• Tuberculosis and Respiratory Diseases
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• 제51권6호
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• pp.603-608
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• 2001

저자들은 속립성 폐결핵과 연관되어 급성 경과를 보인 결핵성 뇌수막뇌염 환자에서 뇌혈관 자기공명영상으로 혈관염 소견을 확인하고, 스테로이드의 투여와 중단, 재투여에 따라 뇌증의 증세가 뚜렷히 변하는 임상경과, 증상이 호전된 후 추적한 뇌혈관 자기공명영상에서 혈관 영상이 정상화된 것을 확인할 수 있었던 사례를 경험하였기에 문헌고찰과 함께 보고하는 바이다.

• 복식
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• 제60권1호
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• pp.14-27
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• 2010

The purpose of this study is to analyze how the aesthetic characteristics of Brecht's V-Effekt is visually expressed of the costume in the Traditional Play of Korea, China and Japan. The method and the contents of the study were to refer to the antecedent studies and the related documents to peruse the characteristics of the traditional plays of the East and West, the origin and the concept of Brecht's Verfremdung and considered the relation of Brecht's V-Effekt and the Oriental plays, and then the researcher derived the aesthetic properties of Brecht's V-Effekt. This study analyzed how those qualities of the aesthetic characteristics on the V-Effekt are manifested on the stage costumes of Korean mask, Beijing opera and Kabuki. The aesthetic qualities of Brecht's V-Effekt are classified into symbolism, grotesque disposition, character of sing and dance, comicality. The symbolism in the traditional play costumes of the three nations is shown in the colors of the masks in Korean and the tone of the colors on the costumes and the make-up in Beijing opera and Kabuki. While the properties of bizarrerie and deformation coexist in masque and Beijing opera costumes in terms of grotesque disposition, Kabuki strongly displays bizarre grotesquerie. The character of sing and dance is visually expressed through the transformation of sleeves on the three nation's traditional play costumes; Masque on the Hansam and Chengsam, Beijing opera on the Water sleeves and Kabuki on Hurisode. The comic aspection is expressed in a humorous and comical way through the distortion and transformation of forms in Masque and Beijing opera but it cannot be seen in Kabuki costume. The study as above will form the aesthetic properties of the Oriental traditional play costumes and also it will contribute to establishing the identity of Korean mask costumes.

• 비교문화연구
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• 제46권
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• pp.281-296
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• 2017

안드레이 아말릭의 희곡들은 70년 소비에트 희곡사에서 전무후무한 독특한 현상이다. 그것은 소비에트 희곡이 20세기 초 러시아 아방가르드의 성과를 고의적으로 망각한 지 반세기가 지난 뒤에, 동시대 서방의 실험적인 연극 실천들로부터 철저하게 고립된 소비에트의 연극 환경 속에서 느닷없이 출현한 괴물 같은 부조리 희곡이었다. 그런데 놀랍게도 아말릭의 희곡들은 현재의 러시아 내에서 뿐만 아니라 외국의 러시아 문학 연구자들 사이에서도 거의 잊혀져가고 있다. 소비에트 체제가 붕괴한 뒤, 러시아에서는 1991년에 아말릭의 수기가 발간된 것 말고는 작품집도 나오지 않았으며 그의 작품 세계에 대한 재평가 움직임도 눈에 뜨이지 않는다. 그러나 아말릭은 반드시 온당한 평가를 받아야 하는 작가이다. 그의 희곡에 대한 연구는 고골, 흘레브니꼬프, 마야코프스키, 오베리우 등으로 이어지는 러시아 그로테스크-부조리 극문학의 혈통을 복원하는 일이다. 이 논문에서는 그 작업의 한 시도로서 아말릭 희곡의 구성 메카니즘에 관해 알아보기로 한다.

