• 한국의류학회지
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• 제33권4호
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• pp.511-518
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• 2009

Freed from its traditional confinement to the human body, postmodernism in fashion exposes the defectiveness of body and abstracts from the body under. Deformation of the body denotes the break away from the idealized and standardized body for mass productions. It tends to experiment with extreme exaggeration in form, refusing to subscribe to the traditional values that build on the balance and symmetry of the body. Bodily deformation carried out historical and cultural pastiche opposes the sartorial convention and symbolism which results in the discord between signifiant and $signifi{\acute{e}}$ of clothing. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily deformation as pastiche, focusing on the relationship between clothes and the body. In order to inquire the deformation of the body in fashion, my study examines subjects of the fashion collections of the turn of the 21st century, using the method of literature research and content analysis.

• 복식문화연구
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• 제18권4호
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• pp.599-611
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• 2010

The purpose of this study is to develop the most appropriate garment patterns for dog. This study is analyzed the body structures and bodily movements of different types of dogs and constructed garment patterns that are appropriate for each category: the basic pattern for dogs with oval-shaped chests; and the modified pattern for the ones with barrel-shaped chests. Analyzing some of the existing patterns in the market as well as studying the size chart of one of the dog apparel manufacturers, who participated in the Fashion Week for the very first time, were undertaken in order to understand the bodily figures and movements of dogs. Furthermore, based the previous studies and relevant information available regarding some of the most popular dogs in four selected countries: (names of the selected countries), dogs were broadly categorized into three groups according to the shape of their chests: Oval, Barrel, and Flat-sided. Later, two types of pattern were created and then constructed for fitting: the basic pattern for oval-shaped chest; and the modified pattern for barrel-shaped chest. As a result, the two patterns turned out to be most suitable for pet dogs.

• 한국의류학회지
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• 제27권3_4호
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• pp.333-342
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• 2003

The purpose of the study is to understand the newer and more direct design techniques, and to provide information to exert creativity in designing. The headdress, one of dress items, was selected so that the change might be investigated in designs and production methods. A headdress was manufactured on the basis of literature review and portrait analysis. The target period of the study was limited to Henry Ⅶ and Henry Ⅷl(1485∼l547) when gable headdress was put on. The details and the patterns of gable headdress were identified for the selected gable hood to be manufactured. It was not possible to get the same dress material, so a similar one was made as in the pictures. The same was done to the color. Putting the focus of the study on the reproduction of the figure in the portrait, some dimension were measured in bodily proportion and patterns were made by three-dimensional cutting. As results, some dimensions used in the manufacture had some limits.

• 복식
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• 제51권1호
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• pp.87-96
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• 2001

This study, dealing with obese bodily figures from the viewpoint of garment shape, was conducted with obese male children of late school ages(nine to eleven years old) to provide data for making ready-made clothing for obese children by directly measuring and analysing the bodily figure of the upper body of them. The results of the study are summarized as follows. 1. According to the basic statistics, for most of obese children the values of the measuring items by ages appeared to be large, and the results of comparison with the National Anthropometric Survey of Korea made in 1997 showed that the values were more large than those of standard physical conditions. 2. It was shown that in the correlation between items the upper breast circumference had a high correlation with all items, and the weight did with the following items such as circumference, height, width and thickness. 3. The results of the principal component analysis showed that six main components hand an explainable power of more than 75.60% for all materials. The first factor was thickness and obesity of the upper body, the second one the height, the third one the length of front and rear sides, the fourth one the width of neck, the fifth one the length of shoulder, and the sixth one the breast width and the wrist circumference.

• 복식
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• 제57권1호
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• pp.50-65
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• 2007

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of protecting, expanding and deforming the body. Using 'body' to analyze the clothing form, my study develops a framework by which to classify the planarization of the body in Japanese avant-garde fashion. In order to inquire the formative style and aesthetic values expressed in Japanese avant-garde fashion, my study examines subjects from the discourse on the body to the fashion collections of the 20th and 21st century. The results of the study are as follows. Japanese avant-garde fashion focuses on a planarization of the body which questions the three dimensional construction of the body in more conventional clothing system. Un-structured, variable space posited between the body and clothes, participation of the wearer, attention to recent technology and material, and absence of gender identification characterizes the planarization of the body in Japanese avant-garde fashion. The absence of body in fashion stresses a will-to-form rather than mere bodily proportion and structure, which explores trans-extensity that goes beyond the boundary of the body Ultimately, planarization of the body betrays the correspondence between signifiant and signifie in sartorial convention. Aesthetic ideal of the body is visualized in the form of a dress. Some clothes prioritize the body, particularly the feminine bodily curves, while others focus on the clothing itself as abstract and sculptural forms. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily representation in Japanese avant-garde fashion, focusing on the relationship between the clothes and body.

• 복식
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• 제57권4호
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• pp.70-80
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• 2007

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of protecting, expanding and deforming the body. Using 'body' to analyze the clothing form, my study develops a framework by which to classify transfiguration in fashion design. In order to inquire tile formative style and aesthetic values expressed in transfiguration in fashion, my study examines subjects from the discourse on the body to the fashion collections of the late 20th and 21st century. The results of the study are as follows. Transfiguration signifies absence of body which questions the three dimensional construction of the body in more conventional clothing system. Transfiguration is expressed in non-figural forms which implies metaphorical plasticity and abstract extensity. Transfiguration in fashion stresses a will-to-form rather than mere bodily proportion and structure, which explores trans-extensity that goes beyond the boundary of the body. Ultimately, this phase also betrays the correspondence between signifiant and $signifi\acute{e}$ in sartorial convention. Aesthetic ideal of the body is visualized in the form of a dress. Some clothes prioritize the body, particularly the feminine bodily curves, while others focus on the clothing itself as abstract and sculptural forms. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily representation in transfiguration in fashion, focusing on the relationship between the clothes and body.

