitya hall)은 수도원의 독특한 분위기를 만들어 내곤 중앙아시아의 대상인들은 인도의 문화가 중국에 전해지는데 공헌했을 뿐만 아니라, 그들이 지나던 교역루트의 자연환경 덕분에 화려한 색채의 벽화들이 제작되고 보존될 수 있었다. 불교와 불교 미술이 중국과 한국, 일본에 전해졌을 때, 불교는 국가 제도와 사회적 조직의 일부가 되었다. 정치적 목적에 의해 거대한 불상들이 산속의 동굴에 만들어 지기도 했다. 중국은 스투파를 사각형의 기둥으로 변형시켰고, 기와를 얹은 지붕 형식의 탑을 만들어 냈다. 한국은 불교미술을 중국에서 일본으로 전파시켰을 뿐만 아니라, 고유한 방식으로 그것을 변형시켰다. 석굴암의 깊은 명상에 잠긴 듯한 보살상들의 이미지가 그 좋은 예이다. 중국에서는 신유교 철학이 국-가의 공식적인 이념이 되면서 선종의 부흥하기도 했으며, 일본의 선승들은 신도들의 명상을 북돋기 위해 선종 형식의 정원을 만들어 냈다. 티벳의 밀교에서도 불교미술의 중요한 발전양상을 확인할 수 있다. 밀교의 미술은 예술적 환경 뿐만 아니라, 지적이고 종교적인 것에도 속한다. 한편 티벳의 신들이 그들의 배우자를 안고 있는 모습은 신과 신자들의 융합을 상징하기도 한다. 불교미술은 독창적인 환경을 만들어 냈고, 여라 나라에 전파되면서, 상당한 변화를 낳았다.