• 복식문화연구
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• 제26권6호
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• pp.823-835
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• 2018

The body is an important object of costume expression, and the reflection of the aesthetics of the body according to age, culture, individual or group determines the form of the costume. In particular, British artist Leigh Bowery provided many designers and celebrities with original design ideas. Leigh Bowery's costumes are related to the carnival concept. Thus, this study analyzed Leigh Bowery's life and works, and examined Michael Bakhtin's grotesque carnivalesque theory. Based on Bakhtin's carnival theory around 100 works by Leigh Bowery, in the form of YouTube videos and DVD clips were analyzed in this study. The results of the analysis Leigh Bowery's body and costume research are as follows. First, this study can define fetishism as a characteristic of costumes such as body suits, harnesses, high-heeled boots, and stockings, that stress the body. Second, the character of the body is not expressed as that of an idealized body, but the fat and ugly aspect are revealed. Third, Leigh Bowery's costumes are characterized by ambiguity. The costumes blur the boundaries between women and men. Fourth, common sense, combined with normal and bizarre, brings out a strong sense of carnival humor with ridiculousness arising from the gap between reality and reality. His performance has had a significant impact on victims of discrimination or unequal treatment in sexual, racial, and age-related situations. This study should inspire many designers through the study of Leigh Bowery's body expression and dress, but it also introduces fashion icons that are not well known in Korea.

• 한국콘텐츠학회논문지
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• 제22권4호
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• pp.727-741
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• 2022

이 글은 1990년대 이후 미국 애니메이션을 연구 대상으로 삼았으며, 현대 팝 예술 양식을 대상으로 현대 팝 예술 양식이 당대 미국 애니메이션 예술 창작 표현과 당대 미국 애니메이션에 미치는 영향을 세밀하게 정리하였다. 미국 애니메이션이 세계를 휩쓴 이유를 알고, 현대 미국 애니메이션의 예술 창작 특징을 정리한다. 당대 미국 애니메이션과 긴밀한 관계를 맺고 있는 포스트모던 팝의 예술 양식이 당대 미국 애니메이션에서 어떻게 표현되고 있는지 살펴본다. 이론과 실제 애니메이션 작품을 결합한 연구 논증을 거친 후, 현대 미국 애니메이션에서 포스트모던 팝의 주요 표현 방법인 과장되고 심플한 조형을 통한 캐릭터 특징 부각, 반항적인 색채를 이용한 정서적 감각의 재구성, 대중매체를 이용하는 창작활동, 반복되는 요소 간의 조합과 같은 방식을 이용하는 장난스러우며 기존의 것을 희화화 하는 포스트모던의 정신을 구현한다. 이를 통해 현재 미국 애니메이션의 분석이 국내 애니메이션 디자인에 새로운 혁신 아이디어를 제공하고, 국제 영상 애니메이션에서 국내 애니메이션의 경쟁력을 높여 줄 것으로 기대한다.

• 수산경영론집
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• 제54권3호
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• pp.69-92
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• 2023

The 'Japanese Useful Fisheries Classification Table', published in advance before the publication of the "Useful Fisheries of Japan", is the first data to classify and introduce fisheries animals and plants in a single table. Therefore, it had received public attention immediately. However, The academy of animal studies at that time quickly pointed out that this classification table was a mixture of traditional and modern classifications, and that there were too many errors. However, Yoshio Tanaka, who was in charge of revising Yamamoto Arikatana, that wrote the classification table, was not an adherent of traditional taxonomy, nor was he ignorant of modern taxonomy. Nevertheless, the classification table, which was quite different from the well-known zoological classification at that time, was prepared. For example, the top classifications of marine organism are not at the same level, but rather a mixture of phylum and class, while the water insect contains several phylums, including Arthropoda, Echinodermata, Mollusca, and Coelenterata. As such, the method of classification of animals in the classification table was hard to understand in the zoological academy at that time. The reason for this unusual taxonomy was that the classification table showed classification of useful fisheries products, not intended to convey academic classification. In other words, it is not for the purpose of academic classification of all fishery products, but for the purpose of presenting standards that can be easily understood by those engaged in the collection, manufacture, and aquaculture of fishery products. This principle of 'Useful Fisheries of Japan' is also ascertained in the "Fishing Methods of Japan" and "Fishery Products of Japan". Regarding the collection and processing of marine products, it could have shown how to catch whales, which are mammals, and how to dismantle whales and obtain oil and meat, according to academic classifications. However, the first appearances in the book include dried squid, abalone, shark fins, and sea cucumbers. In other words, the most important fishery products at that time are presented first. The contents of the classification table, which is considered somewhat bizarre, show where the purpose to compile Useful Fisheries of Japan.