• 대한전자공학회:학술대회논문집
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• 대한전자공학회 2003년도 하계종합학술대회 논문집 V
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• pp.2693-2696
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• 2003

우리나라의 국민표준체위조사는 1979년 1차 조사를 시작으로 약 5-6년 주기로 실시되고 있으며, 1997년 제 4차 조사가 실시되었다. 국민체위조사 결과를 기반으로 의류, 신발, 가구 등 관련산업의 제품설계에 반영되었다. 본 논문에서는 국민표준체위조사 결과 자료를 기본으로 성별, 연령별, 체형별로 사용자를 분류한 후 체형별 분류를 위한 인체 측정치를 도출하였다. 도출된 인체측정치의 상관관계 분석, 대표적인 항목 도출 등의 과정을 통하여 3D 캐릭터를 구성하였다. 구성을 위한 과정으로 골프, 테니스 등의 스포츠 동작을 효율적으로 나타낼 수 있는 인체 측정치를 도출하였다. 항목이 결정되면 각 타입의 3D 캐릭터를 구성 할 수 있는 치수를 제시하여 생성하였다. 스포츠의 자세 및 동작분석에 대한 이론적 접근에서 가시적인 정보제공 및 자세·동작분석 프로토콜을 개발함으로서 자세 및 동작에 대한 정량적, 객관적 평가가 가능해졌다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2006년도 추계 종합학술대회 논문집
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• pp.631-634
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• 2006

우리나라의 국민표준체위조사는 1979년 1차 조사를 시작으로 약 5-6년 주기로 실시되고 있다. 국민체위조사 결과를 기반으로 의류, 신발, 가구 등 관련 산업의 제품 설계에 반영되었다. 본 논문에서는 국민표준 체위조사 결과 자료를 기본으로 성별, 연령별, 체형별로 사용자를 분류한 후 체형별 분류를 위한 인체측정치를 도출하였다. 도출된 인체측정치의 상관관계를 분석, 대표적인 항목 도출 등의 과정을 통하여 3D 캐릭터를 구성하였다. 구성을 위한 과정으로 골프, 테니스 등의 스포츠 동작을 효율적으로 나타낼 수 있는 인체 측정치를 도출하였다. 항목이 결정되면 각 타입의 3D 캐릭터를 구성 할 수 있는 치수를 제시하여 생성하였다. 스포츠의 자세 및 동작 분석에 대한 이론적 접근에서 가시적인 정보제공 및 자세 동작분석 프로토콜을 개발함으로서 자세 및 동작에 대한 정량적, 객관적 평가가 가능해졌다.

• 복식
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• 제56권7호
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• pp.126-141
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• 2006

Clothes and human body are inseparably related. Aesthetic consciousness of the body determines the form of clothing, reflecting the time and culture as well as the individual and society. Clothes can even reorganize the meaning of the body, while transcending their instrumental functions of protecting, expanding and deforming the body. Using 'body' to analyze the clothing farm, my study develops a framework by which to classify the representation of the body in fashion focusing on the representation of physicality. In order to inquire the formative style and aesthetic values expressed in representing body in fashion, my study examines subjects from the 14th century European costumes to fashion collections of the 20th century. In fashion, representation of the body is visually analogous to the ideal body shape and structure, including a realistic presentation of the body as well as reflection of aesthetic ideals. Representation of physicality refers to structural designs and elastic fabrication. Structural designs appeared in tailoring and bias-cut draping, as well as in stretchy clothes such as Lycra body suit and knit garments that highlights the body structure and movements of the body joints. In representing physicality in fashion, clothing forms reflect body silhouette and each body parts. Therefore, the shape of clothes (signifiant) corresponds to the anatomy and movement of the body ($signifi\'{e}$) in pursuit of aptness. Aesthetic ideal of the body is visualized in the form of a dress. Some clothes prioritize the body, particularly the feminine bodily curves, while others focus on the clothing itself as abstract and sculptural forms. Fashion continues to explore forms and images that transcend the traditional representations of the clothed body. As a type of intimate architecture, fashion always mediates the dialogue between clothes and body, or fashion and figure. My study suggests a framework to analyze bodily representation in fashion, focusing on the relationship between the clothes and body.

• 감성과학
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• 제6권2호
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• pp.59-64
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• 2003

우리나라의 국민표준체위조사는 1979년 1차 조사를 시작으로 약 5∼6년 주기로 실시되고 있으며, 1997년 제4차 조사가 실시되었다. 국민표준체위조사 결과를 기반으로 한 인체측정치는 의류, 신발, 가구 등 관련산업의 제품설계에 반영되었다. 본 논문에서는 국민표준체위조사 결과자료를 기본으로 성별, 연령별, 체형별로 사용자를 분류한 후 체형별 분류를 위한 인체측정치를 도출하였다 도출된 인체측정치의 상관관계를 분석, 대표적인 항목 도출 등의 과정을 통하여 3D 캐릭터를 구성하였다. 구성을 위한 과정으로 골프, 테니스 등의 스포츠 동작을 효율적으로 나타낼 수 있는 인체 측정치를 도출하였다. 항목이 결정되면 각 타입의 3D 캐릭터를 구성할 수 있는 치수를 제시하여 생성하였다. 스포츠의 자세 및 동작분석에 대한 이론적 접근에서 가시적인 정보제공 및 자세ㆍ동작분석 프로토콜을 개발함으로써 자세 및 동작에 대한 정량적ㆍ객관적 평가가 가능해졌다.