• Archives of Plastic Surgery
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• 제37권3호
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• pp.233-238
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• 2010

Purpose: As the use of soft tissue fillers becomes more popular, complications such as foreign body granuloma (FBG) are increasing. We report 120 cases of facial FBG and review the available literatures. Methods: 120 patients of facial FBG in our clinic from Mar. 2003 to Feb. 2008 were complied and analyzed. A retrospective chart review was done and patient satisfaction was evaluated with a questionnaire using 5 score scale. Patients with severe inflammation sign or bizarre deformity underwent surgical excision and those with minimal symptoms or a history of hyaluronic acid injection received injection therapy using hyaluronidase. Results: 100 females and 20 males were observed. The average age was 43.7 years (from 16 to 74). 84 patients received surgical therapy and 36, injection therapy. Deformity of facial contour, foreign body sensation and inflammation sign were the three main chief complaints. 84 patients did not know what the injection materials were. The known materials are as follows: collagen, hyaluronic acid, silicone oil, paraffin. 92 cases were performed by unlicensed practitioners, 29 by physicians. Anatomical site most frequently affected by the foreign body granuloma was the cheek (25.8%), followed by forehead (19.2%), lips (15.8%), nose (9.2%), mentum (8.3%), eyelid and eyebrow (4.3%) and temple (0.8%). In 21 patients (17.5%), FBGs were found on multiple sites. Patients with inflammation sign got the highest satisfaction ($3.19{\pm}0.73$) (p=0.001) among 3 chief complaints. And patient satisfaction was statistically higher in surgical therapy group ($3.43{\pm}0.72$) than in injection therapy group ($2.97{\pm}0.88$) (p=0.003). Conclusion: We suggest that it may be beneficial to tailor the type of treatment for FBG relying on wound state and patient's chief complaints. In surgical therapy, resolute approach is necessary to correct facial deformity definitely and to minimize inflammation. Injection therapy could be another option for those with minimal symptoms or a history of hyaluronic acid injection. To prevent foreign body granuloma, not only plastic surgeons but also other physicians should inject soft tissue fillers with great caution and we should warn the public of disastrous consequences associated with illegal medical practice.

• Tuberculosis and Respiratory Diseases
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• 제65권5호
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• pp.396-399
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• 2008

객혈의 원인은 다양하고, 원인을 찾기 위해 침습적인 검사를 포함하여 여러 검사를 필요로 하는 경우가 있다. 인위성 객혈은 환자가 의도적으로 객혈을 만들어 내는 매우 드문 임상증상으로 간과되기 쉽다. 객혈 원인을 찾기 위한 여러 검사에서 특별한 이상소견이 없을 경우에는 인위성 객혈을 감별 진단해야 한다. 특히 본 증례와 같이 반복적인 객혈 호소와 극단적이고 이상한 임상 양상이나 보기 드문 행동을 하는 경우에는 인위성 객혈을 의심해 보아야 한다.

• 복식
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• 제52권1호
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• pp.129-143
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• 2002

Patterns are something that comes out of necessity in human life, which is closely associated with it. Thus come the SFAA (Seoul Fashion Artists Association) collection which uses patterns varying in form, color, way of expression and material. For this research, I first categorized the patterns the SFAA designers used into: natural patterns, symmetric patterns, traditional patterns, stripe, plaid, dot and abstract patterns. As a result of the process. the designers most favored the natural patterns and symmetric patterns, and dot patterns were rarely used. The designer who most favored patterns in general was Sul Yun-hyoung, and the designer Kim Chul-ung rarely favored the surface effect. The seven kinds of patterns naturally differ according to the designer. as Park Hang-chi liked to use the plaid patterns along with yam dyeing material, whereas Jin Teok expressed stripe patterns using the yarn dyeing fabric. Natural patters were presented in a bizarre way with Lie Sang-bong. who took the motives appearing in Eastern ceramic and paintings into the clothes, using the print method. The symmetric patterns, which the SFAA designers most preferred. was used evenly among designers like Chang Kwang-hyo, Gee Choon-hee. Rubina, and Haneza. In contrast. Lie Sang-bong. who used abstract patterns that do not give out meaning of the actual form of the pattern. rarely used symmetric patterns. The dot patterns were most often used by Park Youn-soo. and traditional patterns were overwhelmingly chosen by Sul Yun-hyoung. Secondly. in expressing the colors, SFAA designers were much more likely to choose achromatic colors. not choosing to show off colors. This is especially apparent in works by Haneza and Lie Sang-bong. In the SFAA collections, numerous methods were used to create. For instance, Sul Yun-hyoung used the oriental embroidery method. and Rubina and Lie Sang-bong used many unique dying methods. In terms of materials, Sul Yun-hyoung preferred silk. due to her methods, and Lie Sang-bong was one of the designers that used a number of different materials such as vinyl. Jacques Mueclier of the Paris Clothes Association in France, who was invited to SFAA collection once, remarked. "While the choice of material and the actual sewing done were excellent, there lacked much difference among the designers, as most of them choose flowing silhouette In terms of composition," which is all too correct. In addition, there were cases in the collection where the inherent feelings of cultural artifacts was expressed without alteration. Summing up, the research aimed to analyze the surface expression methods, forms and color of SFAA designs. and I hope that it can open up ways for new projects in the future.he future.

• 문화기술의 융합
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• 제5권2호
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• pp.271-278
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• 2019

조선 말기 진도(珍島) 출신의 소치(小癡) 허련(許鍊)(1808~1893)은 시(詩) 서(書) 화(畵) 삼절작가(三絶作家)로서, 호남 화단의 실질적 종조(宗祖)라 불리운 대표적 화가이다. 초의선사(艸衣禪師)로부터 유(儒) 불(佛) 도(道)와 함께 회화의 기초를 배웠고, 초의(艸衣)의 소개로 추사(秋史) 김정희(金正喜)의 문하생이 되었다. 이후 추사(秋史)의 문인지향적(文人指向的) 서화정신과 화이재도적(畵以載道的) 회화심미를 정확히 이해하고 이를 계승하였다. 그의 생애와 예술활동의 특징은 70이 넘은 만년(晩年)까지 지속된 주유(周遊)와 다작(多作) 활동, 그리고 주유(周遊) 기간의 세부사항까지 서술한 "소치실록(小癡實錄)"의 기록이다. 소치(小癡)는 사의적(寫意的) 남종화(南宗畵)를 지향하여 예황풍(倪黃風)의 산수화에서 자유분방한 갈필(渴筆)과 소산간일(蕭散簡逸)한 충담미(沖澹美)를 발현하였다. 또한, '허목란(許牧丹)'이라 불리울 만큼 운필변용(運筆變容)의 생동미(生動美)를 자아내는 모란은 괴석(怪石)을 함께 그려 부귀공명(富貴功名)에 대한 욕망과 문사적(文士的) 취향을 동시에 만족시켰고, 이후 가전(家傳)되어 '운임산방(雲林山房)'의 대표적 화목(畵目)이 되었다. 그의 토착화된 화풍(畵風)과 회화(繪畵) 심미(審美)는 200여년의 5대(代) 직계(直系) 화맥(畵脈)을 형성하여 지금까지 현대 한국화단에 큰 영향을 끼치고 있다.